Yamaha Tyros 2 Manual

							Mixing Console
Reference
181Tyros2 Owner’s Manual
Song Auto Revoice
This feature lets you use the stunning sound of the Tyros2 to full advantage with XG-compatible song data. When you play back 
any commercially available XG song data or that created on other instruments, you can use Auto Revoice to automatically assign 
the specially created voices of the Tyros2 (Live!, Cool!, etc.) instead of the conventional XG voices of the same type. To do this, 
simply turn on Song Auto Revoice (from the VOL/VOICE display page), and the Tyros2 uses its unique, superior sound set 
instead of the normal XG counterparts. You can even specify your own favorite voices for this function and make other detailed 
settings via the [SETUP] LCD button.
Effects
The Tyros2 has a wide variety of high-quality effects—including Reverb, Chorus, and a diverse selection of DSP (Digital Signal 
Processor) effects—that can be used to independently enhance or change the sound of the various parts (keyboard, style, song, 
Multi Pads, and microphone sound).
■ Effect Block
Parts to which the effects 
are appliedCharacteristicsEffect 
ConnectionNumber of 
User Effect
ReverbAll parts Reproduces the warm ambience of playing in 
a concert hall or jazz club.System 3
ChorusAll parts Produces a rich “fat” sound as if several parts 
are being played simultaneously.System 3
DSP1Style part (all channels) 
+ Song part (all channels)In addition to the Reverb and Chorus types, 
the Tyros2 has special DSP effects, that in-
clude additional effects usually used for a spe-
cific part, such as distortion and tremolo.System/
Insertion3
DSP2
DSP3
DSP4
DSP5RIGHT 1, RIGHT 2, 
RIGHT 3, LEFT, Song part 
(all channels)Any unused DSP blocks are automatically as-
signed to the appropriate parts (channels) as 
needed.Insertion 10
DSP6Microphone sound Dedicated for use only with the microphone 
sound.Insertion 10
Vocal HarmonyMicrophone sound Page 175 Insertion 10
Master EQAll parts Page 184 System 2
Part EQStyle part (all channels), 
Multi Pad part, Song part 
(all channels), RIGHT 1, 
RIGHT 2, RIGHT 3, LEFTPage 180 — 0
Master CompressorAll parts Page 185 System 5
Turns the Auto Revoice 
function on or off. 
Selects the XG voices 
to be replaced (voices 
usually used when 
playing back).Selects the voices used 
to replace the XG voices 
(when SONG AUTO 
REVOICE is set to ON).Press these LCD buttons to 
change the list of replaced 
voices. See below for details. 
Replaces all of the replaceable 
XG voices with the rich and 
authentic voices of the Tyros2. 
Replaces only the recom-
mended voices that are suitable 
for playing back the song.
All the voices are returned to the 
original XG voices.
Press the [OK] LCD button to execute 
the settings and closes the Auto 
Revoice Setup display. 
Press the [CANCEL] LCD button to 
close the Auto Revoice Setup screen 
without executing the settings. XG voices contained in 
the song dataReplaced voices of the 
Ty ros2 Auto Revoice 
						

							Mixing Console
Reference
182Tyros2 Owner’s Manual
■ System Effects and Insertion Effects
All the effect blocks are connected or routed in one of two ways: System or Insertion. System applies 
the selected effect to all parts, while Insertion applies the selected effect to one specific part. 
The DSP 1 effect can be configured for either System or Insertion routing via the Effect Parameter 
settings (page 183).
■ Effect Signal Flow Chart
RIGHT 1
RIGHT 2
RIGHT 3
LEFT
Song part 
(each channel)
Style part 
(each channel)
Multi Pad
Microphone 
sound
Insertion Effect
Assigned automatically to 
respective parts as needed.
