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Steinberg WaveLab 7 Operation Manual

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    							15.54 Pan 407
    in broadcast television systems in large parts of the world. NTSC is a another analog system
    used in North America and parts of South America.
    In digital applications PAL video mode is usually referred to as "576i" (i.e. a vertical resolution
    of 576 scan lines, interlaced), in analogue contexts it is often quoted as "625 lines". SECAM
    Digital video uses its own colour space, so (in the digital domain) the minor colour space
    differences that used to exist between PAL and SECAM are no longer present.
    In digital video applications such as DVDs and digital broadcasting, PAL/SECAM video is
    based on 576 frame lines with two interlaced video fields per frame (i.e. 50 fields per second,
    yielding 25 frames per second). Audio is pulse-code modulated.
    NTSC
    Glossary contents
    15.54 Pan
    Pan is short for panoramic. Pan is perceptually "placing" a mono or stereo sound source
    between two or more speakers. We sense stereo position from a difference in loudness
    when the sound strikes each ear, taking into account the time delay, spectrum, reverberation
    and other cues.
    Steinberg Autopan
    Pan Normalizer
    Glossary contents
    15.55 Peak level
    Peak level is a measure of maximum sound level. Peak Level Meters should go as high as
    possible without ever reaching 0dB! The Peak Level meters display the peak levels of each
    channel, graphically and numerically.
    By default, the meter segments and numerical peak values are displayed in green for low
    levels, yellow for levels between –6dB and –2dB, and red for levels above –2dB.
    If the level is set too low, noise levels will be high relative to the recorded sound; if peak level
    exceeds 0dB by a significant amount, clipping effects can occur.
    Peak Master
    Glossary contents
    15.56 Plug-ins
    A vast number of specialist audio software Plug-insare available, ranging from freeware to
    expensive high-end commercial products, and these can greatly extend the functionality of
    WaveLab.
    Steinberg created Virtual Studio Technology (VST) to allow effect plug-ins to be integrated
    with audio editors (such as WaveLab). VST uses Digital Signal Processing (DSP) to emulate
    in software the effects of familiar recording studio hardware.
    WaveLab 7 
    						
    							408 Glossary
    Audio Plug-ins
    Glossary contents
    15.57 Pre-roll and Post-roll
    Pre-roll is the time elapsed before an event occurs; Post-rollis the time after an event.
    Pre-roll can give a brief context if you are auditioning a Clip.
    Glossary contents
    15.58 Preset system
    WaveLab provides a sophisticated Preset system, which allows you to store a range of
    individual or bulk settings and recall them for later use.
    Presets
    Glossary contents
    15.59 Processor cores
    Processor cores Modern computers are often designed with a multi-core processor, with
    two or more "cores" (i.e. independent processors) in a single physical package. A dual-core
    processor contains two cores, and a quad-core processor contains four cores, with the aim
    of improving computational performance.
    The performance gains of multi-core processors depend on whether the software has been
    implemented to take advantage of this architecture.In WaveLab, the multi-core approach
    allows you to simultaneously encode as many files as there are CPU cores, for example,
    leading to significant performance increases.
    Batch Conversion
    Glossary contents
    15.60 Quantization
    Quantization is the process by which measurements are rounded to discrete values. In
    digital audio, the continuously varying voltages of an analog signal are quantized to discrete
    digital values, represented in binary numbers. In 8-bit audio, sample values range from -128
    to 127; in 24-bit audio, sample values range from -8288608 to 8288607.
    In analog-to-digital conversion and compression, differences between the actual analog
    value and the quantized digital value is called "quantization error". This error is due either
    to rounding or truncation and can give rise to "quantization noise" which may be reduced by
    using "dithering" techniques.
    Dithering
    Glossary contents
    WaveLab 7 
    						
