Technics Keyboard Sx Kn2400 Owers Manual
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Part I Sounds and effects 41QQTG0692 Sounds and effects Effects SUSTAIN SUSTAIN is the gradual fading out of musical tones after the key is released. 1.In the CONDUCTOR or PART SELECT sec- tion, turn on the part to which this effect will be applied. 2.Press the SUSTAIN button to turn it on. The SUSTAIN can be set to on or off for each part. This effect does not work for the sounds in the DRUM KITS sound group. This effect may not work for some sounds. In the initialized state, the sustain can be turned on and off with the optional Foot Switch (sold separately). DIGITAL EFFECT DIGITAL EFFECT gives the sound richness and enhances your performance. 1.In the CONDUCTOR or PART SELECT sec- tion, turn on the part to which this effect will be applied. 2.Press the DIGITAL EFFECT button to turn it on. The on or off status of the DIGITAL EFFECT is preset for each sound. This effect does not work for the sounds in the DRUM KITS sound groups. This effect may not work for some sounds. SUSTAIN DIGITAL EFFECT 06_Part I.fm 41 ページ 2003年2月5日 水曜日 午後2時38分
Part I Sounds and effects 42QQTG0692 Sounds and effects MULTI EFFECT The MULTI EFFECT works like a studio effects processor, providing effects such as CHORUS, PHASER, DELAY and DISTORTION. 1.In the CONDUCTOR or PART SELECT sec- tion, turn on the part to which this effect will be applied. 2.Press the MULTI EFFECT button to turn it on. Type and parameter settings 1.Press and hold the MULTI EFFECT button for a few seconds. The display changes to the following. 2.Use the and buttons to select an effect group. The EFFECT MEMORY is for edited effects (see below). 3.Use the buttons to the right of the display to select the type. If the types comprise more than one display “page,” use the PAGE buttons to switch pages. Press the VARI button to enable the variation effect. This display can also be accessed from the REVERB & EFFECT MENU display. (Refer to page 155.) EFFECT EDIT The effects can be edited and then stored in a memory. 1.Select an effect type to use as a base. 2.Press the EDIT button. The display changes to the following. 3.Use the PARAMETER and buttons to select the parameter. 4.Use the VALUE ∧ and ∨ buttons to adjust the setting. The parameters vary depending on the effect type selected as the base. (V) is the abbreviation of VARIATION. 5.Press the WRITE button. 6.Press the EFFECT NAMING button and assign a name to the effect, if necessary. Refer to page 65 for details about the NAMING procedure. 7.Use the EFFECT MEMORY and buttons to specify the location in which to store the edited effect. 8.Press the OK button. MULTI EFFECT 06_Part I.fm 42 ページ 2003年2月5日 水曜日 午後2時38分
Part I Sounds and effects 43QQTG0692 Sounds and effects REVERB REVERB applies a reverberation effect to the sound. Press the REVERB button to turn it on. Type and parameter settings 1.Press and hold the REVERB button for a few seconds. The display changes to the following. 2.Use the and buttons to select an effect group. The EFFECT MEMORY is an edited effect group. 3.Use the buttons to the right of the display to select a type. If the types comprise more than one display “page,” use the PAGE buttons to switch pages. 4.Use the TOTAL DEPTH ∧ and ∨ buttons to set the depth of the effect. This display can also be accessed from the REVERB & EFFECT MENU display. (Refer to page 155.) EFFECT EDIT Your edited effect can be stored in a memory for later recall. The procedure is the same as for MULTI EFFECT. (Refer to page 42.) CHORUS Add breadth to the sound. Press the CHORUS button to turn it on. Type and parameter settings 1.Press and hold the CHORUS button for a few seconds. The display looks similar to the following. 2.Use the and buttons to select the name of the effect group. EFFECT MEMORY is an edited effect group. 3.Use the buttons to the right of the display to select a type. EFFECT EDIT Your edited effect can be stored in a memory for later recall. The procedure is the same as for MULTI EFFECT. (Refer to page 42.) REVERB CHORUS 06_Part I.fm 43 ページ 2003年2月5日 水曜日 午後2時38分
