Tascam Digital Multitrack Recorder DA-98 Owners Manual

							Section 15 – Options, specifications and reference  
15-8 – 1.00 – 06/97
15.4 MIDI Implementation Chart
 TASCAM Multitrack Digital Recorder
                   date:1997.05.20
 Model DA-98             MIDI Implemen-
tation Chart        Version : 1.00
+--------------------------------------
--------------------------------+
:                   :  Transmitted   :   
Recognized   :     Remarks    :
:       F u n c t i o n      :                 :                 
:                :
:-------------------+----------------+-
---------------+----------------:
:Basic    Default   : x              : x              
:                :
:Channel  Changed   : 1-16           : 
1-16           :                :
:-------------------+----------------+-
---------------+----------------:
:          D e f a u l t    :  x               :  x               
:                :
:Mode     Messages  : x              : x              
:                :
:         Altered   : ************** : x              
:                :
:-------------------+----------------+-
---------------+----------------:
: N o t e                :  x               :  x               
:                :
:Number : True voice: ************** : x              
:                :
:-------------------+----------------+-
---------------+----------------:
: V e l o c i t y  N o t e  O N    :  x               :  x               
:                :
:          N o t e  O F F   :  x               :  x               
:                :
:-------------------+----------------+-
---------------+----------------:
: A f t e r     K e y ’ s      :  x               :  x               
:                :
: T o u c h     C h ’ s       :  x               :  x               
:                :
:-------------------+----------------+-
---------------+----------------:
: P i t c h  B e n d e r        :  x               :  x               
:                :
:-------------------+----------------+-
---------------+----------------:
:               1 - 8 8  :  x               :  x               
:                :
:                    :                 :                 
:                :
:                    :                 :                 
:                :
:  C o n t r o l            :                 :                 
:                :
:                    :                 :                 
:                :
:  C h a n g e             :                 :                 
:                :
:                    :                 :                 
:                :
:                    :                 :                 
:                :
:                    :                 :                 
:                ::                    :                 :                 
:                :
:                    :                 :                 
:                :
:                    :                 :                 
:                :
:                    :                 :                 
:                :
:        :  T r u e  #     :  0 / 1 2 7           :                 
:                :
:-------------------+----------------+-
---------------+----------------:
: P r o g                :  x               :  x               
:                :
:Change : True #    : 1-128          :                
:                :
:-------------------+----------------+-
---------------+----------------:
:System Exclusive   : o              : o              
:*1              :
:                    :                 :                 
:                :
:-------------------+----------------+-
---------------+----------------:
: S y s t e m  :  S o n g  P o s   :  x               :  x               
:                :
:        :  S o n g  S e l   :  x               :  x               
:                :
: C o m m o n  :  T u n e       :  x               :  x               
:                :
:-------------------+----------------+-
---------------+----------------:
: S y s t e m     : C l o c k    :  x               :  x               
:                :
:Real Time :Commands: x              : x              
:                :
:-------------------+----------------+-
---------------+----------------:
:Aux  :Local ON/OFF : x              : x              
:                :
:      : A l l  N o t e s  O F F :  x               :  x               
:                :
:Mes- :Active Sense : x              : x              
:                :
: s a g e s : R e s e t         :  x               :  o               
:                :
:-------------------+----------------+-
---------------+----------------:
:Notes:             :*1 MMC RP Ver 1.00 
(T, R)                         :
: (T) : Transmitted :   Identity Request 
(R), Identity Reply (T)       :
: (R) : Recognized  :   TASCAM System 
Exclusive (R)                    :
: MTC Quarter Frame Message 
(T )                                         
:
+--------------------------------------
--------------------------------+
  Mode 1 : OMNI ON,  POLY     Mode 2 : 
OMNI ON,  MONO           o : Yes
  Mode 3 : OMNI OFF, POLY     Mode 4 : 
OMNI OFF, MONO           x : No 
						

