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Technics Keyboard Sx Kn2400 Owers Manual

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    							Part I Sounds and effects
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    Sounds and effects
    Effects
    SUSTAIN
    SUSTAIN is the gradual fading out of musical
    tones after the key is released.
    1.In the CONDUCTOR or PART SELECT sec-
    tion, turn on the part to which this effect will be
    applied.
    2.Press the SUSTAIN button to turn it on.
    The SUSTAIN can be set to on or off for each
    part.
    This effect does not work for the sounds in the
    DRUM KITS sound group.
    This effect may not work for some sounds.
    In the initialized state, the sustain can be
    turned on and off with the optional Foot Switch
    (sold separately).
    DIGITAL EFFECT
    DIGITAL EFFECT gives the sound richness and
    enhances your performance.
    1.In the CONDUCTOR or PART SELECT sec-
    tion, turn on the part to which this effect will be
    applied.
    2.Press the DIGITAL EFFECT button to turn it
    on.
    The on or off status of the DIGITAL EFFECT
    is preset for each sound.
    This effect does not work for the sounds in the
    DRUM KITS sound groups.
    This effect may not work for some sounds.
    SUSTAIN
    DIGITAL
    EFFECT
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    							Part I Sounds and effects
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    Sounds and effects
    MULTI EFFECT
    The MULTI EFFECT works like a studio effects
    processor, providing effects such as CHORUS,
    PHASER, DELAY and DISTORTION.
    1.In the CONDUCTOR or PART SELECT sec-
    tion, turn on the part to which this effect will be
    applied.
    2.Press the MULTI EFFECT button to turn it on.
    
     Type and parameter settings
    1.Press and hold the MULTI EFFECT button for
    a few seconds.
    The display changes to the following.
    2.Use the  and  buttons to select an effect
    group.
    The EFFECT MEMORY is for edited effects
    (see below).
    3.Use the buttons to the right of the display to
    select the type.
    If the types comprise more than one display
    “page,” use the PAGE buttons to switch
    pages.
    Press the VARI button to enable the variation
    effect.
    This display can also be accessed from the
    REVERB & EFFECT MENU display. (Refer to
    page 155.)
    
     EFFECT EDIT
    The effects can be edited and then stored in a
    memory.
    1.Select an effect type to use as a base.
    2.Press the EDIT button.
    The display changes to the following.
    3.Use the PARAMETER  and  buttons to
    select the parameter.
    4.Use the VALUE ∧ and ∨ buttons to adjust the
    setting.
    The parameters vary depending on the effect
    type selected as the base.
    (V) is the abbreviation of VARIATION.
    5.Press the WRITE button.
    6.Press the EFFECT NAMING button and
    assign a name to the effect, if necessary.
    Refer to page 65  for details about the
    NAMING procedure.
    7.Use the EFFECT MEMORY  and  buttons
    to specify the location in which to store the
    edited effect.
    8.Press the OK button.
    MULTI
    EFFECT
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    							Part I Sounds and effects
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    Sounds and effects
    REVERB
    REVERB applies a reverberation effect to the
    sound.
    Press the REVERB button to turn it on.
    
     Type and parameter settings
    1.Press and hold the REVERB button for a few
    seconds.
    The display changes to the following.
    2.Use the  and  buttons to select an effect
    group.
    The EFFECT MEMORY is an edited effect
    group.
    3.Use the buttons to the right of the display to
    select a type.
    If the types comprise more than one display
    “page,” use the PAGE buttons to switch
    pages.
    4.Use the TOTAL DEPTH ∧ and ∨ buttons to
    set the depth of the effect.
    This display can also be accessed from the
    REVERB & EFFECT MENU display. (Refer to
    page 155.)
    
     EFFECT EDIT
    Your edited effect can be stored in a memory for
    later recall.
    The procedure is the same as for MULTI
    EFFECT. (Refer to page 42.)
    CHORUS
    Add breadth to the sound.
    Press the CHORUS button to turn it on.
    
     Type and parameter settings
    1.Press and hold the CHORUS button for a few
    seconds.
    The display looks similar to the following.
    2.Use the  and  buttons to select the name
    of the effect group.
    EFFECT MEMORY is an edited effect group.
    3.Use the buttons to the right of the display to
    select a type.
    