    							15.61 Raw PCM files 409
    15.61 Raw PCM files
    Raw PCM files is an Audio File format that includes no information about bit resolution
    or sample rate. If you open a file in this format, WaveLab prompts you to specify the bit
    resolution and sample rate. If this is not done correctly, the file will not play back as intended.
    Note that the " $$$" file type is WaveLab’s own temporary file format. If you experience a
    computer crash you can try opening any stray " $$$" files on your hard disk(s) to restore them.
    Tyical file extensions are .raw, .bin, .pcm, . $$$
    Glossary contents
    15.62 Red Book CD-DA
    Red Book is the standard for audio CDs (Compact Disc Digital Audio, or CD-DA). Other
    "Rainbow Books" in the series, known by the color of their covers, define the formats of
    CD-ROMs, VCD, SACD and other compact disc formats. DVD and Blu-ray formats are not
    defined in a Rainbow Book.
    The first edition of the Red Book was released in 1980 by Philips and Sony and ratified as
    IEC 60908. The standard is not freely circulated - from 2009 the IEC 60908 document
    has been available as a PDF download for US $260. The Red Book specifies a compliant
    CD-DA in great detail, including the physical properties of the CD, the digital audio encoding
    (2-channel, signed 16-bit Linear Pulse Code Modulation, sampled at 44.1kHz), the modu-
    lation system, the CIRC error-correction scheme and subcode channels. Data are stored in
    sectors of 2352 bytes ("frames"), read at 75 frames/s. The bit rate is 1411.2kbits/s. Other
    considerations are that the maximum number of tracks is 99, the minimum duration of a track
    is 4 seconds (including a 2-second pause), the maximum playing time is 79.8 minutes, and
    the ISRC should be included.
    WaveLab provides Red Book-compliant CD mastering.
    CD Frame
    ISRC
    Glossary contents
    15.63 Regular Expressions
    A Regular Expression (regex for short) is a formula composed of characters that have a
    special meaning (called "operators"). A simple example is in using " .doc" to search for all
    text documents in a file manager. In this case, the asterisk (star) character is an operator that
    matches any string before the ".doc" in a filename. In addition to WaveLab, many software
    applications, text editors (like EditPad Pro) and programming languages support regular ex-
    pressions.
    The characters ". [ ] ( ) f g?+ - j! / ^
    $" are operators in WaveLab's regular expression
    engine. You can submit regular expressions in a WaveLab text box wherever you see the
    icon. Clicking on the light bulb icon gives a fly-out menu listing special characters and
    short cuts, to help you build a precise and well-formed expression.
    There are many helpful web-based tutorials that explore the topic of regex.
    WaveLab 7 
    						
    							410 Glossary
    About Regular Expressions
    Glossary contents
    15.64 RF64 files
    RF64 is an audio file format. You have an option (set in Options>Audio File editing
    preferences >Files tab) to support the RF64 file format. If this is activated, the standard
    Wave file format switches automatically to the RF64 file format as soon as the file size ex-
    ceeds 2GB, without any performance loss or interruption. This is especially useful when
    recording very long sessions as there is no need to worry about file size limit (apart from disk
    space availability).
    An RF64 file uses the ".wav" extension but it can only be opened with an application that
    supports the RF64 standard.
    WAV files
    Glossary contents
    15.65 RMS
    RMS (Root Mean Square) can be used as a measurement of intensity of sound (or AC
    voltage, etc.) over a period of time. The RMS measurement calculates a practical average
    value of all the points on a waveform as a single number over a variable period that could be
    1 ms, 20 ms, or 1 hour.
    RMS is often a good basis for determining an "equal level" when equalizing Clip volumes,
    producing more natural results than using Peak levels, since RMS offers a more realistic
    measure of the perceived "loudness" of a sound.
    Glossary contents
    15.66 Sample rate
    The Sample Rate , or sampling frequency, is the number of samples per second used to
    store a sound. High sample rates are better able to approximate the original continuous
    waveform, but require more storage space.
    Glossary contents
    15.67 SMPTE timecode
    The Society of Motion Picture and Television Engineers devised a code to synchro-
    nize time between devices, the SMPTE time code. The time code is composed of
    hours:minutes:seconds:frames.
    Frames are fractions of a second based on the frame rate (which can take the values 24, 25,
    29.97 and 30 frames per second).
    Timecode
    WaveLab 7 
    						
    							15.68 Sound Designer II files 411
    Time Format dialog
    Glossary contents
    15.68 Sound Designer II files
    Sound Designer II is an audio file format used by Digidesign applications (such as Pro
    Tools). 8-, 16- or 24-bit resolutions are supported.
    The filename extension is .sd2
    Glossary contents
    15.69 Spectrogram
    A Spectrogram is an image that shows how the spectral density of a signal varies over time.
    The Spectrum display
    Glossary contents
    15.70 Sun/Java files
    Sun/Java is an Audio File format used on Sun and NeXT computers. Files in this format can
    often be found on the Internet. 8-, 16- or 24-bit resolutions are supported.
    Typical file extensions are .snd, .au
    Glossary contents
    15.71 Tempo
    Tempo is the rhythmic rate of a musical piece, usually given in BPM (beats per minute).
    Glossary contents
    15.72 Text/Excel files
    Text/Excel is a text representation of a waveform. By saving an Audio File as a text file and
    then opening it in a spreadsheet application such as Excel, you can view it in textual, decimal
    form and edit the sample values. When a text file representing a waveform is opened in
    WaveLab it is decoded and opened as an Audio File.
    Note that these files are not compressed in any way, so they can get very large! Therefore,
    avoid creating and opening extremely large .txt files. Also note that when using 32 bit float
    files, the .txt format is not entirely lossless because it is not possible to express a binary
    floating point value in textual decimal form without some loss of precision.
    The file extension is .txt
    WaveLab 7 
    						