Part I Sounds and effects 44QQTG0692 Sounds and effects MIC You can add reverb and other effects to sound from a connected microphone. Connect a microphone to this instrument. (Refer to page 188.) 1.Set the PROGRAM MENUS button to ON. The display will appear as follows: 2.Select REVERB & EFFECT. 3.Select MIC REVERB & EFFECT. The display looks similar to the following. 4.Set using the button on the left of the display. Select the effect name (MIC REVERB/MIC EFFECT). 5.Set the MIC REVERB. Use the PARAMETER and buttons to select an attribute, and use the VALUE ∧ and ∨ buttons to adjust the corresponding setting. You can specify whether or not to apply the reverb with the MIC REV ON/OFF button. 6.Set MIC EFFECT. Use the PARAMETER and buttons to select an attribute, and use the VALUE ∧ and ∨ buttons to adjust the corresponding setting. Enable or disable the effect using the MIC EFF ON/OFF button. PROGRAM MENUS 06_Part I.fm 44 ページ 2003年2月5日 水曜日 午後2時38分
Part I Sounds and effects 45QQTG0692 Sounds and effects Controller Use the controllers (left next to the keyboard) to change the nuance of the sound while you are playing. PITCH BEND The pitch of the instrument can be continuously changed with the PITCH BEND wheel at the left end of the keyboard. Using this control, you can produce the effect of bending the strings on a guitar. While pressing a key on the keyboard, move the wheel up and down to control the pitch. When you release your hand from the wheel, it returns automatically to the center position and the pitch bend effect is turned off. The pitch bend effect does not function for the AUTO PLAY CHORD accompaniment pattern or during a normal performance for the sounds of the LEFT part. The amount of pitch bend can be set. (Refer to page 149.) MODULATION (KN2600) The MODULATION wheel is used to apply a vibrato effect, for example, to the sound. While pressing a key on the keyboard, move the wheel up to add the effect. When this effect is not needed, set the MOD- ULATION wheel to the MIN position. This effect differs depending on the selected sound. The vibrato effect does not function for the AUTO PLAY CHORD accompaniment pattern or during a normal performance for the sounds of the LEFT part. PITCH BEND UP DOWN MODULATION MAX MIN 06_Part I.fm 45 ページ 2003年2月5日 水曜日 午後2時38分
Part I Sounds and effects 46QQTG0692 Sounds and effects Transpose The TRANSPOSE buttons are used to change the key of the entire instrument in semi-tone steps across an entire octave. Suppose you learn to play a song—in the key of C, for example—and decide you want to sing it, only to find that it’s either too high or too low for your voice. Your choice is to either learn the song all over again in a different key, or to use the TRANSPOSE feature. Adjust the key with the + and – buttons. The key is changed in half-tone increments up to plus or minus one octave. If the two buttons are pressed at the same time, the key returns to C. When the TRANSPOSE function is active, the transposed key is shown on the HOME PAGE display. TRANSPOSE –+ Played keys C major Notes that sound D major 06_Part I.fm 46 ページ 2003年2月5日 水曜日 午後2時38分
Part I Sounds and effects 47QQTG0692 Sounds and effects Techni-chord TECHNI-CHORD turns your single note melodies into full chords and offers you a choice of different types from a simple duet which adds one harmony note to your melody note, to big band reeds which adds four harmony notes to your melody note. If TECHNI-CHORD is part of a ONE TOUCH PLAY or MUSIC STYLIST registration, a suitable TECHNI-CHORD type will be selected automatically. Example: Left hand (chord) Right hand (melody) 1.Split the keyboard into left and right sections. 2.Press the TECHNI-CHORD button to turn it on. 3.Play the keyboard. The melody you play with your right hand is automatically played in chords which are based on the chords you play with your left hand. This feature is very effective when used with the AUTO PLAY CHORD. Type setting 1.Press and hold the TECHNI-CHORD button for a few seconds. The display looks similar to the following. 2.Use the , , , buttons to select the har- mony style. When the OCTAVE, HARD ROCK or FAN- FARE style is selected, the TECHNI-CHORD functions even when the keyboard is not split. ORCHESTRATOR You can specify which part is used for the har- mony tones. Your TECHNI-CHORD perfor- mance is enhanced by selecting harmony sounds different from the sounds you play and the sounds produced by the automatic accompa- niment. 