     EFFECT EDIT
    Your edited effect can be stored in a memory for
    later recall.
    The procedure is the same as for MULTI
    EFFECT. (Refer to page 42.)
    REVERB
    CHORUS
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    							Part I Sounds and effects
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    Sounds and effects
    MIC
    You can add reverb and other effects to sound
    from a connected microphone.
    Connect a microphone to this instrument.
    (Refer to page 188.)
    1.Set the PROGRAM MENUS button to ON.
    The display will appear as follows:
    2.Select REVERB & EFFECT.
    3.Select MIC REVERB & EFFECT.
    The display looks similar to the following.
    4.Set using the button on the left of the display.
    Select the effect name (MIC REVERB/MIC
    EFFECT).
    5.Set the MIC REVERB.
    Use the PARAMETER  and  buttons to
    select an attribute, and use the VALUE 
    ∧ and
    ∨ buttons to adjust the corresponding setting.
    You can specify whether or not to apply the
    reverb with the MIC REV ON/OFF button.
    6.Set MIC EFFECT.
    Use the PARAMETER  and  buttons to
    select an attribute, and use the VALUE 
    ∧ and
    ∨ buttons to adjust the corresponding setting.
    Enable or disable the effect using the MIC
    EFF ON/OFF button.
    PROGRAM
    MENUS
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    							Part I Sounds and effects
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    Sounds and effects
    Controller
    Use the controllers (left next to the keyboard) to change the nuance of the sound while you are playing.
    PITCH BEND
    The pitch of the instrument can be continuously
    changed with the PITCH BEND wheel at the left
    end of the keyboard. Using this control, you can
    produce the effect of bending the strings on a
    guitar.
    While pressing a key on the keyboard, move the
    wheel up and down to control the pitch.
    When you release your hand from the wheel, it
    returns automatically to the center position
    and the pitch bend effect is turned off.
    The pitch bend effect does not function for the
    AUTO PLAY CHORD accompaniment pattern
    or during a normal performance for the sounds
    of the LEFT part.
    The amount of pitch bend can be set. (Refer to
    page 149.)
    MODULATION (KN2600)
    The MODULATION wheel is used to apply a
    vibrato effect, for example, to the sound.
    While pressing a key on the keyboard, move the
    wheel up to add the effect.
    When this effect is not needed, set the MOD-
    ULATION wheel to the MIN position.
    This effect differs depending on the selected
    sound.
    The vibrato effect does not function for the
    AUTO PLAY CHORD accompaniment pattern
    or during a normal performance for the sounds
    of the LEFT part.
    PITCH BEND
    UP
    DOWN
    MODULATION
    MAX
    MIN
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    							Part I Sounds and effects
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    Sounds and effects
    Transpose
    The TRANSPOSE buttons are used to change the key of the entire instrument in semi-tone steps across
    an entire octave.
    Suppose you learn to play a song—in the key of C, for example—and decide you want to sing it, only to
    find that it’s either too high or too low for your voice. Your choice is to either learn the song all over again
    in a different key, or to use the TRANSPOSE feature.
    Adjust the key with the + and – buttons.
    The key is changed in half-tone increments up
    to plus or minus one octave.
    If the two buttons are pressed at the same
    time, the key returns to C.
    When the TRANSPOSE function is active, the
    transposed key is shown on the HOME PAGE
    display.
    
