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Steinberg VST Sampler HALION 4 Operation Manual
Steinberg VST Sampler HALION 4 Operation Manual
Here you can view all the pages of manual Steinberg VST Sampler HALION 4 Operation Manual. The Steinberg manuals for Musical Instruments & Equipment are available online for free. You can easily download all the documents as PDF.
Page 61
61 Importing and Exporting Samples Files that are in use by HALion or another application can- not be overwritten. In this case, choose a different location for the samples. ÖSome systems have problems with file names longer than 32 characters. Therefore, it is best to use file names that do not exceed this number. Setting the File Format You can export the samples as Wave or AIFF files and specify a sample rate and bit depth for them, if needed. Including Zone Settings You can include zone settings...
Page 62
62 Importing and Exporting Samples 4.Locate the new samples. The info text in the lower right section shows you how many samples are replaced in how many zones. If no samples are found, you have to select another method for finding matching samples. 5.Click OK. Auditioning Samples before Replacing Them To listen to the samples before replacing the old ones, ac- tivate the Prelisten Sample option and use your MIDI key- board. Detecting the Root Key To listen to the samples with the correct pitch, you...
Page 63
63 Importing and Exporting Samples Adding a Folder You can add additional folders to the Import Tree using the Add Folder button. Specifying a Destination Folder The folder specified in the “Destination Folder” field is used to save samples from bank or container files, such as GigaSampler files (“.gig”). You can type in the path manu - ally or click the button to the right to navigate to a specific directory. ÖIf you do not specify a destination folder for sampler formats that use container files,...
Page 64
64 Importing and Exporting Samples Playing back Sliced Loops After the import, you can play back the loop in its original form or in a transposed version. By default, the original loop is played using C2 (#48), but you can specify an - other key using the Key Follow and Center Key parame- ters. Pressing a key below C3 plays transposed versions of the original loop. The keyboard range above C3 pro - vides the slice sample zones, which are triggered by the slice player, but can also be triggered...
Page 65
65 Importing and Exporting Samples Random You can shuffle the playing order of the slices randomly, by activating the Random button. To play the slices with their original order, deactivate the Random button. The overall timing does not vary through this. Only the playing order of the slices is affected. •Use the Depth parameter to adjust how much the play- ing order of the slices is shuffled. Lower this value to keep the playing order of slices on the main beats. Raise this value to vary the...
Page 67
67 Editing Programs and Layers in the Sound Editor Introduction The Sound editor for programs and layers lets you access parameters that are set globally for the whole program or individual layers. For example, you can transpose the pitch, adjust level and pan, and limit the playback to a certain area on the keyboard. Programs and layers share the same set of parameters because they are nearly identical. The Main Section The main section contains basic settings for programs and layers. Octave...
Page 68
68 Editing Programs and Layers in the Sound Editor Key Switch Mode Defines how long a key switch is active: •If set to Permanent, the key switch stays active until an- other key switch is used. •If set to Temporary, the key switch is only active for as long as the corresponding key is pressed. Default Switch Specifies the default key switch that is active when you load a program, i. e. before you used the first key switch. The default key switch is also used in Temporary mode when no key switch is...
Page 69
69 Editing Programs and Layers in the Sound Editor Velocity Fade Activate this option to use the velocity crossfades that are specified in the Mapping editor. When this option is deac - tivated or if no crossfades have been set up, zones switch directly between the different velocities. The Voice Management Section The Voice Management section allows you to control the maximum number of notes that you can play and to set conditions for note stealing and triggering. Voice Manager The Voice Manager...
Page 70
70 Editing Programs and Layers in the Sound Editor Trigger Mode The Trigger Mode parameter defines the trigger behavior for new notes. The following settings are available: ÖWhen Resume or Legato is selected, you might hear an unnatural attack, depending on the sample. To avoid this, activate the “Use Start Range” option for the sample zone (see “Use Start Range” on page 77). Voice Groups By assigning zones to a voice group, you can set their po- lyphony individually. In addition, you can manage the...