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Technics Keyboard Sx Kn2400 Owers Manual

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    							Part IV Sequencer
    101QQTG0692
    Sequencer
    Changing the note position etc. of the 
    recorded data
    You can change the note pitch and position etc. of recorded data.
    Select the function
    1.On the SEQ MENU display, use the SONG ∧
    and ∨ buttons to select the number of the
    song. Then select RANGE EDIT.
    The display looks similar to the following.
    2.On the RANGE EDIT display, select a func-
    tion.
    3.Perform the editing procedures. (See below.)
    During the editing procedure, if the indicator
    for the TEMPO/PROGRAM is lit, you can use
    the TEMPO/PROGRAM for the editing func-
    tion.
    NOTE CHANGE
    Change of pitch of specified notes.
    1.Use the TRACK ∧ and ∨ buttons to select the
    track you wish to edit.
    You cannot select the track for the CONTROL,
    RHYTHM or CHORD part.
    If ALL is selected, all tracks will be edited.
    2.Use the FIRST MEAS ∧ and ∨ buttons to
    specify the start point (measure number) of
    the note change.
    3.Use the LAST MEAS ∧ and ∨ buttons to spec-
    ify the end point (measure number) of the note
    change.
    4.Use the TARGET NOTE ∧ and ∨ buttons to
    specify the pitch of the note you wish to
    change.
    The number next to the note name is its note
    number.
    5.Use the CHANGE TO ∧ and ∨ buttons to
    specify the pitch you wish to change to.
    6.Press the OK button.
    The confirmation display appears. Press the
    YES button to execute the function, or press
    the NO button to cancel the function.
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    							Part IV Sequencer
    102QQTG0692
    Sequencer
    VELOCITY CHANGE
    Modify the recorded velocity in specific mea-
    sures of specific tracks.
    1.Use the TRACK ∧ and ∨ buttons to select the
    track you wish to edit.
    You cannot select the track for the CONTROL,
    RHYTHM or CHORD part.
    If ALL is selected, all tracks will be edited.
    2.Use the FIRST MEAS ∧ and ∨ buttons to
    specify the start point (measure number) of
    the velocity change.
    3.Use the LAST MEAS ∧ and ∨ buttons to spec-
    ify the end point (measure number) of the
    velocity change.
    4.Use the VELOCITY ∧ and ∨ buttons to specify
    the change in velocity.
    The value you select will be added to or
    deleted from the current velocity.
    5.Press the OK button.
    The confirmation display appears. Press the
    YES button to execute the function, or press
    the NO button to cancel the function.
    TRANSPOSE
    Change of key of specific measures of specific
    tracks.
    1.Use the TRACK ∧ and ∨ buttons to select the
    track you wish to edit.
    You cannot select the track for the CONTROL,
    RHYTHM or CHORD part.
    If ALL is selected, all tracks will be edited.
    2.Use the FIRST MEAS ∧ and ∨ buttons to
    specify the start point (measure number) of
    the transpose.
    3.Use the LAST MEAS ∧ and ∨ buttons to spec-
    ify the end point (measure number) of the
    transpose.
    4.Use the TRANSPOSE ∧ and ∨ buttons to
    specify the change in pitch.
    Increments are in semitones. A value of 12 is
    one octave. A – value lowers the pitch, and a
    +  value raises it.
    5.Press the OK button.
    The confirmation display appears. Press the
    YES button to execute the function, or press
    the NO button to cancel the function.
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    							Part IV Sequencer
    103QQTG0692
    Sequencer
    ADVANCE/DELAY
    Speed up or delay the sound production of spec-
    ified performance data.
    1.Use the TRACK ∧ and ∨ buttons to select the
    track you wish to edit.
    You cannot select the track for the CONTROL,
    RHYTHM or CHORD part.
    If ALL is selected, all tracks will be edited.
    2.Use the FIRST MEAS ∧ and ∨ buttons to
    specify the start point (measure number) of
    the change.
    3.Use the LAST MEAS ∧ and ∨ buttons to spec-
    ify the end point (measure number) of the
    change.
    4.Use the ADVANCE/DELAY ∧ and ∨ buttons
    to accelerate or delay the timing of the sound
    production (–96 to +96).
    A + value causes the notes to sound later, and
    a – value causes the notes to sound earlier.
    5.Press the OK button.
    The confirmation display appears. Press the
    YES button to execute the function, or press
    the NO button to cancel the function.
    SD Audio Synchro (KN2600)
    The sound data on the SD card in the SD slot can be synchronized with SEQUENCER playback.
    1.On the SEQ MENU display, press the SD
    AUDIO SYNCHRO button.
    2.Use the PLAYLIST NUMBER ∧ and ∨ buttons
    to select the number you wish to synchronize
    from the PLAYLIST.
    3.Play back the SEQUENCER song. (Refer to
    page 81.)
    
