Technics Keyboard Sx Kn2400 Owers Manual
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Part IV Sequencer 101QQTG0692 Sequencer Changing the note position etc. of the recorded data You can change the note pitch and position etc. of recorded data. Select the function 1.On the SEQ MENU display, use the SONG ∧ and ∨ buttons to select the number of the song. Then select RANGE EDIT. The display looks similar to the following. 2.On the RANGE EDIT display, select a func- tion. 3.Perform the editing procedures. (See below.) During the editing procedure, if the indicator for the TEMPO/PROGRAM is lit, you can use the TEMPO/PROGRAM for the editing func- tion. NOTE CHANGE Change of pitch of specified notes. 1.Use the TRACK ∧ and ∨ buttons to select the track you wish to edit. You cannot select the track for the CONTROL, RHYTHM or CHORD part. If ALL is selected, all tracks will be edited. 2.Use the FIRST MEAS ∧ and ∨ buttons to specify the start point (measure number) of the note change. 3.Use the LAST MEAS ∧ and ∨ buttons to spec- ify the end point (measure number) of the note change. 4.Use the TARGET NOTE ∧ and ∨ buttons to specify the pitch of the note you wish to change. The number next to the note name is its note number. 5.Use the CHANGE TO ∧ and ∨ buttons to specify the pitch you wish to change to. 6.Press the OK button. The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function. 09_Part IV.fm 101 ページ 2003年2月5日 水曜日 午後1時34分
Part IV Sequencer 102QQTG0692 Sequencer VELOCITY CHANGE Modify the recorded velocity in specific mea- sures of specific tracks. 1.Use the TRACK ∧ and ∨ buttons to select the track you wish to edit. You cannot select the track for the CONTROL, RHYTHM or CHORD part. If ALL is selected, all tracks will be edited. 2.Use the FIRST MEAS ∧ and ∨ buttons to specify the start point (measure number) of the velocity change. 3.Use the LAST MEAS ∧ and ∨ buttons to spec- ify the end point (measure number) of the velocity change. 4.Use the VELOCITY ∧ and ∨ buttons to specify the change in velocity. The value you select will be added to or deleted from the current velocity. 5.Press the OK button. The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function. TRANSPOSE Change of key of specific measures of specific tracks. 1.Use the TRACK ∧ and ∨ buttons to select the track you wish to edit. You cannot select the track for the CONTROL, RHYTHM or CHORD part. If ALL is selected, all tracks will be edited. 2.Use the FIRST MEAS ∧ and ∨ buttons to specify the start point (measure number) of the transpose. 3.Use the LAST MEAS ∧ and ∨ buttons to spec- ify the end point (measure number) of the transpose. 4.Use the TRANSPOSE ∧ and ∨ buttons to specify the change in pitch. Increments are in semitones. A value of 12 is one octave. A – value lowers the pitch, and a + value raises it. 5.Press the OK button. The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function. 09_Part IV.fm 102 ページ 2003年2月5日 水曜日 午後1時34分
Part IV Sequencer 103QQTG0692 Sequencer ADVANCE/DELAY Speed up or delay the sound production of spec- ified performance data. 1.Use the TRACK ∧ and ∨ buttons to select the track you wish to edit. You cannot select the track for the CONTROL, RHYTHM or CHORD part. If ALL is selected, all tracks will be edited. 2.Use the FIRST MEAS ∧ and ∨ buttons to specify the start point (measure number) of the change. 3.Use the LAST MEAS ∧ and ∨ buttons to spec- ify the end point (measure number) of the change. 4.Use the ADVANCE/DELAY ∧ and ∨ buttons to accelerate or delay the timing of the sound production (–96 to +96). A + value causes the notes to sound later, and a – value causes the notes to sound earlier. 5.Press the OK button. The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function. SD Audio Synchro (KN2600) The sound data on the SD card in the SD slot can be synchronized with SEQUENCER playback. 1.On the SEQ MENU display, press the SD AUDIO SYNCHRO button. 2.Use the PLAYLIST NUMBER ∧ and ∨ buttons to select the number you wish to synchronize from the PLAYLIST. 3.Play back the SEQUENCER song. (Refer to page 81.) When creating SEQUENCER data that is syn- chronized with SD AUDIO data, the environment in which the SD AUDIO data was created may result in data that is slightly out of sync with the SEQUENCER. When this occurs use the TEMPO ADJUST feature to compensate for this timing discrepancy (–127 to +127). 09_Part IV.fm 103 ページ 2003年2月5日 水曜日 午後1時34分
