Steinberg Cubase 5 Operation Manual
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532 Polyphonic voicing About this chapter In this chapter you will learn: How to decide when to use polyphonic voicing. How to set up voices. How to automatically convert your score to polyphonic voicing. How to enter and move notes into voices. Background: Polyphonic voicing Polyphonic voicing allows you to resolve a number of situ- ations impossible to score properly otherwise: Notes starting at the same position, but with different lengths. Without polyphonic voicing you get unnecessary amounts...
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533 Polyphonic voicing Voices and MIDI channels Internally the program organizes the notes into voices by changing their MIDI channel values. Normally you set it up so that notes with MIDI channel 3 belong to voice 3 etc. Most of the time the link between MIDI channels and voices will be totally transparent to you as a user. Sometimes you can take advantage of this relationship, as described later in this chapter. There are also a few important things to note: ÖWhen you make a note part of a...
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534 Polyphonic voicing 9.Decide on a stem direction for each voice, by select- ing from the pop-up in the Stems column. If you select Auto, the program will make decisions about which stems go in which direction (just as when not using polyphonic voices). You can al- ways force stem direction for individual notes by using the Flip Stem function, see “Flipping the stem of one or several notes” on page 541. 10.If you want the notes in a voice to be smaller than regu- lar notes, put a checkmark in the Cue...
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535 Polyphonic voicing Strategies: How many voices do I need? Well, it depends… If you are scoring for vocals, you simply need one voice for each voice, so to speak. Often you will use voices for resolving the problem of overlap- ping notes (see “Overlapping notes” on page 532), for exam- ple when scoring for piano. In this case, you will need two voices each time two notes overlap. If three notes overlap, you will need three voices. In other words you will need to check for the “worst case”...
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536 Polyphonic voicing Moving notes between voices Manually To manually move notes to another voice, proceed as fol- lows: 1.Select the note(s) you want to move to a particular voice. 2.Right-click on one of the notes and select “Move to Voice” from the context menu. Move to Voice and the submenu it invokes. 3.On the submenu, select the voice to which you want to move the notes. Only the activated voices are available on the menu. You can also press [Ctrl]/[Command] and click a voice Insert button on...
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537 Polyphonic voicing Handling rests With polyphonic voices, you often get more rest symbols than desired. If a voice does not need any rests at all, you can deacti- vate rests separately for this voice on the Polyphonic tab on the Score Settings–Staff page. If you only need rests from one voice on a staff, activate Rests–Center for that voice (this is done in the same dia- log). If two or more voices have rests, deactivate Rests– Center. The program then automatically makes sure the rests do not...
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538 Polyphonic voicing Creating crossed voicings Often, for example in vocal scoring, you will have crossed voicings on one system. You can of course move notes manually into voices to get the stem direction and other note properties right, but there is a quicker way. Let’s ex- plain how to do this by example. Without using polyphonic voicing, you have entered this: 1.Open the Score Settings–Staff page and select the Polyphonic tab. 2.From the Staff Mode pop-up menu, select Polyphonic. 3.Activate...
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539 Polyphonic voicing Automatic polyphonic voicing – Merge All Staves If you have already created some tracks which look and play back as they should, and you want to combine these into one track with polyphonic voices, there is a special function on the Scores menu for this: 1.Open the tracks (up to four) in the Score Editor. 2.Pull down the Scores menu and select “Merge All Staves” from the Functions submenu. Now a new track is created and shown in the score. The track will have polyphonic...