							Index
06/97 – 1.00 – Index-9
A
ABS frame rate 10-1
ABS time
 10-1
auto timecode settings
 10-3
ABS-13 setting
 10-3
Absolute difference
 10-12
Absolute time
see “ABS time”
AES/EBU conversion
 15-2
ALL INPUT
 7-1
Ambient temperature
 1-3
Analog audio connections
 4-1
Analog outputs
synchronizing with timecode
 10-6
Analog timecode connections
 4-1
Analog track mapping
 11-3
Arming tracks
 7-3
Assembling timecode
 10-8
Assigning menus to “soft keys”
 5-4
Audio connections
 4-1
AUTO MON function
 7-1
Auto play
 8-3
Autolocation
see Location points
Automatic park position setting
 10-12
Automatic punch point setting
 6-4
B
Backup of parameters 14-3
BER
see “Block Error Rate”
Blanking the screen display
 5-2
Block Error Rate
 14-2
Bus ID
 11-4
Bus protocol
 11-4
Bypassing timecode errors
 10-13
C
Cables 15-2
Cancelling machine offset
 9-3
Cassette types
 1-4
Channel-to-track routing
 8-8
Chase mode
 9-2
Chase to timecode
 10-10
Checking error rates
 14-2
Checking head search time
 14-2
Checking head time
 14-2
Checking location points
 8-1
Condensation
 1-3
Confidence mode
 7-2
Control connections
 4-2Control protocol
 11-1
Crossfade times
 8-4
Cue-up tally
 11-2
Cursor keys
 5-1
D
DA-38 9-1
DA-88
 9-1
Default settings
 14-4
Delaying tracks
 8-4
Dew warning
 1-3
Digital dubbing
 9-4
Digital input selection
 8-8
Digital outputs
synchronizing with timecode
 10-6
Digital recording characteristics
 15-3
Digital track mapping
 11-3
Dither
 7-2, 8-8, 8-9
DTRS
 1-4
DTRS synchronization
 9-1
Dubbing
 9-4
E
Editing function key memories 8-2
Editing location points
 8-1
Editing time values
 5-2
Editing values
 5-1
Electrical considerations
 1-3
Emulation
 4-2, 11-1
Environmental conditions
 1-3
Error rate checking
 14-2
ESCAPE
 5-1
ESCAPE key
 5-1
Exiting punch-in mode
 6-7
External Control
fast wind speed
 11-2
External control
bus protocol
 11-4
cue-up tally
 11-2
emulation
 11-1
record delay
 11-1
RS-422
 11-1
selecting source
 11-1
timecode track mapping
 11-3
track mapping
 11-3
External timecode sources
 10-8
F
Factory settings
restoring
 14-4
Fast Wind Speed
 11-2 
						

							Index
Index-10 – 1.00 – 06/97Formatting
 6-1
Frame rate
 10-4
ABS timing
 10-1
Fs shift
 10-4
Function keys
location memories
 8-2
menu setting
 5-4
modes
 5-2
numerical keypad
 5-3
Ten key
 5-3
G
Generating timecode 10-6
H
Head cleaning 14-1
Head search time, checking
 14-2
Head time, checking
 14-2
I
ID
see Machine ID
INPUT MONITOR
 7-1
Input selection
 8-8
Inputs and output specifications
 15-4
Interrupting a rehearsal or punch recording
 6-6
L
Location points
auto play
 8-3
auto-repeat
 8-3
editing
 8-1, 8-2
function key memories
 8-2
locating
 8-2
setting pre-roll time
 8-1
LTC
 10-5
M
Machine ID 9-1, 10-10
setting
 9-2
Machine offset
 9-2
Manually entering location points
 8-1
Mapping the timecode track
 11-4
Mapping tracks for external control
 11-3
Master/slave settings
 9-1, 9-2
ME tapes
 1-4
Memory backup
 14-3
Menu groups
 5-1Menu operations
 5-1
Meter ballistics
 8-7
Meter unit
 4-3, 15-1
Meters
 8-7
MIDI functions
 4-3
MIDI ID
 11-4
MIDI Implementation Chart
 15-8
MIDI Machine Control
 4-2, 11-4, 15-6
MIDI Time Code
 4-2, 10-6
MMC
see MIDI Machine Control
Monitoring
 7-1
Monitoring controls
 7-1
MP tapes
 1-4
MU-8824
 4-3, 15-1
N
9-pin external control
see “RS-422 external control”
Number keys
 5-3
O
Offset
DTRS synchronization
 9-2
Offset (timecode)
 10-11
Off-tape monitoring
 7-1, 7-2
Oscillator
 8-7
Overdubbing
 6-3
P
P2 protocol 4-2
Parallel control
 4-3
Park position
 10-12
Peak hold time
 8-7
Physical specifications
 15-3
Pitch control
 8-5
Post-roll time
 6-5
see also “Pre-roll time”
 6-5
Power-on message
 8-10
Pre-roll time
editing
 6-5
location
 8-1
punching
 6-5
Propagation delay
 8-4
Pull up and pull down
 10-4
Punch-in mode
exiting
 6-7
Punch-ins
crossfade times
 8-4
interrupting
 6-6
introduction
 6-3 
						

