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Yamaha Dtxtreme 3 Manual

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    							Song Mode [SONG]
    Reference
    DTXTREME III Owner’s Manual101
    Drum Kit mode
    Reference Song mode Click mode Trigger mode File mode Utility mode Chain mode Sampling mode
    03: Copy Track
    This job copies all data from the specified track of the spec-
    ified Song to the specified track of the current Song. 
    1
    Source Song number
    Determines the copy source Song number. 
    BSource Track  number
    Determines the copy source track number of the Song speci-
    fied at 1. 
    CDestination Track  number
    Determines the destination track number of the current Song. 
    04: Clear Track
    This job clears all data from the specified track of the cur-
    rent Song. 
    1
    Track
    Determines the track number to be cleared. 
    01: Copy Measure
    This job copies all data from the specified measure range of 
    the specified track of the specified Song to the specified 
    measure range of the specified track of the current Song.
    1
    Source Song number
    Determines the source Song number. 
    BSource Track  number
    Determines the source track number of the Song number 
    specified at 1. 
    CStarting measure number of source measure 
    range
    Determines the starting measure of the source measure range.
    DEnding measure number of source measure 
    range
    Determines the ending measure of the source measure range.
    EDestination Track  number
    Determines the destination track number of the current Song.
    FDestination measure number
    Determines the starting measure of the destination measure 
    range. 
    SettingsPRE: 01 – 87, USR: 01 – 50
    NOTE
    •The songs “EXT: 01” – “EXT: 99” (SMF songs saved in the root direc-
    tory of the USB storage device connected to the USB TO DEVICE ter-
    minal) cannot be selected here.
    Settings1, 2
    Settings1, 2
    •This Job overwrites any data already existing in the destination 
    track. 
    Settings1, 2
    1
    2
    3
    CAUTION
    1
    Measure Jobs
    [SF3] MEAS
    NOTE
    •When the cursor is located at a measure-related parameter, “NUM” is indi-
    cated in the tab corresponding to the [SF6] button, meaning that you can 
    use the [F1] – [F6] buttons and the [SF1] – [SF5] buttons as numeric key 
    pads by pressing the [SF6] NUM button. 
    •This Job overwrites any data already existing in the destination mea-
    sure range of the track. 
    SettingsPRE: 01 – 87, USR: 01 – 50
    Settings1, 2
    Range001 – 999
    Range001 – 999
    Settings1, 2
    Range001 – 999
    CAUTION
    1234
    56 
    						
    							Song Mode [SONG]
    Reference
    102DTXTREME III Owner’s Manual
    02: Create Measure
    This job creates empty measures at the specified location in 
    the specified track or tracks of the current Song. When 
    empty measures are inserted, measure and meter data fol-
    lowing the insert point are moved backward accordingly. 
    1
    Beat
    Determines the time signature of the newly created (inserted) 
    measure.
    BNumber of measures to be inserted
    Determines the number of empty measures to be created and 
    inserted. 
    CTrack
    Determines the track to which this Job is applied. When 
    “1+2” is selected, executing the Job adds the new measures to 
    both the two tracks, with the result that the length of two 
    tracks becomes the same. When “1” or “2” is selected, execut-
    ing the Job adds new measures only to track 1 or 2, with the 
    result that the length of the two tracks will be different. 
    DMeas (Insertion point)
    Determines the insertion point (measure number) at which the 
    newly created blank measures will be inserted. 
    03: Delete Measure
    This job deletes the specified measures of the current Song. 
    Measure and meter data following the deleted measures are 
    moved forward accordingly.
    1
    Track
    Determines the track number to be deleted. When “1+2” is 
    selected, executing the Job removes the specified measures 
    from both the two tracks, with the result that the length of two 
    tracks becomes the same. When “1” or “2” is selected, execut-
    ing the Job removes the specified measures only from track 1 
    or 2, with the result that the length of the two tracks will be 
    different. 
    BStarting measure number of measure range
    Determines the starting measure of the measure range to be 
    deleted. 
