Steinberg Wavelab Le 8 Manual
Have a look at the manual Steinberg Wavelab Le 8 Manual online for free. It’s possible to download the document as PDF or print. UserManuals.tech offer 523 Steinberg manuals and user’s guides for free. Share the user manual or guide on Facebook, Twitter or Google+.
Customizing Customizing the Wave Window and the Montage Window 181 3. Specify a color using the color picker or the RGB fields. 4. Click OK. Assigning Custom Colors According to Conditions You can have different color schemes automatically applied to different clips, according to their names or properties of their audio files. IMPORTANTIMPORTANTIMPORTANTIMPORTANT If you redefine colors, be careful not to choose colors that cause some elements to disappear. For example, when having black marker lines on a black background. PROCEDURE 1. Depending on whether you want to customize the colors of the wave window or the montage window, do one of the following:
Customizing Customizing the Wave Window and the Montage Window 182 • To copy all color settings of a custom color setting, drag the name of a custom color setting onto another custom color name, and click OK. Audio Montage Colors Dialog In this dialog, you can specify custom colors to clips and parts of a clip in the montage window. In the Audio Montage workspace, select Options > Colors. Parts list Shows parts that can be colorized. Click a part to edit the color. Undo all Undoes all changes that have been made since this dialog was opened. Undo Undoes the last change. Hide Hides the selected part. Change both channels It is possible to make separate color settings for the left and the right side of stereo clips. If this option is activated, settings for the left side of a clip are automatically mirrored on the right side, and vice versa. Color picker Lets you select the color for the selected part. Click the surrounding circle to select the hue. Click in the triangle to adjust the saturation and lightness.
Customizing Customizing the Wave Window and the Montage Window 183 Red/Green/Blue Lets you specify the red, green, and blue components of the RGB color spectrum. Copy color Copies the current color to the clipboard. Paste Pastes the color from the clipboard. This style is used if these conditions apply Lets you define conditions under which a certain color style is applied. File extension is any of If this option is activated, the color style is applied to clips referencing a file with the specified extension. Separate extensions with a “;” character. Name contains any of these keywords If this option is activated, the color style is applied to clips with certain keywords in their name. Separate keywords with a “;” character. Sample rate is in the range If this option is activated, the color style is applied to clips referencing a file having a sample rate within the specified range. Bit resolution is in the range If this option is activated, the color style is applied to clips referencing a file having a bit resolution within the specified range. Number of channels is If this option is activated, the color style is applied to clips having the specified number of channels. Color Elements in the Audio Montage Workspace You can assign custom colors to various elements of the Audio Montage workspace. In the Audio Montage workspace, select Options > Colors.
Customizing Customizing the Wave Window and the Montage Window 184 Clip Colors The following clip types are available: Crossfade region Allows you to set the background color for overlapping clip sections. Default The default colors, used for clips for which you have not selected any specific color. Locked The colors used for all fully locked clips. Muted The colors used for all muted clips. Custom These options correspond to the items on the color submenus. These can be renamed, and you can also set up conditions for when these should be automatically applied. The following color elements are available: Background top/bottom The background colors of the clip. The resulting display backgrounds are gradient fades from the top colors to the bottom colors. Waveform (normal/selected) The waveform color for selected and unselected clips. Waveform outline (normal/selected) The color of the waveform outline for selected and unselected clips. Edge The left and right edge of the clip. Edge (selected) The left and right edge if the clip is selected. Axis (level zero) The color of the horizontal dotted line in the middle of a clip, indicating zero level. Axis (half level) The color of the horizontal dotted lines halfway up and down from the middle of a clip, indicating 50 % level.
Customizing Customizing the Wave Window and the Montage Window 185 Channel separator (stereo clip) The line dividing the two sides in a stereo clip. Clip name The name label of the clip. Focused clip name The name label of the focused clip. Focused clip name background The name label background of the focused clip. Miscellaneous Background top/bottom The background colors of the track view for area without a clip. Background (selected range) top/bottom The background colors in selected ranges. Cursor (edit)/Cursor (edit, no focus)/Cursor (playback) The color of the corresponding cursor. Marker line The color of the marker lines in the audio montage. Cue point line/End cue point line The color of the vertical dotted cue point lines and end cue point lines. Time grid lines The color of the time grid if activated in the menu of the time ruler.
Customizing Customizing the Wave Window and the Montage Window 186 Audio Files Colors Dialog This tab in the Audio file editing preferences dialog allows you to specify custom colors to parts of the wave window. In the Audio Files workspace, select Options > Audio file editing preferences, and select the Style tab. Styles list Lets you select the default style and conditional styles. Parts list Shows parts that can be colorized. Click a part to edit the color. Hide (for certain parts only) Hides the selected part. Dotted line (for certain parts only) Changes the line to a dotted line. Transparency (for certain parts only) Lets you edit the degree of transparency of the selected element. Element size (for certain parts only) Lets you edit the size of the selected element. Change both channels Allows you to make separate color settings for the left and the right side of stereo file. If this option is activated, settings for the left side of a file are automatically mirrored on the right side, and vice versa. Change both main view and overview Allows you to make separate color settings for the main view and the overview. If this option is activated, settings for the main view are automatically mirrored on the overview, and vice versa.
