Tascam Digital Audio Production Environment SX-1 Reference Manual

							Part VIII–Data Entry, System & File Management
 TASCAM SX-1 Reference Manual 191
Option Card Settings
The SX-1 can have up to three Option cards installed 
in its three expansion Slots. The 
Options screens, 
which are unique to the LCD, are where you manage 
the settings for these cards.
Below is an example of how an 
Option screen appears 
with an AES/EBU card fitted in slot 1. The screen 
will change slightly, depending on the card you have 
installed.From the 
MAIN DISPLAY MODE section, press 
SETTINGS/ PREFS, and use the NEXT PAGE (or PREV 
PAGE
) soft key to scroll to the Option card screen that 
you want.
NOTE
The options and capabilities differ, according to the 
type of card fitted. Consult the TASCAM Web site 
(http://www.tascam.com) for up-to-date details.
Front Panel SHUTDOWN Key
The SHUTDOWN key is located on 
the SX-1’s slanted front panel, just 
above the 
LCD ACCESS section. It 
is important to properly shutdown 
the SX-1 in order to maintain the 
integrity of your hard drives and their associated project files along with the SX-1’s 
system. Use this key to execute a proper shutdown.
Press and hold the SHUTDOWN key for 3 seconds to 
execute a proper shutdown. When the SX-1 is ready 
to be powered off, a message will appear on the LCD 
screen that reads, 
It is now safe to turn the SX-1 off. 
						

							192 TASCAM SX-1 Reference Manual
Part IX– Connections and Ports
Chapter 23 – Inputs and Outputs
Top Panel
The top panel of the SX-1 is where most of its analog 
mixer inputs and outputs are located.
OUTPUTS
1PHONES (1 & 2) These stereo output jacks 
are where you connect your headphones.
They are labeled as 
1 and 2 to designate their associ-
ated control sections which are 
PHONES 1 and 
PHONES 2 (the controls for which are found on the 
SX-1s front panel).
2STUDIO These 1/4-inch balanced TRS out-
puts are where you connect your Studio speakers (the 
controls for these outputs are found on the SX-1s 
front panel).
3CONTROL ROOM (LARGE) & 
(SMALL) 
These 1/4-inch balanced TRS out-
puts are where you connect your Control Room 
speakers (the controls for these outputs are found on 
the SX-1s front panel).
4Balanced & unbalanced STEREO 
OUTPUTS 
These are the Master L/R outputs 
coming directly from the Master fader (at default) on the SX-1s front panel. Use these outputs to send sig-
nal to a mastering device (such as a DAT deck or cas-
sette deck).
5AUX SENDS 1 - 4 By default, these bal-
anced outputs come from the SX-1 Auxiliary sends. 
You can use these outputs to send signal to outboard 
processors and additional headphone amplifiers. 
However (as with all the jacks in this section), flexi-
ble routing is available from the 
Routing screen, which 
allows other uses for these outputs. As aux sends 
their level controls are available directly from the 
SX-1s front panel.
NOTE
All TRS and XLR analog connections operate at +4 dBu, 
while the RCA analog connections operate at –10 dBV. 
The pinouts for these connectors are provided on the 
SX-1 surface.
INPUTS
62-TR IN These inputs are of RCA unbalanced 
type. They are provided as a convenient way of con-
necting analog two-track inputs (such as a cassette 
deck or CD player).
7PHANTOM POWER These switches turn 
the phantom power for the 16 XLR balanced mic 
inputs on/off in groups of four channels.
TIP
Never connect or disconnect a microphone with the 
phantom power on or you could damage the micro-
phone. Always turn the phantom power on after the 
microphone has been plugged in. Also, never plug a rib-
bon microphone into a channel where phantom power 
will be used or it is likely that you will destroy the rib-
bon element.
123 4 5
6 789AB 
						

							Part IX–Connections and Ports
 TASCAM SX-1 Reference Manual 193
8INSERT Insert jacks fall before the channel’s 
analog to digital converter. The jacks are of a stan-
dard stereo input type with the tip=send, ring=return, 
and sleeve=ground.
