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Canon 80d Manual

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    Shooting with Ambience Selection
    7Brighter
    The picture will look brighter.
    8Darker
    The picture will look darker.
    9Monochrome
    The picture will be monochrome.  You can select the monochrome 
    color to be blue, black and white, or sepia. When [Monochrome] is 
    selected, <
    z> will appear in the viewfinder. 
    						
    							112
    In the  Basic Zone modes, you can shoot with 
    the settings matching the lighti ng or scene type. Normally, [e Default 
    setting
    ] is adequate, but if the settings  match the lighting condition or 
    scene, the picture will look  more accurate to your eyes.
    For Live View shooting, if you set both [
    Light/scene-based shots] and 
    [
    Ambience-based shots] (p.108), you should first set [Light/scene-
    based shots
    ]. This will make it easier to see the resulting effect on the 
    LCD monitor.
    1Set the Mode Dial to < 8>.
    Set one of the following: , , 
    <
    3>, , or .
    2Set the Live View shooting/Movie 
    shooting switch to < A>.
    3Display the Live View image.
    Press the  button to display the 
    Live View image.
    Shooting by Lightin g or Scene Type
    Lighting or Scene8
    C2345
    e  Default setting kkkkk
    f Daylightkkkkk
    g Shadekkkkk
    S  Cloudy kkkkk
    i Tungsten lightkkkk
    j  Fluorescent lightkkkk
    s  Sunset kkkkk 
    						
    							113
    Shooting by Lighting or Scene Type
    4With Quick Control, select the 
    lighting or scene type.
    Press the  button (7).
    Press the   keys to select 
    [
    e Default setting]. [Light/scene-
    based shots] will appear on the 
    screen.
    Press the   keys to select 
    the lighting or scene type.
    The resulting image with the selected 
    lighting or sc ene type will be 
    displayed.
    5Take the picture.
    Press the shutter button completely to 
    take the picture.
    To return to viewfinder shooting, 
    press the <
    0> button to exit Live 
    View shooting. Then press the shutter 
    button completely to take the picture.
    If you change the shooting mode or 
    set the power switch to , the 
    setting will revert back to [
    e Default 
    setting
    ].
     If you use flash, the setting will switch to [ e Default setting]. (However, 
    the shooting information will display the lighting or scene type that is set.)
     If you want to set this together with [ Ambience-based shots], set the 
    lighting or scene type that best ma tches the ambience you have set. In 
    the case of [ Sunset], for example, warm colors will become prominent so 
    the ambience you set may not work well.
    If you do not want the Live View image to be displayed when setting 
    functions, press the < Q> button after step 1 and set [ Light/scene-based 
    shots ]. 
    						
    							Shooting by Lighting or Scene Type
    114
    Lighting or Scene Type Settings
    eDefault settingDefault setting suited for most subjects.
    fDaylight
    For subjects under sunlight. Give s more natural-looking blue skies 
    and greenery and reproduces li ght-colored flowers better.
    gShade
    For subjects in the shade. Suitabl e for skin tones, which may look 
    too bluish, and for li ght-colored flowers.
    SCloudy
    For subjects under overcast skies. Makes skin tones and 
    landscapes, which may otherwise  look dull on a cloudy day, look 
    warmer. Also effective for light-colored flowers.
    i Tungsten light
    For subjects lit under tungsten li ghting. Reduces the reddish-orange 
    color cast caused by tungsten lighting.
    j Fluorescent light
    For subjects under fluorescent li ghting. Suited for all types of 
    fluorescent lighting.
    s Sunset
    Suitable when you want to capture the sunset’s impressive colors. 
    						
    							115
    3
    Setting the AF andDrive Modes
    The AF points in the viewfinder are 
    arranged to make AF shooting 
    suitable for a  wide variety of 
    subjects and scenes.
    You can also select the AF operation and drive mode 
    that best match the shooti ng conditions and subject.
    The O icon at the upper right of the page title indicates that 
    the function is available only in Creative Zone modes (d/
    s/f/a/F).
    In Basic Zone modes, the AF operation and AF point (AF 
    area selection mode) are set automatically.
    < AF > stands for autofocus. < MF> stands for manual focus. 
    						
    							116
    You can select the AF operation characteristics to suit the shooting 
    conditions or subject. In Basic Zone modes, the optimum AF operation 
    is set automatically for the respective shooting mode.
    1Set the lens’s focus mode switch 
    to .
    2Turn the Mode Dial to a Creative 
    Zone mode.
    3Press the  button (9).
    4Select the AF operation.
    While looking at the LCD panel, turn 
    the  or  dial.
    X: One-Shot AF
    9: AI Focus AFZ: AI Servo AF
    f: Selecting the AF Operation N
    In Creative Zone modes, you can also press the < p> button to 
    autofocus. 
    						