DSP2
DSP3
DSP4
DSP5
DSP1
DSP6 Vocal 
Harmony Par t EQ
Master 
CompressorMaster EQ
Send Level(set for each part or 
channel)Return Level (set for all parts or 
channels) DSP1 Chorus Reverb
System Effect
When DSP1 is set as 
an Insertion effect
Output
When DSP1 is set as an System effect
•About DSP 1
In most cases, the DSP 1 effect block is available for either the song or style part. For songs and 
styles, the effect block is applied to only the last selected or played part.
For example, when selecting or starting a song during style playback, the DSP 1 effect applied to the 
style part is cancelled and is applied instead to the song part. Particularly if the style data originally is 
processed with a distortion effect of DSP 1, this operation may result in disrupting the overall volume 
balance among the style parts (channels).
Note that the same problem may occur when starting or selecting a style during song playback.
•About DSP 2–5
The effect blocks DSP 2 through 5 are available independently for the keyboard parts and song 
parts. Only that part which has been assigned to an effect block can use that effect. For example, if 
you select or start a song, the DSP effect applied to the keyboard part is cancelled and is applied 
instead to the song. Pressing the [DSP] button on the panel restores the corresponding effect block 
to the current keyboard part (from the song).
NOTE 
						

							Mixing Console
Reference
183Tyros2 Owner’s Manual
■ Selecting an Effect type and creating a User Effect
Various types of Effects are provided for each Effect Block listed on page 182. Each Effect type can be 
edited with the parameters (see the Effect Type Edit display below) and saved as a User Effect Type.
Select an Effect Block and a part to 
which the corresponding effect is 
applied. Please note that a part cannot 
be selected if the selected block is used 
as a System Effect. See the Effect 
Block list on page 181. 
● Effect Type Selection display for each block
Select an Effect type after 
selecting a category. 
● User Effect Type Save ● Effect Type Edit
Set the value of the param-
eter selected at left. Pressing the [SAVE] LCD 
button calls up the pop-up 
window for entering the 
name of the edited Effect 
type. Enter the desired 
name and press the [OK] 
LCD button to save the 
edited effect to the location 
specified at left. 
Select an Effect category/type to 
be edited. Select a parameter to be edited. Parameters 
displayed differ depending on the selected 
Effect type. Refer to the separate Data List 
booklet for details. When the edited effect block is 
a System Effect, the Effect 
Return Level parameter (page 
182) can be adjusted here.  Select a block to 
which the desired 
effect type 
belongs. Select the destination to which the 
effect is to be stored.
The number of memory spaces 
available for the destination differs 
for each block (page 181).
•Keep in mind that in some cases noise may result if you adjust 
the effect parameters while playing the instrument.
NOTE
The value of the parameters when turning the [VARIATION] on 
can be set as for the DSP2–5 blocks. 
Use these LCD buttons to switch between the upper/lower 
parameters. For the lower parameter, the depth can be changed 
when the [VARIATION] button is on. 
						

							Mixing Console
Reference
184Tyros2 Owner’s Manual
Equalizer (EQ)
Equalizer (also called “EQ”) is a sound processor that divides the frequency spectrum into multiple bands which can be boosted 
or cut as required to tailor the overall frequency response.
Usually an equalizer is used to correct the sound from speakers to match the special character of the room. The sound is divided 
into several frequency bands, allowing you to correct the sound by raising or lowering the level for each band. EQ allows you to 
adjust the tone or timbre of the sound to match the performance space, or to compensate for certain acoustic characteristics in 
your room. For example, you can cut some of the low range frequencies when playing in large spaces where the sound is too 
“boomy,” or boost the high frequencies in rooms and close spaces where the sound is relatively “dead” and free of echoes.
The Tyros2 possesses a high grade five-band digital EQ. With this function, a final effect—tone control—can be added to the 
output of your instrument. You can even create your own custom EQ settings by adjusting the frequency bands, and save the 
settings to one of two User Master EQ types. Along with the five Preset EQ settings, these can be called up as needed from the 
[MIXING CONSOLE] → EQ display.