1.Use the ORCHESTRATOR ∧ and ∨ buttons to select the part for the harmony notes. If CONDUCTOR is selected, the harmony notes are produced in the sounds of the part which is currently selected in the CONDUC- TOR (RIGHT 1, RIGHT 2). In other words, the harmony notes are produced in the same sound as the melody notes. If both RIGHT 1 and RIGHT 2 are on, the harmony notes are produced in the sound of the RIGHT 1 part.In the case of EASY RECORD (see page 77), when set to CONDUCTOR or a part other than PART 4, the TECHNI-CHORD sound is not recorded; so when you use EASY RECORD, please set to one or the other. CD GC TECHNI- CHORD 06_Part I.fm 47 ページ 2003年2月5日 水曜日 午後2時38分
48QQTG0692 Playing the rhythm Part II Playing the rhythm Overview of rhythm performance An explanation follows of the terms related to this instrument’s rhythm performance. Rhythm and accompaniment pattern Each rhythm is comprised of not only a DRUMS pattern, but also of accompaniment patterns called BASS and ACCOMP. The combination of all of these is the rhythm. The accompaniment pattern sounds when you perform using the AUTO PLAY CHORD (APC). (Refer to page 52.). Rhythm and Style One rhythm of this instrument is comprised of four VARIATION patterns, and for each one the optimum sounds and effects are set. All of these together comprise one STYLE. In the MUSIC STYLIST (page 60) and MUSIC STYLE ARRANGER (page 62) etc. this STYLE is summoned. STYLE RHYTHM PANEL setting PANEL setting PANEL setting PANEL setting VARIATION 1 VARIATION 2 VARIATION 3 VARIATION 4 07_Part II.fm 48 ページ 2003年2月5日 水曜日 午後2時40分
Part II Playing the rhythm 49QQTG0692 Playing the rhythm Selecting rhythms Many exciting rhythms are stored in the memory of this instrument. First select one of the rhythm groups and then choose the desired rhythm. Select a rhythm 1.In the RHYTHM GROUP section, select a rhythm group. MEMORY is the group in which you store the rhythms you create with the COMPOSER. (Refer to page 111.) 2.Select the desired rhythm from the list on the display. If there is more than one page to the display, use the PAGE buttons to move from one screen page to another. VARIATION There are four variations available for each rhythm. Use the VARIATION buttons to select the desired variation. Confirm that the MUSIC STYLE ARRANGER button is off. (If it is on, press it once to turn it off.) The nuance of the pattern differs with each variation number. You can change to a different variation while the rhythm is playing. RHYTHM GROUPPOPROCKDANCE POPBALLAD SIMPLE BEATDANCE CLUBTRAD & WALTZUSA JAZZ & SWINGBALLROOM & SHOWLATIN & WORLDMEMORY LOAD 1234VARIATION MUSIC STYLE ARRANGER 07_Part II.fm 49 ページ 2003年2月5日 水曜日 午後2時40分
Part II Playing the rhythm 50QQTG0692 Playing the rhythm Start the rhythm There are two ways to start the rhythm. Normal start 1.Select a rhythm. 2.Press the START/STOP button to turn it on. The selected rhythm pattern immediately begins to play. You can stop the rhythm by pressing the START/STOP button again to turn it off. The BEAT indicators above the START/STOP button light to indicate the beat. Synchronized start With the synchronized start feature, the rhythm pattern starts when you play a key on the key- board. 1.Select a rhythm. 2.Press the SYNCHRO & BREAK button to turn it on. 3.Play a key to the left of the keyboard split point. The rhythm pattern begins to play. You can use the synchronized start feature even when the keyboard is not divided into left and right sections. To start the rhythm, press a key to the left of the specified split point. Adjust the tempo The tempo of the rhythm pattern is adjusted with the TEMPO/PROGRAM buttons. The tempo is shown on the display as a numerical value ( q = 40 to 300). When the TEMPO/PROGRAM indicator is lit, the TEMPO/PROGRAM cannot be used to adjust the tempo. To adjust the tempo during playback, refer to page 81. TAP TEMPO You can set the tempo of the rhythm by tapping this button few times with your finger at the tempo you wish to play. The tempo at which the button is tapped is detected, and the tempo automatically changes correspondingly. 1234 BEATSTART/STOP SYNCHRO & BREAK TEMPO/ PROGRAM TAP TEMPO 07_Part II.fm 50 ページ 2003年2月5日 水曜日 午後2時40分