Steinberg WaveLab 7 Operation Manual
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15.54 Pan 407 in broadcast television systems in large parts of the world. NTSC is a another analog system used in North America and parts of South America. In digital applications PAL video mode is usually referred to as "576i" (i.e. a vertical resolution of 576 scan lines, interlaced), in analogue contexts it is often quoted as "625 lines". SECAM Digital video uses its own colour space, so (in the digital domain) the minor colour space differences that used to exist between PAL and SECAM are no longer present. In digital video applications such as DVDs and digital broadcasting, PAL/SECAM video is based on 576 frame lines with two interlaced video fields per frame (i.e. 50 fields per second, yielding 25 frames per second). Audio is pulse-code modulated. NTSC Glossary contents 15.54 Pan Pan is short for panoramic. Pan is perceptually "placing" a mono or stereo sound source between two or more speakers. We sense stereo position from a difference in loudness when the sound strikes each ear, taking into account the time delay, spectrum, reverberation and other cues. Steinberg Autopan Pan Normalizer Glossary contents 15.55 Peak level Peak level is a measure of maximum sound level. Peak Level Meters should go as high as possible without ever reaching 0dB! The Peak Level meters display the peak levels of each channel, graphically and numerically. By default, the meter segments and numerical peak values are displayed in green for low levels, yellow for levels between –6dB and –2dB, and red for levels above –2dB. If the level is set too low, noise levels will be high relative to the recorded sound; if peak level exceeds 0dB by a significant amount, clipping effects can occur. Peak Master Glossary contents 15.56 Plug-ins A vast number of specialist audio software Plug-insare available, ranging from freeware to expensive high-end commercial products, and these can greatly extend the functionality of WaveLab. Steinberg created Virtual Studio Technology (VST) to allow effect plug-ins to be integrated with audio editors (such as WaveLab). VST uses Digital Signal Processing (DSP) to emulate in software the effects of familiar recording studio hardware. WaveLab 7
408 Glossary Audio Plug-ins Glossary contents 15.57 Pre-roll and Post-roll Pre-roll is the time elapsed before an event occurs; Post-rollis the time after an event. Pre-roll can give a brief context if you are auditioning a Clip. Glossary contents 15.58 Preset system WaveLab provides a sophisticated Preset system, which allows you to store a range of individual or bulk settings and recall them for later use. Presets Glossary contents 15.59 Processor cores Processor cores Modern computers are often designed with a multi-core processor, with two or more "cores" (i.e. independent processors) in a single physical package. A dual-core processor contains two cores, and a quad-core processor contains four cores, with the aim of improving computational performance. The performance gains of multi-core processors depend on whether the software has been implemented to take advantage of this architecture.In WaveLab, the multi-core approach allows you to simultaneously encode as many files as there are CPU cores, for example, leading to significant performance increases. Batch Conversion Glossary contents 15.60 Quantization Quantization is the process by which measurements are rounded to discrete values. In digital audio, the continuously varying voltages of an analog signal are quantized to discrete digital values, represented in binary numbers. In 8-bit audio, sample values range from -128 to 127; in 24-bit audio, sample values range from -8288608 to 8288607. In analog-to-digital conversion and compression, differences between the actual analog value and the quantized digital value is called "quantization error". This error is due either to rounding or truncation and can give rise to "quantization noise" which may be reduced by using "dithering" techniques. Dithering Glossary contents WaveLab 7
