Tascam Digital Portastudio 788 Owners Manual

							TASCAM 788 Digital PortaStudio 101
12 – MMC and MIDI functions
The 788 can both control other devices, and be con-
trolled by them, using MIDI Machine Control mes-
sages (MMC).In addition, MIDI messages can be sent to the 788 in 
order to control the parameters remotely.
MIDI Machine Control
The 788 can be either a control slave or master and a 
timecode slave or master. This means that your only 
restrictions are with the other unit.
One common way to set up the 788 with a sequencer 
is to allow all 788 transport operations to be con-
trolled from the sequencer.
The sequencer is set to be a timecode slave, but an 
MMC master.
The 788 is set to be a timecode master, but an MMC 
slave.
In this setup, when the play command is issued from 
the sequencer, the appropriate locate and play com-mands are received by the 788, which starts its play-
back at the correct point. 
The sequencer is waiting for MIDI timecode to be 
received before it can start playback, however.
MIDI Timecode is transmitted from the 788, and 
read by the sequencer. 
The sequencer now starts to play back, locked to the 
incoming timecode.
When the sequencer issues a stop command, the 788 
responds to this stop, and timecode also stops.
Because the sequencer needs timecode to continue 
playback, and the timecode has now stopped, the 
sequencer playback now stops.
However, this is not the only way in which the 788 
can control and be controlled by MMC. You should 
consult the documentation of the other devices in 
your setup to find out the possible combinations 
which will help you work most efficiently with the 
788.
NOTE
Not every MMC command is accepted or transmitted by 
the 788. See “Bit-map array of MMC commands” on 
page 103 and “Bit-map array of Response/Information 
fields” on page 104 for details of the MMC commands 
accepted and transmitted by the 788.
MIDI OUT 2 MIDI OUT 1MIDI IN 1
MIDI IN MIDI OUT
MIDI IN MIDI OUTMIDI IN 2
Note data, 
etc. MIDI 
Timecode
MMC 
commands 
						

							12 – MMC and MIDI functions–MIDI Machine Control
102 TASCAM 788 Digital PortaStudio
788 MMC slave/master setting
To set the 788 as either an MMC slave or master, fol-
low the steps below.
1With the transport stopped, press the 
MENU 
key.
2Use the dial to scroll down to the 
SYNC/
MIDI
 menu and press ENTER.
3Use the dial to scroll down to the 
CONTROL 
menu item and press 
ENTER.
4There are two tabs on this screen. Use the Ó 
key to ensure that the 
MMC tab is visible.5Use the § and ¶ keys to highlight the 
MODE 
menu item.
6Use the dial to select the appropriate setting:
7Press 
ENTER to confirm the setting.
NOTE
If the 788 is set up as an MMC slave, this does not disable 
the local transport controls. You can still use these controls 
to play, record, locate, etc.
MMC ID
You can set an MMC ID for the 788. This ID can be 
used to distinguish it from other units in the control 
chain, and to receive messages which are intended 
only for it.
Alternatively, you can select a “universal” mode 
which means that the 788 will respond to all MMC 
commands received over the system.
1With the transport stopped, press the 
MENU 
key.
2Use the dial to scroll down to the 
SYNC/
MIDI
 menu and press ENTER.
3Use the dial to scroll down to the 
CONTROL 
menu item and press 
ENTER.4There are two tabs on this screen. Use the Ó 
key to ensure that the 
MMC tab is visible.
5Use the § and ¶ keys to highlight the 
DEVICE ID menu item.
6Use the dial to make the setting: either 
ALL 
or a value from 
1 through 127. 
Note that some devices may start counting 
from 0 and go up to 126 as the highest individ-
ual ID that can be set. With these units, a set-
ting of 127 corresponds to the ALL setting.
OFFAll MMC commands to the 788 will be ignored. 
The 788 does not transmit any MMC 
commands.
MASTERAll MMC commands to the 788 will be ignored. 
The 788 transmits MMC commands.
SLAVEMMC commands to the 788 will be recognized. 
The 788 does not transmit any MMC com-
mands. 
