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Steinberg VST Sampler HALION 4 Operation Manual
Steinberg VST Sampler HALION 4 Operation Manual
Here you can view all the pages of manual Steinberg VST Sampler HALION 4 Operation Manual. The Steinberg manuals for Musical Instruments & Equipment are available online for free. You can easily download all the documents as PDF.
Page 81
81 Editing Zones in the Sound Editor Preload HALion provides two different ways of working with sam- ple data. A sample can either be loaded completely into RAM or it can be streamed from the hard disk. However, when samples are streamed, HALion needs to preload a portion of these samples to be able to play a voice without having to search for the sample data first. The size of this preload buffer can be set in the Options editor. The Pre - load setting enables you to adapt this buffer size for...
Page 82
82 Editing Zones in the Sound Editor Filter Mode The buttons on the left of the Filter section determine the overall filter structure. The filter types provide the following options: ÖFor compatibility reasons, the filter types HALion 3 and Waldorf are included. These filters always use Single filter mode. Filter Shape Each filter type offers 24 different filter shapes. By select- ing the filter shape you determine which frequencies are affected. Depending on the chosen filter mode, you can either...
Page 83
83 Editing Zones in the Sound Editor Cutoff Here, you can adjust the cutoff frequency of the filter. The effect depends on the selected filter type. X/Y Control The X/Y control allows you to adjust two parameters si- multaneously. This is especially useful with the morphing filters, where the X/Y control adjusts the mix between the filter shapes. For the other filter modes, the X/Y control adjusts cutoff and resonance. Depending on the selected filter type, the X/Y control adjusts different...
Page 84
84 Editing Zones in the Sound Editor The Amplifier Section The Amplifier section has two tabs: Main and AUX. The Main Tab The Main tab gives you access to the Level and Pan set- tings of the zone. Level Here, you can adjust the loudness of the zone. Headroom Use this parameter to specify the headroom for poly- phonic playback. By default, HALion uses a headroom of 12 dB. For monophonic programs, such as drum loops, set the headroom to 0 dB. If you work with low polyphony values, a headroom of 6 dB...
Page 85
85 Editing Zones in the Sound Editor The AUX Tab The AUX tab allows you to send the zone to the four global AUX busses and to directly route the zone to one of the plug-in output busses. AUX 1-4 In HALion, you can send the zone signal to the four global AUX busses. You can control the signal level that is sent to the busses with the knobs AUX 1-4. Output HALion allows you to route a zone directly to one of the output busses. In this case, the zone does not pass through the layer, program and slot...
Page 86
86 Editing Zones in the Sound Editor Saving and Loading Envelope Zoom Snapshots To the right of the scrollbar, you can find three numbered buttons that allow you to save and load envelope zoom snapshots for the current envelope editor. An envelope zoom snapshot also includes the zoom factor and scroll position of the graphical envelope editor. These are re - stored when loading the snapshot. •To save the current state of the graphical envelope edi- tor as snapshot, [Shift]-click one of the numbered...
Page 87
87 Editing Zones in the Sound Editor Adjusting the Curve Parameter The Curve parameter allows you to adjust the curvature between two nodes from linear to logarithmic or exponen - tial behavior. To set the Curve parameter, select the nodes you want to edit and enter a value in the Curve field. Positive curve val - ues change the curvature towards logarithmic and nega- tive values towards exponential behavior. You can also adjust the Curve parameter in the graphical envelope editor by dragging the...
Page 88
88 Editing Zones in the Sound Editor •Nodes that exactly match a note value are indicated by a red dot inside the handle of the node. This can be useful, for example, when you switch the grid between triplets and normal note values: The triplet nodes still indicate that they match a note value, even if the grid shows normal note values. Selecting an Envelope Mode You can select one of four envelope modes to specify how the envelope is played back each time you hit a key. These modes are selected...
Page 89
89 Editing Zones in the Sound Editor Segments On the Segments pop-up menu, you can select which stages of the envelope are affected by the Time Velocity parameter. Key Follow and KeyF Rel With Key Follow and KeyF Rel (Key Follow Release) you can scale the envelope times across the keyboard. Key Follow scales all times before the sustain node. KeyF Rel scales all times after the sustain node (which equals the release of the envelope). You can set a center key that is used as the central position...
Page 90
90 Editing Zones in the Sound Editor Sync Mode You can sync the LFO to the tempo of the host applica- tion. The behavior of the Frequency parameter changes with the selected option: Retrigger Mode This defines whether the LFO is restarted when a note is triggered. The waveform restarts at the position you spec - ify with the Phase parameter. The polyphonic LFOs can switch between Retrigger On and Off: When it is off, the LFO runs freely, when set to On, the LFO starts with each triggered note....