0
● Master EQ type selection and Part EQ adjusting
Select a Master EQ type. 
● Master EQ type editing
Selecting a Master EQ 
type automatically set the 
parameters displayed at 
the bottom of this display. 
Whenever an EQ band is edited, the corresponding EQ value is high-
lighted and the number of the edited band appears above the Q and 
FREQ controls. The Q and FREQ controls can then be used to adjust 
the Q (bandwidth) and the FREQ (center frequency) of the selected 
band. The higher the Q setting, the narrower the bandwidth. The avail-
able FREQ range is different for each band.The PRESET and USER curves 
can be edited as required via the 
corresponding buttons. Each of 
the five bands can be boosted or 
cut by up to 12 dB.Adjusts the overall gain of 
all EQ bands simulta-
neously.Use the [STORE] LCD 
buttons to call up the 
pop-up window for 
entering the name of the 
edited Master EQ type. 
Enter the desired name 
and press [OK] to save. 
Up to two types of EQ 
can be created and 
saved.  Bandwidth (also called “Shape” or “Q”)
Gain
Freq
(Frequency)
5 bands →
LOW
EQ1LOWMID
EQ2MID
EQ3HIGHMIDEQ4HIGH
EQ5 
						

							Mixing Console
Reference
185Tyros2 Owner’s Manual
Master Compressor
Compressor is an effect commonly used to limit and compress the dynamics (softness/loudness) of an audio signal. For signals 
that vary widely in dynamics, such as vocals and guitar parts, it “squeezes” the dynamic range, effectively making soft sounds 
louder and loud sounds softer. When used with gain to boost the overall level, this creates a more powerful, more consistently 
high-level sound. Compression can be used to increase sustain for electric guitar, smooth out the volume of a vocal, or bring a 
drum kit or rhythm pattern further up-front in the mix.
The Tyros2 has a sophisticated multi-band compressor that allows you to adjust the compression effect for individual frequency 
bands—giving you detailed sonic control. You edit and save your own custom Compressor types, or conveniently select from one 
of the presets by calling up the [MIXING CONSOLE] → CMP display. 
Line Out Settings
The [MIXING CONSOLE] → LINE OUT display allows you to send the output of a selected Part or Parts to the LINE OUT 
jacks. For Drum Parts, you can even select specific drum sounds to be output through these jacks. 
In general, the extensive built-in effects and other Part controls of the Tyros2 provide all you need for processing and mixing 
complex multi-Part songs. However, there may be times when you want to “sweeten” or process a certain Voice or sound with a 
favorite outboard effect unit, or record a Part to a separate track of a tape recorder. The Line Out settings are designed just for 
these kinds of applications.
● Master Compressor type selection and editing
Selecting a Master Compressor 
type automatically sets the parame-
ters (at the bottom of the display) to 
the optimum values for the type.
● Master Compressor saving
Determines the fre-
quency curve for the 
Compressor, or which 
frequencies compres-
sion is applied to.Determines the Threshold (minimum 
level at which compression starts) and 
Gain (level of the compressed signal at 
three separate frequency bands). The 
actual effect of the Gain settings depends 
on the Basic Type at left.Select the destination to which the 
User Master compressor is to be 
stored.Pressing the [SAVE] 
LCD button calls up the 
pop-up window for 
entering the name of the 
edited Compressor 
type. Enter the desired 
name and press the 
[OK] LCD button to save 
the edited compressor 
to the location specified 
at left.  The following display lets you save the Mas-
ter Compressor settings from the display 
shown at left as a User Compressor type. Turns the Master 
Compressor 
effect on or off.  
						

							Mixing Console
Reference
186Tyros2 Owner’s Manual
■ MAIN jacks
The part, channel or percussion sound of which the MAIN box is checkmarked will be 
output from the following jacks. This output sound includes the effect settings.
• MAIN jacks on the rear panel
• PHONES jack
• LOOP SEND jack
• Optional Speaker
■ SUB jacks
The part, channel, or percussion sound of which the SUB1, SUB2, or SUB1&2 box is 
checkmarked will be output from the jacks as described below.
