Canon Eos Rebel T5 1200 Instruction Manual

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3 Correcting the Image’s Dark Corners
The camera already contains lens  peripheral illumination correction 
data for approx. 25 lenses. In step 2, if you select [ Enable], the 
peripheral illumination correction will  be applied automatically for any 
lens whose correction data has been registered in the camera.
With EOS Utility (EOS software,  p.318), you can check which lenses 
have their correction data registered in the camera. You can also 
register the correction data for unregistered lenses. For details, refer to 
the EOS Utility Instruction Manual (p.321) on the Software Instruction 
Manual CD-ROM.
Lens Correction Data
  Peripheral illumination correction cannot be applied to JPEG images 
already taken.
  Depending on shooting conditions, noise may appear on the image 
periphery.
  When using a non-Canon lens, setting the corrections to [ Disable] is 
recommended, even if [ Correction data available ] is displayed.
  If you use the magnified view during  Live View shooting, the peripheral 
illumination correction will not be re flected in the image shown on the 
LCD monitor.
  If the effect of the correction is not visible, magnify the image after 
shooting and check it again.
  Corrections can be applied even when an Extender or Life-size 
Converter is attached.
  If the correction data for the attached lens has not been registered to the 
camera, the result will be the same as  when the correction is set to 
[ Disable ].
  The correction amount applied will be slightly lower than the maximum 
correction amount settable with Digital Photo Professional (EOS 
software).
  If the lens does not have distance information, the correction amount will 
be lower.
  The higher the ISO speed, the lower the correction amount will be.
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You can customize a Picture Style by adjusting individual parameters 
such as [Sharpness ] and [Contrast ]. To see the resulting effects, take 
test shots. To customize [ Monochrome], see page 124.
1Select [Picture Style].
 Under the [z 2] tab, select [Picture 
Style ], then press < 0>.
X The Picture Style selection screen will 
appear.
2Select a Picture Style.
XSelect a Picture Style, then press the 
 button.
3Select a parameter.
 Select a parameter such as 
[Sharpness ], then press < 0>.
4Set the parameter.
  Press the < Y> < Z> keys to adjust 
the parameter as desired, then press 
< 0 >.
  Press the < M> button to save the 
adjusted parameters. The Picture 
Style selection screen will reappear.
X Any parameter settings different from 
the default will be displayed in blue.
A  Customizing Image Characteristics N
 By selecting [ Default set.] in step 3, you can revert the respective 
Picture Style to its default parameter settings.
  To shoot with the Picture Style you adjusted, follow step 2 on page 91 to 
select the adjusted Picture Style, then shoot.
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A Customizing Image Characteristics N
 Sharpness
Adjusts the sharpness of the image.
To make it less sharp, set it toward the  E end. The closer it is to E , 
the softer the image will look.
To make it sharper, set it toward the  F end. The closer it is to  F, the 
sharper the image will look.
 Contrast Adjusts the image contrast and the vividness of colors.
To decrease the contrast, set it towa rd the minus end. The closer it is 
to G , the more muted the image will look.
To increase the contrast, set it toward  the plus end. The closer it is to 
H , the crisper the image will look.
 Saturation Adjusts the color saturation in the image.
To decrease the color saturation, set it toward the minus end. The 
closer it is to  G, the more diluted the colors will look.
To increase the color saturation, set it toward the plus end. The 
closer it is to  H, the bolder the colors will look.
 Color tone Adjusts the color tone of skin.
To make the skin color redder, set it toward the minus end. The 
closer it is to  G, the redder the skin tone will look.
To reduce skin redness, set it toward  the plus end. The closer it is to 
H , the more yellow the skin tone will look.
Parameter Settings and Effects
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							A Customizing Image Characteristics N
124
For Monochrome, you can also set [ Filter effect] and [Toning effect ] in 
addition to [Sharpness] and [Contrast ] explained on the preceding 
page.
kFilter Effect
With a filter effect applied to a 
monochrome image, you can make 
white clouds or green trees stand out 
more. 
lToning Effect
By applying a toning effect, you can 
create a monochrome image in that 
color. It can make the image look more 
impressive.
