Steinberg Nuendo 5 Manual
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Page 531
531 Video Film speed is faster than NTSC video speed. When the audio is pulled down, it allows production audio (DAT tapes or files from a field recorder) from a film shoot to play back in sync with NTSC video. Even though 29.97 fps is a faster frame rate than 24 fps (film speed), the video is running -0.1 % slower than the original film due to the 2-3 transfer process and hence the need to slow the audio down a bit. Compensating for speed changes in Nuendo In Nuendo, there are two basic ways...
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532 Video The idea is that when you have completed the audio mix for your film project, the video will be sped back up to film speed for the final transfer back to film and your audio mix can then be played at the standard 48 kHz sample rate (no pull-down) and will remain in sync with the picture. Using this method preserves the quality of the original au- dio recording made during filming and allows for a digital mixdown transfer at film speed without any generation loss or sample rate...
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533 Video ÖIt makes no difference whether you make your Audio Pull-up/Pull-down settings in the Project Setup dialog or the Project Synchronization Setup dialog. If you use the Project Synchronization Setup dialog, your adjustment is reflected in the Project Setup dialog, and vice versa. Whenever you apply an audio pull to Nuendo from an ex- ternal clock, also set “Audio Pull-up/Pull-down” to the corresponding setting. This allows Nuendo to recalculate the sample count to reflect the adjusted...
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534 Video What is 23.976 fps used for? The world of digital video formats is ever changing and the results are new developments for every media professional involved in movies, television, corporate video, and more. With the advent of HD cameras that are capable of record - ing at several different frame rates internally, the options available to cinematographers have become staggering. Because the look of film running at 24 fps is unique, many HD productions are filmed at 24 fps to mimic the look...
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536 Audio editing to picture Introduction Nuendo has been designed from the ground up as a pro- duction tool with features that are catered to working with video and film. The depth and versatility of Nuendo’s de - sign allow you to work very precisely and yet retain the freedom and ease that allows greater creativity in creating music and sound design for film and video. In this chapter, real world situations that you would en- counter while working with video will be explained. These include the...
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537 Audio editing to picture code displayed anywhere in Nuendo with a semicolon, you are using drop-frame timecode. This is the only indi - cation besides looking at the Project Setup dialog, that you are using drop-frame timecode. Drop-frame SMPTE timecode display with frames separated by a semicolon. When the Project window’s time display is set to time- code, the grid options change. The choices are: • Subframe (1/100th of a frame) • 1/4 frame (25 subframes) • 1/2 frame (50 subframes) •1 frame •2...
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538 Audio editing to picture The most commonly used format, the OMF file, comes in two basic formats: files with embedded audio and files that refer to external audio media. Both formats store infor - mation about where to place each piece of audio in the timeline. Each format has its strengths and weaknesses and the choice of which one to use will depend on the cir - cumstances, see “File handling” on page 552. After importing the OMF, align your video file to play in sync with the OMF audio. Here...
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539 Audio editing to picture 6.Import any audio files from a field recorder, open the Media menu and from the “Insert into Project” submenu select “At Origin”. Create as many tracks as necessary to prevent overlaps. Once the file has been placed “at Origin”, it can be used as a source for EDL conforming. An excerpt from a CMX EDL 7.Use the Range Selection tool to create a selection on the proper source track based on the two source time - code values. This can be done via manual entry in the info...
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540 Audio editing to picture •Use four-point editing with the Range Selection tool. This is described below. Four-point editing with the Range Selection tool It is often necessary to go through a large sound file to find a specific sound effect. This is especially true for field recordings with multiple takes of each sound and dead air time in between. In this situation, it might be best to set up an area in the project consisting of several “work” tracks that can be used to sort out various sound...