Steinberg Cubase 5 Operation Manual
Here you can view all the pages of manual Steinberg Cubase 5 Operation Manual. The Steinberg manuals for Music Production System are available online for free. You can easily download all the documents as PDF.
Page 241
241 The Sample Editor Moving the insert position of existing warp tabs If you simply wish to change the insert position of a warp tab in the audio, click and drag the warp tab header in the ruler. However, this will change the warping. Bypassing warp tabs You can disable all warp modifications by activating the Disable Warp Changes button in the AudioWarp tab or by setting up and using the “Bypass Warping” key command in the Key Commands dialog, Sample Editor category (see “Key commands” on page...
Page 242
242 The Sample Editor Proceed as follows: 1.Select the audio event(s) you wish to process. 2.Select “Flatten” from the Realtime Processing sub- menu of the Audio menu or use the corresponding button in the Process tab. If you did not perform any pitch modifications a dialog appears where you can select an algorithm for the processing. You can either select the MPEX 4 algorithm, which will produce the highest sound quality, or the Realtime algorithm which is much quicker but will not improve the audio...
Page 243
243 The Sample Editor VariAudio (Cubase only) ÖBefore you continue, make sure you read the tutorial in the Getting Started manual. With the AudioWarp features, editing audio in the time domain has become significantly easier. However, editing pitch was limited to having just one single numeric “trans- pose” value per event or part. With cutting-edge technology Cubase finally turns the dreams of musicians and producers into reality: editing vocal lines in the Sample Editor has become just as seam-...
Page 244
244 The Sample Editor The vertical position of a segment indicates its average pitch. If Pitch & Warp mode is activated and you move the mouse pointer over a segment, a piano roll will be dis- played, showing the found pitches. Furthermore, if you move the mouse pointer over a seg- ment and the zoom factor is high enough, the average pitch – note name and fine tuning in cent steps (100ths of a semitone) – is shown on top of the segment. Note pitches represent the perceived fundamental fre- quency of...
Page 245
245 The Sample Editor Applying editing, offline processes and VariAudio The following offline processes and edits that affect the length of the audio file, may lead to the re-analysis of the audio material: Options on the Select Process menu in the Process tab of the Sample Editor Inspector or in the Process submenu on the Audio menu that can be applied to selections Effect processing using the options on the Select Plug- in menu in the Process tab of the Sample Editor Inspector or in the Plug-ins...
Page 246
246 The Sample Editor Editing the segmentation includes changing the start and end position of a segment, cutting or gluing segments, and moving or deleting them. Just select the section of the file that you want to change, activate Segments mode, and edit the segmentation for the desired section. If you are not sat- isfied with your changes, you can go back to the original segmentation (see “Reset” on page 252). ÖIn Segments mode, the segments are shown with a hatched background. You can switch to...
Page 247
247 The Sample Editor 3.Click to glue the active segment to the next segment. If several segments are selected, they will all be glued together. Snap will not be taken into account. Moving a segment horizontally After cutting a segment, it may be necessary to move seg- ments horizontally, e.g. if you notice that a note is at the wrong position. Proceed as follows: 1.Activate Segments mode on the VariAudio tab. 2.To move a segment, move the mouse pointer over the upper border of the segment. The...
Page 248
248 The Sample Editor You can set up the way in which a note will snap to a cer- tain pitch in the Preferences dialog (Editing–Tool Modifi- ers page): If you use “Absolute Pitch Snapping” (by default no modifier) the segment will be pitched to the next semitone. If you use “Relative Pitch Snapping” (by default [Ctrl]/[Com- mand]) the segment snaps in relation to its current deviation in cents. That means that if the segment has a pitch of C3 and a deviation of 22% and you move it up by one semitone,...
Page 249
249 The Sample Editor If you want to change the pitch modulation only for the segment start or end, you can set an “anchor point” to specify which part of the pitch should be affected: 1.Move the mouse pointer over the top border of the segment. The mouse pointer becomes an I-beam symbol. 2.Click at the position where you want to set an anchor. A vertical line appears at the position where you clicked. A segment can only have one anchor. 3.Move the mouse pointer over the top left/right corner of the...
Page 250
250 The Sample Editor Proceed as follows: 1.After having corrected the segmentation, select the segment for which you would like to change the pitch. 2.Activate Pitch & Warp mode and click the MIDI Input button. 3.Press a key on your MIDI keyboard or use the Virtual Keyboard to change the pitch of the segment. The pitch of the segment changes according to the note you played. The MIDI Input function has two modes. You can switch between these by [Alt]/[Option]-clicking on the MIDI Input button: In...