						

							12 – MMC and MIDI functions–MIDI Machine Control
 TASCAM 788 Digital PortaStudio 103
Bit-map array of MMC commands
Byte Bit7 Bit6 (40H) Bit5 (20H) Bit4 (10H) Bit3 (08H) Bit2 (04H) Bit1 (02H) Bit0 (01H)
c0– 0 (06) 
RECORD       
STROBE(05) 
REWIND(04) 
FAST         
FORWARD(03) 
DEFERRED       
PLAY(02)           
PLAY(01)
STOP(00) 
reserved
c1– 0 (0D)            
MMC           
RESET(0C)        
COMMAND
ERROR RESET
(0B)           
CHASE(0A)           
EJECT(09)           
PA U S E(08)         
RECORD
PA U S E
(07)            
RE CO RD              
EXIT
c2– 0 (14) (13) (12) (11) (10) (0F) (0E)
c3– 0 (1B) (1A) (19) (18) (17) (16) (15)
c4– 0-
0-
0-
0(1F) (1E) (1D) (1C)
c5– 0 (26) (25) (24) (23) (22) (21) (20)
c6– 0 (2D) (2C) (2B) (2A) (29) (28) (27)
c7– 0 (34) (33) (32) (31) (30) (2F) (2E)
c8– 0 (3B) (3A) (39) (38) (37) (36) (35)
c9– 0– 0– 0– 0 (3F) (3E) (3D) (3C)
c10– 0 (46)         
SEARCH(45)          
VARIABLE         
PLAY(44)          
LOCATE(43) 
UPDATE
(42)              
READ(41) 
MASK ED              
WRITE(40)             
WRITE
c11– 0(4D) 
ADD
(4C) 
MOVE(4B) 
MTC
COMMAND
(4A)
GENERATOR 
COMMAND
(49) 
ASSIGN
SYS, MAS
(48) 
STEP(47)            
SHUTTLE
c12– 0 (54) 
DEFERRED 
VA R I ,  P L AY
(53)          
COMMAND
SEGMENT
(52)           
GROUP(51)           
EVENT(50)
PROCEDURE(4F)               
DROP FR
ADJUST
(4E) 
SUBTRACT
c13– 0 (5B) (5A) (59) (58) (57) (56) (55)
REC STROBE 
VA R I A B L E
c14– 0– 0– 0– 0 (5F) (5E) (5D) (5C)
c15– 0 (66) (65) (64) (63) (62) (61) (60)
c16– 0 (6D) (6C) (6B) (6A) (69) (68) (67)
c17– 0 (74) (73) (72) (71) (70) (6F) (6E)
c18– 0 (7B) (7A) (79) (78) (77) (76) (75)
c19– 0-
0-
0-
0(7F)             
RESUME
(7E) (7D) (7C)             
WAI T 
						

							12 – MMC and MIDI functions–MIDI Machine Control
104 TASCAM 788 Digital PortaStudio
Bit-map array of Response/Information fields
Byte Bit7 Bit6 (40H) Bit5 (20H) Bit4 (10H) Bit3 (08H) Bit2 (04H) Bit1 (02H) Bit0 (01H)
r0– 0(06)
GENERATOR 
TIMECODE
(05) 
LOCK
DEVIATION
(04)           
ACTUAL 
OFFSET
(03)        
REQUESTED
OFFSET
(02) 
SELECTED
MASTER CODE
(01) 
SELECTED
TIMECODE(00)        
reserved
r1– 0(0D)
GP5(0C)
GP4(0B)
GP3(0A)
GP2(09)
GP1(08)
G P0 /L OCATE      
POINT(07)
MTC
INPUT
r2– 0 (14) (13) (12) (11) (10) (0F)
GP7(0E)
GP6
r3– 0 (1B) (1A) (19) (18) (17) (16) (15)
r4– 0– 0– 0– 0 (1F) (1E) (1D) (1C)
r5– 0(26)
Short 
GENERATOR 
TIMECODE
(25)
Short LOCK
DEVIATION
(24)
Short ACTUAL 
OFFSET
(23)
Short 
REQUESTED
OFFSET
(22)              
Short 
SELECTED
MASTER CODE
(21)
Short 
SELECTED 
TIMECODE
(20)          
reserved
r6– 0(2D)
Short GP5(2C)
Short GP4(2B) 
Short GP3(2A)
Short GP2(29)
Shor t GP1(28)
Short GP0 
LOCATE POINT(27)
Short MTC 
INPUT   
r7– 0 (34) (33) (32) (31) (30) (2F) 
Short GP7(2E)
Short GP6
r8– 0 (3B) (3A) (39) (38) (37) (36) (35)
r9– 0– 0– 0– 0 (3F) (3E) (3D) (3C)
r10– 0(46) 
SELECTED 
TIMECODE 
SOURCE
(45)
TIME 
STANDARD
(44) 
COMMAND
ERROR LEVEL
(43) 
COMMAND 
ERROR
(42)
RESPONSE
ERROR
(41)                
UPDATE RATE(40)             
SIGNATURE
r11– 0 (4D)               
RECORD        
STATUS(4C)              
RECORD         
MODE(4B) 
FA S T  M O D E
(4A)
STOP MODE(49) 
VELOCITY 
TA L LY
(48)
MOTION 
CONTROL 
TA L LY(47)
SELECTED 
TIMECODE 
USER BITS
r12– 0(54)
STEP LENGTH(53) 
TRACK INPUT 
MONITOR
(52)           
