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Steinberg VST Sampler HALION 4 Operation Manual
Steinberg VST Sampler HALION 4 Operation Manual
Here you can view all the pages of manual Steinberg VST Sampler HALION 4 Operation Manual. The Steinberg manuals for Musical Instruments & Equipment are available online for free. You can easily download all the documents as PDF.
Page 71
71 Editing Programs and Layers in the Sound Editor Polyphony When you play a note, one or multiple zones can be trig- gered. Each triggered zone equals a voice. The number of voices you trigger with each note is displayed in the Voices field of the program. Use this parameter to set an upper limit for the number of notes that can be played simultane - ously in polyphonic mode. If a program has a lower Polyphony value than its layers, the maximum number of notes you can play is limited by the...
Page 72
72 Editing Programs and Layers in the Sound Editor The following settings are available ÖIf no variation groups are activated, all zones play si- multaneously. To avoid this, activate the variation groups for the program or layer containing the zones and assign the zones to the different variation groups. Assigning Zones to Variation Groups Proceed as follows: 1.In the Program Tree, select the zones that you want to add to the voice group. 2.Open the Sound editor for the zones. 3.In the Voice Control...
Page 73
73 Editing Programs and Layers in the Sound Editor •To rename a Note Expression controller, click in the Name field of the selected controller and enter the new name. Bypassing the Note Expression Controller Each Note Expression controller has a Bypass button that allows you to deactivate the effect of the controller. ÖThe Bypass button is linked to the Bypass button of the corresponding modulation destination in the modula - tion matrix. Changing the Modulation Depth The Depth slider adjusts the...
Page 75
75 Editing Zones in the Sound Editor Introduction The Sound editor for synth and sample zones contains the zone parameters in HALion. It allows you to modify the settings for a single zone, for multiple selected zones or for all zones at the same time. ÖIf not expressly stated, the functions described in this chapter apply to both synth and sample zones. ÖAll functions and parameters described here also ap- ply to the Zone Editor. Global Zone Settings The global section at the top of the Sound editor...
Page 76
76 Editing Zones in the Sound Editor The Voice Control Section The Voice Control section of the Sound editor has two tabs: Trigger and Unison/Glide. The Trigger Tab On the Trigger tab, you can specify the triggering of a zone. Voice Group You can set the polyphony of a zone individually, by as- signing it to one of 128 voice groups. The settings of voice groups can be edited in the Voice Management sec - tion of the program or layer. For more information on voice groups, see “Voice Groups” on page...
Page 77
77 Editing Zones in the Sound Editor The Unison/Glide Tab The Unison/Glide tab has the following parameters: Unison Unison allows you to trigger multiple voices simultane- ously with each note you play. When you activate the Uni- son option, the following parameters become available: Glide You can use the Glide parameter to bend the pitch be- tween notes that follow each other. You achieve the best results in Mono mode. When you activate the Glide option, the following param- eters become available: ÖIf...
Page 78
78 Editing Zones in the Sound Editor The Pitch Section On the Pitch section for synth and sample zones, you can make settings for tuning and pitch modulation. The follow - ing parameters are available: Pitchbend Here, you can set the range of the pitch modulation that is applied when you move the pitchbend wheel. Octave Here, you can adjust the pitch in octave steps. Coarse Here, you can adjust the pitch in semitone steps. Fine This parameter allows you to fine-tune the pitch in cents (hundredths of...
Page 79
79 Editing Zones in the Sound Editor OSC 1/2/3 Type The Oscillator Type defines the basic sound character of the oscillator. The pop-up menu lists the waveforms (Sine, Triangle, Saw or Square), followed by the algorithm (PWM, Sync, CM or XOR). The combination of waveform and algorithm controls the sound of the oscillator. •To select an oscillator type, click the icon that indicates the wave shape for OSC1, OSC2, or OSC3 and select the wave shape and algorithm you want to use from the pop-up menu....
Page 80
80 Editing Zones in the Sound Editor The following parameters are available: Ring Modulation (RING) Ring modulation produces sums and differences between the frequencies of two signals. •To activate ring modulation, click the On/Off button. The following parameters are available: Noise The Noise parameter is used for non-pitched sounds. In addition to standard white and pink noise, there are also band-pass filtered versions of white and pink noise. •To activate the noise generator, click its On/Off...