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Christie Digital Systems Ds+5k, Kc-8k, Dw3k-6k, Kc, Hd5k, Kc-8k, Kc, Mirage S+2-4-8k, Dlv1400-dx, 1920-dx, Matrix S+2k, 4000, Hd4k Users Manual
Christie Digital Systems Ds+5k, Kc-8k, Dw3k-6k, Kc, Hd5k, Kc-8k, Kc, Mirage S+2-4-8k, Dlv1400-dx, 1920-dx, Matrix S+2k, 4000, Hd4k Users Manual
Here you can view all the pages of manual Christie Digital Systems Ds+5k, Kc-8k, Dw3k-6k, Kc, Hd5k, Kc-8k, Kc, Mirage S+2-4-8k, Dlv1400-dx, 1920-dx, Matrix S+2k, 4000, Hd4k Users Manual. The Christie Digital Systems manuals for Projector are available online for free. You can easily download all the documents as PDF.
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Section 3: Operation 013-100199-04 3-43. Brightness Uniformity — SUBMENU Brightness Uniformity provides further refinement of displays already matched for their primary colors and overall light output. Use Brightness Uniformity to create an exceptionally smooth image in which no area appears brighter and/or more red, green or blue than another. In the Brightness Uniformity menu, enable the “Uniformity Enable” checkbox to access a multitude of adjustments for critical color light output control...
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Section 3: Operation 3-44 013-100199-04 DEFINING “USER” COLOR GAMUTS: In some cases, you may find that none of the pre- defined “Select Color Adjustment” options exactly suit your needs. For example, you may require a unique color gamut (range) for a single projector or application, or you may need to precisely match colors across multiple adjacent displays. In such cases, use the Color Adjustments by X,Y or Color Saturation submenu to define the precise hue of each primary color component (red,...
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Section 3: Operation 013-100199-04 3-45. Figure 3.10. CIE 1931 Chromaticity Diagram (without Yellow Notch Filter) NOTE: Keep new x,y coordinates within the original color gamut triangle shown here. PROCEDURE FOR X,Y ADJUSTMENTS: See 3.10, Using Multiple Projectors. COLOR SATURATION: Use this submenu if you do not have specific color coordinates in mind and will simply judge color performance by eye or meter. Like the Color Adjustment by X,Y submenu, each color control actually defines...
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Section 3: Operation 3-46 013-100199-04 hardware, by matching up black level hues with a “target area” hue (the intersection of the center lines), and adjusting the overlaps (edges) surrounding the target area. NOTES: 1) Refer to section 3.10, Using Multiple Projectors for additional information. 2) There is a centerline (both horizontal and vertical) in the Black Level Blending test pattern. The intersection of these lines is the true center of the projector’s display area. 3) Adjust white...
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Section 3: Operation 013-100199-04 3-47. Freeze Image Enter a check mark to freeze (stop) an image on a single frame. This diagnostic tool is useful if you need to examine in detail a still version of an incoming image that cannot be “frozen” at the source. For example, in moving images it is sometimes difficult to observe artifacts such as external de-interlacing/resizing and signal noise. Remove the checkmark to return back to normal. Color Enable Select which color or colors you want to...
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Section 3: Operation 3-48 013-100199-04 NOTES: 1) Adjust offset before gain, since offset affects gain. 2) A value of 128 represents no change in normal odd pixel offset or gain. 3) Odd Pixel Adjustment eliminates “one pixel on, one pixel off” artifact only, not any type of larger artifacts. Reserved No function. Peak Detector The “Peak Detector” is a fast method for defining individual input levels, and can improve the accuracy of input levels set by the Auto Input Level function. Enabling...
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Section 3: Operation 013-100199-04 3-49. LiteLOC™ Calibration NOTES: 1) LiteLOC™ Calibration takes up to two minutes. 2) For best results, allow the projector to warm up for 15 minutes prior to calibration. LiteLOC™ Calibration defines the range of power needed to maintain lamp brightness. Select Calibrate LiteLOC for calibration using your projector’s unique specifications (recommended) rather than standard specifications. The projector will revert to the default back-up in the event of a...
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Section 3: Operation 3-50 013-100199-04 PIP (Picture-in-Picture) and Seamless Switching are independent but related projector features that both utilize two image-processing paths within the projector. In the case of Picture-in-Picture, this double processing enables you to display two different images simultaneously – typically a smaller “secondary” image within a large “primary” background. In a seamless switch, the double processing essentially occurs between displays so that a full image...
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Section 3: Operation 013-100199-04 3-51. Swap Main and PIP Image Toggle the current picture-in-picture relationship so that the primary (main) image becomes secondary (PIP), and the secondary image becomes primary. Swapping is available only when PIP is enabled. NOTE: There may be a slight delay when swapping the Primary and Secondary images. PIP Enable Short cut: Press on the Remote if menu not present. Toggle to display from two sources at once (Picture-in- Picture) or the primary source...
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Section 3: Operation 3-52 013-100199-04 PIP Border Color Select the desired color for the PIP window border. NOTES: 1) Numbers 7 and 8 on the Picture-in-Picture and Switching submenu control switching parameters. 2) Disable PIP in order to work with Seamless Switching. 3) Disable PIP and Best Switching for Interlaced sources > 35kHz. Seamless Switching is the ability to instantly and/or smoothly switch sources, and is controlled with options 7 and 8 in the PIP and Switching menu. To use...