TRACK SYNC 
MONITOR
(51)           
RECORD 
MONITOR
(50)         
GLOBAL 
MONITOR
(4F)               
TRACK 
RECORD 
READY(4E)          
TRACK 
RECORD 
STATUS
r13– 0 (5B)         
GENERATOR 
COMMAND 
TA L LY
(5A)           
CHASE MODE(59) 
RESOLVED
PLAY MODE
(58) 
CONTROL
DISABLE
(57)            
LIFTER DEFEAT(56)
FIXED SPEED(55)
PLAY SPEED 
REFERENCE
r14– 0– 0– 0– 0(5F)
MTC SETUP(5E)
MTC 
COMMAND 
TA L LY
(5D)
GENERATOR
USER BITS
(5C)
GENERATOR
SETUP
r15– 0(66) (65) 
FAILURE(64)
RESPONSE 
SEGMENT
(63) 
VITC INSERT 
ENABLE
(62)           
TRACK MUTE(61) 
EVENT 
RESPONSE
(60) 
PROCEDURE 
RESPONSE
r16– 0 (6D) (6C) (6B) (6A) (69) (68) (67)
r17– 0 (74) (73) (72) (71) (70) (6F) (6E)
r18– 0 (7B) (7A) (79) (78) (77) (76) (75)
r19– 0– 0– 0– 0(7F) 
RESUME
(7E) (7D) (7C) 
WAI T 
						

							12 – MMC and MIDI functions–Program Change messages
 TASCAM 788 Digital PortaStudio 105
Program Change messages
The 788 can receive MIDI Program Change mes-
sages to change the effect settings (“Effects” on 
page 81), the routing patterns stored in a library 
(“Routing libraries” on page 91) or scenes (“Scene 
libraries” on page 92).
It cannot transmit Program Change messages.
NOTE
Scene memories cannot be changed while the transport is 
moving. The transport must be stopped for these Program 
Change messages to have any effect.
MIDI Bank Select messages are used to distinguish 
between preset and user libraries.
The MIDI channel number is used to determine what 
setting will be changed on receipt of a Program 
Change message.
Note that channel dynamic processors 1 through 7-8 
are controlled through MIDI channels 1 through 7 
(channel 7 handles the dynamics processor for chan-
nels 7-8).
If two channels are linked as a stereo pair, MIDI Pro-
gram Change messages for either channel of the pair 
will affect the effect assigned to the pair.
Enabling/disabling Program Change
You can enable or disable the way that the 788 
responds to Program Change, as explained here.
The 788 can be set to respond to Program Change 
messages for the mixer (channels 15 and 16), for the 
effects (1 through 12), both, or neither.
1With the transport stopped, press the 
MENU 
key.
2Use the dial to scroll down to the 
SYNC/
MIDI
 menu and press ENTER.
3Use the dial to scroll down to the 
CONTROL 
menu item and press 
ENTER.4There are two tabs on this screen. Use the Á 
key to ensure that the 
PC/CC tab is visible.
5Use the § and ¶ keys to highlight the 
PGMCHG SCN (Program Change for 
scenes and routing tables) or the 
PGMCHG 
EFF
 (Program Change for effects) menu 
item.
6Use the dial to turn the appropriate parameter 
ON or OFF.
Effects
MIDI ch.Ta r g e tRange
1-7 Channel dynamics bank0(preset):0-**, 
bank1(user):0-127
9 Stereo dynamics bank0(preset):0-**, 
bank1(user):0-127
10 Stereo effect1 bank0(preset):0-**, 
bank1(user):0-127
11 Stereo effect2 bank0(preset):0-**, 
bank1(user):0-127
12 Multi effect bank0(preset):0-**, 
bank1(user):0-127
Mixer
15 Routing Library 0-127
16 Scene memory 0-9 
						

							12 – MMC and MIDI functions–Control Change messages
106 TASCAM 788 Digital PortaStudio
Control Change messages
The 788 can also respond to Control Change mes-
sages in real time in order to allow control of individ-
ual parameters. It cannot transmit Control Change messages.