The following can be selected: [ N:None], 
[S:Sepia ], [B:Blue ], [P:Purple ] or 
[G:Green ].
V Monochrome Adjustment
FilterSample Effects
N: NoneNormal black-and-white image with no filter effects.
Ye: YellowThe blue sky will look more natural, and the white clouds will look 
crisper.
Or: Orange The blue sky will look slightly darker. The sunset will look more 
brilliant.
R: RedThe blue sky will look quite dark. Fall leaves will look crisper and 
brighter.
G: GreenSkin tones and lips will appear muted. Green tree leaves will look 
crisper and brighter.
Increasing the [
Contrast] will make the filter effect more pronounced.
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You can select a base Picture Style such as [Portrait] or [Landscape], 
adjust its parameters as desired and register it under [ User Def. 1], 
[User Def. 2], or [ User Def. 3].
You can create multiple Picture Styles with different settings for 
parameters such as sharpness and contrast.
You can also adjust the parameters of a Picture Style that has been 
registered to the camera with EOS Utility (EOS software, p.318).
1Select [Picture Style].
  Under the [z 2] tab, select [Picture 
Style ], then press < 0>.
X The Picture Style selection screen will 
appear.
2Select [User Def. *].
  Select [ User Def. * ], then press 
< B >.
X The Detail setting screen will appear.
3Press < 0>.
 With [ Picture Style] selected, press 
< 0 >.
4Select the base Picture Style.
 Press the   keys to select the 
base Picture Style, then press <
0>. To adjust the parameters of a Picture 
Style that has been registered to the 
camera with EOS Utility (EOS 
software), select the Picture Style here.
A Registering Preferred Image CharacteristicsN
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							A Registering Preferred Image Characteristics N
126
5Select a parameter.
 Select a parameter such as 
[Sharpness ], then press < 0>.
6Set the parameter.
 Press the   keys to adjust the 
parameter as desired, then press <
0>.For details, see “C ustomizing Image 
Characteristics” on pages 122-124.
 
Press the  button to register the 
modified Picture Style. The Picture Style 
selection screen will then reappear.
X The base Picture Style will be 
indicated on the right of [ User Def. *].
X If the settings in a Picture Style 
registered under [ User Def. *] have 
been modified from the base Picture 
Style settings, the Picture Style’s 
name will be displayed in blue.
  If a Picture Style has already been registered under [ User Def. *], 
changing the base Picture Style in  step 4 will nullify the parameter 
settings of the registered Picture Style.
  If you execute [ Clear all camera settings ] (p.190), all the [User Def. *] 
settings will revert to their defaults. Picture Styles registered via EOS 
Utility (EOS software) will have only their modified parameters reverted 
to their default settings.
  To shoot with a registered Picture Style, follow step 2 on page 91 to 
select [ User Def. * ], then shoot.
  Regarding the procedure to register a Picture Style file to the camera, 
refer to the EOS Utility Instruction Manual (p.321).
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The function adjusting the color tone so that white objects look white in 
the picture is called white balance (WB). Normally, the  (Auto) 
setting will obtain the correct whit e balance. If natural-looking colors 
cannot be obtained with < Q>, you can select the white balance that 
matches the light source or set it  manually by shooting a white object.
1Press the  button.
X[White balance ] will appear.
2Select a white balance setting.
 Press the < Y> < Z> keys or turn the 
< 6 > dial to select the desired 
setting, then press < 0>.
  The “Approx. ****K” (K: Kelvin) 
displayed for the white balance 
settings < W>, , ,  
or < U> is the respective color 
temperature.
Custom white balance enables you to manually set the white balance 
for a specific light source for better accuracy. Perform this procedure 
under the actual light source to be used.
1Shoot a white object.
  A plain, white object should fill the 
viewfinder’s center.
  Focus manually and set the standard 
exposure for the white object.
  You can use any white balance 
setting.