							Index
06/97 – 1.00 – Index-11 recording
 6-6
rehearsing
 6-6
replaying
 6-7
setting punch points
 6-4, 6-5
PW-88S (cable)
 9-1
R
Rack mount adaptor (RM-98) 15-1
Rack mounting
 1-3
REC MUTE function
 8-9
Rechasing timecode
 10-13
Record delay
 11-1
Recording punch-ins
 6-6
Recording time
 1-5
Recording timecode from external sources
 10-9
Rectangular dither
 8-10
Reference levels
 8-6
Rehearsing punch-ins
 6-6
Relative difference
 10-12
Relative humidity
 1-3
Repeat function
 8-3
Repeat playback
 8-3
Replaying punched material
 6-7
Replaying tracks
 6-3
Resetting a menu value
 5-2
Resetting the memory
 14-3
Restoring factory settings
 14-4
Routing
 8-9
RS-422 external control
 11-1
S
Saving user settings 14-3
SDIF-2 conversion
 15-2
Selecting the timecode source
 10-6
Selecting timecode or absolute timing
 10-1
Setting location points
 8-1
Setting machine ID
 9-2
Setting machine offset
 9-2
Setting machine offset “on the fly”
 9-3
Setting punch points “on the fly”
 6-4
Setting punch points using the menus
 6-5
Setting the location pre-roll time
 8-1
Shuttle
 8-5
Shuttle monitoring
 7-2, 8-6
Shuttle muting
 8-6
Sine oscillator
 8-7
Soft keys
 5-4
see “Function keys”
 5-4
Software upgrades
 14-4
Software version numbers
 14-4
Sony P2 protocol
 4-2
Source monitoring
 7-1Synchronization
PW-88S cable
 9-1
with other DA units
 9-1
Synchronization connections
 4-1, 9-1
T
Tape errors 14-2
Tape head cleaning
 14-1
Tape length
 1-5
Tape transport specifications
 15-4
Tape types
 1-4
TC time
 10-1
Telecine
 10-4
Test tone
 8-7
Timecode
ABS times
 10-1
ABS to timecode with offset
 10-2
absolute and relative difference
 10-12
assemble
 10-8
automatic settings
 10-3
bypassing errors
 10-13
chasing
 10-10
checking external timecode
 10-9
external sources
 10-8
fast LTC
 10-5
frame rate
 10-4
from analog source
 10-9
from digital source
 10-9
from tape
 10-6
generator
 10-6
input
 10-4
machine ID
 10-10
offset
 10-11
output
 10-5
output during fast operations
 10-5
output timing
 10-5
park position
 10-12
rechasing
 10-13
recording from external sources
 10-9
regenerating
 10-5
selecting the source
 10-6
synthesizing from ABS
 10-8
synthesizing from ABS timings
 10-2
TC time
 10-1
video resolution
 10-10
Timecode Record Enable
see “Timecode track mapping”
Timecode time
see “TC time”
Timecode track mapping
 11-3
Top menu
 5-1
Track Copy
 6-2, 8-8
Track delay
 8-4
Track mapping
 11-3 
						

							Index
Index-12 – 1.00 – 06/97
U
User setups 14-3
V
Vari-speed 8-5
Video clock
 10-10
Video clock connections
 4-2
Video frame clock
 11-1
Video resolution
 10-10
Viewing incoming timecode
 10-4
W
Word clock connections 4-2
Word length
 8-8
Write-protecting cassettes
 6-2 
						

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DA-98