Enabling/disabling Control Change messages
You can enable or disable the 788 response to Con-
trol Change messages, as explained here.
1With the transport stopped, press the 
MENU 
key.
2Use the dial to scroll down to the 
SYNC/
MIDI
 menu and press ENTER.
3Use the dial to scroll down to the 
CONTROL 
menu item and press 
ENTER.4There are two tabs on this screen. Use the Á 
key to ensure that the 
PC/CC tab is visible.
5Highlight the 
CTLCHG (Control Change) 
menu item.
6Use the dial to turn the appropriate parameter 
on (
Mix/Eff) or OFF.
Mixer Control Change
The MIDI channel numbers are used to determine the 
mixer channel that will be affected by the Control 
Change messages.
Note that for channels 7 and 8 (and any stereo linked 
channels) that a Control Change command sent to 
one of the MIDI channels corresponding to these 
linked mixer channels will have an effect on the 
parameters of both mixer channels.The Control Change messages for the mixer are as 
follows:MIDI channelTa r g e tRemark
1– 8 Mixer channel mixer channels1 through 8
16 Master block Fader, Effect Level, Aux Level
Control NoParameterRange
7 Fadera0 through 100 through 127 = –∞,through 0 through +6 dB
10 Pan 1 through 64 through 127 = L63 through C through R63
11 Pad/gain 0 through 8 = -42,-36,-30,-24,-18,-12,-6, 0,+6 dB
16 Low Frequency 0 through 31 = 32, 40, 50, 60, 70, 80, 90, 100, 125, 150, 175, 200, 225, 250, 300, 350, 
400, 450, 500, 600, 700, 800, 850, 900, 950, 1.0k, 1.1k, 1.2k, 1.3k, 1.4k, 1.5k, 1.6k 
17 Low Gain 0 through 12 through 24 = -12 through 0 through +12 dB 
18 Mid Frequency 0 through 64 = 32, 40, 50, 60, 70, 80, 90, 100, 125, 150, 175, 200, 225, 250, 300, 350, 
400, 450, 500, 600, 700, 800, 850, 900, 950, 1.0k, 1.1k, 1.2k, 1.3k, 1.4k, 1.5k, 1.6k, 
1.7k, 1.8k, 1.9k, 2.0k, 2.2k, 2.4k, 2.6k, 2.8k, 3.0k, 3.2k, 3.4k, 3.6k, 3.8k, 4.0k, 4.5k, 
5.0k, 5.5k, 6.0k, 6.5k, 7.0k, 7.5k, 8.0k, 9.0k, 10k, 11k, 12k, 13k, 14k, 15k, 16k, 17k, 18k 
19 Mid Gain 0 through 12 through 24 = -12 through 0 through +12 dB 
20 Mid Q 0 through 6 = 0.25, 0.5, 1, 2, 4, 8 , 16 
21 High Frequency 0 through 31 = 1.7k, 1.8k, 1.9k, 2.0k, 2.2k, 2.4k, 2.6k, 2.8k, 3.0k, 3.2k, 3.4k, 3.6k, 3.8k, 
4.0k, 4.5k, 5.0k, 5.5k, 6.0k, 6.5k, 7.0k, 7.5k, 8.0k, 9.0k, 10k, 11k, 12k, 13k, 14k, 15k, 
16k, 17k, 18k
22 High Gain 0 through 12 through 24 = -12 through 0 through +12 dB
23 Effect Level
a0 through 100 through 127 = -∞ through 0 through +6 dB
24 Effect Pan 1 through 64 through 127 = L63 through C through R63
25 Aux Level
a0 through 100 through 127 = -∞ through 0 through +6 dB 
						

							12 – MMC and MIDI functions–Control Change messages
 TASCAM 788 Digital PortaStudio 107
Effect Control Change messages
The parameters of the two internal effectors can also 
be changed using Control Change messages.
The bank (user or preset) and effect number are 
selected before the parameters are changed. This will 
load the appropriate effect settings, so that the effects 
of the Control Change settings can be auditioned.
The MIDI channel number of the message is used to 
determine which effector is affected by the message:The parameters to be changed in this way are 
accessed following the table below.