    When creating SEQUENCER data that is syn-
    chronized with SD AUDIO data, the environment
    in which the SD AUDIO data was created may
    result in data that is slightly out of sync with the
    SEQUENCER. When this occurs use the
    TEMPO ADJUST feature to compensate for this
    timing discrepancy (–127 to +127).
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    							104QQTG0692
    Composer
    Part V   Composer
    Outline of the Composer
    The COMPOSER enables you to create your own accompaniment patterns. A pattern is comprised of 8
    parts: DRUMS 1, 2, BASS and ACCOMP1–5 parts. These parts would form the backing of a song.
    Rhythm components which can be stored
    Different INTRO 1, 2, VARIATION 1 to 4, FILL IN
    1, 2 patterns can be created for each MEMORY
    (A, B, C).
     Each VARIATION is made of a PATTERN,
    FILL 1 and FILL 2.
     A Maj (major) and Min (minor) pattern is avail-
    able for each of the INTRO and ENDING 1
    and 2.
    Memory capacity
    Expressed in terms of notes, the total number of
    notes which can be stored in all the COMPOSER
    memories is about 13,000. The remaining mem-
    ory available for recording is shown on the
    recording display as a percentage (%).
     When “Memory full!” appears on the display
    no more data can be stored in the COM-
    POSER.
    
     MEMORY
    Because the contents of the MEMORY are
    erased after the power is turned off, you should
    save the data on disks/SD cards if you wish to
    keep it. (Refer to pages 125, 140.)
    INTRO VARI 1 VARI 2 VARI 3 VARI 4 ENDING
    1 Maj
    1 Min
    2 Maj
    2 MinPATTERN
    FILL IN 1
    FILL IN 2PATTERN
    FILL IN 1
    FILL IN 2PATTERN
    FILL IN 1
    FILL IN 2PATTERN
    FILL IN 1
    FILL IN 21 Maj
    1 Min
    2 Maj
    2 Min
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    							Part V Composer
    105QQTG0692
    Composer
    COMPOSER menu
    1.Press the PROGRAM MENUS button to turn it
    on.
    • The display looks similar to the following.
    2.Select COMPOSER.
     The display looks similar to the following.
    Three ways to record in the COMPOSER
    There are three ways to create and record a
    rhythm.
    