9LINE IN (BAL) [TRS] These 1/4-inch 
inputs accept balanced and unbalanced jacks. They 
are used for line inputs and are of a standard wiring 
(tip is hot).
AMIX [XLR] The XLR jacks are connected to 
their respective mic preamps. The phantom power 
switch for each group is directly above the XLR 
jacks. The jacks follow standard wiring (pin 2 is hot).
WARNING
Connection of microphone cable and microphones: to 
prevent hazard or damage, ensure that only micro-
phones designed to the IEC 268-15A standard are con-
nected.
Connexions des microphones et de leurs câbles: pour 
éviter tout endommagement, s’assurer de vrancher 
uniquement des microphone et des câbles de micro-
phone conçus selon la norme IEC 268-15A.
BTRIM These knobs control the gain for the 
incoming signal. The gain goes from 0 dB to +54 dB.
Rear Panel
The rear panel of the SX-1 is where all of the unit’s 
peripheral ports are located, including MIDI, digital 
I/O, clock sync, and Option Slots
NOTE
The position of some of the boards fitted in your SX-1 
may differ slightly from the positions shown here..
There are many connections and ports on the SX-1’ s 
rear. It is not necessary to understand all of them in 
order to begin using the machine. For now, the areas 
highlighted above (and explained below) are the 
most important. (To learn more about the other con-
nections and ports, see the Owner’s Manual.)
1Power This is where the SX-1’s power cable 
connects. An IEC Type II detachable power cable is 
included with the unit. The 
POWER switch is used to 
turn the unit on and off.
2Peripheral Ports The PS/2 keyboard and 
mouse connect here. The port colored purple is for 
the provided keyboard, while the green port is for the 
provided mouse. The other included connections in 
this section are reserved for future expansion.
NOTE
The SX-1 USB ports are disabled.
3MIDI Ports Here you will find MIDI OUT 
Ports A, B, C, and D. Connect these ports to the 
MIDI inputs of your MIDI sound modules. Also in 
this area is the 
MIDI IN, where you connect the output 
of your MIDI controller, and a MIDI Time Code 
(MTC) jack for reading incoming MTC (see “Trans-
port, Loop, Auto Punch” on page 31 for more about 
synchronization).
4SCSI Port The SX1 comes equipped with a 
68-pin Ultra Wide SCSI interface. You can use this 
port to connect to compatible SCSI drives and 
backup solutions.
5VIDEO IN/THRU & Sony 9-pin These 
jacks are involved with synchronization. Connect a 
Video sync signal (also called house sync or black-
burst) to the 
VIDEO IN. VIDEO THRU will pass that 
124B6789AC
3
D
5
VGA port
Ethernet 
port 
						

							Part IX–Connections and Ports
194 TASCAM SX-1 Reference Manual
same signal directly out, unaffected by any of the 
SX-1’s electronics.
The Sony 9-pin connector (also known as P2) is used 
for connecting to devices that adhere to that protocol. 
See “P2 Remote Machine Control in the SX-1” on 
page 34 for more information on connecting P2 
devices.
6CASCADE This connector will be used in a 
future release to allow a TASCAM DM-24 console 
to act as a “sidecar” for the SX-1.
7ADAT I/O These connectors carry eight chan-
nels of digital audio in a format commonly referred 
to as ADAT lightpipe. The 9-pin D-sub connector is 
used for sync/control with an ADAT-style device.
8FOOTSWITCH Connect a momentary-style 
pedal here for remote control of recording (punching 
in or out). The polarity (that is, whether the pedal is 
normally open or normally closed) of the pedal is set 
on the LCD 
PREFERENCES screen.
9TIME CODE IN Connect the LTC (Longitudi-
nal Time Code, often referred to as SMPTE) output 
of a device to this input. The SX-1 can chase this 
incoming code.
AWORD IN/OUT/THRU These jacks send 
and receive word clock signals. The 
THRU connector 
takes the signal received at the 
IN and sends out an 
exact mirror, untouched by the SX-1’s electronics. 