15.61 Raw PCM files 409 15.61 Raw PCM files Raw PCM files is an Audio File format that includes no information about bit resolution or sample rate. If you open a file in this format, WaveLab prompts you to specify the bit resolution and sample rate. If this is not done correctly, the file will not play back as intended. Note that the " $$$" file type is WaveLab’s own temporary file format. If you experience a computer crash you can try opening any stray " $$$" files on your hard disk(s) to restore them. Tyical file extensions are .raw, .bin, .pcm, . $$$ Glossary contents 15.62 Red Book CD-DA Red Book is the standard for audio CDs (Compact Disc Digital Audio, or CD-DA). Other "Rainbow Books" in the series, known by the color of their covers, define the formats of CD-ROMs, VCD, SACD and other compact disc formats. DVD and Blu-ray formats are not defined in a Rainbow Book. The first edition of the Red Book was released in 1980 by Philips and Sony and ratified as IEC 60908. The standard is not freely circulated - from 2009 the IEC 60908 document has been available as a PDF download for US $260. The Red Book specifies a compliant CD-DA in great detail, including the physical properties of the CD, the digital audio encoding (2-channel, signed 16-bit Linear Pulse Code Modulation, sampled at 44.1kHz), the modu- lation system, the CIRC error-correction scheme and subcode channels. Data are stored in sectors of 2352 bytes ("frames"), read at 75 frames/s. The bit rate is 1411.2kbits/s. Other considerations are that the maximum number of tracks is 99, the minimum duration of a track is 4 seconds (including a 2-second pause), the maximum playing time is 79.8 minutes, and the ISRC should be included. WaveLab provides Red Book-compliant CD mastering. CD Frame ISRC Glossary contents 15.63 Regular Expressions A Regular Expression (regex for short) is a formula composed of characters that have a special meaning (called "operators"). A simple example is in using " .doc" to search for all text documents in a file manager. In this case, the asterisk (star) character is an operator that matches any string before the ".doc" in a filename. In addition to WaveLab, many software applications, text editors (like EditPad Pro) and programming languages support regular ex- pressions. The characters ". [ ] ( ) f g?+ - j! / ^ $" are operators in WaveLab's regular expression engine. You can submit regular expressions in a WaveLab text box wherever you see the icon. Clicking on the light bulb icon gives a fly-out menu listing special characters and short cuts, to help you build a precise and well-formed expression. There are many helpful web-based tutorials that explore the topic of regex. WaveLab 7
410 Glossary About Regular Expressions Glossary contents 15.64 RF64 files RF64 is an audio file format. You have an option (set in Options>Audio File editing preferences >Files tab) to support the RF64 file format. If this is activated, the standard Wave file format switches automatically to the RF64 file format as soon as the file size ex- ceeds 2GB, without any performance loss or interruption. This is especially useful when recording very long sessions as there is no need to worry about file size limit (apart from disk space availability). An RF64 file uses the ".wav" extension but it can only be opened with an application that supports the RF64 standard. WAV files Glossary contents 15.65 RMS RMS (Root Mean Square) can be used as a measurement of intensity of sound (or AC voltage, etc.) over a period of time. The RMS measurement calculates a practical average value of all the points on a waveform as a single number over a variable period that could be 1 ms, 20 ms, or 1 hour. RMS is often a good basis for determining an "equal level" when equalizing Clip volumes, producing more natural results than using Peak levels, since RMS offers a more realistic measure of the perceived "loudness" of a sound. Glossary contents 15.66 Sample rate The Sample Rate , or sampling frequency, is the number of samples per second used to store a sound. High sample rates are better able to approximate the original continuous waveform, but require more storage space. Glossary contents 15.67 SMPTE timecode The Society of Motion Picture and Television Engineers devised a code to synchro- nize time between devices, the SMPTE time code. The time code is composed of hours:minutes:seconds:frames. Frames are fractions of a second based on the frame rate (which can take the values 24, 25, 29.97 and 30 frames per second). Timecode WaveLab 7
15.68 Sound Designer II files 411 Time Format dialog Glossary contents 15.68 Sound Designer II files Sound Designer II is an audio file format used by Digidesign applications (such as Pro Tools). 8-, 16- or 24-bit resolutions are supported. The filename extension is .sd2 Glossary contents 15.69 Spectrogram A Spectrogram is an image that shows how the spectral density of a signal varies over time. The Spectrum display Glossary contents 15.70 Sun/Java files Sun/Java is an Audio File format used on Sun and NeXT computers. Files in this format can often be found on the Internet. 