•When any of the SUB1/SUB2/SUB1&2 boxs are checkmarked, the part (channel) 
or percussion sound will be output via the corresponding jacks. In this case, only 
Insertion effects can be applied; System effects and other effects will not be applied 
to the output sound. 
•When any of the SUB1/SUB2/SUB1&2 boxs are checkmarked, the part (channel) 
or percussion sound will not be output through the MAIN/PHONES/LOOP SEND 
jack or optional connected speakers.
•When the SUB1&2 box is checkmarked, the part (channel) or percussion sound will 
be output in stereo (1: left, 2: right). 
•When the SUB1/SUB2 box is checkmarked, the part (channel) or percussion sound 
will be output in mono, respectively. 
● Line Out settings for each part or channel
Select the desired part. 
● Line Out settings for each instrument (key)
Set the output configuration for the 
selected part by checkmarking or 
un-checkmarking the appropriate 
column (jack).Set the output configuration for the selected drum sound 
by checkmarking or un-checkmarking the appropriate col-
umn (jack).
• When checkmarking the box of “DEPEND ON PART”: 
The selected drum sound will be output via the jacks 
set from the PANEL page at left. 
• When checkmarking the box of one of a column 
other than “DEPEND ON PART”: 
An individual percussion setting overrides the Part set-
tings made from the PANEL page at left. 
Select the desired drum instrument.
•When using one of the SUB Line 
Out settings, make sure that 
you’ve connected cables to the 
appropriate LINE OUT SUB jacks 
on the rear panel. If cables are 
only connected to the MAIN jacks, 
the sound of the Part will be out-
put through the MAIN jacks, even 
if one of the SUB1/SUB2/SUB1&2 
is checkmarked.
NOTE 
						

							Reference
187Tyros2 Owner’s Manual
Making Global and Other Important Settings—Function
The Function menu called up by pressing the [FUNCTION] button gives you access to various advanced functions 
related to the instrument as a whole. These sophisticated functions let you customize the Tyros2 to your own musical 
needs and preferences.
Tuning
Parameters set on the display called up by selecting “MASTER TUNE/SCALE TUNE” in step #2 of the Basic Procedure above 
are explained below. 
■ MASTER TUNE...................................................................................................................................................
The [FUNCTION] → MASTER TUNE/SCALE TUNE → MASTER TUNE display allows you to make fine adjustments to the overall 
pitch of the instrument, from 414.8–466.8 Hz by using the corresponding the lower and upper LCD buttons—letting you accurately 
match the tuning with that of other instruments. Press the corresponding lower and upper buttons simultaneously to instantly reset the 
value to the factory setting of 440.0 Hz. 
Please note that the Tune function does not affect the Drum Kit or SFX Kit voices. 
■ SCALE TUNE.......................................................................................................................................................
The [FUNCTION] → MASTER TUNE/SCALE TUNE → SCALE TUNE display determines the particular tuning system (or temper-
ament) for the instrument. This function allows each individual note of the octave to be tuned in cents (1 cent = 1/100th of a semitone) 
for each part—especially useful for playing period pieces, to match the tuning system used during specific musical eras.
Basic Procedure (Function)
12
3
Press the [FUNCTION] 
button. Select the desired menu by pressing the 
corresponding LCD button. 
Page 187
Page 118
Pages 152 and 157
Page 189
Pages 173 and 188Page 191
Page 188
Page 214
Page 193Some of the functions are 
explained in other sections 
of the manual, and are indi-
cated by the page refer-
ences above.
Set the desired parameters on 
each display. 
•How to save the settings differs 
depending on the menu. For 
details, see the page of each 
menu and refer to the Parameter 
Chart in the separate Data List 
booklet. 