104QQTG0692 Composer Part V Composer Outline of the Composer The COMPOSER enables you to create your own accompaniment patterns. A pattern is comprised of 8 parts: DRUMS 1, 2, BASS and ACCOMP1–5 parts. These parts would form the backing of a song. Rhythm components which can be stored Different INTRO 1, 2, VARIATION 1 to 4, FILL IN 1, 2 patterns can be created for each MEMORY (A, B, C). Each VARIATION is made of a PATTERN, FILL 1 and FILL 2. A Maj (major) and Min (minor) pattern is avail- able for each of the INTRO and ENDING 1 and 2. Memory capacity Expressed in terms of notes, the total number of notes which can be stored in all the COMPOSER memories is about 13,000. The remaining mem- ory available for recording is shown on the recording display as a percentage (%). When “Memory full!” appears on the display no more data can be stored in the COM- POSER. MEMORY Because the contents of the MEMORY are erased after the power is turned off, you should save the data on disks/SD cards if you wish to keep it. (Refer to pages 125, 140.) INTRO VARI 1 VARI 2 VARI 3 VARI 4 ENDING 1 Maj 1 Min 2 Maj 2 MinPATTERN FILL IN 1 FILL IN 2PATTERN FILL IN 1 FILL IN 2PATTERN FILL IN 1 FILL IN 2PATTERN FILL IN 1 FILL IN 21 Maj 1 Min 2 Maj 2 Min 10_Part V.fm 104 ページ 2003年1月27日 月曜日 午後1時45分
Part V Composer 105QQTG0692 Composer COMPOSER menu 1.Press the PROGRAM MENUS button to turn it on. • The display looks similar to the following. 2.Select COMPOSER. The display looks similar to the following. Three ways to record in the COMPOSER There are three ways to create and record a rhythm. Simple recording method (page 106) Use EASY COMPOSER to quickly create a unique rhythm just by selecting a pattern for each part. Create a completely new rhythm (page 106) Compose all the parts of a completely new rhythm from scratch. You can use either realtime recording or step record for any part of the recording. Pattern Copy (page 115) Copy a preset rhythm or SEQUENCER data to a COMPOSER memory, edit it as you like, and then store it as a new rhythm. RECORDING MEMORY-A Create a memory in the MEMORY A bank. RECORDING MEMORY-B Create a memory in the MEMORY B bank. RECORDING MEMORY-C Create a memory in the MEMORY C bank. EASY COMPOSER (page 106) Create a rhythm pattern with a simplified procedure.PATTERN COPY (page 115) Copy a rhythm pattern into a memory. SEQ TO COMPOSER COPY (page 116) Copy recorded data in the SEQUENCER to the COMPOSER. LOAD SINGLE COMPOSER Recall the desired COMPOSER data from data saved on a disk/card. This procedure is the same as when COMPOSER is selected for SINGLE LOAD. (Refer to pages 121, 134.) Summary of the COMPOSER menu items 10_Part V.fm 105 ページ 2003年3月9日 日曜日 午後3時4分
Part V Composer 106QQTG0692 Composer Simple recording method With EASY COMPOSER you can easily create a unique rhythm pattern by selecting a different style for each part of the rhythm. 1.On the COMPOSER MENU display, select EASY COMPOSER. The display looks similar to the following. 2.Use the MEM ∧ and ∨ buttons to select the memory in which to record your rhythm. Select from A-vari 1 to 4, B-vari 1 to 4 and C-vari 1 to 4. 3.Use the PART and buttons to select the part. In the EASY COMPOSER, the new rhythm pattern is divided into 9 parts, to each of which a style and variation is assigned. 4.Use the STYLE ∧ and ∨ buttons to select a style. 5.Use the VARI ∧ and ∨ buttons to select the variation number. The number of variations differs depending on the selected style. A part which is set to OFF does not sound. Note that the “BsDrum&Snare” part cannot be set to OFF. 6.Repeat steps 3 to 5 to select styles for the other parts. 