BLTC OUT This jack allows the SX-1 to output 
LTC (or SMPTE). The frame rate is determined on 
the 
SETTINGS pages.
CDIGITAL I/O (SPDIF) 1 and 2 These jacks 
send and receive digital audio in S/PDIF or AES/
EBU format (automatically detected for input, 
switchable for output). They can be directly moni-
tored in the monitoring sections by selecting either 
D-IN 1 or D-IN 2.
DExpansion slots The SX-1 can have its 
available I/O expanded by the addition of 8-channel 
expansion cards in these slots. These cards are the 
same as those used in the TASCAM DM-24 console. 
						

							 TASCAM SX-1 Reference Manual 195
Part X–Specifications, etc.
Appendix A – PS/2 Keyboard & Mouse Shortcuts
In a growing number of applications, speed of editing 
and access to functions are absolutely necessary for 
doing professional work. As such, the SX-1 has two 
full featured control surfaces: the surface of the unit itself and an attached PS/2 keyboard and mouse. In 
this Appendix, the keyboard and mouse shortcuts are 
outlined.
In General
Alt-click on most faders and controls snaps them to 
their default value.
Right-click drag on faders (on the VGA) to make 
fine adjustments.
Shift-click will generally do multiple selections in 
most contexts.
Ta b  will move left to right within text boxes of the 
same type, while 
Shift-tab reverses this and moves 
right to left.
Escape stops editing any text box, reverting to the 
previous contents.
Track Management
Alt-click a track to select it from 0 to infinity (from 
the absolute beginning to the absolute end).
Shift-click a track in region mode to modify the 
existing selection.
Control-click a track in region mode to change the 
sync point.
Delete or Backspace will perform a Clear.
Locate to the seven register points by typing the first 
letter of their name:
b Begin
e End
s Sync
i In (punch)
o Out (punch)
f From (loop)
t To (loop)
–/+ keys in numeric keypad perform Nudge Left and 
Nudge Right.
Right-click  events in event mode to change the dura-
tion or start time, based on whether you click in the 
first half or second half of the event.
Control-click to Copy an audio event while 
dragging.
Alt-click  yellow track selection buttons to select all 
tracks.
Piano Roll Management
Hold Control while dragging MIDI notes to adjust 
only pitch.
Hold Option while dragging MIDI notes to adjust 
only time.Right-click on a MIDI note with the Pencil Tool to 
erase it.
Left-click  on a note on the keyboard to select all 
notes of that pitch.
Right-click on a note on the keyboard to play it.
TrackScale View (the grey zooming bar)
Left-click and drag to locate.
Left-click in blank area to jump one window in that 
direction.
Right-click and drag in the grey area to zoom views. 
						

							Part X–Specifications, etc.
196 TASCAM SX-1 Reference Manual
Ruler
Left-click to make a selection across all tracks.
Alt-click to select all tracks from 0 to infinity (abso-
lute beginning to absolute end).
Right-click to locate to that time.
Tr a n s p o r t
Space will play if stopped, and stop if the transport is 
moving.
Alt-Space will reverse play.
, (comma key) Rewind
. (period key) Fast Forward
< or l Jump left
> or r Jump right
Alt - Enter Record 
						

							Part X–Specifications, etc.
 TASCAM SX-1 Reference Manual 197
Appendix B – Control Surface Shortcuts
In this Appendix, the control surface shortcuts are 
outlined.
SHIFT Key
Normally, the SHIFT key is used as a one-shot latch-
ing 2nd
 function key.
If you press and release 
SHIFT, its LED comes on 
and remains on until you press another key. Pressing 
another key will cause the LED to go off, and if the 
key pressed has a second function written in blue 
below it, the second function will be invoked.
The 
SHIFT function can also be used in another way. 
If you press and hold the 
SHIFT key down while 
pressing another key, or turning a virtual pot, special 
commands are accessed. The following is a list of 
these commands:
• Any button with a blue-labeled 2nd function will 
invoke its 2nd function.