Note that the parameter to be accessed must first be 
selected using the Non-Registered Parameter Num-
bers as given here in this section: 
NRPN values for multi-channel and stereo dynamics processors
26 Aux Pan 1 through 64 through 127 = L63 through C through R63
27 Cue Level 0 through 100 through 127 = –
∞ through 0 through +6 dB
28 Cue Pan 1 through 64 through 127 = L63 through C through R63
80 EQ SW 0, 1 = OFF, ON
81 Effect Post 0, 1, 2 = OFF, PRE, POST
82 Aux Post 0, 1, 2 = OFF, PRE, POST
a.These parameters and only these parameters, apply to the master section on MIDI channel 16.
Control NoParameterRange
MIDI channelTa r g e tRemark
1 – 8 Channel dynamics ch1 through ch8
9 Stereo dynamics -
10 Stereo effect1 (for EFFECT1)
11 Stereo effect2 (for EFFECT2)
12 Multi effect -
Control 
ChangeEffectRange
0 Bank select (MSB) 0
32 Bank select (LSB) 0 = Preset, 1 = User
6 Data entry (MSB) (for effect parameter)
38 Data entry (LSB) (for effect parameter)
96 Data increment (for effect parameter)
97 Data decrement (for effect parameter)
98 NRPN (LSB) (select effect parameter 
number)
a
a.The 788 makes extensive use of Non-Registered Parameter 
Numbers (NRPNs) in order to address the large range of parame-
ters available for the effects. These NRPNs are given below:
99 NRPN (MSB) (select effect parameter 
number) *1
NRPNParameterRange
00 00 Threshold 0 through 30 = -46 through -16 dB
00 01 Attack 0 through 15 = 0.1 through 0.6, 0.8, 1.0, 1.5, 2.0 through 6.0, 8.0, 10.0 msec
00 02 Ratio 0 through 8 = 1.0:1, 1.1:1, 1.3:1, 1.6:1, 2.0:1, 2.7:1, 4.0:1, 8.0:1, 
∞:1
00 03 Post Gain 0 through 30 = 0 through 30 dB 
00 04 Switch 0, 1 = Off, On 
						

							12 – MMC and MIDI functions–Control Change messages
108 TASCAM 788 Digital PortaStudio
NRPN values for single stereo effects
Reverb
Delay
Chorus
Pitch Shifter
Flanger
Phaser
NRPNParameterRange
00 00 Room Type 0 through 3 = Hall, Room, Live, Studio
00 01 Pre Delay 0 through 250 = 0 through 250msec
00 02 Rev Time 0 through 99 = 0.1 through 10.0sec
00 03 Diffusion 0 through 100
00 04 Out Level 0 through 100 through 127 = –
∞ through 0 through +6 dB
NRPNParameterRange
00 00 Type 0 through 2 = Stereo, Ping-Pong, Multi-Tap
00 01 Pre Delay 0 through 1000 = 0 through 1000msec
00 02 FB Delay 0 through 1000 = 0 through 1000msec
00 03 Feedback 0 through 100
00 04 Out Level 0 through 100 through 127 = –
∞ through 0 through +6 dB
NRPNParameterRange
00 00 Rate 0 through 99 = 0.1 through 10.0Hz
00 01 Depth 0 through 100
00 02 FB Delay 0 through 100 = 0 through 100 msec
00 03 Feedback 0 through 100
00 04 Out Level 0 through 100 through 127 = –
∞ through 0 through +6 dB
NRPNParameterRange
00 00 Pitch 0 through 12 through 24 = –12 through 0 through 12
00 01 Fine 0 through 50 through 100 = –50 through 0 through 50 cents
00 02 FB Delay 0 through 500 = 0 through 500 msec
00 03 Feedback 0 through 100
00 04 Out Level 0 through 100 through 127 = –
∞through 0 through +6 dB
NRPNParameterRange
00 00 Rate 0 through 99 = 0.1 through 10.0Hz
00 01 Depth 0 through 100
00 02 FB Delay 0 through 1000 = 0 through 1000msec
00 03 Feedback 0 through 100
00 04 Out Level 0 through 100 through 127 = –
∞ through 0 through +6 dB
NRPNParameterRange
00 00 Rate 0 through 99 = 0.1 through 10.0Hz
00 01 Depth 0 through 100
00 02 Resonance 0 through 100
