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Steinberg Nuendo 3 Working With MIDI Manual

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    							NUENDOWorking with System Exclusive messages 6 – 241
    1.Open the Preferences dialog from the File menu (on the Mac, this is 
    located on the Nuendo menu) and select the MIDI–MIDI Filter page.
    This allows you to govern which MIDI event types should be recorded and/or thru-put.
    2.Deactivate the Sysex checkbox in the Record section, but make sure 
    the Sysex checkbox in the Thru section is activated.
    With this setting (shown in the figure above) SysEx messages will be recorded but not 
    echoed back out to the instrument (which could lead to strange results).
    3.Activate recording on a MIDI track and initiate the dump from the front 
    panel of the instrument.
    4.When done recording, select the new part and open the List Editor 
    from the MIDI menu.
    This allows you to check that the System Exclusive dump was recorded – there should 
    be one or several SysEx events in the part/event list.
    If your MIDI instrument doesn’t offer a way to initiate a dump “by itself”, 
    you have to send a Dump Request message from Nuendo to start the 
    dump. You will then have to use the MIDI SysEx Editor (see page 244) to 
    insert the specific Dump Request message (see the instrument’s docu-
    mentation) at the beginning of a MIDI track. When you activate recording, 
    the Dump Request message will be played back (sent to the instrument), 
    the dump will start and be recorded as above.   
    						
    							NUENDO6 – 242 Working with System Exclusive messages
    Transmitting a bulk dump back to a device
    1.Make sure the MIDI track with the System Exclusive data is routed to 
    the device.
    You may want to check your device’s documentation to find details about which MIDI 
    channel should be used, etc.
    2.Solo the track.
    This might not be necessary, but it is a good safety measure.
    3.Make sure the device is set up to receive System Exclusive data (often, 
    the reception of SysEx is turned off by default).
    4.If necessary, put the device in “Standby to Receive System Exclusive” 
    mode.
    5.Play back the data.
    Some advice
    • Don't transmit more data than you need. If all you want is a single program, 
    don't send them all, it will only make it harder to find the one you want. Usually, 
    you can specify exactly what you want to send.
    • If you want the sequencer to dump the pertinent sounds to your instrument 
    each time you load a project, put the SysEx data in a silent “count-in” before 
    the project itself starts.
    • If the dump is very short (for instance, a single sound) you can put it in the 
    middle of the project to re-program a device on the fly. However, you can 
    achieve the same effect by using Program Change. This is definitely prefera-
    ble, since less MIDI data is sent and recorded. Some devices may be set up 
    to dump the settings for a sound as soon as you select it on the front panel.
    • If you create parts with useful “SysEx dumps”, you can put these on a special 
    muted track. When you want to use one of them, drag it to an empty unmuted 
    track and play it back from there.
    • Do not transmit several SysEx dumps to several instruments at the same time.
    • Make a note of the current device ID setting of the instrument. If you change 
    this, the instrument may refuse to load the dump later. 
    						
    							NUENDOWorking with System Exclusive messages 6 – 243
    Recording System Exclusive parameter 
    changes
    Often you can use System Exclusive to remotely change individual 
    settings in a device, open up a filter, select a waveform, change the 
    decay of the reverb etc. Many devices are also capable of transmitting 
    changes made on the front panel as System Exclusive messages. 
    These can be recorded in Nuendo, and thus incorporated into a regu-
    lar MIDI recording.
    Here's how it works: let's say you open up a filter while playing some 
    notes. In that case, you will record both the notes and the System Ex-
    clusive messages generated by your opening of the filter. When you 
    play it back, the sound changes exactly like it did when you recorded it.
    1.Open the Preferences dialog from the File menu (on the Mac, this is 
    located on the Nuendo menu), select the MIDI–MIDI Filter page and 
    make sure that System Exclusive is recorded.
    2.Make sure the instrument is actually set to transmit front panel control 
    movements as System Exclusive data.
    3.Record normally.
    When you’re done, you can check that the events were recorded properly in the List 
    Editor. 
    						
    							NUENDO6 – 244 Working with System Exclusive messages
    Editing System Exclusive messages
    While System Exclusive events are shown in the List Editor/Project 
    Browser, their entire content is not (only the beginning of the message 
    is displayed in the Comment column for the event). Furthermore, you 
    cannot edit the event (other than moving it) as you can with other event 
    types in the List Editor.
    Instead, you use the MIDI SysEx Editor for this.
    •To open the MIDI SysEx Editor for an event, click in the Comments 
    column for the event in the List Editor/Project Browser.
    The display shows the entire message on one or several lines. All Sys-
    tem Exclusive messages always begin with F0 and end with F7 with a 
    number of arbitrary bytes in between. If the message contains more 
    bytes than fit on one line, it continues on the next. The Address indica-
    tion to the left helps you find out on which position in the message a 
    certain value resides.  
    						