8-, 16- or 24-bit resolutions are supported. Typical file extensions are .snd, .au Glossary contents 15.71 Tempo Tempo is the rhythmic rate of a musical piece, usually given in BPM (beats per minute). Glossary contents 15.72 Text/Excel files Text/Excel is a text representation of a waveform. By saving an Audio File as a text file and then opening it in a spreadsheet application such as Excel, you can view it in textual, decimal form and edit the sample values. When a text file representing a waveform is opened in WaveLab it is decoded and opened as an Audio File. Note that these files are not compressed in any way, so they can get very large! Therefore, avoid creating and opening extremely large .txt files. Also note that when using 32 bit float files, the .txt format is not entirely lossless because it is not possible to express a binary floating point value in textual decimal form without some loss of precision. The file extension is .txt WaveLab 7
412 Glossary Audio File Format Dialog Glossary contents 15.73 ULAW files ULAW is an audio encoding and compression technique supported by Windows and Web phones, using 8-bit resolution. The U.S. telephone system uses U-law encoding for digitiza- tion. Typical file extensions are .ulaw, .vox Glossary contents 15.74 UPC/EAN UPC/EAN code - the "Universal Product Code/European Article Number", a catalog num- ber for an item (such as a CD) intended for commercial distribution. On a CD, the code is also called the "Media Catalog Number" - there is one such code per disk. UPC is a 12-digit barcode widely used in the United States and Canada; EAN-13 is a 13-digit barcoding standard (12 + a checksum digit) defined by the GS1 standards orga- nization. "EAN" is now renamed as "International Article Number", but the abbreviation has been retained. You can read the Media Catalog Number (EAN) from a CD by choosing Utilities>Import Audio CD tracks... >Functions >CD Info... . Authoring CDs and DVDs Import Audio CD Glossary contents 15.75 WAV files WAV (Waveform Audio File Format) is an audio file format. Although a WAV file can hold compressed audio, the most common WAV format contains uncompressed audio in the linear pulse code modulation (LPCM) format. Developed by Microsoft and IBM, WAV is closely related to AIFF and is compatible with Windows, Macintosh and Linux operating systems. Uncompressed WAV files are quite bulky, but they have a simple file structure which can be processed efficiently in audio editing and produce archive files of high quality. 8-, 16-, 20-, 24-bit and 32-bit (float) resolutions are supported. The file extension is .wav WAV64 files Audio File Format Dialog Glossary contents WaveLab 7
15.76 WAV64 files 413 15.76 WAV64 files Wave 64 is an audio file format developed by Sony that is very similar to the standard Wave format, but with an important difference. Standard Wave files are limited in size to 2GB (stereo), but Wave 64 allows virtually any length (actually the limit is 512GB). The file extension is .w64. WAV files Glossary contents 15.77 Waveform A Waveform is the visual representation of wave-like phenomena (such as sound or light). The amplitude or sound pressure over time usually results in a smooth waveform. In WaveLab, a waveform is generally represented with time on the horizontal (x-)axis, with the start of the waveform being the leftmost point. The vertical (y-)axis is the amplitude of the wave. Glossary contents 15.78 Wet/Dry Wet/Dry is a term that describes the balance between the effect sound (wet) and the orig- inal, unprocessed audio signal (dry). in a "dry" mix, the original signal is more pronounced; with a "wet" mix, the effect sound is more dominant. Glossary contents 15.79 WMA files WMA (Windows Media Audio) is a proprietary audio data compression technology devel- oped by Microsoft. WMA can refer to an Audio File format or a range of audio codecs. Like AAC (Advanced Audio Coding) and Ogg Vorbis, WMA is intended to address perceived deficiencies in the MP3 standard. It is also possible to import/export audio in WMA surround format, provided that you have Windows Media Player 9 (or later) installed on your system. Typical file extensions are .wma, .asf Audio File Format Dialog Glossary contents 15.80 Zero crossing A Zero crossing is a point where the wave crosses the zero level axis, the point where the wave is considered to have "zero level". WaveLab 7
414 Glossary If you cut out a portion of a wave and paste it in somewhere else, chances are there will be a discontinuity where the two waves are joined. This discontinuity will result in a transient in the wave when it is played back, which is perceived as a "click" or "bump" in the sound. To avoid this you need to make any editing splices at a zero crossing point. Glossary contents WaveLab 7