Steinberg Cubase SE 3 Operation Manual
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CUBASE SE Working with hitpoints and slices 17 – 321 11.Click and drag the grid to the right until the second bar in the ruler is aligned with the position of the second downbeat of the sample, and release the mouse button. The correct tempo is automatically calculated, based on the time it takes for one bar to finish.
Page 322
CUBASE SE 17 – 322 Working with hitpoints and slices Creating slices After you have specified the correct loop length and time signature and worked on the hitpoints in the Sample Editor so that one sound per slice is heard, it is time to actually slice the file (if that is what you want to do – there are other uses for hitpoints as well, as described on the following pages). This is done by selecting “Create Audio Slices from Hitpoints” from the Hitpoints submenu on the Audio menu. Now the following...
Page 323
CUBASE SE Working with hitpoints and slices 17 – 323 Other hitpoint functions On the various submenus on the Audio menu you will also find the fol- lowing functions: Create Markers from Hitpoints This is located on the Hitpoints submenu. If an audio event contains calculated hitpoints, this function can be used to add markers – one for each hitpoint – to an automatically created marker track (see page 132). This can be useful for locating to hitpoints. Divide Audio Events at Hitpoints This Hitpoints...
Page 324
CUBASE SE 17 – 324 Working with hitpoints and slices Set Tempo from Event This Advanced submenu function sets the project tempo according to the original tempo of the loop (as calculated by the Audio Tempo Def- inition tool). The result depends on whether you are using the Tempo track or a fixed tempo. • If you are using fixed tempo, you will be asked to confirm that you want to change this – click Yes to set the fixed tempo to the event’s original tempo. • If you are using the Tempo track, but there...
Page 325
CUBASE SE Working with hitpoints and slices 17 – 325 Using the Close Gaps function If you have sliced a loop for tempo changes, lowering the tempo be- low the loop’s original tempo will create gaps between the slices. The lower the tempo is in relation to the original tempo, the wider the gaps will be. This can be fixed using the “Close Gaps” function on the Ad- vanced submenu on the Audio menu: 1.Set the desired tempo. 2.Select the part in the Project window. 3.Select “Close Gaps” from the Advanced...
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CUBASE SE 18 – 328 The Pool Background What is the Pool? Every time you record on an audio track, a file is created on your hard disk. A reference to this file – a clip – is also added to the Pool. Two general rules apply to the Pool: •All clips, audio or video, that belong to a project are listed in the Pool. •There is a separate Pool for every project. The way the Pool displays folders and their contents is similar to the way the Mac OS X Finder and the Windows Explorer display folders and lists...
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CUBASE SE The Pool 18 – 329 Opening the Pool You open the Pool in any of the following ways: • By clicking the Pool icon in the Project window. • By selecting “Pool” on the Project menu or “Open Pool Window” on the Pool menu. • By using a key command (by default [Ctrl]/[Command]-[P]). The content of the Pool is divided into three main folders: •The Audio folder This contains all audio clips currently in the project. •The Video folder This contains all video clips currently in the project. •The Trash...
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CUBASE SE 18 – 330 The Pool Window Overview Toolbar overview Audio folder Trash folder Video folderAudio clip name Waveform imageColumn HeadingsToolbar Open/Close all Folders View Pop-up Hide/show info lineImport Button Project Folder Path Pool Record Folder Path Play and Loop buttons, audition volume controlSearch Button