    							NUENDOWorking with System Exclusive messages 6 – 245
    Selecting and viewing values
    To select a value, either click on it or use the cursor keys. The selected 
    byte is indicated in various formats:
    • In the main display, values are shown in hexadecimal format.
    • To the right of this, values are shown in ASCII format.
    • At the bottom of the dialog, the selected value is shown in binary and decimal 
    formats.
    Editing a value
    The selected value can be edited directly in the main display or in the 
    decimal and binary displays. Just click on it and type in the desired 
    value as usual.
    Adding and deleting bytes
    Using the Insert and Delete buttons, or their corresponding computer 
    keyboard keys, you can add and delete bytes from the message. In-
    serted data will appear before the selection.
    Importing and exporting data
    The Import and Export buttons allow you to get SysEx data from disk 
    and to export the edited data to a file. The file format used is called 
    “MIDI SysEx” (.SYX), in which data is saved exactly as is, in a binary 
    file. Only the first dump in a .SYX file will be loaded.
    This format should not be confused with MIDI files. 
    						
    							NUENDO6 – 246 Working with System Exclusive messages 
    						
    							7
    VST Instruments 
    						
    							NUENDO
    7 – 248 VST Instruments
    Introduction
    VST Instruments are software synthesizers (or other sound sources) 
    that are contained within Nuendo. They are played internally via MIDI, 
    and their audio outputs appear on separate channels in the mixer, al-
    lowing you to add effects or EQ, just as with audio tracks.
    Some VST Instruments are included with Nuendo, others can be pur-
    chased separately from Steinberg and other manufacturers. The fol-
    lowing VST Instruments are included and installed with Nuendo:
    •A1 – a software synthesizer powered by Waldorf.
    •VB-1 – a virtual bass instrument built on real-time physical modelling 
    principles.
    •Embracer - a simple but powerful polyphonic synthesizer designed 
    entirely for producing pads and accompaniment sounds.
    •Monologue - a monophonic analog synthesizer based on physical 
    modeling technology.
    •LM-7 – a 24 bit drum machine.
    • This chapter describes the general procedures for setting up and using 
    VST Instruments.
    For descriptions of the included VST Instruments and their parameters, see the sepa-
    rate pdf document “Audio Effects and VST Instruments”. 
    						
    							NUENDO
    VST Instruments 7 – 249
    Activating and using VST Instruments
    1.Pull down the Devices menu and select VST Instruments.
    The VST Instruments panel appears with 64 slots. 
    2.Pull down the pop-up menu for an empty slot in the panel and select 
    the desired instrument.
    The instrument is loaded and activated, and its control panel is automatically opened.
    •If you look in the Project window, you will find that a special “folder” for 
    the chosen instrument has been added, within a “VST Instruments” 
    folder (where all your VST Instruments will appear).
    The separate folder for the added instrument contains two or more automation tracks: 
    one for automating the plug-in parameters and one for each mixer channel used by the 
    VST Instrument. For example, if you add a VST Instrument with four separate outputs 
    (four separate mixer channels), the folder will contain five automation tracks. To keep 
    the screen less cluttered, you may want to close the folder for the VST Instrument until 
    you need to view or edit any of the automation tracks.
    For more about automation, see the chapter “Automation” in the Operation Manual.
    3.Select the mixer channel automation track(s) for the VST Instrument 
    and use the “Out” pop-up menu in the Inspector to route them to the 
    desired output channels or groups.
    You can also do this from the mixer.
    4.Select an unused MIDI track in the Project window.  
    						
    							NUENDO
    7 – 250 VST Instruments
    5.Pull down the output pop-up menu for the MIDI track in the Track list 
    or in the Inspector.
    The pop-up menu will now contain an additional item, with the name of the activated 
    VST Instrument.
    6.Select the VST Instrument on the MIDI output pop-up menu.
    The MIDI output from the track is now routed to the selected instrument. 
    7.Depending on the selected instrument, you may also need to select a 
    MIDI channel for the track.
    For example, a multi-timbral VST Instrument can play back different sounds on different 
    MIDI channels – check the instrument’s documentation for MIDI implementation details.
    8.Make sure the option “MIDI Thru Active” is activated in the Preferences 
    dialog (MIDI page).
    9.Click the Monitor button for the MIDI track (in the Track list, Inspector 
    or mixer). 
    When this is activated (or when the track is record enabled, see the chapter “Record-
    ing” in the Operation Manual) incoming MIDI is passed on to the selected MIDI output 
    (in this case the VST Instrument).
    10.Open the mixer.
    You will find one or more additional channel strips for the instrument’s audio outputs. 
    VST Instrument channel strips have the same features and functionality as group chan-
    nel strips, with the addition of an Edit button at the bottom of the strip for opening the 
    VST Instrument control panel. You will also find output routing pop-up menus at the 
    top of the channel strips, for routing the VST Instrument channel(s) to output channels 
    or groups.
    11.Play the instrument from your MIDI keyboard.
    You can use the mixer settings to adjust the sound, add EQ or effects, etc. – just as 
    with regular audio channels. Of course, you can also record or manually create MIDI 
    parts that play back sounds from the VST Instrument.  
    						
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