• Encoders (like the virtual channel knobs or soft 
knobs) will allow for fine adjustment.
•The 
MAIN DISPLAY key will cycle through the 
four time display modes.
• Monitor 
SOURCE keys will cycle sources in 
reverse.
•The solo 
MODE key will cycle modes in reverse.• If the 
SOLO key is on and the solo mode is In-
Place, pressing a channels 
MUTE key will toggle 
to solo safe.
• Pressing the 
CUE key causes the Master L/R mix to 
be copied to the Cue mix.
• Quick group editing (while [SHIFT] is held down) 
includes:
➙The first channel SEL key pressed is the 
Group Master. The Group Master’s 
SEL key 
LED will come on solid. The Slave channels’ 
SEL keys blink.
➙Pressing the group masters SEL key again 
will dissolve the group.
➙Pressing other channels’ SEL keys will add or 
remove them from the group.
➙Group editing is completed when the SHIFT 
button is released.
•
PLAY will reverse play.
•
STOP will eject media on external device.
•
TA L K B AC K will enter slate mode. 
CANCEL Key
The CANCEL key is sometimes used as a “set to 
default” modifier.
Pressing and holding the 
CANCEL key while press-
ing another key, turning an encoder, or touching a 
fader may cause that controller to be set to a default 
value.
Special functions that happen while the 
CANCEL 
key is held down include:
• Turning any channel controller will set it to its 
default value.• Turning LCD soft knobs will set some LCD wid-
gets to their default value.
• Touching and “untouching” a fader cap will set it to 
0 dB (or MIDI 127 on MIDI channels).
•Pressing 
CUE key will cause the entire cue mix 
(pans, pan mode, faders) to be set to their factory 
default values.
•
CANCEL + 3 will clear peak holds.
•
CANCEL + SEL initializes an entire channel strip.
Transport Key Combinations
SHIFT + PLAY reverse play
REW + PLAY  reverse play
SHIFT + STOP eject media
SHIFT + JOG allows fine adjusts 
						

							Part X–Specifications, etc.
198 TASCAM SX-1 Reference Manual
Channel Select Key Special Functionality
• Pressing an odd and even pair of channel SEL keys 
simultaneously will link/unlink two channel strips.
• Pressing and holding a 
SEL key will cause the UI 
to switch to that Channel screen.•
SHIFT + SEL is used for group editing (see Group 
Editing explanation under Shift Key Shortcuts, 
above).
DIM, MONO & TALKBACK Special Functionality
These key toggle their associated function on or off if 
pressed and released within 1/2 second. If held 
longer, the buttons act as momentary switches. 
						

							Part X–Specifications, etc.
 TASCAM SX-1 Reference Manual 199
Appendix C – Block Diagrams (i)
SCSI HD
SCSI HD
SCSI DVD
IDE HD
SX-1 Signal Flow at Normal FS,  Stereo Mix Mode
CD Player
Input PatchBayOutput PatchBay
40x18 Mixer
Monitor Selector
Quad FX Processor
16 TR HDR
2 TR MIXDOWN
Audio File Audition
ST
CUE
AUX
MIX
SoloDin1
Din2
2TRTalkback
CR Buss
Studio Buss
Mic/Line
16
SPDIF4
ADAT8
Option 18
Option 28
Option 38
Talkback1
Mixer Bypass
Cascade from DM-24
ST*2
AUX*4
MIX*8
SOLO
40
8
8
16
16
162
2
2
2
6
8
1
Insert Send Insert Receive 2TR
2
Talkback, Din1, Din2
Direct Out 16
16
165
16
16
1616
16
16
32 Bit Floating Point DSP
32 Bit Floating Point 1GFLOPS Engine (*1)
360 MFLOPS Engine (*1)
*1 Peak rate
SPDIF 4AUX Send 4ADAT 8Option 1 8Option 2 8Option 3 8CR SmallCR Large
Studio
Phones 1
Phones 2 2
2
xx
xxStereo Bal
Stereo Unbal 2
Loopback 
						

							Part X–Specifications, etc.