    CEnding measure number of measure range
    Determines the ending measure of the measure range to be 
    deleted. 
    04: Erase Measure
    This job clears all data from the specified measure range of 
    the current Song, producing a segment of silence. 
    1
    Track
    Determines the track number to be erased. 
    BStarting measure number of measure range
    Determines the starting measure of the measure range to be 
    erased. 
    CEnding measure number of measure range
    Determines the ending measure of the measure range to be 
    erased. 
    Settings1/4 – 16/4, 1/8 – 16/8, 1/16 – 16/16
    Settings001 – 999
    Settings1+2, 1, 2
    Range001 – 999
    4
    12
    3
    Settings1+2, 1, 2
    Range001 – 999
    Range001 – 999
    Settings1, 2
    Range001 – 999
    Range001 – 999
    123
    123
    ReferenceDrum Kit modeSong modeClick mode Trigger mode File mode Utility mode Chain mode Sampling mode 
    						
    							Song Mode [SONG]
    Reference
    DTXTREME III Owner’s Manual103
    Drum Kit mode
    Reference Song mode Click mode Trigger mode File mode Utility mode Chain mode Sampling mode
    This job sets tone generator parameters, such as voice, vol-
    ume and pan, for all 16 MIDI channels. According to the 
    settings here, the parameter values for all MIDI channels 
    are transmitted to the internal tone generator or external 
    tone generator via MIDI OUT when the current Song is 
    selected. 
    This Job display consists of three pages.
    The first page of the Voice Job
    1CH
    Indicates the MIDI channel. 
    BTRANSMIT
    Determines whether or not the MIDI messages will be trans-
    mitted to the internal and external tone generator when the 
    current Song is selected. When set to All, selecting the current 
    Song transmits all MIDI messages for the corresponding 
    channel to the internal and external tone generator according 
    to the settings made at 3 – L. When set to PC, selecting the 
    current Song transmits only the Voice-related settings made at 
    5 – 6. When set to off, selecting the current Song transmits 
    no MIDI messages and the following parameters 3 – L are 
    not available.
    CVOLUME
    Determines the value of the Volume (Control Change number 
    7) for each MIDI channel. 
    DPA N
    Determines the value of the Pan (Control Change number 10) 
    for each MIDI channel. 
    The second page of the Voice Job
    EVOICE NUM (Voice Number)
    Determines the Program Change number for each MIDI chan-
    nel. 
    FBANK MSB/LSB
    Determines the number of the Bank Select MSB and LSB for 
    each MIDI channel. You can specify a specific Voice by set-
    ting the Bank Select MSB, LSB and Program Change (Voice 
    number). 
    G[F4] PRE.KIT
    This menu appears only when the cursor is located on any of 
    the VCE NUM, BANK MSB, and BANK LSB settings of 
    channel 10. Pressing this button calls up the Bank Select MSB 
    and LSB values corresponding to the Preset Drum Kit of the 
    DTXTREME III. 
    H[F4] USR.KIT
    This menu appears only when the cursor is located on any of 
    the VCE NUM, BANK MSB, and BANK LSB settings of 
    channel 10. Pressing this button calls up the Bank Select MSB 
    and LSB values corresponding to the User Drum Kit of the 
    DTXTREME III. 
    I[F4] EXT.KIT
    This menu appears only when the cursor is located on any of 
    the VCE NUM, BANK MSB, and BANK LSB settings of 
    channel 10. Pressing this button calls up the Bank Select MSB 
    and LSB values corresponding to the External Drum Kit of 
    the DTXTREME III. 
    The third page of the Voice Job
    JFILTER
    Determines the value of the Brightness (Control Change num-
    ber 74) for each MIDI channel. 
    KREV SEND (Reverb Send)
    Determines the value of the Reverb Send Level (Control 
    Change number 91) for each MIDI channel. 
    LCHO SEND (Chorus Send)
    Determines the value of the Chorus Send Level (Control 
    Change number 93) for each MIDI channel. 