    							117
    f: Selecting the AF OperationN
    Suited for still subjects. When you 
    press the shutter button halfway, the 
    camera will focus only once.
    
    When focus is achieved, the AF point 
    that achieved focus will be displayed, 
    and the focus indicator <
    o> in the 
    viewfinder will also light up.
    With evaluative metering, the 
    exposure setting will be set at the 
    same time focus is achieved.
    While you hold down the shutter bu tton halfway, the focus will be 
    locked. You can then recompose the shot if desired.
    One-Shot AF for Still Subjects
    Focus indicator
    AF point
    
    If focus cannot be achiev ed, the focus indicator  in the viewfinder 
    will blink. If this occurs, the pictur e cannot be taken even if the shutter 
    button is pressed completely. Recompose the shot or see “When 
    Autofocus Fails” (p.136) and try to focus again.
     If [z 1: Beep ] is set to [ Disable], the beeper will not sound when focus 
    is achieved.
     After achieving focus with One-Shot  AF, you can lock the focus on a 
    subject and recompose the shot. This is  called “focus lock”. This is useful 
    when you want to focus on a peripheral subject not covered by the Area 
    AF frame.
     When a lens equipped with electronic  manual focusing function is used, 
    after achieving focus, you can focus manually by turning the lens 
    focusing ring while pressing the shutter button halfway. 
    						
    							f: Selecting the AF OperationN
    118
    This AF operation is suited for moving subjects when the focusing 
    distance keeps changing. While you hold down the shutter button 
    halfway, the camera will keep focusing on the subject continuously.
    The exposure is set at the moment the picture is taken.
    When the AF area selection mode (p.120) is set to 45-point 
    automatic selection AF, focus tracking will continue as long as the 
    Area AF frame covers the subject.
    AI Focus AF switches the AF operation from One-Shot AF to AI 
    Servo AF automatically if a still subject starts moving.
    After the subject is focused in One-Shot AF, if the subject starts 
    moving, the camera will dete ct the movement, change the AF 
    operation automatically to AI Servo AF, and start tracking the moving 
    subject.
    AI Servo AF for Moving Subjects
    AI Focus AF for Switching the AF Operation Automatically
    With AI Servo AF, the beeper will not sound even when focus is achieved. 
    Also, the focus indicator < o> in the viewfinder will not light up.
    When focus is achieved with AI Focus  AF with the Servo operation active, 
    the beeper will continue beeping softly. However, the focus indicator < o> in 
    the viewfinder will not light up. Note that focus will not be locked in this case. 
    						
    							119
    f: Selecting the AF OperationN
    By default, the AF points light up in red when focus is achieved in low-
    light conditions. In Creative Zone modes, you can set whether to have 
    the AF points light up in red when focus is achieved (p.424).
    Under low-light conditions, when you press the shutter button halfway, 
    the built-in flash may fire a brief burst of flashes. This illuminates the 
    subject to help autofocusing.
    AF Points Lighting Up in Red
    AF-Assist Beam with the Built-in Flash
     AF-assist beam will not be emitted from the built-in flash in  or 
    < 8 : 35 > modes, or when [ Built-in flash firing ] is set to  in 
    < A >, < C>, < 8 : PCF24 >, or  modes.
     The AF-assist beam will not be emitted with AI Servo AF operation.
     The built-in flash makes a sound when firing continuously. This is normal 
    and not a malfunction.
    The effective range of the AF-assist beam emitted by the built-in flash is 
    approx. 4 meters / 13.1 feet.
     In Creative Zone modes, when you ra ise the built-in flash with the  
    button, the AF-assist beam will fire when necessary. Note that depending 
    on the setting for [ 8C.Fn II-6: AF-assist beam firing ], the AF-assist 
    beam may not be emitted (p.419). 
    						
    							120
    The camera has 45 AF points for autofocusing. You can select the AF 
    area selection mode and AF point(s) suiting the scene or subject.
    You can select one of four AF area selection modes. See the next page 
    for the selection procedure.
    E:Single-point AF 
    (Manual selection)
    Select one AF point to focus.
    F :Zone AF 
    (Manual selection of zone)
    The AF area is divided into nine focusing 
    zones for focusing.
    G : Large Zone AF 
    (Manual selection of zone)
    The AF area is divided into three 
    focusing zones (left, center, and right) for 
    focusing.
    H : 45-point automatic selection 
    AF
    The Area AF frame (entire AF area) is 
    used to focus.
    S  Selecting the AF Area and AF Point N
    AF Area Selection Mode
    Depending on the lens attached to the camera, the number of usable 
    AF points, AF point patterns, the shape of Area AF frame, etc. will 
    differ. For details, see “Lenses and Usable AF Points” on page 128. 
    						
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