NOTE
Select the part to which the 
Scale Tune setting here is 
applied by checkmarking the 
box.  The current tuning 
of each note is 
shown in the corre-
sponding key. Select a scale type to instantly call 
up one of the pre-programmed 
Scale Tune  settings.
Determines the base 
note for each scale. 
When the base note is 
changed, the pitch of the 
keyboard is transposed, 
yet maintains the original 
pitch relationship 
between the notes.
Select the desired note and tune it. 
•The Scale Tune settings here 
can be memorized to the Reg-
istration Memory. 
NOTE 
						

							Making Global and Other Important Settings—Function
Reference
188Tyros2 Owner’s Manual
Preset Scale type
Voice Set
Parameters set on the VOICE SET display called up via the [FUNCTION] → REGISTRATION MEMORY/FREEZE/VOICE SET→VOICE 
SET are explained here. 
When changing voices (selecting a voice file), the settings best matching the voice—the same as those set in the Voice Set—are always and 
automatically called up. From this page, you can set the on/off status for each part. Normally, it is recommended that these are set to “ON.”
Screen Out Settings
Parameters set on the display called up by selecting “SCREEN OUT” in step #2 of the Basic Procedure on page 187 are explained below. You 
can connect the Tyros2 to a computer monitor, television or video monitor to display the lyrics and chords in your song data on a larger screen. 
For information on the RGB OUT and VIDEO OUT connections, see page 16.
Scale name Decription
EQUALThe pitch range of each octave is divided equally into twelve parts, with each half-step 
evenly spaced in pitch. This is the most commonly used tuning in music today.
PURE MAJOR
PURE MINORThese tunings preserve the pure mathematical intervals of each scale, especially for 
triad chords (root, third, fifth). You can hear this best in actual vocal harmonies—such 
as choirs and acapella singing.
PYTHAGOREANThis scale was devised by the famous Greek philosopher and is created from a series 
of perfect fifths, which are collapsed into a single octave. The 3rd in this tuning are 
slightly unstable, but the 4th and 5th are beautiful and suitable for some leads.
MEAN-TONEThis scale was created as an improvement on the Pythagorean scale, by making the 
major third interval more “in tune.” It was especially popular from the 16th century to the 
18th century. Handel, among others, used this scale.
WERCKMEISTER
KIRNBERGERThis composite scale combines the Werckmeister and Kirnberger systems, which were 
themselves improvements on the mean-tone and Pythagorean scales. The main fea-
ture of this scale is that each key has its own unique character. The scale was used 
extensively during the time of Bach and Beethoven, and even now it is often used when 
performing period music on the harpsichord.
ARABIC1, 2Use these tunings when playing Arabic music.
Use these to select the 
desired part.
These determine whether the cor-
responding voice-related settings 
are automatically called up or not 
when you select a voice. These 
settings can be turned on or off 
independently for each part.
•Occasionally some flashing parallel lines 
may appear in the television or video moni-
tor. This does not necessarily indicate that 
the monitor is malfunctioning. You may be 
able to remedy the situation by changing the 
Character Color or Background Color param-
eters. For optimum results, also try adjusting 
the color settings on the monitor itself.
•Avoid looking at the monitor for prolonged 
periods of time since doing so could damage 
your eyesight. Take frequent breaks and 
focus your eyes on distant objects to avoid 
eyestrain.
•Keep in mind that even after adjusting all set-
tings as recommended here, the monitor you 
are using may not show the Tyros2’s display 
contents as expected (e.g., the display con-
tents may not fit on the screen, the charac-
ters may not be completely clear, or the 
colors may be incorrect).
NOTE
Select the desired output monitor type. (RGB OUT deliv-
ers higher resolution than VIDEO OUT.) If you select 
VIDEO, set this to correspond to the standard (VIDEO 
(NTSC) or VIDEO (PAL)) used by your video equipment. 
The default setting is “VIDEO (PAL).” If the standard used 
by your television or video monitor is not VIDEO (PAL) (for 
example, VIDEO (NTSC) is generally used in North 
America), change the setting to “VIDEO (NTSC).” Determines the contents of the 
Video Out signal, or which data is 
sent to the video monitor.