    Voice Job
    [SF4] VOICE
    NOTE
    •Keep in mind that the pressing the [ENTER/STORE] button (executing the 
    Job) is not necessary for the Voice Job. 
    SettingsOff, All, PC
    Range0 – 127
    Range0 – 127
    2
    1
    4
    3
    6
    5
    789
    Range1 – 128
    Range0 – 127
    NOTE
    •If you set the Bank Select for MIDI channel 10 to 125 or 127, the Pro-
    gram Change number (Drum Kit number) set for MIDI channel 10 will 
    be automatically applied to ALL other MIDI channels for the internal 
    tone generator. 
    Range0 – 127 
    Range0 – 127
    Range0 – 127
    K
    J
    L 
    						
    							Reference
    104DTXTREME III Owner’s Manual
    ReferenceDrum Kit mode Song modeClick modeTrigger mode File mode Utility mode Chain mode Sampling mode
    Click Mode[CLICK]
    This chapter explains the Click mode called up via the [CLICK] button. 
    In the Click mode, you can set the Click (Metronome) related parameters such as Click Voice, time signature and tempo 
    for the entire DTXTREME III. In addition, you can use the Groove Check function and Rhythm Gate function for rhythm 
    training and practice.
    Basic Procedure in the Click Mode
    1Press the [CLICK] button to enter the Click 
    mode.
    2Note the tab menus (corresponding to the 
    [F1] – [F5] and [SF1] – [SF3] buttons) to 
    find the desired function, then press the 
    relevant button to call up the desired dis-
    play.
    3Move the cursor to each parameter, then 
    set the value by using the data dial, [INC/
    YES] and [DEC/NO] button.
    4After setting, press the [ENTER/STORE] 
    button to store all the settings in the Click 
    mode, other than tempo, beat (time signa-
    ture) and subdivide.
    •All the settings in the Click mode will be lost if the power is turned 
    off without storing.
    •Never attempt to turn off the power while the message “Please 
    keep power on” is shown on the display; otherwise, all the settings 
    in the Click mode may be lost. 
    CAUTION 
    						
    							Click Mode [CLICK]
    Reference
    DTXTREME III Owner’s Manual105
    Drum Kit mode
    Reference Song mode Click mode Trigger mode File mode Utility mode Chain mode Sampling mode
    Basic Settings of the Click Sound[F1] PLAY
    From this display, you can set the basic parameters of the Click sound such as Voice, time signature and tempo.
    1
    BEAT (Time Signature)
    Determines the time signature of the Click sound. 
    BTEMPO
    Determines the tempo of the Click sound.
    CSUBDIVIDE
    Determines the accent beat of the Click. Beats are divided at 
    the accent beat specified here. When BEAT is set to “5/4,” 
    SUBDIVIDE is set to “2+3,” the accent is applied to the first 
    beat and the third beat. When BEAT is set to “9/4,” SUBDI-
    VIDE is set to “4+5,” the accent is applied to the first beat and 
    the fifth beat. 
    DCLICK VOICE
    Determines the Click Voice. 
    EVOLUME (ACC)
    For adjusting the volume of the accent beat determined by the 
    SUBDIVIDE parameter.
    FVOLUME (quarter note)
    Determines the volume of click timing for quarter notes.
    GVOLUME (eighth notes)
    Determines the volume of click timing for eighth notes.
    HVOLUME (sixteenth notes)
    Determines the volume of click timing for sixteenth notes.
    IVOLUME (eighth note triplet)
    Determines the volume of click timing for eighth note triplet 
    notes.
    NOTE
    •The note types shown in VOLUME will differ depending on the BEAT settings.
    2
    987654
    1
    3
    Settings1/4 – 16/4, 1/8 – 16/8, 1/16 – 16/16
    NOTE
    •When a Song having a different Beat (time signature) setting is 
    selected in the Song mode, the Beat of the new Song is applied also 
    to the Click sound. 
    Settings030 – 300
    NOTE
    •When a Song having a different tempo setting is selected in the Song 
    mode, the tempo value of the new Song is applied also to the Click 
    sound. 