200 TASCAM SX-1 Reference Manual
Block Diagram (ii)
HDR  MAS TER1. . 6
MMM LEFT
R I GHT
DE L AY
OL
SI G
AUX 1
AUX 2
AUX 3
AUX 4
AUX 5
AUX 6
SOLO
CUE _ L
CUE _ R BUSS1
BUSS2
BUSS3
BUSS4
BUSS5
BUSS6
BUSS7
BUSS8FL
FC FR
SL
SR
BOOM
ST_L
ST_R
C UE  F ADE RFADER+10dB...-InfS URROUND P AN
F ADE RMUT E
SOLO
+10dB...-InfPAN
PAN LEVEL/ PAN/ BAL
PTRI MM
INS
INS
PRE/ POST
DI N 1
DI N 2
2TRI N AUX 1 / 2
AUX 3 / 4
AUX 5 / 6CUE
DI N1 _ L
DI N1 _ R
DI N2 _ L
DI N2 _ R
2TR/ CD_ L
2TR/ CD_ R
T AL KBACKDI N1 _ L
DI N1 _ R
DI N2 _ L
DI N2 _ R
2TR_ L
2TR_ R
T AL KBACK
DE L AY
POL
SI G
S TEREO_L
S TEREO_R AUX
CH1. . . CH32
FADER
+10dB...-Inf
F ADE R
AUX 1
AUX 2
AUX 3
AUX 4
AUX 5
AUX 6
SOLO
CUE _ L
CUE _ R BUSS1
BUSS2
BUSS3
BUSS4
BUSS5
BUSS6
BUSS7
BUSS8FL
FC FR
SL
SR
BOOM
ST_L
ST_RC UE  F ADE R
MUT ESOLO
+10dB...-Inf +20dB
...-20dB
TRI M
PAN S URROUND P AN
PAN12345678L R L123456 RSOL O BUS S ST E REO AUX CUE
S TEREO
 MAS TER DI RE CT  OUT CH01...CH16
EFECT_I N/ I NS_SEND
EFFECT_OUT/ I NS _ RECEI VE
M
METERLEVEL/ PAN/ BAL
MIXER BYPASS 1..16
LOOPBACK 1. . 16
DI RE CT  OUT CH01...CH16
RRRR
LEFT
R I GHT
LEFT
R I GHT
STEREO OUT
AUX 1
AUX 2
AUX 3
AUX 4+4 dBu P s e udo Ba l a nc e
+4 dBu P s e udo Ba l a nc e+4 dBu Ba l a nc e
- 1 0 dBv  Unba l a nc eR
R I GHT
C. R
S T UDI OLEFT
R I GHTLARGE SMAL L
+4 dBu P s e udo Ba l a nc e
+4 dBu P s e udo Ba l a nc e
RR
R
LEFT
RR
CONT R OL ROOMS T UDI O
PHONES1
PHONE1 L EVEL
PHONES2
PHONE2 L EVEL
55mW+55mw/ 4 7 ohm
55mW+55mw/ 4 7 ohm
CR/ S T UDI O
CR/ S T UDI O
DAC 24bi t
LARGE
SMAL L
ANAL OG P R OCESSI NG DAC
DAC
DAC
DAC
DI T
DOUT - 1
DI T
HDR 1 . . 1 6   S E ND
SLOT1 S END
SLOT2 S END
SLOT3 S END
ADAT  S E ND
OUTPUT ROUTER
I NPUT ROUTER
TALKBACK_MIC.