• LYRICS/TEXT
Only the lyrics of the song or 
text are output via RGB OUT or 
VIDEO OUT, regardless of the 
display that is called up on the 
instrument itself. This lets you 
select other displays and still 
have the lyrics/text shown on 
the monitor.
• LCD
The currently selected display is 
output via RGB OUT or VIDEO 
OUT. 
						

							Making Global and Other Important Settings—Function
Reference
189Tyros2 Owner’s Manual
Controller
Parameters set on the display called up by selecting “CONTROLLER” in step #2 of the Basic Procedure on page 187 are 
explained below. This display lets you make settings for controllers with which the Tyros2 is equipped (including the keyboard, 
modulation wheel, pitch bend wheel) and which are connected to the Tyros2 (including the footswitch and foot controller).
■ FOOT PEDAL.............................................................................................................................
From the [FUNCTION] → CONTROLLER → FOOT PEDAL display, you can assign one of various 
functions to each foot pedal (footswitch or foot controller) connected to the Tyros2.
Functions that can be assigned to the foot pedal (footswitch, foot controller)
VOLUME*Allows you to use a foot controller to control the volume. You can turn this pedal function on or off for 
each part on this display.
SUSTAINWhen the pedal is pressed, notes played have a long sustain. Releasing the pedal immediately stops 
(damps) any sustained notes. You can turn this pedal function on or off for each keyboard part on this 
display. 
SOSTENUTOIf you press and hold the pedal here, only the first note will be sustained (the note that you played and 
held when pressing the pedal). This makes it possible to sustain a chord, for example, while other notes 
are played staccato. You can turn this pedal function on or off for each keyboard part on this display.
SOFTWhen you press the foot switch, the soft effect is applied to the keyboard notes. You can turn this pedal 
function on or off for each keyboard part on this display.
GLIDEWhen the pedal is pressed, the pitch changes, and then returns to normal pitch when the pedal is 
released. The following parameters can be set for this function on this display. 
• UP/DOWN—determines whether the pitch change goes up (is raised) or down (is lowered)
• RANGE—determines the range of the pitch change, in semitones
• ON SPEED—determines the speed of the pitch change when the pedal is pressed
• OFF SPEED—determines the speed of the pitch change when the pedal is released
• LEFT, RIGHT 1, 2, 3—turns this pedal function on or off for each keyboard part
PORTAMENTOThe portamento effect (a smooth slide between notes) can be produced while the pedal is pressed. 
Portamento is produced when notes are played legato style (i.e., a note is played while the preceding 
note is still held). The portamento time can be set via the Mixing Console display. You can turn this 
pedal function on or off for each keyboard part on this display.
PITCHBEND*Bend notes up or down while pedal is pressed. The following parameters can be set for this function 
on this display. 
• UP/DOWN—determines whether the pitch change goes up (is raised) or down (is lowered)
• RANGE—determines the range of the pitch change, in semitones
• LEFT, RIGHT 1, 2, 3—turns this pedal function on or off for each keyboard part
Foot Controller FC7 
(optional)Pedal on/off operation may 
differ depending on the par-
ticular pedal you’ve con-
nected to the Tyros2. For 
example, pressing down on 
one pedal may turn the 
selected function on, while 
pressing a different make/
brand of pedal may turn the 
function off. If necessary, 
use this setting to reverse 
the operation.
If necessary, set the parameters 
related to the selected function. Dis-
played parameters differ depending on 
the selected function.  Determines the particular 
pedal to which a function is to 
be assigned.
Determines the function to be 
assigned to the selected 
pedal. 
Footswitch 
FC4 (optional)Footswitch 
FC5 (optional)
•The FC4, FC5, and FC7 
can be plugged into any 
of the three jacks. 
NOTE
If you press and hold the foot switch here, all the notes shown will be sustained.