    •The tempo can also be set using the Tap Tempo function, letting you 
    set the tempo by tapping it on a pad. With this, you can conveniently 
    set the tempo to one that feels best to you. For details, see page 34. 
    Settingsoff, 2+3, 3+2, 3+4, 4+3, 4+5, 5+4, 5+6, 6+5, 
    6+7, 7+6, 7+8, 8+7
    SettingsMetronome, Claves, Cowbell, Shaker, Stick, 
    CrossStick, Pulse, Human, UserVoice
    Range0 – 127
    Range0 – 127
    Range0 – 127
    Range0 – 127
    Range0 – 127 
    						
    							Click Mode [CLICK]
    Reference
    106DTXTREME III Owner’s Manual
    Click Voice Settings[F2] VOICE
    From this display (available only when the Click Voice is set to “User Voice”), you can set a different Click Voice for each 
    beat timing. 
    1
    Voice category
    Determines the voice category for the click sound.
    BVoice number
    Determines the voice number for the click sound. If the voice 
    number is set to “000,” the indication “no assign” is shown for 
    the voice name and no sound will be produced.
    CTUNING
    Determines the pitch of the Voice specified at 2. 
    Tap Tempo function[F3] TAP
    The Tap Tempo function is described in the Quick Guide section on page 34.
    Groove Check Function[F4] GROOVE
    Explanations about this display are described in the Quick 
    Guide section on page 51.
    Explanations about this display are described in the Quick 
    Guide section on page 52.Explanations about this display are described in the Quick 
    Guide section on page 50.
    Settingskick1 – 2, snare1 – 3, tom1 – 2, cymbal, 
    hihat, perc1 – 2, efct1 – 2, USR-A – H
    231
    SettingsRefer to the separate Data List booklet.
    NOTE
    •The amount of Voices differs depending on the selected Voice cate-
    gory. 
    Range-24.00 – +24.00 (1.0 indicates one semi-
    tone.)
    NOTE
    •A User Voice assigned to a Click Voice will be played back with just 
    one shot, even if the User Voice is set to “loop” in the Sampling mode. 
    •When you want to use the Click Voice having a User Voice, it is a 
    good idea to save the file including your desired User Voice in the 
    AUTOLOAD folder (page 125) of the USB storage device and use the 
    Auto Load function (page 125). 
    Performing the Groove Check 
    [SF1] G.CHECK
    Performing the Rhythm Gate 
    [SF2] R.GATE
    Parameter Settings for the Groove 
    Check and Rhythm Gate
    [SF3] SETTING
    ReferenceDrum Kit mode Song modeClick modeTrigger mode File mode Utility mode Chain mode Sampling mode 
    						
    							Click Mode [CLICK]
    Reference
    DTXTREME III Owner’s Manual107
    Drum Kit mode
    Reference Song mode Click mode Trigger mode File mode Utility mode Chain mode Sampling mode
    Click Sound Settings[F5] OTHER
    From this display, you can set the parameters which deter-
    mine under what circumstances the click and the output for 
    the click sound.
    1
    Mode
    Determines how and under what circumstances the click is 
    played. The click can be started or stopped in synchronization 
    with song playback/recording according to the setting here, as 
    well as by pressing the [CLICK ON/OFF] button. 
    manual The Click is started/stopped only by pressing 
    the [CLICK ON/OFF] button.
    play The Click is started/stopped by starting/stop-
    ping the Song playback, as well as by pressing 
    the [CLICK ON/OFF] button. 
    rec The Click is started/stopped by starting/stop-
    ping the Song recording, as well as by pressing 
    the [CLICK ON/OFF] button. 
    play&rec The Click is started/stopped by starting/stop-
    ping the Song playback/recording, as well as by 
    pressing the [CLICK ON/OFF] button. 
    BMIDI Out
    Determines whether or not the MIDI note number corre-
    sponding to the Click Voice is transmitted via MIDI OUT. 
