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Steinberg MR816X Getting Started Manual German Version

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 Bedienungshandbuch   
51
· Wenn das MR816 X auf den Externeffekt-Modus „External FX“ (REV-X-Effekt) eingestellt ist: 
8Analog In/Out, 10DAW In/Out
...................... ........... ........... ...........
........... ...........
......................
........... ........... ........... ...........
........... .................................
HA
MIC/LINE INPUTCH 1–8
IN SE RT I/O
GAI N
+48V
IN PU T XLR
IN PU T PH ON E S
BUS 1
BUS 2
80
[–34dBu — +10dBu][–60dBu — –16dBu]
[+4dBu]
[–60 dBu]
[+4dBu]
BUS 15
BUS 16REVERB L
REVERB R
DIGITAL INPUTCH 1–8AD AT/OPTICAL
S/PDIF
8(4@96kHz)2
Input Select
+5D
METERMETER
MUTE
LEVEL BAL MUTE
LEVELPAN MUTE LEVEL PAN
BUS 7
BUS 8
BUS 9
BUS 10
METER
METER
REVERB L
REVERB R LEVEL
REV-X REVERB L
REVERB R
same as above
REVREV
BUS 14BUS 13BUS 12BUS 11
BUS 6BUS 5BUS 4BUS 3
same as above
88
A/D
HPF
0
26PAD
CH 1–2 only
MASTER
LEVEL1
MASTER
LEVEL2
PH ON E S1[4mW 8ohms]
[12mW 40ohms]
[4mW 8ohms]
[12mW 40ohms] LEVELPH ON E S2
LEVEL
S/PDIF
+5D
Output Select8(4@96kHz)
2D/A
[+4dBu]
[+4dBu]
[+4dBu]
[+4dBu]
LIN E OU T2LIN E OU T8
PHONE1
SEL ECTPHONE2
SEL ECT
METER
METER
MUTE
BAL
LIN E OU T1
ADAT/OPTICAL
same as abovesame as abovesame as abovesame as abovesame as abovesame as abovesame as abovesame as above
REVSELECT SELECT
same as above
88
DIRECT OUT 1
DIRECT OUT 2
DIRECT OUT 3
DIRECT OUT 4
DIRECT OUT 5
DIRECT OUT 6
DIRECT OUT 7
DIRECT OUT 8TO DAW 1
TO DAW 2
TO DAW 3
TO DAW 4
TO DAW 5
TO DAW 6
TO DAW 7
TO DAW 8
TO DAW 9
TO DAW 10 FROM DAW 9
FROM DAW 10
DIRECT OUT 1–8 
DIRECT OUT 9–16 
LIN E OU T7
D/A
D/A
D/A
D/A
D/A
D/A
D/AREV-X
FROM DAW 1
FROM DAW 2
FROM DAW 3
FROM DAW 4
FROM DAW 9
FROM DAW 10
FROM DAW 15
FROM DAW 16 FROM DAW 5
FROM DAW 6
FROM DAW 7
FROM DAW 8
FROM DAW 11
FROM DAW 12
FROM DAW 13
FROM DAW 14
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52     Bedienungshandbuch
■MR816 CSX
· Wenn das MR816 CSX auf den Normal-Modus eingestellt ist: 
8Analog In/Out, 8Digital In/Out, 16DAW In/Out
...................... ........... ........... ...........
........... ...........
......................
........... ........... ........... ...........
........... .................................
HA
MIC/LINE INPUTCH 1–8
IN SE RT I/O
GAI N
+48V
IN PU T XLR
IN PU T PH ON E S
BUS 1
BUS 2
80
[–34dBu — +10dBu][–60dBu — –16dBu]
[+4dBu]
[–60 dBu]
[+4dBu]
BUS 15
BUS 16REVERB L
REVERB R
DIGITAL INPUTCH 1–8AD AT/OPTICAL
S/PDIF
8(4@96kHz)2
Input Select
+5D
METERMETER
MUTE LEVEL BAL MUTE
LEVEL PAN MUTE
LEVEL PAN
BUS 7
BUS 8
BUS 9
BUS 10
METER
METER
REVERB L
REVERB R
LEVEL
REV-X REVERB L
REVERB R
same as above
REVREV
BUS 14BUS 13BUS 12BUS 11
BUS 6BUS 5BUS 4BUS 3
same as above
88
A/D
HPF
0
26PAD
CH 1–2 only
MASTER
LEVEL1
MASTER
LEVEL2
PH ON E S1[4mW 8ohms]
[12mW 40ohms]
[4mW 8ohms]
[12mW 40ohms] LEVELPH ON E S2
LEVEL
S/PDIF
+5D
Output Select8(4@96kHz)
2D/A
[+4dBu]
[+4dBu]
[+4dBu]
[+4dBu]
LIN E OU T2LIN E OU T8
PHONE1
SEL ECTPHONE2
SEL ECT
METER
METER
MUTE
BAL
LIN E OU T1
ADAT/OPTICAL
same as abovesame as abovesame as abovesame as abovesame as abovesame as abovesame as abovesame as above
REVSELECT SELECT
same as above
88
DIRECT OUT 1
DIRECT OUT 2
DIRECT OUT 3
DIRECT OUT 4
DIRECT OUT 5
DIRECT OUT 6
DIRECT OUT 7
DIRECT OUT 8TO DAW 1
TO DAW 2
TO DAW 3
TO DAW 4
