Apple Final Cut Pro X 10.1.2 User Guide
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Chapter 9 Add transitions, titles, eff ects, and gener ators 2 61 Add keyframes automatically across a selected area If an effect appears in the Video Animation Editor with a disclosure button, you can use either the Select or Range Selection tool to add keyframes automatically across a selected area. 1 Do one of the following: •Select a clip in the Timeline, and choose Clip > Show Video Animation (or press Control-V ). •Control-click a clip, and choose Show Video Animation from the shortcut menu. 2 Select an effect, and click the disclosure button to expand it in the Video Animation Editor. Disclosure button 3 In the Timeline, choose either Select or Range Selection from the Tools pop-up menu in the toolbar (or press A for Select, or R for Range Selection). 4 Drag across the area in the Video Animation Editor where you want to adjust the effect. Tip: To deselect the range, click anywhere on the Timeline background. 5 Adjust the effect within the range by dragging the effect’s horizontal control up or down. 67% resize factor
Chapter 9 Add transitions, titles, eff ects, and gener ators 262 Keyframes are automatically created along the adjustment points within the range. Adjust keyframes in the Video Animation Editor You can move keyframes left or right in the Video Animation Editor. If an effect appears with a disclosure button, you can expand the effect view and move keyframes up or down to change the parameter value. 1 Select a keyframe. 2 Do one of the following: •To change its position in time, drag a keyframe left or right. As you drag, the timecode value appears. Drag the keyframe left or right. •If an effect appears with a disclosure button, click the button (or double-click the effect) to expand it. Disclosure button 67% resize factor
Chapter 9 Add transitions, titles, eff ects, and gener ators 263 With the effect expanded, you can drag the keyframe up or down to change the effect’s parameter value. Drag the keyframe up or down. To add another keyframe, Option-click (or press Option-K) at a point on the effect control where you want to add the keyframe. To add a keyframe and change the effect’s parameter value at the same time, Option-click while dragging the effect control up or down. If an effect appears with a disclosure button in the Video Animation Editor, you can also fade video effects in or out, or change the shape of the effect curve between keyframes. Adjust keyframes in the Video inspector For many effects, you adjust the parameter value of individual keyframes using the Video inspector. When you move the playhead in the Timeline, arrows appear next to the Keyframe button in the Video inspector to indicate which side of the playhead has keyframes. To go to the previous keyframe, click the left arrow or press Option-Semicolon (;). To go to the next keyframe, click the right arrow or press Option-Apostrophe (‘). Arrows 1 Select a keyframe or position the playhead on a keyframe, and adjust the parameter value in the Video inspector. 2 To change the value at the next keyframe, go to the next keyframe and adjust the value again. 67% resize factor
Chapter 9 Add transitions, titles, eff ects, and gener ators 264 Delete keyframes Do one of the following: mSelect a keyframe in the Video Animation Editor, and press Option-Shift-Delete. mNavigate to a keyframe in the Video inspector, and click the Keyframe button. After navigating to a keyframe, click the Keyframe button to delete the keyframe. View only one effect at a time in the Video Animation Editor You can collapse the Video Animation Editor to view only one effect at a time. This can be useful if you have multiple effects applied to a clip and want to preserve screen space. 1 Choose Clip > S olo Animation (or press Control-Shift-V ). 2 In the Video Animation Editor, click the triangle next to the displayed effect’s name to choose an effect from the pop-up menu. Note: When Solo Animation is turned on, you can’t delete effects from the Video Animation Editor. To turn off Solo Animation, choose Clip > Solo Animation (or press Control-Shift-V ). Hide video animation for a clip Do one of the following: mSelect the clip in the Timeline, and choose Clip > Hide Video Animation (or press Control-V ). m Click the close button in the upper-left corner of the Video Animation Editor. mControl-click the clip in the Timeline, and choose Hide Video Animation from the shortcut menu. Modify groups of keyframes There are many ways you can modify keyframes to create simple or complex animations. In addition to