Canon 80d Manual
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211 w: HDR (High Dynamic Range) ShootingN When shooting HDR images with [ Auto Image Align] set to [Enable], AF point display information (p.352) and Dust Delete Data (p.405) will not be appended to the image. If you perform handheld HDR shooting with [ Auto Image Align] set to [ Enable ], image periphery will be slightly trimmed and resolution will be slightly lowered. Also, if the images cannot be aligned properly due to camera shake, etc., auto image alignment may not take effect. Note that when shooting with excessively bright (or dark) exposure settings, auto image alignment may not work properly. If you perform handheld HDR shooting with [ Auto Image Align] set to [ Disable ], the 3 images may not be properly aligned and the HDR effect may be minimal. Using a tripod is recommended. Auto image alignment may not work properly with repetitive patterns (lattice, stripes, etc.) or flat, single-tone images. The color gradation of the sky or white walls may not be reproduced correctly. Irregular exposure, irregular colors, or noise may appear. HDR shooting under fluorescent or LED lighting may result in unnatural color reproduction of the illuminated areas. With HDR shooting, it takes some time to record images to the card since they are merged after shooting. During the processing of the images, “ buSY” will be displayed in the viewfinder and on the LCD panel, and you cannot take another picture until the processing is completed. If you change the shooting mode or switch to movie shooting after setting HDR shooting, HDR shooting setting may be cleared ([ Adjust dyn range ] setting may be switched to [ Disable HDR]).
212 You can shoot two to nine exposures to be merged into one image. With Live View shooting (p.255), you can see in real time how the exposures are merged when you shoot multiple-exposure images. 1Select [Multiple exposure]. Under the [z3] tab, select [Multiple exposure ], then press . 2Set [Multiple exposure]. Select [Enable], then press . To exit shooting multiple exposures, select [ Disable]. 3Set [Multi-expos ctrl]. Select the desired multiple-exposure control method, then press < 0>. Additive The exposure of each single image captured is added cumulatively. Based on the [No. of exposures], set a negative exposure compensation. Refer to the basic guide below to set the exposure compensation amount. Exposure Compensation Setting Guide for Multiple Exposures Two exposures: -1 stop, three exposures: -1.5 stop, four exposures: -2 stops P Multiple Exposures N The noise, irregular colors, banding, etc. of the image displayed during shooting with [Additive] set may be different from the final multiple- exposure image recorded.
213 P Multiple ExposuresN Average Based on the [No. of exposures], negative exposure compensation is set automatically as you shoot multiple exposures. If you shoot multiple exposures of the same scene, the expos ure of the subject’s background will be automatically controlled to obtain the standard exposure. 4Set the [No. of exposures]. Set the number of exposures, then press < 0>.You can set it from 2 to 9 exposures. 5Set [Continue Mult-exp]. Select either [1 shot only] or [Continuously], then press . With [1 shot only], multiple-exposure shooting will be canceled automatically after the shooting ends. With [Continuously], multiple- exposure shooting continues until the setting in step 2 is set to [ Disable]. 6Take the first exposure. The captured image will be displayed. The icon will blink. You can check the remaining exposures in the brackets [ ] in the viewfinder or on the screen. Pressing the button enables you to view the captured image (p.217).Remaining number of exposures
P Multiple ExposuresN 214 7Shoot subsequent exposures. The merged multiple-exposure image will be displayed. With Live View shooting, the multiple- exposure images merged so far will be displayed. By pressing the < B> button, you can display only the Live View image. Multiple-exposure shooting will end when the set number of exposures are taken. With continuous shooting, if you keep holding down the shutter button, the shooting continues until the set numbers of exposures are taken.
215 P Multiple ExposuresN During continuous shooting, the continuous shooting speed will decrease greatly. Only the merged multiple-exposure image will be saved. The images taken in steps 6 and 7 for the multiple-exposure image will not be saved. The image-recording quality, ISO speed, Picture Style, high ISO speed noise reduction and color space, etc. set for the first single exposure will also be set for the subsequent exposures. You cannot set an aspect ratio for multiple-exposure shooting. Images will be taken with a 3:2 aspect ratio. If WB bracketing, Multi Shot Noise Reduction, HDR mode, or a Creative filter is set, multiple-exposure shooting cannot be set. During multiple-exposure shooting, the settings of [ z1: Lens aberration correction ], [z2: Auto Lighting Optimizer ], and [z3: Highlight tone priority ] will be automatically switched to [ Disable]. If [z 3: Picture Style ] is set to [Auto], [Standard ] will be applied for shooting. With multiple exposures, the more exposures there are, the more noticeable the noise, irregular colors, and banding will be. Also, as noise increases with higher ISO speeds, shooting at low ISO speeds is recommended. If [Additive ] is set, the image processing after taking the multiple exposures will take time. (The access lamp will light up longer.) If you perform Live View shooting with [ Additive] set, the Live View function will stop automatically when the multiple-exposure shooting ends. In step 7, the brightness and noise of the multiple-exposure image displayed during Live View shooting will be different from the final multiple-exposure image recorded. Multiple-exposure shooting will be canceled if the power switch is set to or if you switch to movie shooting. If you switch the shooting mode to a Basic Zone mode, < w>, or < x> during shooting, multiple-exposure shooting will end. If you connect the camera to a computer, multiple-exposure shooting will not be possible. If you connect the camera to a computer during shooting, multiple-exposure shooting will end. You can press the button to view the multiple exposures taken so far or delete the last single exposure (p.217).