If you press and hold the foot switch here, only the first note will be sustained 
(the note that you played and held when pressing the foot switch). 
						

							Making Global and Other Important Settings—Function
Reference
190Tyros2 Owner’s Manual
* For best results, use an optional Yamaha FC7 Foot Controller.
MODULATION*Applies a vibrato effect to notes played on the keyboard.
S. ARTICULATIONWhen you use a Super Articulation voice that has an effect assigned to the pedal, you can enable the 
effect by pressing the footswitch. You can turn this function on or off for each keyboard part on this 
display.
DSP VARIATIONSame as the [DSP VARIATION] button on the panel. You can turn this pedal function on or off for each 
keyboard part on this display. This allows you to use the foot pedal to control [DSP VARIATION] for 
only the current keyboard part, or for multiple keyboard parts simultaneously.
HARMONY/ECHOSame as the [HARMONY/ECHO] button.
VOCAL HARMONYSame as the [VOCAL HARMONY] button.
TALKSame as the [TALK] button.
SCORE PAGE +While the song is stopped, you can turn to the next score page (one page at a time).
SCORE PAGE -While the song is stopped, you can turn to the previous score page (one page at a time).
LYRICS PAGE +While the song is stopped, you can turn to the next lyrics page (one page at a time).
LYRICS PAGE -While the song is stopped, you can turn to the previous lyrics page (one page at a time).
TEXT PAGE +You can turn to the next text page (one page at a time)
TEXT PAGE -You can turn to the previous text page (one page at a time).
HDR PLAY/PAUSESame as the HARD DISK RECORDER [PLAY/PAUSE] button.
SONG PLAY/PAUSESame as the SONG [PLAY/PAUSE] button. 
STYLE START/STOPSame as the STYLE [START/STOP] button. 
TAP TEMPOSame as the [TAP TEMPO] button. 
SYNCHRO STARTSame as the [SYNC. START] button.
SYNCHRO STOPSame as the [SYNC. STOP] button.
INTRO 1Same as the [INTRO I] button.
INTRO 2Same as the [INTRO II] button.
INTRO 3Same as the [INTRO III] button.
MAIN ASame as the MAIN [A] button.
MAIN BSame as the MAIN [B] button.
MAIN CSame as the MAIN [C] button.
MAIN DSame as the MAIN [D] button.
FILL DOWNA fill-in plays, automatically followed by the Main section of the button on the immediate left.
FILL SELFA fill-in plays, automatically followed by the previously played Main section.
FILL BREAKA break plays, automatically followed by the previously played Main section.
FILL UPA fill-in plays, automatically followed by the Main section of the button on the immediate right.
ENDING1Same as the [ENDING/rit. I] button.
ENDING2Same as the [ENDING/rit. II] button.
ENDING3Same as the [ENDING/rit. III] button. 
FADE IN/OUTSame as the [FADE IN/OUT] button.
FINGERD/FING ON BASSThe pedal alternately switches between two Chord Fingering types: Fingered and On Bass (page 153).
BASS HOLDWhile the pedal is pressed, the Style bass note will be held even if the chord is changed. If the fingering 
is set to “FULL KEYBOARD,” the function does not work. 
PERCUSSIONFootswitch plays a percussion instrument selected by the [ASSIGN] LCD buttons.
RIGHT 1 ON/OFFSame as the PART ON/OFF [RIGHT 1] button.
RIGHT 2 ON/OFFSame as the PART ON/OFF [RIGHT 2] button.
RIGHT 3 ON/OFFSame as the PART ON/OFF [RIGHT 3] button.
LEFT ON/OFFSame as the PART ON/OFF [LEFT] button.
OTS +Recalls next higher One Touch Setting.
OTS -Recalls next lower One Touch Setting.
•The Sostenuto and Portamento 
functions will not affect the Organ 
Flutes and Super Articulation 
Voices, even they have been 
assigned to the Foot Pedals.
NOTE