00 03 Step 0 through 3 = 4, 8, 12, 16
00 04 Out Level 0 through 100 through 127 = –
∞ through 0 through +6 dB 
						

							12 – MMC and MIDI functions–Control Change messages
 TASCAM 788 Digital PortaStudio 109
Reverb and Gate
NRPN values for distortion multi-effect processor settings (1)
Compressor->Distortion->Noise Gate->Flanger->Reverb
NRPNParameterRange
00 00 Type 0, 1 = Normal, Reverse
00 01 Threshold 0 through 30 = -46 through -16 dB
00 02 Gate Time 0 through 300 = 10 through 3000msec
00 03 Density 0 through 100
00 04 Out Level 0 through 100 through 127 = –
∞ through 0 through +6 dB
NRPNParameterRange
00 00 Comp:Compress 0 through 100
00 01 Comp:Attack 0 through 100
00 02 Comp:Post Gain 0 through 30 = 0 through 30 dB
00 03 Comp:Switch 0, 1 = Off, On
00 04 Dist:Pre Gain 0 through 20 = 40 through 60 dB
00 05 Dist:Drive 0 through 100
00 06 Dist:Out Level 0 through 12 = 0 through 12 dB
00 07 Dist:Switch 0, 1 = Off, On
00 08 Gate:Threshold 0 through 60 = -76 through -16 dB
00 09 Gate:Release 0 through 100
00 10 Gate:Suppress 0, 1 through 31 = –
∞,-30 through 0 dB
00 11 Gate:Switch 0, 1 = Off, On
00 12 Flanger:Rate 0 through 100 = 0.0 through 10.0Hz
00 13 Flanger:Depth 0 through 100
00 14 Flanger:Feedback 0 through 100
00 15 Flanger:Switch 0, 1 = Off, On
00 16 Reverb:Pre Delay 0 through 150 = 0 through 150msec
00 17 Reverb:Hi Damp 0 through 10
00 18 Reverb:Mix Level 0 through 100
00 19 Reverb:Switch 0, 1 = Off, On 
						

							12 – MMC and MIDI functions–Control Change messages
110 TASCAM 788 Digital PortaStudio
Compressor->Distortion->Noise Gate->Flanger->Delay
Compressor->Distortion->Noise Gate->Exciter->Reverb
NRPNParameterRange
00 00 Comp:Compress 0 through 100
00 01 Comp:Attack 0 through 100
00 02 Comp:Post Gain 0 through 30 = 0 through 30 dB
00 03 Comp:Switch 0, 1 = Off, On
00 04 Dist:Pre Gain 0 through 20 = 40 through 60 dB
00 05 Dist:Drive 0 through 100
00 06 Dist:Out Level 0 through 12 = 0 through 12 dB
00 07 Dist:Switch 0, 1 = Off, On
00 08 Gate:Threshold 0 through 60 = -76 through -16 dB
00 09 Gate:Release 0 through 100
00 10 Gate:Suppress 0, 1 through 31 = –
∞,-30 through 0 dB
00 11 Gate:Switch 0, 1 = Off, On
00 12 Flanger:Rate 0 through 100 = 0.0 through 10.0Hz
00 13 Flanger:Depth 0 through 100
00 14 Flanger:Feedback 0 through 100
00 15 Flanger:Switch 0, 1 = Off, On
00 16 Delay:FB delay 0 through 1000 = 0 through 1000msec
00 17 Delay:Feedback 0 through 100
00 18 Delay:Mix Level 0 through 100
00 19 Delay:Switch 0, 1 = Off, On
NRPNParameterRange
00 00 Comp:Compress 0 through 100
00 01 Comp:Attack 0 through 100
00 02 Comp:Post Gain 0 through 30 = 0 through 30 dB
00 03 Comp:Switch 0, 1 = Off, On
00 04 Dist:Pre Gain 0 through 20 = 40 through 60 dB
00 05 Dist:Drive 0 through 100
00 06 Dist:Out Level 0 through 12 = 0 through 12 dB
00 07 Dist:Switch 0, 1 = Off, On
00 08 Gate:Threshold 0 through 60 = -76 through -16 dB
00 09 Gate:Release 0 through 100
00 10 Gate:Suppress 0, 1 through 31 = –
∞,-30 through 0 dB
00 11 Gate:Switch 0, 1 = Off, On
00 12 Exciter:Frequency 0 through 90 = 1.0 through 10.0kHz
00 13 Exciter:Depth 0 through 100
00 14 (reserved)
00 15 Exciter:Switch 0, 1 = Off, On
00 16 Reverb:Pre Delay 0 through 150 = 0 through 150msec
00 17 Reverb:Hi Damp 0 through 10
00 18 Reverb:Mix Level 0 through 100
00 19 Reverb:Switch 0, 1 = Off, On