    When this parameter is set to on, the following MIDI events 
    are transmitted via MIDI OUT. 
    COutputSel (Output Select)
    Determines the output jack for the click sound.
    From this display, you can set the parameters related to the 
    Measure Break function. By using this function, the Click 
    Voice can be played back for specified measures and muted 
    for specified measures repeatedly. 
    This function can be effectively used to bring your rhythm 
    technique and timing up to a higher level—letting you play 
    a certain drum phrase for several measures while listening 
    to the Click Voice, then play the next several measures with 
    no Click sound. For example, to have four measures with 
    the Click Voice followed by four measures without, set the 
    Measure parameter to 4 and the Break parameter to 4.
    1
    Measure/Break
    Determines whether the Measure Break function is active or 
    not. When set to on, the Click Voice is played back for mea-
    sures specified at 2 and muted for measures specified at 3 
    repeatedly. 
    BMeasure
    Determines the amount of measure range within which the 
    Click sound is played (not muted). 
    CBreak
    Determines the amount of measure range within which the 
    Click sound is muted.
    Setting how the Click sound is played 
    [SF1] OUTPUT
    Settingsmanual, play, rec, play&rec
    MIDI channelNoteVelocity
    Accent note 10 B#-1 127
    1/4 note 10 C0 127
    Other notes 10 B-1 127
    Settingsoff, on
    NOTE
    •The MIDI note events corresponding to the Click sound will be trans-
    mitted via MIDI OUT only when the Click sound is produced. The 
    MIDI note events corresponding to the Click sound for which the Vol-
    ume is turned down to the minimum level on the [F1] PLAY display will 
    not be transmitted via MIDI OUT. Likewise, the MIDI note events cor-
    responding to the Click sound during “Break” of the Measure Break 
    function will not be transmitted via MIDI OUT. 
    SettingsL&R+ph (OUTPUT and PHONES), Phones 
    (PHONES), L&R (OUTPUT), ind1&2 – 
    ind5&6 (INDIVIDUAL OUTPUT 1 and 2 – 5 
    and 6), ind1 – ind6 (one of the INDIVIDUAL 
    OUTPUTs)
    132
    Using the Measure Break Function
    [SF2] MEASBRK
    Settingsoff, on
    Range1 – 9
    Range1 – 9
    132 
    						
    							Reference
    108DTXTREME III Owner’s Manual
    ReferenceDrum Kit mode Song mode Click modeTrigger modeFile mode Utility mode Chain mode Sampling mode
    Trigger Mode[TRIGGER]
    This chapter explains the Trigger mode called up via the [TRIGGER] button. 
    In the Trigger mode, you can set the parameters related to the Trigger Signals received from the pads or Drum Triggers 
    (such as Yamaha DT20) which are connected to the Trigger Input jacks. These settings let you optimize the DTX-
    TREME III for best operation and response to the Trigger Signals. If you are using drum triggers attached to acoustic 
    drums, or pads you’ve bought separately, you’ll need to adjust the sensitivity and assign Voices to the individual Trigger 
    Input Sources. 
    This mode also has settings that help prevent crosstalk* and double triggering*.
    *Crosstalk
    A triggering problem in which the vibration generated by hitting a certain pad may cause unwanted triggering in 
    another (usually adjacent) pad. 
    *Double triggering
    A triggering problem in which two or more Trigger Signals may be generated simply by hitting a certain pad once. 
    Basic Procedure in the Trigger Mode
    1Press the [TRIGGER] button to enter the 
    TRIGGER mode.
    2Note the tab menus (corresponding to the 
    [F1] – [F5] and [SF1] – [SF2] buttons) to 
    find the desired function, then press the 
    relevant button to call up the desired dis-
    play.
    3Move the cursor to each parameter, then 
    set the value by using the data dial, or 
    [INC/YES] and [DEC/NO] buttons.
    4After setting, press the [ENTER/STORE] 
    button.
    The following display will appear.
    5Select the destination Trigger setup num-
    ber by using the data dial.