7.Press the SET button. The rhythm pattern is played back. If you are not satisfied with the rhythm pattern, repeat steps 3 to 7. If you wish to correct the sounds or phrases in your rhythm pattern, press the EDIT button. The display changes to the recording display. (Refer to page 108.) For playback, refer to page 111. Create a completely new rhythm Clear the memories and compose a completely new rhythm from scratch. You can also use this method when copying a pattern from a preset rhythm or the SEQUENCER. Prepare to record 1.On the COMPOSER MENU display, select a memory in which to record (RECORDING MEMORY A, B, or C). The display looks similar to the following.2.Use the buttons below the display to select the pattern you want to create. If the MEM CLR button is pressed, all the cur- rent contents of the MEMORY (A/B/C) are erased (a confirmation display appears). You can press the NAMING button and assign a name to the MEMORY. 10_Part V.fm 106 ページ 2003年1月27日 月曜日 午後1時45分
Part V Composer 107QQTG0692 Composer To assign a name to each VARIATION, press the VARI button and select a number. 3.On the RECORD MEMORY display, press the OK button. The display looks similar to the following. 4.Press the CLEAR THE ENTIRE PATTERN button. The display looks similar to the following. 5.Press the YES button. All the data for the selected pattern is erased. 6.Press the MEASURE SETTING button. 7.Use the MEASURE ∧ and ∨ buttons to spec- ify the number of measures in your new rhythm pattern (1 to 16). 8.Use the TIME SIGNATURE ∧ and ∨ buttons to specify the meter of the pattern (1/4 to 8/4). When the settings for the MEASURE and TIME SIGNATURE of the INTRO or ENDING patterns are changed, the Maj and Min set- tings change at the same time. 9.Press the OK button. 10.Press the EXIT button. KEY SETTING Set the key and chord in which you wish the recorded pattern to be played. If the recorded performance is played in a key or chord different from this setting, the automatic accompaniment will not be able to distinguish the correct chord. 1.On the RECORDING display press the KEY SETTING button. The display looks similar to the following. 2.Use the KEY ∧ and ∨ buttons to set the key. Use the CHORD ∧ and ∨ buttons to set the chord type (Maj/Min). 3.When you have finished making the settings, press the EXIT button. 10_Part V.fm 107 ページ 2003年1月27日 月曜日 午後1時45分
Part V Composer 108QQTG0692 Composer Recording procedure 1.In the START RECORDING area on the dis- play, select the rhythm part you want to record first. BAS: BASS AC1–5: ACCOMP 1–5 DR1, 2: DRUMS 1, 2 The metronome sound starts and the display looks similar to the following. 2.Adjust the tempo. The tempo is shown on the display as q =. The tempo can be freely adjusted when you play back the rhythm pattern, so record at the tempo which is easiest for you to play. 3.Select the sound. For the DRUMS part, only sounds from the DRUM KITS sound group can be selected. For the ACCOMP and BASS parts, select sounds from groups other than the DIGITAL DRAWBAR sound groups. The sounds marked with # represent special guitar performances and changing them to other sounds may result in an unnatural, awk- ward sound expression. 4.Record the part. The specified number of measures are repeat- edly played back, during which time any newly played notes are added to those already recorded. The current measure number is shown on the display as “MEASURE=”. Record the performance in C major for correct chord progressions during playback. Follow the KEY SETTING procedure if you wish to record the performance in a different scale. PITCH BEND, MODULATION (KN2600) (except for the DRUMS part) effects are also recorded. The SUSTAIN ON/OFF is also stored (except for the DRUMS part). Button functions PART BALANCE: Adjust the volume of each part on the PART BALANCE display. (These settings are not recorded.) PART SETTING: You can make detailed