LEVELADC
x
24bi t
2TR I NLEFT
R I GHT - 1 0 dBv  Unba l a nc e
ADC
ANAL OG P R OCESSI NG
ADAT _ OUT ADAT _ I N
DI R
DI R1 2
3
ADC
TRI M+48V P HANT OM/4ch
SEND
RT NPAIR CHANAL OG P R OCESSI NG. MIC/LINE PRE AMPL . MI C I N  - 5 5 dBu t o - 1 dBu Ba l a nc e
L I NE  I N - 4 1 dBu t o  +1 5 dBu Ba l a nc e
I NS E RT    - 2 dBu Unba l a nc e
24bi t
MIC
LI NE
I NSERT
S ND1_ 01/ 02
RTN1_ 01/ 02S ND1_ 03/ 04
RTN1_ 03/ 04S ND1_ 05/ 06 RTN1_ 05/ 06S ND1_ 07/ 08 RTN1_ 07/ 08OP T I ON _ S L OT 1
I F - T D/ DM
IF-AE/DM
I F - AN/ DM
I F - AD/ DM
S ND2_ 01/ 02RTN2_ 01/ 02S ND2_ 03/ 04
RTN2_ 03/ 04S ND2_ 05/ 06RTN2_ 05/ 06S ND2_ 07/ 08 RTN2_ 07/ 08OP T I ON _ S L OT 2S ND3_ 01/ 02 RTN3_ 01/ 02S ND3_ 03/ 04 RTN3_ 03/ 04S ND3_ 05/ 06 RTN3_ 05/ 06S ND3_ 07/ 08 RTN3_ 07/ 08OP T I ON _ S L OT 3
PMUT EPMUT EPMUT EPMUT EPMUT EPMUT EPMUT EPMUT E
PMUT EPMUT E
PMUT EPMUT E
PMUT EPMUT EPMUT EPMUT E
INSINSINSINSINSINSINSINS
INSINS
INS
INS
PRE/ POST
BUS S
+10dB
-I nfCUE
C. ROOMRE G/ T B_ DI MM MONO
DI MM. L EVEL
C . R OOM
S T UDI O
STEREO
SOLO MODE SOLO
LEVEL
-3dB
STUDI O
P HAS E
P HAS E
EQ+ DYN/ DYN+ E QEQ- > DY N/ DY N- > E QEQ
DY N
3 B ANDCOMP / GAT E
E X P ANDE REQ+ DYN/ DYN+ E QEQ
DY N
3 B AND
COMP / GAT E
E X P ANDE R
EQ
DY N
MMMMMMMMMMMMMMMPRE
M
MM
M
MM
MONI T OR SELECT
4
4
4
4 FX3
FX4
4
4 FX1
4
4 FX2I NTERNAL  F X 
DOUT - 2 DI GI T AL _ OUT
I F - T D/ DM
IF-AE/DM
I F - AN/ DM
I F - AD/ DM
I F - T D/ DM
IF-AE/DM
I F - AN/ DM
I F - AD/ DM
BUSS1
BUSS2
BUSS3
BUSS4
BUSS5
BUSS6
BUSS7
BUSS8
AUX 1
AUX 2
AUX 3
AUX 4
AUX 5
AUX 6
CUE _ L
CUE _ R
LEFT
R I GHT 16TRACKS +6MAS TERMIX From BUSS1..8 to STEREO
INSINS
INSINS
EQ3 B AND
+20dB
...-20dB 8CH IN/OUT
8CH IN/OUT
8CH IN/OUT 16TRK I N16TRK OUT
INSINSINSINSINSINSINSINSINSINSINSINS
CUE _ R CUE _ L
AUX 1
AUX 2
AUX 3
AUX 4
AUX 5
AUX 6
I NPL ACE WHEN S TEREO
PF L
LOOPBACK 1. . 16 MIXER BYPASS 1..16
16
HDR _ 1 . . 1 6MIX MODE  E NAB L E AUT O MONI/ALL INPUT
MUT ESOLOHAR D DI S K  R E C ODE R
MM SI G PRE
POST
SI G PRE
POST
MM
SI G
MMMMMMMMMM
POST
+10dB
-I nf
+10dB
-I nf0dB
-I nf PRE
POST PRE
8CH IN/OUT0. . . 8191s ampl e
INS