P Multiple ExposuresN 216 You can select a 1 image recorded on the card as the first single exposure. The image data of the selected 1 image will remain intact.You can only select 1 images. You cannot select 41/61 or JPEG images. 1Select [Select image for multi. expo.]. The images on the card will be displayed. 2Select the first image. Turn the dial to select the image to be used as the first single exposure, then press < 0>.Select [OK].The file number of the selected image will be displayed at the bottom of the screen. 3Take the picture. When you select the first image, the number of remaining exposures as set with [No. of exposures] will decrease by 1. For example, if [No. of exposures] is 3, you can shoot two exposures. Merging Multiple Exposures with an Image Recorded on the Card Images shot with [z3: Highlight tone priority] set to [Enable] and images whose [z4: Aspect ratio] is set to any setting other than [3:2] (p.146) cannot be selected as the first single exposure. [Disable] will be applied for [z1: Lens aberration correction] and [z2: Auto Lighti ng Optimizer] regardless of the settings of the 1 image selected as the first single exposure. The ISO speed, Picture Style, hi gh ISO speed noise reduction, color space, etc. set for the first 1 image will also be applied for the subsequent images. If [z3: Picture Style] is [Auto] for the RAW image selected as the first 1 image, [Standard] will be applied for shooting.You cannot select an image taken with another camera. You can also select a 1 multiple-exposure image as the first single exposure.If you select [Deselect img], the selected image will be canceled.
217 P Multiple ExposuresN Before you finish shooting the set number of exposures, you can press the < x> button to check the current exposure level, overlap alignment, and overall effect of the merged multiple- exposure image. If you press the < L> button, the operations possibl e during multiple- exposure shooting will be displayed. Checking and Deleting Multiple Exposures During Shooting OperationDescription q Undo last image Deletes the last image you shot (shoot another image). The number of remaining exposures will increase by 1. W Save and exit The images shot so far will be merged and saved as a multiple-exposure image. r Exit without saving Multiple-exposure shooting will exit without saving the images shot. 2 Return to previous screen The screen before you pressed the < L> button will reappear. During multiple-exposure shooting, you c an only play back multiple-exposure images.
P Multiple ExposuresN 218 Are there any restrictions on the image-recording quality?All JPEG image-recording quality settings can be selected. If 41 or 61 is set, the merged multiple-exposure image will be a 1 image. Can I merge images recorded on the card? With [Select image for multi. expo.], you can select the first single exposure from the images recorded on the card (p.216). Note that you cannot merge multipl e images already recorded on the card. Are multiple exposures possible with Live View shooting? You can shoot multiple exposures with Live View shooting (p.255). Will auto power off take effect during multiple-exposure shooting? As long as [52: Auto power off] is set to any setting other than [ Disable], the timing for auto power off to automatically take effect will all become after approx. 30 min. of idle time. If the auto power off takes effect, multiple-exposure shooting will end, and multiple- exposure settings will be canceled. Before starting the multiple-exposure shooting, the auto power off will take effect at the time set with the camera, and multiple- exposure settings will be canceled. FAQ Image-Recording Quality SettingMerged Multiple-Exposure Image JPEGJPEG 11 41 /61 1 1+JPEG1+JPEG 41 /61 +JPEG1+JPEG
219 Camera vibrations caused by the mirror’s reflex action when the picture is taken is called “mirror shock” . Mirror lockup keeps the mirror up before and during exposure to reduce blur caused by camera vibrations. Useful when shooting cl ose-ups (macro photography), using a super telephoto lens, and shooting at slow shutter speeds. 1Set [Mirror lockup] to [Enable]. Under the [z4] tab, select [Mirror lockup ], then press . Select [Enable], then press . 2Focus on the subject, then press the shutter button completely. The mirror will swing up. 3Press the shutter button completely again. The picture is taken and the mirror goes back down. 2 Mirror Lockup N Do not point the camera toward an intense light source, such as the sun or an intense artificial light source. Doing so may damage the image sensor or the camera’s internal components. In very bright light, such as at the beach or a ski slope on a sunny day, take the picture promptly after mirror lockup is stabilized. If you use the self-timer and bulb exposure in combination with a mirror lockup, keep pressing the shutter button completely (self-timer delay time + bulb exposure time). If you let go of the shutter button during the self-timer countdown, there will be a shutter-release sound, but no picture will be taken. During mirror lockup, shooting function settings and menu operations, etc. are disabled.
Using the Eyepiece Cover 220 Even if the drive mode is set to co ntinuous shooting, only one shot can be taken. You can also use the self-timer with mirror lockup. If approx. 30 sec. elapse after the mirror is locked up, it will go back down automatically. Pressing the shutter button completely again locks up the mirror again. When shooting with mirror lockup, using a tripod and Remote Switch RS-60E3 (sold s eparately, p.221) is recommended. You can also use a remote controller (sold separately, p.221) with mirror lockup. Setting the remote controller to a 2-sec. delay is recommended. Using the Eyepiece Cover When you take a picture without look ing through the viewfinder, such as when you use the self-timer, bulb ex posure, or a remote switch, stray light entering the viewfinder can cause the picture to look dark. To prevent this, use the eyepiece cove r (p.33) attached to the camera strap. During Live View shooting and movie shooting, attaching the eyepiece cover is unnecessary. 1Detach the eyecup. Push the bottom of the eyecup to detach it. 2Attach the eyepiece cover. Slide the eyepiece cover down into the eyepiece groove to attach it. After you finish shooting, detach the eyepiece cover and attach the eyecup.