     Simple recording method (page 106)
    Use EASY COMPOSER to quickly create a
    unique rhythm just by selecting a pattern for
    each part.
    Create a completely new rhythm (page 106)
    Compose all the parts of a completely new
    rhythm from scratch.
     You can use either realtime recording or step
    record for any part of the recording.
    Pattern Copy (page 115)
    Copy a preset rhythm or SEQUENCER data to a
    COMPOSER memory, edit it as you like, and
    then store it as a new rhythm.
    RECORDING MEMORY-A
    Create a memory in the MEMORY A bank.
    RECORDING MEMORY-B
    Create a memory in the MEMORY B bank.
    RECORDING MEMORY-C
    Create a memory in the MEMORY C bank.
    EASY COMPOSER (page 106)
    Create a rhythm pattern with a simplified
    procedure.PATTERN COPY (page 115)
    Copy a rhythm pattern into a memory.
    SEQ TO COMPOSER COPY (page 116)
    Copy recorded data in the SEQUENCER to
    the COMPOSER.
    LOAD SINGLE COMPOSER
    Recall the desired COMPOSER data from
    data saved on a disk/card. This procedure
    is the same as when COMPOSER is
    selected for SINGLE LOAD. (Refer to
    pages 121, 134.)
    Summary of the COMPOSER menu items
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    							Part V Composer
    106QQTG0692
    Composer
    Simple recording method
    With EASY COMPOSER you can easily create a unique rhythm pattern by selecting a different style for
    each part of the rhythm.
    1.On the COMPOSER MENU display, select
    EASY COMPOSER.
     The display looks similar to the following.
    2.Use the MEM ∧ and ∨ buttons to select the
    memory in which to record your rhythm.
     Select from A-vari 1 to 4, B-vari 1 to 4 and
    C-vari 1 to 4.
    3.Use the PART  and  buttons to select the
    part.
     In the EASY COMPOSER, the new rhythm
    pattern is divided into 9 parts, to each of which
    a style and variation is assigned.
    4.Use the STYLE ∧ and ∨ buttons to select a
    style.
    5.Use the VARI ∧ and ∨ buttons to select the
    variation number.
     The number of variations differs depending on
    the selected style.
     A part which is set to OFF does not sound.
    Note that the “BsDrum&Snare” part cannot be
    set to OFF.
    6.Repeat steps 3 to 5 to select styles for the
    other parts.
    7.Press the SET button.
     The rhythm pattern is played back.
     If you are not satisfied with the rhythm pattern,
    repeat steps 3 to 7.
     If you wish to correct the sounds or phrases in
    your rhythm pattern, press the EDIT button.
    The display changes to the recording display.
    (Refer to page 108.)
     For playback, refer to page 111.
    Create a completely new rhythm
    Clear the memories and compose a completely new rhythm from scratch.
     You can also use this method when copying a pattern from a preset rhythm or the SEQUENCER.
    Prepare to record
    1.On the COMPOSER MENU display, select a
    memory in which to record (RECORDING
    MEMORY A, B, or C).
     The display looks similar to the following.2.Use the buttons below the display to select the
    pattern you want to create.
     If the MEM CLR button is pressed, all the cur-
    rent contents of the MEMORY (A/B/C) are
    erased (a confirmation display appears).
     You can press the NAMING button and assign
    a name to the MEMORY.
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    							Part V Composer
    107QQTG0692
    Composer
     To assign a name to each VARIATION, press
    the VARI button and select a number.
    3.On the RECORD MEMORY display, press the
    OK button.
     The display looks similar to the following.
    4.Press the CLEAR THE ENTIRE PATTERN
    button.
     The display looks similar to the following.
    5.Press the YES button.
     All the data for the selected pattern is
    erased.
    6.Press the MEASURE SETTING button.
    7.Use the MEASURE ∧ and ∨ buttons to spec-
    ify the number of measures in your new
    rhythm pattern (1 to 16).
    8.Use the TIME SIGNATURE ∧ and ∨ buttons
    to specify the meter of the pattern (1/4 to
    8/4).
     When the settings for the MEASURE and
    TIME SIGNATURE of the INTRO or ENDING
    patterns are changed, the Maj and Min set-
    tings change at the same time.
    9.Press the OK button.
    10.Press the EXIT button.
    KEY SETTING
    Set the key and chord in which you wish the
    recorded pattern to be played. If the recorded
    performance is played in a key or chord different
    from this setting, the automatic accompaniment
    will not be able to distinguish the correct chord.
    1.On the RECORDING display press the KEY
    SETTING button.
     The display looks similar to the following.
    2.Use the KEY ∧ and ∨ buttons to set the key.
    Use the CHORD 
    ∧ and ∨ buttons to set the
    chord type (Maj/Min).
    3.When you have finished making the settings,
    press the EXIT button.
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    							Part V Composer
    108QQTG0692
    Composer
    Recording procedure
    1.In the START RECORDING area on the dis-
    play, select the rhythm part you want to record
    first.
    BAS: BASS
    AC1–5: ACCOMP 1–5
    DR1, 2: DRUMS 1, 2
     The metronome sound starts and the display
    looks similar to the following.
    2.Adjust the tempo.
     The tempo is shown on the display as 
    q =.
     The tempo can be freely adjusted when you
    play back the rhythm pattern, so record at the
    tempo which is easiest for you to play.
    3.Select the sound.
     For the DRUMS part, only sounds from the
    DRUM KITS sound group can be selected.
    For the ACCOMP and BASS parts, select
    sounds from groups other than the DIGITAL
    DRAWBAR sound groups.
     The sounds marked with # represent special
    guitar performances and changing them to
    other sounds may result in an unnatural, awk-
    ward sound expression.
    4.Record the part.
     The specified number of measures are repeat-
    edly played back, during which time any newly
    played notes are added to those already
    recorded. The current measure number is
    shown on the display as “MEASURE=”. Record the performance in C major for correct
    chord progressions during playback. Follow
    the KEY SETTING procedure if you wish to
    record the performance in a different scale.
    PITCH BEND, MODULATION (KN2600)
    (except for the DRUMS part) effects are also
    recorded.
     The SUSTAIN ON/OFF is also stored (except
    for the DRUMS part).
    