I NSERT SENDI NS E RT  RE CE I VE Ge ne r a l  e x pl a na t i ons 24bi t
24bi t
24bi t
24bi t
24bi tS TEREO BAR METER
RTN1...RTN8
MMETER POINTSUMMI NG P OINT
12345678L R L123456 RSOL O BUSS STEREO AUX CUE
HDR  MAS TER1. . 6
MMM LEFT
R I GHT
DE L AY
OL
SI G
AUX 1
AUX 2
AUX 3
AUX 4
AUX 5
AUX 6
SOLO
CUE _ L
CUE _ R BUSS1
BUSS2
BUSS3
BUSS4
BUSS5
BUSS6
BUSS7
BUSS8FL
FC FR
SL
SR
BOOM
ST_L
ST_R
C UE  F ADE RFADER+10dB...-InfS URROUND P AN
F ADE RMUT E
SOLO
+10dB...-InfPAN
PAN LEVEL/ PAN/ BAL
PTRI MM
INS
INS
PRE/ POST
DI N 1
DI N 2
2TRI N AUX 1 / 2
AUX 3 / 4
AUX 5 / 6CUE
DI N1 _ L
DI N1 _ R
DI N2 _ L
DI N2 _ R
2TR/ CD_ L
2TR/ CD_ R
T AL KBACKDI N1 _ L
DI N1 _ R
DI N2 _ L
DI N2 _ R
2TR_ L
2TR_ R
T AL KBACK
DE L AY
POL
SI G
S TEREO_L
S TEREO_R AUX
CH1. . . CH32
FADER
+10dB...-Inf
F ADE R
AUX 1
AUX 2
AUX 3
AUX 4
AUX 5
AUX 6
SOLO
CUE _ L
CUE _ R BUSS1
BUSS2
BUSS3
BUSS4
BUSS5
BUSS6
BUSS7
BUSS8FL
FC FR
SL
SR
BOOM
ST_L
ST_RC UE  F ADE R
MUT ESOLO
+10dB...-Inf +20dB
...-20dB
TRI M
PAN S URROUND P AN
PAN12345678L R L123456 RSOL O BUS S ST E REO AUX CUE
S TEREO
 MAS TER
0. . . 8191
sampl e sDI RE CT  OUT CH01...CH16
EFECT_I N/ I NS_SEND
EFFECT_OUT/ I NS _ RECEI VE
M
METERLEVEL/ PAN/ BAL
MIXER BYPASS 1..16
LOOPBACK 1. . 16
DI RE CT  OUT CH01...CH16
RRRR
LEFT
R I GHT
LEFT
R I GHT
STEREO OUT
AUX 1
AUX 2
AUX 3
AUX 4+4 dBu P s e udo Ba l a nc e
+4 dBu P s e udo Ba l a nc e+4 dBu Ba l a nc e
- 1 0 dBv  Unba l a nc eR
R I GHT
C. R
S T UDI OLEFT
R I GHTLARGE SMAL L
+4 dBu P s e udo Ba l a nc e
+4 dBu P s e udo Ba l a nc e
RR
R
LEFT
RR
CONT R OL ROOMS T UDI O
PHONES1
PHONE1 L EVEL
PHONES2
PHONE2 L EVEL
55mW+55mw/ 4 7 ohm
55mW+55mw/ 4 7 ohm
CR/ S T UDI O
CR/ S T UDI O
DAC24bi t
LARGE
SMAL L
ANAL OG P R OCESSI NG DAC
DAC
DAC
DAC
DI T
DOUT - 1
DI T
HDR 1 . . 1 6   S E ND
SLOT1 S END
SLOT2 S END
SLOT3 S END
ADAT  S E ND
I NPUT ROUTER
TALKBACK_MIC.
LEVELADC
x
24bi t
2TR I NLEFT
R I GHT - 1 0 dBv  Unba l a nc e
ADC
ANAL OG P R OCESSI NG
DI N- 1
ADAT _ OUT ADAT _ I N
DI N- 2
DI R
DI R1 2
3
ADC
TRI M+48V P HANT OM/4ch
SEND
RT NPAIR CHANAL OG P R OCESSI NG. MIC/LINE PRE AMPL .