    6Press the [ENTER/STORE] button.
    The following display prompts you for confirmation before 
    executing the store operation. 
    7Press the [INC/YES] button to execute the 
    Store operation.
    NOTE
    •Creating an appropriate Trigger Setup is necessary to get optimum results and obtain the expected response and sound when 
    you hit the pads. One good way to ensure this is to find an exisiting Trigger Setup close to your favorite one, then edit it. 
    •Once you have found or created your favorite Trigger Setup, it is a good idea to assign the Trigger Setup number to the TriggerNo 
    parameter in the display called up via the [UTILUITY] → [F1] GENERAL → [SF4] STARTUP. In this way, you can have your favor-
    ite Trigger Setup number automatically called up every time you turn the power on. 
    •Refer to page 26 for details about the [SF6] Input Lock.
    NOTE
    •The Trigger Input jack, the level of the Trigger Signal and velocity are 
    shown at the top of the display when one of the [F1] – [F4] displays is 
    called up. 
    Destination Trigger setup number
    •The edited Trigger Setup will be lost when selecting a different 
    Trigger Setup or turning the power off. Make sure to store the Trig-
    ger Setup data to internal memory by pressing the [ENTER/
    STORE] button before selecting a different Trigger Setup or turn-
    ing the power off. 
    •Never attempt to turn off the power while the message “Please 
    keep power on” is shown on the display; otherwise, all the settings 
    in the Trigger mode may be lost. 
    CAUTION
    CAUTION 
    						
    							Trigger Mode [TRIGGER]
    Reference
    DTXTREME III Owner’s Manual109
    Drum Kit mode
    Reference Song mode Click mode Trigger mode File mode Utility mode Chain mode Sampling mode
    Selecting the Trigger Setup[F1] SELECT
    Explanations about this display is described in the Quick Guide section on page 26. 
    Selecting the Pad Type[F2] TYPE
    From this display, you can set the type of pad or drum trigger connected to the Trigger Input jack. Make sure to select the 
    appropriate type matching to the particular pad or drum trigger, in order to use it at its full potential. 
    1
    INPUT (Trigger Input jack)
    Determines a target Trigger Input jack. You can select the 
    Trigger Input jack by hitting the desired pad when Input Lock 
    (page 79) is turned off (when the L indicator is not shown at 
    the right top of the LCD display). 
    BPad Type
    Determines the pad type for the Trigger Input jack specified at 
    1. The list below shows the pad types that can be set for the 
    connected pads or drum triggers. 
    Trigger Sensitivity Settings[F3] SENS
    From this display, you can set the sensitivity-related parameters, which determine how the DTXTREME III responds to the 
    Trigger Signals received via the Trigger Input jacks. In other words, the parameters here determine how the level of the Trig-
    ger Signal (strength of your hits) is converted to the velocity recognized by the tone generator block. Keep in mind that the 
    level and velocity generated by hitting a pad are shown at the top of the LCD display in real time. 
    1
    INPUT (Trigger Input jack)
    Determines a target Trigger Input jack. You can select the 
    Trigger Input jack by hitting the desired pad when Input Lock 
    (page 79) is turned off (when the L indicator is not shown at 
    the right top of the LCD display). 
    BGain
    Determines the gain with which the DTXTREME III receives 
    the Trigger Signal from the pad. The higher the value, the 
    more easily you can get sound even when hitting the pad 
    softly. 
    NOTE
    •Keep in mind that each number in the display corresponds to the number of the Trigger Input jack printed at the top of the front 
    panel. Above each number, the status of the Trigger Signal received from the pad is shown in real time. 