    							412 Glossary
    Audio File Format Dialog
    Glossary contents
    15.73 ULAW files
    ULAW is an audio encoding and compression technique supported by Windows and Web
    phones, using 8-bit resolution. The U.S. telephone system uses U-law encoding for digitiza-
    tion.
    Typical file extensions are .ulaw, .vox
    Glossary contents
    15.74 UPC/EAN
    UPC/EAN code - the "Universal Product Code/European Article Number", a catalog num-
    ber for an item (such as a CD) intended for commercial distribution. On a CD, the code is
    also called the "Media Catalog Number" - there is one such code per disk.
    UPC is a 12-digit barcode widely used in the United States and Canada; EAN-13 is a
    13-digit barcoding standard (12 + a checksum digit) defined by the GS1 standards orga-
    nization. "EAN" is now renamed as "International Article Number", but the abbreviation has
    been retained.
    You can read the Media Catalog Number (EAN) from a CD by choosing Utilities>Import
    Audio CD tracks... >Functions >CD Info... .
    Authoring CDs and DVDs
    Import Audio CD
    Glossary contents
    15.75 WAV files
    WAV (Waveform Audio File Format) is an audio file format. Although a WAV file can
    hold compressed audio, the most common WAV format contains uncompressed audio in
    the linear pulse code modulation (LPCM) format.
    Developed by Microsoft and IBM, WAV is closely related to AIFF and is compatible with
    Windows, Macintosh and Linux operating systems. Uncompressed WAV files are quite bulky,
    but they have a simple file structure which can be processed efficiently in audio editing and
    produce archive files of high quality. 8-, 16-, 20-, 24-bit and 32-bit (float) resolutions are
    supported.
    The file extension is .wav
    WAV64 files
    Audio File Format Dialog
    Glossary contents
    WaveLab 7 
    						
    							15.76 WAV64 files 413
    15.76 WAV64 files
    Wave 64 is an audio file format developed by Sony that is very similar to the standard Wave
    format, but with an important difference. Standard Wave files are limited in size to 2GB
    (stereo), but Wave 64 allows virtually any length (actually the limit is 512GB).
    The file extension is .w64.
    WAV files
    Glossary contents
    15.77 Waveform
    A Waveform is the visual representation of wave-like phenomena (such as sound or light).
    The amplitude or sound pressure over time usually results in a smooth waveform.
    In WaveLab, a waveform is generally represented with time on the horizontal (x-)axis, with
    the start of the waveform being the leftmost point. The vertical (y-)axis is the amplitude of
    the wave.
    Glossary contents
    15.78 Wet/Dry
    Wet/Dry is a term that describes the balance between the effect sound (wet) and the orig-
    inal, unprocessed audio signal (dry). in a "dry" mix, the original signal is more pronounced;
    with a "wet" mix, the effect sound is more dominant.
    Glossary contents
    15.79 WMA files
    WMA (Windows Media Audio) is a proprietary audio data compression technology devel-
    oped by Microsoft. WMA can refer to an Audio File format or a range of audio codecs. Like
    AAC (Advanced Audio Coding) and Ogg Vorbis, WMA is intended to address perceived
    deficiencies in the MP3 standard.
    It is also possible to import/export audio in WMA surround format, provided that you have
    Windows Media Player 9 (or later) installed on your system.
    Typical file extensions are .wma, .asf
    Audio File Format Dialog
    Glossary contents
    15.80 Zero crossing
    A Zero crossing is a point where the wave crosses the zero level axis, the point where the
    wave is considered to have "zero level".
    WaveLab 7 
    						
    							414 Glossary
    If you cut out a portion of a wave and paste it in somewhere else, chances are there will be
    a discontinuity where the two waves are joined. This discontinuity will result in a transient in
    the wave when it is played back, which is perceived as a "click" or "bump" in the sound. To
    avoid this you need to make any editing splices at a zero crossing point.
    Glossary contents
    WaveLab 7 
    						
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