Home
>
Christie Digital Systems
>
Projector
>
Christie Digital Systems Ds+4k, 8k, Dlv1400-dx, Mirage S+2k, 4k, 8k Users Manual
Christie Digital Systems Ds+4k, 8k, Dlv1400-dx, Mirage S+2k, 4k, 8k Users Manual
Here you can view all the pages of manual Christie Digital Systems Ds+4k, 8k, Dlv1400-dx, Mirage S+2k, 4k, 8k Users Manual. The Christie Digital Systems manuals for Projector are available online for free. You can easily download all the documents as PDF.
Page 71
Section 3: Operation User’s Manual 3-49. Typically, a high-end graphics workstation that includes hardware and software tools for customizing video output timing parameters can produce the requisite 3D signals, as can a PC running Windows TM 98/2000 (use the “PowerStrip” utility)— consequently your 3D displays should originate from either of these sources, or one that is similar. NOTE: Not all systems include the hardware/software necessary for reconfiguring the 3D video output timing...
Page 72
Section 3: Operation 3-50 User’s Manual Figure 3.26. Typical 3D Configuration with Passive Glasses & TTL Inverter Figure 3.27. Typical 3D Configuration: Active Glasses & 3D Stereo Sync Cable
Page 73
Section 3: Operation User’s Manual 3-51. Figure 3.28. Typical 3D Configuration: Passive Glasses & 3D Stereo Sync Cable • APPROPRIATE 3D SOURCE: Signals from your 3D source (workstation or PC) must be customized to precisely match the processing capabilities of the projector. In addition, the source must provide a separate synchronization signal that precisely controls when left/right fields are visible through the viewer’s glasses. • INVERTER: Your 3D displays will usually require...
Page 74
Section 3: Operation 3-52 User’s Manual cross-talk in 3D (stereographic) applications) as well as other more subtle color artifacts. Such problems indicate that the eyes are detecting portions of the opposing frame due to an “out-of-sync” system, and can occur in either active or passive 3D configurations. In the Advanced Image Settings menu, the correct “3D Stereo Sync Delay” setting helps to synchronize glasses with the displayed images. See also Customizing the Input Signal, below,...
Page 76
Section 3: Operation 3-54 User’s Manual Figure 3.30. Examples of Poor and Ideal Synchronization (2) DARK INTERVAL — (note: not always required). For slower gating technologies, you may also need to artificially increase the amount of dark time between displayed frames so that shutters have even more time to open/close and each eye sees the full display intended for it (Figure 3.30B). Symptoms are more subtle than cross-talk—if the dark interval is too brief for proper gating, you may...
Page 77
Section 3: Operation User’s Manual 3-55. NOTES: 1) Increasing the Dark Interval decreases the peak brightness of the image. Use only if necessary—you may prefer some color artifacts rather than reduced brightness, or vice versa. 2) Higher input frame rates limit the range of Dark Interval adjustment. 3) Faster glasses allow a briefer dark interval. (3) 3D STEREO SYNC — This option defines 1) whether or not the incoming 3D (stereographic) signal locks to the vertical sync output so that...
Page 78
Section 3: Operation 3-56 User’s Manual When using a 3D Stereo Sync cable at the Mirage GPIO port, select which 3D Stereo Sync input (A or B) is connected, adjust the 3D delay, and choose the 3D Stereo Sync locking/inversion options applicable for your installation. See below. The following sources are optimized for active 3D (stereographic) images using the projector and active glasses. Clamp Location is “Back Porch”. Keep in mind that formats beyond those shown below may also be...
Page 79
Section 3: Operation User’s Manual 3-57. IMAGE IS BREAKING UP: The horizontal back porch may be too small or too large. If you can lock to the signal by changing H-Position but have a black left edge in the image, reduce the source’s horizontal back porch blanking. If the black edge is on the right, increase the source’s horizontal back porch blanking. HORIZONTAL STREAKS IN THE IMAGE: You may need to adjust the Clamp Location option in the Input Levels menu (accessed via Image Settings...
Page 80
Section 3: Operation 3-58 User’s Manual Factory Defaults option in the Color Primaries submenu. Then repeat the calibration process describe above, if desired, and continue with matching of colors. Color Adjustment Procedure Once the Color Primary Settings are calibrated for the site (see above), use the Color Adjustments by X,Y or Color Saturation menu to further refine each projector’s fundamental colors so that the hue and intensity of each color appears the same from one display to...