Canon Eos Rebel T3i 600d Instruction Manual
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61 When you want to photograph flowers or small things up close, use the < 4 > (Close-up) mode. To make small things appear much larger, use a macro lens (sold separately). Use a simple background. A simple background makes the flower, etc., stand out better. Move to the subject as close as possible. Check the lens for its minimum focusing distance. Some lenses have indications such as < 40.25m/0.8ft>. The lens minimum focusing distance is measured from the (focal plane) mark on the top left of the camera to the subject. If you are too close to the subject, the focus confirmation light < o> will blink. Under low light, the built-in flash will fire. If you are too close to t\ he subject and the bottom of the pict ure looks dark, move away from the subject. With a zoom lens, use the telephoto end. If you have a zoom lens, using the telephoto end will make the subject look larger. 4 Shooting Close-ups Shooting Tips COPY
62 To photograph a moving subject, whether it is a child running or a moving vehicle, use the (Sports) mode. Use a telephoto lens. Using a telephoto lens is recomm ended so you can shoot from afar. Use the center AF point to focus. Aim the center AF point over th e subject, then press the shutter button halfway to autofocus. Duri ng autofocusing, the beeper will continue beeping softly. If focu s cannot be achieved, the focus confirmation light < o> will blink. When you want to take the picture, press the shutter button completely. If you hold down the sh utter button, continuous shooting (max. approx. 3.7 shots per sec.) and autofocusing will take effect. 5 Shooting Moving Subjects Shooting Tips Under low light when camera shake is prone to oc cur, the viewfinder’s shutter speed display on th e bottom left will blink. Hold the camera steady and shoot. COPY
63 To shoot someone at night and obtain a natural-looking exposure in the background, use the (Night Portrait) mode. Use a wide-angle lens and a tripod. When using a zoom lens, use the wide-angle end to obtain a wide night view. Also, use a tripod to prevent camera shake. Keep the person within 5 meters/16.4 feet from the camera. Under low light, the built-in flash wi ll fire automatically to obtain a good exposure of the person. The ma ximum effective distance of the built-in flash is 5 meters/16.4 feet from the camera. Shoot also with < A> (Scene Intelligent Auto). Since camera shake is prone to occu r with night shots, shooting also with < A> (Scene Intelligent Auto) is recommended. 6 Shooting Portraits at Night Shooting Tips Tell the subject to keep st ill even after the flash fires. If you use the self-timer together with flash, the self-timer lamp will light briefly after the picture is taken. COPY
64 In Basic Zone modes when the shooting settings screen is displayed, you can press the button to display the Quick Control screen. The table below indicates the functions that can be set with the Quick Control screen in each Basic Zone mode. 1 Set the Mode Dial to a Basic Zone mode. 2 Press the < Q> button. (7 ) X The Quick Control screen will appear. 3 Set the function. Press the < V> key to select a function. (Step not necessary in the A /7 mode.) X The selected function and Featur e guide (p.48) will be displayed. Press the key or turn the dial to change the setting. Settable Functions in Basic Zone Modes o: Set automatically k: User selectable : Not selectable * Use the < V> key to set the number of continuous shots. Q Quick Control FunctionA(p.50)7(p.55)C(p.56)2(p.59)3(p.60)4(p.61)5(p.62)6(p.63) Drive mode u : Single shooting kkkkkk i: Continuous shootingkkk Self- timer Q: 10 sec./Remote controlkkkkkkkk q : Continuous shooting after 10 sec.*kkkkkkkk Flash firing Automatic firing okooo Flash on (Fires at all times)k Flash offokoo Shoot by ambience selection (p.65)kkkkkk Shoot by lighting or scene type (p.68)kkkk Blurring/sharpening t he background (p.57)k Example: Portrait mode COPY
65 Except in the (Scene Intelligent Auto) and < 7> (Flash Off) Basic Zone modes, you can select the ambience for shooting. 1Set the Mode Dial to any of the following modes: < C>, , < 3 >, , or . 2Display the Live View image. With the Live View image displayed, you can see the ambience effect. Press the < A> button to switch to Live View shooting. 3On the Quick Control screen, select the desired ambience. Press the < Q> button ( 7). Press the < V> key to select [Standard setting ]. [Shoot by ambience selection ] will appear on the screen’s bottom. Press the key or turn the dial to select the desired ambience. XThe LCD monitor will show how the image will look with t he selected ambience. Shoot by Ambience Selection AmbienceA7C23456Ambience Effect (1) Standard settingkkkkkkNo setting (2) Vivid kkkkkkLow / Standard / Strong (3) Soft kkkkkkLow / Standard / Strong (4) Warm kkkkkkLow / Standard / Strong (5) Intense kkkkkkLow / Standard / Strong (6) Cool kkkkkkLow / Standard / Strong (7) Brighter kkkkkkLow / Medium / High (8) Darker kkkkkkLow / Medium / High (9) Monochrome kkkkkkBlue / B/W / Sepia COPY