TO DAW 5
TO DAW 6
TO DAW 7
TO DAW 8DIRECT OUT 9
DIRECT OUT 11
DIRECT OUT 12
DIRECT OUT 13
DIRECT OUT 14
DIRECT OUT 15
DIRECT OUT 16TO DAW 10
TO DAW 11
TO DAW 12
TO DAW 13
TO DAW 14
TO DAW 15
TO DAW 16
TO DAW 9
DIRECT OUT 10
METER
3Band EQ
COMP(Gain Reduction)
METER
CH STRI P Block x 8
CH STRI P 
Insert Point 
CH STRI P 
Insert Point INS.FX
MON.FX
MON.FX INS.FX
CH STRI P 
Insert Point 
CH STRI P 
Insert Point 
DIRECT OUT 1–8 
DIRECT OUT 9–16 
LIN E OU T7
D/A
D/A
D/A
D/A
D/A
D/A
D/A
FROM DAW 1
FROM DAW 2
FROM DAW 3
FROM DAW 4
FROM DAW 9
FROM DAW 10
FROM DAW 15
FROM DAW 16 FROM DAW 5
FROM DAW 6
FROM DAW 7
FROM DAW 8
FROM DAW 11
FROM DAW 12
FROM DAW 13
FROM DAW 14 
 
 
 
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 Bedienungshandbuch   
53
· Wenn das MR816 CSX auf den Externeffekt-Modus „External FX“ (Sweet Spot Morphing Channel 
Strip) eingestellt ist: 
8Analog In/Out, 16DAW In/Out
...................... ........... ........... ...........
........... ...........
......................
........... ........... ........... ...........
........... .................................
HA
MIC/LINE INPUTCH 1–8
IN SE RT I/O
GAI N
+48V
IN PU T XLR
IN PU T PH ON E S
BUS 1
BUS 2
80
[–34dBu — +10dBu][–60dBu — –16dBu]
[+4dBu]
[–60 dBu]
[+4dBu]
BUS 15
BUS 16
REVERB L
REVERB R
DIGITAL INPUTCH 1–8AD AT/OPTICAL
S/PDIF
8(4@96kHz)2
Input Select
+5D
METERMETER
MUTE
LEVEL BAL MUTE
LEVEL PAN MUTE LEVEL PAN
BUS 7
BUS 8
BUS 9
BUS 10
METER
METER
REVERB L
REVERB R
LEVEL
REV-X REVERB L
REVERB R
same as above
REVREV
BUS 14 BUS 13 BUS 12 BUS 11
BUS 6BUS 5BUS 4BUS 3
same as above
44
A/D
HPF
0
26PAD
CH 1–2 only
MASTER
LEVEL1
MASTER
LEVEL2
PH ON E S1[4mW 8ohms]
[12mW 40ohms]
[4mW 8ohms]
[12mW 40ohms] LEVELPH ON E S2
LEVEL
S/PDIF
+5D
Output Select8(4@96kHz)
2D/A
[+4dBu]
[+4dBu]
[+4dBu]
[+4dBu]
LIN E OU T2LIN E OU T8
PHONE1
SEL ECTPHONE2
SEL ECT
METER
METER
MUTE
BAL
LIN E OU T1
ADAT/OPTICAL
same as abovesame as abovesame as abovesame as abovesame as abovesame as abovesame as abovesame as above
REVSELECTSELECT
same as above
88
DIRECT OUT 1
DIRECT OUT 2
DIRECT OUT 3
DIRECT OUT 4
DIRECT OUT 5
DIRECT OUT 6
DIRECT OUT 7
DIRECT OUT 8TO DAW 1
TO DAW 2
TO DAW 3
TO DAW 4
TO DAW 5
TO DAW 6
TO DAW 7
TO DAW 8FROM DAW 9
FROM DAW 10
FROM DAW 11
FROM DAW 12
FROM DAW 13
FROM DAW 14
FROM DAW 15
FROM DAW 16
TO DAW 9
TO DAW 10
TO DAW 11
TO DAW 12
TO DAW 13
TO DAW 14
TO DAW 15
TO DAW 16
FROM DAW 9
FROM DAW 10
FROM DAW 11
FROM DAW 12
FROM DAW 13
FROM DAW 14
FROM DAW 15
FROM DAW 16
TO DAW 9
TO DAW 10
TO DAW 11
TO DAW 12
TO DAW 13
TO DAW 14
TO DAW 15
TO DAW 16
METER
3Band EQ
COMP(Gain Reduction)CH STRI P Block x 8
CH STRI P 
Insert Point 
CH STRI P 
Insert Point 
CH STRI P 
Insert Point  CH STRI P 
Insert Point 
DIRECT OUT 1–8 
DIRECT OUT 9–16 
LIN E OU T7
D/A
D/A
D/A
D/A
D/A
D/A
D/ACH STRI PCH STRI PCH STRI PCH STRI PCH STRI PCH STRI PCH STRI PCH STRI PorCH STRI PCH STRI PCH STRI PCH STRI P
FROM DAW 1
FROM DAW 2
FROM DAW 3
FROM DAW 4
FROM DAW 9
FROM DAW 10
FROM DAW 15
FROM DAW 16 FROM DAW 5
FROM DAW 6
FROM DAW 7
FROM DAW 8
FROM DAW 11
FROM DAW 12
FROM DAW 13
FROM DAW 14
METER
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54     Bedienungshandbuch
· Wenn das MR816 CSX auf den Externeffekt-Modus „External FX“ (Sweet Spot Morphing Channel 
Strip + REV-X-Effekt) eingestellt ist: 
8Analog In/Out, 16DAW In/Out
...................... ........... ........... ...........