     Button functions
    PART BALANCE: 
    Adjust the volume of each part on the PART
    BALANCE display. (These settings are not
    recorded.)
    PART SETTING:
    You can make detailed settings for each part.
    (Refer to page 110.)
    STEP RECORD: 
    Change to the STEP RECORD mode. (Refer
    to page 111.)
    SOLO: 
    Mute all parts except the part which is cur-
    rently being recorded.
     A MUTE mark is shown for the other parts on
    the display.
     To turn off the SOLO function, press this but-
    ton again.
    PART CLR: 
    Erase all recorded contents of the currently
    selected part.
    NOTE CLR:
    Data is erased one note or one percussion
    instrument (DRUMS part) sound at a time.
     Hold and press this button, and press the key-
    board key that corresponds to the note or per-
    cussion instrument (DRUMS part) sound you
    wish to erase.
    ALL ERAS: 
    The performance recorded in the selected part
    is erased for as long as this button is pressed.
    QUANTIZE: 
    Smooth out any unevenness in the timing of
    your performance.
     Before recording, select the note value for the
    desired quantize level. (The quantize level is
    shown on the display as QUANTIZE=.)
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    							Part V Composer
    109QQTG0692
    Composer
    KEY IN CHORD MODIFY  (except
    for INTRO, ENDING, DRUMS):
    Use the GROUP and TYPE 
    ∧ and ∨ buttons
    to select the type of pattern progression. 
     This setting is for the sound that is going to be
    recorded from this time.
    5.Use the buttons below the display to switch to
    a different recording part, and proceed to
    record each part in turn.
    6.When you have finished recording the rhythm,
    turn off the PROGRAM MENUS button.
    Chord Modify Change
    For data that has already been recorded, you can select the type of pattern progression for the bass and
    accomp parts.
     This function cannot be used for the INTRO and ENDING patterns.
    1.On the RECORDING display, press the
    CHORD MODIFY CHANGE button.
     The display looks similar to the following.
    2.Use the PART  and  buttons to select the
    part you wish to set.
    3.Use the GROUP and MODIFY TYPE ∧ and ∨
    buttons to select the corresponding progres-
    sion type.
     If a progression type for which the note name
    is displayed (in C key) was selected for the
    chord group, played notes which are not dis-
    played are changed to notes which are dis-
    played.
    4.Use the FUNCTION ∧ and ∨ buttons to
    enable or disable the function.
    KEEP: No change.
    CHANGE: The change is enabled.
    5.When you have finished making the settings
    for each part, press the OK button.
    6.Press the EXIT button.
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    							Part V Composer
    110QQTG0692
    Composer
    Part Setting
    You can make detailed settings for each part.
    1.On the REALTIME RECORDING display,
    press the PART SETTING button.
     The settings comprise 3 pages of the display.
    Use the PAGE buttons to switch pages.
    2.Use the PART  and  buttons to select a
    part.
    3.Use the ∧ and ∨ buttons to set the corre-
    sponding item.
    
    PITCH POINT: 
    The pitch at which the pattern progression
    sound is lowered by one octave.
     When the root note of the specified chord is
    higher than the set pitch point, the pitch of that
    part is automatically lowered by one octave,
    thus avoiding an unnaturally high accompani-
    ment pitch.
     This is effective only for the part for which the
    Melody group was selected in CHORD MOD-
    IFY CHANGE.
    SOUND:
    Use the panel buttons to select the sound.
    DIGI EFF: 
     Set the DIGITAL EFFECT to on or off.
     (SOUND) is the initialized setting of the sound.
    
    BALANCE: 
    Adjust the volume balance.PAN: 
    Adjust the stereo balance of each part (LEFT
    64 – CENTER – RIGHT 63).
     At “LEFT 64”, the sound is all the way to the
    left, at “RIGHT 63” all the way to the right. The
    center point is CENTER.
    REV: 
    Depth of the REVERB (0 to 127).
    CHO: 
    Depth of the CHORUS (0 to 127).
    BEND RANGE: 
    Adjust the range of pitch change when the
    PITCH BEND wheel is operated (0 to 12).
    
    EQ-Hi: 
    Sound correction in the high range.
    Use the FC 
    ∧ and ∨ buttons to adjust the stan-
    dard frequency. Use the GAIN 
    ∧ and ∨ but-
    tons to set the ratio of change.
    EQ-Low: 
    Sound correction in the low range.
    Use the FC 
    ∧ and ∨ buttons to adjust the stan-
    dard frequency. Use the GAIN 
    ∧ and ∨ but-
    tons to set the ratio of change.
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