24bi t
MIC
LI NE
I NSERT
S ND1_ 01/ 02
RTN1_ 01/ 02S ND1_ 03/ 04
RTN1_ 03/ 04S ND1_ 05/ 06 RTN1_ 05/ 06S ND1_ 07/ 08 RTN1_ 07/ 08OP T I ON _ S L OT 1
I F - T D/ DM
IF-AE/DM
I F - AN/ DM
I F - AD/ DM
S ND2_ 01/ 02RTN2_ 01/ 02S ND2_ 03/ 04
RTN2_ 03/ 04S ND2_ 05/ 06RTN2_ 05/ 06S ND2_ 07/ 08 RTN2_ 07/ 08OP T I ON _ S L OT 2S ND3_ 01/ 02 RTN3_ 01/ 02S ND3_ 03/ 04 RTN3_ 03/ 04S ND3_ 05/ 06 RTN3_ 05/ 06S ND3_ 07/ 08 RTN3_ 07/ 08OP T I ON _ S L OT 3
PMUT EPMUT EPMUT EPMUT EPMUT EPMUT EPMUT EPMUT E
PMUT EPMUT E
PMUT EPMUT E
PMUT EPMUT EPMUT EPMUT E
INSINSINSINSINSINSINSINS
INSINS
INS
INS
PRE/ POST
BUS S
+10dB
-I nfCUE
C. ROOMMONO
DI MM. L EVEL
S T UDI O
STEREO
SOLO MODE SOLO
LEVEL
-3dB
P HAS E
P HAS E
EQ
DY N
EQ
DY N
3 B ANDCOMP / GAT E
E X P ANDE RCOMP
EQ
DY N
3 B AND
MMMMMMMMMMMMMMMPRE
M
MM
M
MM
MONI T OR SELECT
4
4
4
4 FX3
FX4
4
4 FX1
4
4 FX2I NTERNAL  F X 
DOUT - 2 DI GI T AL _ OUT
I F - T D/ DM
IF-AE/DM
I F - AN/ DM
I F - AD/ DM
I F - T D/ DM
IF-AE/DM
I F - AN/ DM
I F - AD/ DM
BUSS1
BUSS2
BUSS3
BUSS4
BUSS5
BUSS6
BUSS7
BUSS8
AUX 1
AUX 2
AUX 3
AUX 4
AUX 5
AUX 6
CUE _ L
CUE _ R
LEFT
R I GHT
16
16 16TRACKS +6MAS TERMIX From BUSS1..8 to STEREO
INSINS
INSINS
EQ3 B AND
+20dB
...-20dB 8CH IN/OUT
8CH IN/OUT
8CH IN/OUT 16TRK I N16TRK OUT
INSINSINSINSINSINSINSINSINSINSINSINS
CUE _ R CUE _ L
AUX 1
AUX 2
AUX 3
AUX 4
AUX 5
AUX 6
I NPL ACE WHEN S TEREO
PF L
LOOPBACK 1. . 16 MIXER BYPASS 1..16
1616
16
HDR _ 1 . . 1 6MIX MODE  E NAB L E AUT O MONI/ALL INPUT
MUT ESOLOHAR D DI S K  R E C ODE R
MM SI G PRE
POST
SI G PRE
POST
MMPOST SI GMMMMMMMMMM
POST
+10dB
-I nf
+10dB
-I nf0dB
-I nf PRE
POST PRE
8CH IN/OUT0. . . 8191
sampl e s
INS
I NSERT SENDI NS E RT  RE CE I VE 24bi t
24bi t
24bi t
24bi t
24bi tS TEREO BAR METER
RTN1...RTN8
MMETER POINT
SUMMI NG P OINT
12345678L R L123456 RSOL O BUSS STEREO AUX CUE
EQ+ DYN/ DYN+ E QEQ- > DY N/ DY N- > E Q
EQ+ DYN/ DYN+ E QEQ- > DY N/ DY N- > E Q
ST_ATT
0. . - 20dB
0. . - 20dBCTL_ATT
-3..-50dB
16
SRC: SAMPL E RATE CONVERTER
SRC
SRC 32KHz-96KHz --->48KHz/ 44. 1KHz
INSINS
Version 1.00 TASCAM