Shoot by Ambience Selection 66 4Set the ambience effect. Press the < V> key to select the effect bar so that [ Effect] appears at the bottom. Press the < U> key or turn the < 6 > dial to select the desired effect. 5Take the picture. To shoot while the Live View image is displayed, press the shutter button. To return to viewfinder shooting, press the < A> button to exit Live View shooting. Then press the shutter button completely to take the picture. If you change the shooting mode or set the power switch to < 2>, the setting will revert back to [ Standard setting]. The Live View image shown with th e ambience setting applied will not look exactly the same as the actual photo. Using flash may minimize the ambience effect. In bright outdoors, the Live View image you see on the screen might not have exactly the same br ightness or ambience as the actual photo. Set [ 6 LCD brightness ] to 4 and look at the Li ve View image while the screen is unaffected by stray light. If you don’t want the Live View im age to be displayed when setting functions, press the button after step 1. When you press the < Q> button, the Quick Control screen is displayed and you can set [Shoot by ambience selection ] and [Shoot by lighting or scene ], then shoot with the viewfinder. COPY
67 Shoot by Ambience Selection Ambience Settings (1)Standard setting Standard image characteristics fo r the respective shooting mode. Note that < 2> has image characteristi cs geared for portraits and < 3 > is geared for landscapes. Each ambience is a modification of the respective shooting mode’s image characteristics. (2) Vivid The subject will look sharp and vi vid. It makes the photo look more impressive than with [ Standard setting]. (3) Soft The subject will look softer and mo re dainty. Good for portraits, pets, flowers, etc. (4) Warm The subject will look softer with warmer colors. Good for portraits, pets, and other subjects to which you want to give a warm look. (5) Intense While the overall brightness is slightly lowered, the subject is emphasized for a more intense feeling. Makes the human or living subject stand out more. (6) Cool The overall brightness is slightly lo wered with a cooler color cast. A subject in the shade will look more calm and impressive. (7) Brighter The picture will look brighter. (8) Darker The picture will look darker. (9) Monochrome The picture will be monochrome. You can select the monochrome color to be black and white, sepia, or blue. When [Monochrome ] is selected, < 0> will appear in the viewfinder. COPY
68 In the (Portrait), < 3> (Landscape), < 4> (Close-up), and < 5> (Sports) Basic Zone modes, you can shoot while the settings match the lighting or scene type. Normally, [ Default setting] is adequate, but if the settings match the lighting condition or scene, the picture will look more accurate to your eye. For Live View shootin g, if you set both [Shoot by lighting or scene type ] and [Shoot by ambience selection ] (p.65), you should first set [Shoot by lighting or scene type ]. This will make it easier to see the resulting effect on the LCD monitor. 1Set the Mode Dial to any of the following modes: < 2>, < 3>, < 4>, or < 5>. 2Display the Live View image. With the Live View image displayed, you can see the resulting effect. Press the < A> button to switch to Live View shooting. Shoot by Lighting or Scene Type Lighting or sceneA7C23456 (1) Default settingkkkk (2) Daylightkkkk (3) Shadekkkk (4) Cloudykkkk (5) Tungsten lightkkk (6) Fluorescent lightkkk (7) Sunsetkkkk COPY
69 Shoot by Lighting or Scene Type 3On the Quick Control screen, select the lighting or scene type. Press the < Q> button ( 7). Press the key to select [Default setting] (shown in the sample screen). [Shoot by lighting or scene type] will appear on the screen’s bottom. Press the < U> key or turn the < 6 > dial to select the desired lighting or scene type. X The LCD monitor will show how the image will look with the selected lighting or scene type. 4Take the picture. To shoot while the Live View image is displayed, press the shutter button. To return to viewfinder shooting, press the < A> button to exit Live View shooting. Then press the shutter button completely to take the picture. If you change the shoo ting mode or set the power switch to , the setting will revert back to [ Default setting]. If you use flash, the se tting will switch to [Default setting]. (However, the shooting information will display the lighting or scene type that was set.) If you want to set this together with [Shoot by ambience selection], set the [Shoot by lighting or scene type] which best matches the ambience you have set. In the case of [Sunset] for example, warm colors will become prominent so the ambience you set might not work well. If you don’t want the Live View im age to be displayed when setting functions, press the < Q> button after step 1. Pressing the button will display the Quick Control screen. Yo u can then set [Shoot by lighting or scene type ] and shoot with the viewfinder. COPY
Shoot by Lighting or Scene Type 70 Lighting or Scene Type Settings (1)Default setting The default setting. (2) Daylight For subjects under sunlight. Gives more natural-looking blue skies and greenery and reproduces lig ht-colored flowers better. (3) Shade For subjects in the shade. Suitable for skin tones, which may look too bluish, and for light-colored flowers. (4) Cloudy For subjects under overcast skies. Makes skin tones and landscapes, which may otherwise look dull on a cloudy day, look warmer. Also effective for light-colored flowers. (5) Tungsten light For subjects lit under tungsten lig hting. Reduces the reddish-orange color cast caused by tungsten lighting. (6) Fluorescent light For subjects under fluorescent lighting. Suited for all types of fluorescent lighting. (7) Sunset Suitable when you want to capture the sunset’s impressive colors. COPY