    Settingssnare – pad15
    1
    2
    SettingsKP125, KP65, TP120SD/100 (for snare), 
    TP120SD/100 (for tom), TP65S (for snare), 
    TP65S (for tom), TP65, PCY155, PCY135, 
    PCY150S, PCY130SC, PCY130S/130, 
    PCY65S/65, RHH135, RHH130, DT10/20 
    (for snare), DT10/20 (for HiTom), DT10/20 
    (for LoTom), DT10/20 (for Kick), TRG Snare, 
    TRG HiTom, TRG LoTom, TRG Kick
    51234
    Settingssnare – pad15
    Range0 – 63 
    						
    							Trigger Mode [TRIGGER]
    Reference
    110DTXTREME III Owner’s Manual
    ReferenceDrum Kit mode Song mode Click modeTrigger modeFile mode Utility mode Chain mode Sampling mode
    CCurve
    Determines how the actual velocity will be generated and 
    transmitted according to the level (strength) with which you 
    hit the pad. The “loud2” curve, for example, provides 
    increased response, especially for lower velocities. The 
    “hard2” curve, for example, effectively lessens the overall 
    response compared to the other curves. 
    DLEVEL
    Determines the level range within which the velocity is 
    changed. 
    If the Trigger Signal is below the minimum level set here, no 
    sound is produced. Even if the Trigger Signal exceeds the 
    maximum level, the sound is produced with the maximum 
    velocity and no greater. 
    EVEL (Velocity)
    Determines the velocity range within which the Voice sound 
    is produced. 
    Setting the Rejection[F4] REJECT
    From this display, you can set the Rejection-related parameters, letting you prevent “false hits”—such as double triggering 
    caused by stick rebounds, and crosstalk cause by pad vibration. The Trigger Signals regarded as “false hits” will be ignored 
    by proper setting of the Rejection parameters. 
    1
    INPUT (Trigger Input jack)
    Determines a target Trigger Input jack. You can select the 
    Trigger Input jack by hitting the desired pad when Input Lock 
    (page 79) is turned off (when the L indicator is not shown at 
    the right top of the LCD display). 
    BReject Time
    Determines the amount of time within which the current Trig-
    ger Input jack will not accept new Trigger Signals from the 
    moment receiving the previous Trigger Signal. The setting 
    here prevents unexpected sounds generated via double trig-
    gering. 
    CReject Level From ALL
    Determines the minimum level of the Trigger Signals (gener-
    ated by hitting any other pads) which the current Trigger 
    Input jack will accept. In other words, the current Trigger 
    Input jack will not accept Trigger Signals (generated by hit-
    ting any other pads) having a level lower than that specified 
    here. The higher the value, the less unexpected sounds are 
    generated via crosstalk. 
    DReject Level From ***
    Determines the specific Trigger Input jack and the minimum 
    level of the Trigger Signals (generated by hitting the pad cor-
    responding to the Trigger Input jack specified here) which the 
    current Trigger Input jack will accept. In other words, the cur-
    rent Trigger Input jack will not accept Trigger Signals (gener-
    ated by hitting the pad corresponding to the Trigger Input jack 
    specified here) having a level lower than that specified here. 
    The higher the value, the less unexpected sounds are gener-
    ated by crosstalk between the pad corresponding to the cur-
    rent Trigger Input jack and the pad corresponding to the 
    Trigger Input jack specified here. 
    Settingsloud2, loud1, normal, hard1, hard2
    loud2
    Velocity →
    Level (Strength of your pad hitting) → loud1 norm hard1 hard2
    Rangeminimum level: 0% – 99%, 
    maximum level: 1% – 100%
    Rangeminimum velocity: 0 – 126, 
    maximum velocity: 1 – 127
    Settingssnare – pad15
    Range4ms – 500ms
    Range0% – 99%
    13
    4
    2
    Range0% – 99%
    Settingssnare, tom1-4, ride, crash1-2, hihat, kick, 
    pad11-15, tom1&2, tom1&3, tom2&3, 
    tom2&4, tom3&4, tom2&3&4, tom all, cym all
    Setting example for preventing Crosstalk
    When the Crash1 sound is triggered even though 
    only TOM1 is hit: 
    1.Set INPUT to “crash1,” set Reject Level From *** to “tom1,” 
    then turn Input Lock (page 79) to on by pressing the [SF6] but-
    ton. 
    1Input Lock4 
    						
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