Steinberg Cubase 6 Manual
Here you can view all the pages of manual Steinberg Cubase 6 Manual. The Steinberg manuals for Music Production System are available online for free. You can easily download all the documents as PDF.
Page 341
341 Track Quick Controls 4.Now assign a parameter of one particular channel to quick control 1, and another parameter of another channel to quick control 2. The Quick Controls tab has become a “secondary” mixer, dedicated to quick-controlling parameters on other tracks. !Quick controls that are assigned that way cannot work when saved as track presets.
Page 343
343 Remote controlling Cubase Introduction It is possible to control Cubase via MIDI. A large number of MIDI control devices is supported. This chapter de - scribes how to set up Cubase for remote control. The supported devices are described in the separate PDF document “Remote Control Devices”. •There is also a Generic Remote Device option, allowing you to use any MIDI controller to remote control Cubase. How to set this up is described in the section “The Generic Remote de- vice” on page 345....
Page 344
344 Remote controlling Cubase •In the Project window (track list) and the Mixer (bottom of channel strips) you will now see white stripes indicating which channels are currently linked to the remote control device. Audio 10 can be remote controlled, while Audio 11 is not linked to the remote control device. Operations Global options for remote controllers In the Device Setup dialog, on the page for your remote device, some (or all) of the following global functions may be available (depending on...
Page 345
345 Remote controlling Cubase •Click “Reset” to revert to the default settings. The selected function is now assigned to the button or control on the remote device. A note about remote controlling MIDI tracks While most remote control devices will be able to control both MIDI and audio channels in Cubase, the parameter setup may be different. For example, audio-specific con - trols (such as EQ) will be disregarded when controlling MIDI channels. Accessing user panel parameters via remote control...
Page 346
346 Remote controlling Cubase 5.Use the pop-up menu to the right to select a bank. Banks are combinations of a certain number of channels, and are used be- cause most MIDI devices can control only a limited number of channels at a time (often 8 or 16). For example, if your MIDI control device has 16 vol- ume faders, and you are using 32 Mixer channels in Cubase, you would need two banks of 16 channels each. When the first bank is selected you can control channel 1 to 16; when the second Bank is...
Page 347
347 Remote controlling Cubase 8.If necessary, make settings for another bank. Note that you only need to make settings in the bottom table for this bank. The table at the top is already set up according to the MIDI remote device. •If necessary, you can add banks by clicking the Add button below the Bank pop-up menu. Clicking the Rename button allows you to assign a new name to the cur- rently selected bank, and you can remove an unneeded bank by select- ing it and clicking the Delete button. 9.When you...
Page 349
349 MIDI realtime parameters and effects Introduction For each MIDI track, you can set up a number of track pa- rameters, or modifiers, and MIDI effects. These affect how the MIDI data is played back, “transforming” MIDI events in realtime before they are sent to the MIDI outputs. On the following pages, the available parameters and ef- fects are described. Keep in mind: • The actual MIDI events will not be affected – the changes happen “on the fly”. • Since the modifier settings do not change the...
Page 350
350 MIDI realtime parameters and effects ÖNote that the functionality of the Bank and Patch selec- tor settings (used for selecting sounds in the connected MIDI instrument) depends on the instrument to which the MIDI output is routed, and how you have set it up in the MIDI Device Manager. The MIDI Device Manager allows you to specify which MIDI instruments and other devices are connected to the various MIDI outputs, thus making it possible to select patches by name. See the chapter “Us- ing MIDI...