Customizing Customizing the Wave Window and the Montage Window 187 Color picker Lets you select the color for the selected part. Click the surrounding circle to select the hue. Click in the triangle to adjust the saturation and lightness. Red/Green/Blue Lets you specify the red, green, and blue components of the RGB color spectrum. Copy color Copies the current color to the clipboard. Paste Pastes the color from the clipboard. This style is used if these conditions apply Lets you define conditions under which a certain color style is applied. File extension is any of If this option is activated, the color style is applied to files with the specified extension. Separate extensions with a “;” character. Name contains any of these keywords If this option is activated, the color style is applied to files with certain keywords in their name. Separate keywords with a “;” character. Sample rate in the range If this option is activated, the color style is applied to files having a sample rate within the specified range. Bit resolution is in the range If this option is activated, the color style is applied to files having a bit resolution within the specified range. Number of channels is If this option is activated, the color style is applied to files having the specified number of channels. Color Elements in the Audio Files Workspace You can assign custom colors to various elements of the Audio Files workspace. Depending on the selected element, additional settings can be made for transparency, appearance, or whether a line should be dotted, for example. In the Audio Files workspace, select Options > Audio file editing preferences, and select the Style tab.
Customizing Customizing the Wave Window and the Montage Window 188 Left/Right Channel Waveform The waveform color. Waveform (selected) The waveform color of the selected part of the waveform. Waveform outline The outline color of the waveform. Waveform outline (selected) The outline color of the selected part of the waveform. Background top The color of the background top. Background top (selected) The color of the selected part of the background top. Background bottom The color of the background bottom. Background bottom (selected) The color of the selected part of the background bottom. Waveform main axis The color of the waveform main axis and its style. Waveform 50 % axis The color of the waveform 50 % axis and its style. Waveform Elements Channel separator The color of the channel separator line. Cursor (edit) The color of the edit cursor, its width, and transparency. Cursor (edit, no focus) The color of the edit cursor for a file that does not have the focus. Cursor (play) The color of the cursor during playback. Marker line The color of the marker lines and an optional transparency.
Customizing About Customizing Shortcuts 189 End of file indicator The color of the end of the file indicator. Time ruler style The color of the time ruler and its style. Time ruler font The color of the font on the time ruler and the font size. Level ruler style The color of the level ruler, its style, and transparency. Level ruler font The color of the font on the level ruler and the font size. About Customizing Shortcuts In WaveLab LE, you can control many functions via shortcuts to speed up your workflow. You can edit existing shortcuts, and create new shortcuts. Most shortcuts are restricted to a specific context, so you can reuse the same shortcut combination in different workspaces. The exception is the Master Section where all shortcuts are global to the application. Shortcuts that cannot be edited are grayed out. The shortcuts that you created are displayed in blue in the editor. You can create a new shortcut by specifying a key sequence of between one to three keys that must be pressed in a certain order to invoke the operation. Editing Shortcuts You can see the list of all shortcuts in the Customize commands dialog, and edit and assign shortcuts in the Shortcut Definitions dialog. NOTE The Customize commands dialog provides a different command set for each menu or dialog. • To open the Shortcut Definitions dialog, where you can edit the shortcuts, double-click the shortcut text or its placeholder, or select a command and click Edit shortcut.
Customizing About Customizing Shortcuts 190 • You can define one key shortcut per command. Each shortcut can be a sequence of up to four keystrokes. • To reset some or all types of shortcuts to their factory defaults use the Reset button. Defining Key Sequences You can define key sequences for a keyboard. PREREQUISITE On Mac, commands for the main menus must be of a single key command. When using multiple key stroke commands, make sure that the key commands do not interfere with each other. For example, when you have one shortcut [Shift]+L, M and define another to be [Shift]+L, the second shortcut has no effect. PROCEDURE 1. In any workspace, select Options > Customize commands, or select Customize commands when available in tool windows or other places in WaveLab LE. 2. In the customize commands list, select the command for which you want to define a key sequence, and click Edit shortcut, or double-click the Key sequence column of the corresponding command. 3. In the Shortcut Definitions dialog, click in the 1st key stroke field, and press the buttons that you want to use as the key sequence. 4. Optional: Define up to 4 key sequences for the command. 5. Click OK. RESULT When you now press the keys/buttons specified in the dialog, the corresponding operation is performed. The key strokes must be executed one after the other.