    TRANSPOSE
    –+
    Played keys
    C major
    Notes that sound
    D major
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    							Part I Sounds and effects
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    Sounds and effects
    Techni-chord
    TECHNI-CHORD turns your single note melodies into full chords and offers you a choice of different types
    from a simple duet which adds one harmony note to your melody note, to big band reeds which adds four
    harmony notes to your melody note. If TECHNI-CHORD is part of a ONE TOUCH PLAY or MUSIC
    STYLIST registration, a suitable TECHNI-CHORD type will be selected automatically.
    Example:
    Left hand (chord)
    Right hand (melody)
    1.Split the keyboard into left and right sections.
    2.Press the TECHNI-CHORD button to turn it
    on.
    3.Play the keyboard.
    The melody you play with your right hand is
    automatically played in chords which are
    based on the chords you play with your left
    hand.
    This feature is very effective when used with
    the AUTO PLAY CHORD.
    Type setting
    1.Press and hold the TECHNI-CHORD button
    for a few seconds.
    The display looks similar to the following.
    2.Use the , , ,   buttons to select the har-
    mony style.
    When the OCTAVE, HARD ROCK or FAN-
    FARE style is selected, the TECHNI-CHORD
    functions even when the keyboard is not split.
    ORCHESTRATOR
    You can specify which part is used for the har-
    mony tones. Your TECHNI-CHORD perfor-
    mance is enhanced by selecting harmony
    sounds different from the sounds you play and
    the sounds produced by the automatic accompa-
    niment.
    1.Use the ORCHESTRATOR ∧ and ∨ buttons
    to select the part for the harmony notes.
    If CONDUCTOR is selected, the harmony
    notes are produced in the sounds of the part
    which is currently selected in the CONDUC-
    TOR (RIGHT 1, RIGHT 2). In other words, the
    harmony notes are produced in the same
    sound as the melody notes. If both RIGHT 1
    and RIGHT 2 are on, the harmony notes are
    produced in the sound of the RIGHT 1 part.In the case of EASY RECORD (see page 77),
    when set to CONDUCTOR or a part other than
    PART 4, the TECHNI-CHORD sound is not
    recorded; so when you use EASY RECORD,
    please set to one or the other.
    CD GC
    TECHNI-
    CHORD
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    Playing the rhythm
    Part II   Playing the rhythm
    Overview of rhythm performance
    An explanation follows of the terms related to this instrument’s rhythm performance.
    Rhythm and accompaniment
    pattern
    Each rhythm is comprised of not only a DRUMS
    pattern, but also of accompaniment patterns
    called BASS and ACCOMP. The combination
    of all of these is the rhythm. 
     The accompaniment pattern sounds when
    you perform using the AUTO PLAY CHORD
    (APC). (Refer to page 52.).
    Rhythm and Style
    One rhythm of this instrument is comprised of
    four VARIATION patterns, and for each one the
    optimum sounds and effects are set. 
    All of these together comprise one STYLE.
     In the MUSIC STYLIST (page 60) and
    MUSIC STYLE ARRANGER (page 62) etc.
    this STYLE is summoned.
    STYLE
    RHYTHM
    PANEL setting
    PANEL setting
    PANEL setting
    PANEL setting VARIATION 1
    VARIATION 2
    VARIATION 3
    VARIATION 4
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    							Part II Playing the rhythm
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    Playing the rhythm
    Selecting rhythms
    Many exciting rhythms are stored in the memory of this instrument. First select one of the rhythm groups
    and then choose the desired rhythm.
    Select a rhythm
    1.In the RHYTHM GROUP section, select a
    rhythm group.
    MEMORY is the group in which you store the
    rhythms you create with the COMPOSER.
    (Refer to page 111.)
    2.Select the desired rhythm from the list on the
    display.
    If there is more than one page to the display,
    use the PAGE buttons to move from one
    screen page to another.
    
     VARIATION
    There are four variations available for each
    rhythm. Use the VARIATION buttons to select
    the desired variation.
    Confirm that the MUSIC STYLE ARRANGER
    button is off. (If it is on, press it once to turn it
    off.)
    The nuance of the pattern differs with each
    variation number.
    You can change to a different variation while
    the rhythm is playing.
    RHYTHM GROUPPOPROCKDANCE POPBALLAD
    SIMPLE
    BEATDANCE
    CLUBTRAD &
    WALTZUSA
    JAZZ &
    SWINGBALLROOM
    & SHOWLATIN &
    WORLDMEMORY
    LOAD
    1234VARIATION MUSIC STYLE
    ARRANGER
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    							Part II Playing the rhythm
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    Playing the rhythm
    Start the rhythm
    There are two ways to start the rhythm.
    
     Normal start
    1.Select a rhythm.
    2.Press the START/STOP button to turn it on.
    The selected rhythm pattern immediately
    begins to play.
    You can stop the rhythm by pressing the
    START/STOP button again to turn it off.
    The BEAT indicators above the START/STOP
    button light to indicate the beat.
    
     Synchronized start
    With the synchronized start feature, the rhythm
    pattern starts when you play a key on the key-
    board.
    1.Select a rhythm.
    2.Press the SYNCHRO & BREAK button to turn
    it on.
    3.Play a key to the left of the keyboard split
    point.
    The rhythm pattern begins to play.
    You can use the synchronized start feature
    even when the keyboard is not divided into left
    and right sections. To start the rhythm, press a
    key to the left of the specified split point.
    
     Adjust the tempo
    The tempo of the rhythm pattern is adjusted with
    the TEMPO/PROGRAM buttons.
    The tempo is shown on the display as a
    numerical value ( 
    q = 40 to 300).
    When the TEMPO/PROGRAM indicator is lit,
    the TEMPO/PROGRAM cannot be used to
    adjust the tempo.
    To adjust the tempo during playback, refer to
    page 81.
    
     TAP TEMPO
    You can set the tempo of the rhythm by tapping
    this button few times with your finger at the
    tempo you wish to play.
    The tempo at which the button is tapped is
    detected, and the tempo automatically
    changes correspondingly.
    1234 BEATSTART/STOP
    SYNCHRO &
    BREAK
    TEMPO/    PROGRAM
    TAP TEMPO
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