........... ...........
......................
........... ........... ........... ...........
........... .................................
HA
MIC/LINE INPUTCH 1–8
IN SE RT I/O
GAI N
+48V
IN PU T XLR
IN PU T PH ON E S
BUS 1
BUS 2
80
[–34dBu — +10dBu][–60dBu — –16dBu]
[+4dBu]
[–60 dBu]
[+4dBu]
BUS 15
BUS 16
REVERB L
REVERB R
DIGITAL INPUTCH 1–8AD AT/OPTICAL
S/PDIF
8(4@96kHz)2
Input Select
+5D
METERMETER
MUTE
LEVEL BAL MUTE LEVEL PAN MUTE LEVEL PAN
BUS 7
BUS 8
BUS 9
BUS 10
METER
METER
REVERB L
REVERB R LEVEL
REV-X REVERB L
REVERB R
same as above
REVREV
BUS 14BUS 13BUS 12BUS 11
BUS 6BUS 5BUS 4BUS 3
same as above
44
A/D
HPF
0
26PAD
CH 1–2 only
MASTER
LEVEL1
MASTER
LEVEL2
PH ON E S1[4mW 8ohms]
[12mW 40ohms]
[4mW 8ohms]
[12mW 40ohms] LEVELPH ON E S2
LEVEL
S/PDIF
+5D
Output Select8(4@96kHz)
2D/A
[+4dBu]
[+4dBu]
[+4dBu]
[+4dBu]
LIN E OU T2LIN E OU T8
PHONE1
SEL ECTPHONE2
SEL ECT
METER
METER
MUTE
BAL
LIN E OU T1
ADAT/OPTICAL
same as abovesame as abovesame as abovesame as abovesame as abovesame as abovesame as abovesame as above
REVSELECT SELECT
same as above
88
DIRECT OUT 1
DIRECT OUT 2
DIRECT OUT 3
DIRECT OUT 4
DIRECT OUT 5
DIRECT OUT 6
DIRECT OUT 7
DIRECT OUT 8TO DAW 1
TO DAW 2
TO DAW 3
TO DAW 4
TO DAW 5
TO DAW 6
TO DAW 7
TO DAW 8FROM DAW 9
FROM DAW 10
FROM DAW 11
FROM DAW 12
FROM DAW 13
FROM DAW 14
FROM DAW 15
FROM DAW 16
TO DAW 9
TO DAW 10
TO DAW 11
TO DAW 12
TO DAW 13
TO DAW 14
TO DAW 15
TO DAW 16
FROM DAW 9
FROM DAW 10
FROM DAW 11
FROM DAW 12
FROM DAW 13
FROM DAW 14
FROM DAW 15
FROM DAW 16
TO DAW 9
TO DAW 10
TO DAW 11
TO DAW 12
TO DAW 13
TO DAW 14
TO DAW 15
TO DAW 16
METER
3Band EQ
COMP(Gain Reduction)CH STRI P Block x 8
CH STRI P 
Insert Point 
CH STRI P 
Insert Point 
CH STRI P 
Insert Point  CH STRI P 
Insert Point 
DIRECT OUT 1–8 
DIRECT OUT 9–16 
LIN E OU T7
D/A
D/A
D/A
D/A
D/A
D/A
D/ACH STRI PCH STRI PCH STRI PCH STRI PCH STRI PCH STRI PorCH STRI PCH STRI PCH STRI PREV-XREV-X
FROM DAW 1
FROM DAW 2
FROM DAW 3
FROM DAW 4
FROM DAW 9
FROM DAW 10
FROM DAW 15
FROM DAW 16 FROM DAW 5
FROM DAW 6
FROM DAW 7
FROM DAW 8
FROM DAW 11
FROM DAW 12
FROM DAW 13
FROM DAW 14
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    							U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation
© 2008-2009 Yamaha CorporationSteinberg Web Site
http: //www.steinberg.net
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