settings for each part. (Refer to page 110.) STEP RECORD: Change to the STEP RECORD mode. (Refer to page 111.) SOLO: Mute all parts except the part which is cur- rently being recorded. A MUTE mark is shown for the other parts on the display. To turn off the SOLO function, press this but- ton again. PART CLR: Erase all recorded contents of the currently selected part. NOTE CLR: Data is erased one note or one percussion instrument (DRUMS part) sound at a time. Hold and press this button, and press the key- board key that corresponds to the note or per- cussion instrument (DRUMS part) sound you wish to erase. ALL ERAS: The performance recorded in the selected part is erased for as long as this button is pressed. QUANTIZE: Smooth out any unevenness in the timing of your performance. Before recording, select the note value for the desired quantize level. (The quantize level is shown on the display as QUANTIZE=.) 10_Part V.fm 108 ページ 2003年1月27日 月曜日 午後1時45分
Part V Composer 109QQTG0692 Composer KEY IN CHORD MODIFY (except for INTRO, ENDING, DRUMS): Use the GROUP and TYPE ∧ and ∨ buttons to select the type of pattern progression. This setting is for the sound that is going to be recorded from this time. 5.Use the buttons below the display to switch to a different recording part, and proceed to record each part in turn. 6.When you have finished recording the rhythm, turn off the PROGRAM MENUS button. Chord Modify Change For data that has already been recorded, you can select the type of pattern progression for the bass and accomp parts. This function cannot be used for the INTRO and ENDING patterns. 1.On the RECORDING display, press the CHORD MODIFY CHANGE button. The display looks similar to the following. 2.Use the PART and buttons to select the part you wish to set. 3.Use the GROUP and MODIFY TYPE ∧ and ∨ buttons to select the corresponding progres- sion type. If a progression type for which the note name is displayed (in C key) was selected for the chord group, played notes which are not dis- played are changed to notes which are dis- played. 4.Use the FUNCTION ∧ and ∨ buttons to enable or disable the function. KEEP: No change. CHANGE: The change is enabled. 5.When you have finished making the settings for each part, press the OK button. 6.Press the EXIT button. 10_Part V.fm 109 ページ 2003年1月27日 月曜日 午後1時45分
Part V Composer 110QQTG0692 Composer Part Setting You can make detailed settings for each part. 1.On the REALTIME RECORDING display, press the PART SETTING button. The settings comprise 3 pages of the display. Use the PAGE buttons to switch pages. 2.Use the PART and buttons to select a part. 3.Use the ∧ and ∨ buttons to set the corre- sponding item. PITCH POINT: The pitch at which the pattern progression sound is lowered by one octave. When the root note of the specified chord is higher than the set pitch point, the pitch of that part is automatically lowered by one octave, thus avoiding an unnaturally high accompani- ment pitch. This is effective only for the part for which the Melody group was selected in CHORD MOD- IFY CHANGE. SOUND: Use the panel buttons to select the sound. DIGI EFF: Set the DIGITAL EFFECT to on or off. (SOUND) is the initialized setting of the sound. BALANCE: Adjust the volume balance.PAN: Adjust the stereo balance of each part (LEFT 64 – CENTER – RIGHT 63). At “LEFT 64”, the sound is all the way to the left, at “RIGHT 63” all the way to the right. The center point is CENTER. REV: Depth of the REVERB (0 to 127). CHO: Depth of the CHORUS (0 to 127). BEND RANGE: Adjust the range of pitch change when the PITCH BEND wheel is operated (0 to 12). EQ-Hi: Sound correction in the high range. Use the FC ∧ and ∨ buttons to adjust the stan- dard frequency. Use the GAIN ∧ and ∨ but- tons to set the ratio of change. EQ-Low: Sound correction in the low range. Use the FC ∧ and ∨ buttons to adjust the stan- dard frequency. Use the GAIN ∧ and ∨ but- tons to set the ratio of change. 10_Part V.fm 110 ページ 2003年1月27日 月曜日 午後1時45分