B : Matching the Light Source N
O Custom White Balance
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							B: Matching the Light Source N
128
2Select [Custom White Balance].
 Under the [z 2] tab, select [Custom 
White Balance ], then press .
X The custom white balance selection 
screen will appear.
3Import the white balance data.
  Select the image that was captured in 
step 1, then press < 0>.
X On the dialog screen that appears, 
select [OK ] and the data will be 
imported.
  When the menu reappears, press the 
 button to exit the menu.
4Select [ O (Custom)].
 Press the  button.
  Select [ O (Custom) ], then press 
< 0 >.
  If the exposure obtained in step 1 differs greatly from the standard 
exposure, a correct white balance may not be obtained.
  In step 3, images captured while the Picture Style was set to 
[Monochrome ] (p.92) and images processed with a Creative filter 
cannot be selected.
  Instead of a white object, a gray chart or 18% gray reflector 
(commercially available) can produc e a more accurate white balance.
  The personal white balance registered with EOS Utility (EOS software, 
p.318) will be registered under [ O]. If you perform step 3, the data for 
the registered personal white balance will be erased.
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You can correct the white balance that has been set. This adjustment 
will have the same effect as using a commercially-available color 
temperature conversion filter or color compensating filter. Each color 
can be corrected to one of nine levels.
This function is for advanced users who are familiar with using color 
temperature conversion or color compensating filters.
1Select [WB Shift/Bkt.].
 Under the [z 2] tab, select [WB 
Shift/Bkt. ], then press < 0>.
X The WB correction/WB bracketing 
screen will appear.
2Set the white balance correction.
  Press the < S> cross keys to move 
the “ ” mark to the desired position.
  B is for blue, A for amber, M for 
magenta, and G for green. The 
image’s color balance will be 
corrected towards the selected color.
  On the upper right, “ Shift” indicates 
the direction and correction amount.
  Pressing the < B> button will 
cancel all the [ WB Shift/Bkt.] 
settings.
  Press < 0> to exit the setting and 
return to the menu.
u Adjusting the Color Tone for the Light SourceN
White Balance Correction
Sample setting: A2, G1
  When the white balance is corrected, < u> will be displayed in the 
viewfinder and on the LCD monitor.
  One level of the blue/amber correction is equivalent to approx. 5 mireds 
of a color temperature conversion filter. (Mired: Measuring unit indicating 
the density of a color temperature conversion filter.)
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							u Adjusting the Color Tone for the Light Source N
130
With just one shot, three images with different color tones can be recorded 
simultaneously. Based on the color temperature of the current white balance 
setting, the image will be bracketed with a blue/amber bias or magenta/green 
bias. This is called white balance bracketing (WB-BKT). White balance 
bracketing is possible up to ±3 levels in single-level increments.
Set the white balance bracketing 
amount.
  In step 2 for “White Balance 
Correction”, when you turn the < 6> 
dial, the “ ” mark on the screen will 
change to “     ” (3 points).
Turning the dial to the right sets the B/
A bracketing, and turning it to the left 
sets the M/G bracketing.
X
On the right, “Bracket” indicates the 
bracketing direction and correction amount.
 Pressing the  button will 
cancel all the [
WB Shift/Bkt.] settings.
  Press < 0> to exit the setting and 
return to the menu.
Bracketing Sequence
The images will be bracketed in the following sequence: 1. Standard 
white balance, 2. Blue (B) bias, and 3. Amber (A) bias, or 1. Standard 
white balance, 2. Magenta (M) bias, and 3. Green (G) bias.
White Balance Auto Bracketing
B/A bias ±3 levels
During WB bracketing, the maximum burst for continuous shooting will be lower and the 
number of possible shots will also decrease to approx. one-third the normal number.
  You can also set white balance correction and AEB together with white 
balance bracketing. If you set AEB in combination with white balance 
bracketing, a total of nine images  will be recorded for a single shot.
 
Since three images are recorded for one shot, it takes longer to record the shot to the card.  “BKT ” stands for bracketing.
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