modifying individual keyframes as described in the previous section, you can also modify keyframe groups, effect curves (the line segments between keyframes), or the entire set of keyframes for a given parameter, and you can make all of these changes with great precision. Select and modify multiple keyframes 1 To select multiple keyframes in the Video Animation Editor, the Audio Animation Editor, or directly in the body of the clip (for audio level keyframes), do one of the following: •Shift-click more than one keyframe. All intermediate keyframes are selected. You cannot select nonadjacent keyframes. •Drag a selection rectangle around the keyframes you want to select. Note: In the Video Animation Editor or Audio Animation Editor you can select a range by dragging with the Select tool or the Range Selection tool. To select a range of keyframes displayed in the clip body (such as audio keyframes) you must use the Range Selection tool. 2 To modify the selected keyframes, do any of the following: •To move the group to a different place in time: Drag any individual keyframe horizontally. •To change the value of all the keyframes: Drag any individual keyframe vertically. 67% resize factor
Chapter 9 Add transitions, titles, eff ects, and gener ators 265 Keyframe values remain relative to one another while dragging; however, if you “flatten” the curve by dragging all the way to the top or bottom of the graph, the keyframe values remain in that flattened state with all keyframes sharing the same value. •To increase the relative values by 1: Press Option–Up Arrow. •To decrease the relative values by 1: Press Option–Down Arrow. •To move both keyframes earlier in time by 1 frame: Press Comma (,). •To move both keyframes later in time by 1 frame: Press Period (.). Tip: You can also modify any two keyframes simultaneously by selecting the line segment in between them, then performing any of the steps above. Adjust all keyframes on a curve m In the Video Animation Editor, the Audio Animation Editor, or directly in the body of the clip (for audio level keyframes), hold down the Command and Option keys, and drag either a keyframe or a curve up or down. All keyframes are adjusted by the same amount, preserving the original shape of the curve. However, if you “flatten” the curve by dragging all the way to the top or bottom of the graph, the keyframe values remain in that flattened state with all keyframes sharing the same value. Before After You can also copy specific keyframes between different attributes or between different clips. See Copy and paste keyframes on page 246 . 67% resize factor
Chapter 9 Add transitions, titles, eff ects, and gener ators 266 Adjust effect curves using fade handles or keyframe animation Some effects in the Video Animation Editor include fade handles, which allow you to adjust how long it takes for an effect to fade in or out. For example, you can use fade handles to adjust how long it takes for an opacity effect to fade in, how long it takes to fade up from black, or how long it takes to fade to black. You can also move keyframes up or down to create a curve for the effect parameter and change the curve shape (interpolation) between keyframes. Creating a fade or an effect curve smooths the transition so that the effect changes appear more natural when the clip plays. Change an effect using fade handles 1 Click the disclosure button to expand the effect in the Video Animation Editor. Disclosure button Note: If an effect doesn’t have a disclosure button, it doesn’t have fade handles. 2 Drag the fade handle to the point in the clip where you want the fade to begin or end. Fade handles from the beginning of a clip create a fade-in, while fade handles at the end of a clip create a fade-out. Fade-inFade-out 67% resize factor
Chapter 9 Add transitions, titles, eff ects, and gener ators 267 Change an effect using keyframes mClick the disclosure button to expand the effect in the Video Animation Editor, and do any of the following: Disclosure button Note: If an effect doesn’t have a disclosure button, you can’t move keyframes up or down. •To add a keyframe: Option-click (or press Option-K) at a point on the effect control where you want to add the keyframe. Tip: To add a keyframe and change the effect’s parameter value at the same time, Option-click while dragging the effect control up or down. •To change the effect’s parameter value at a particular keyframe: Select a keyframe and drag it up or down. Tip: To adjust values with greater precision, hold down the Command key while dragging the keyframe up or down. Drag the keyframe up or down. 67% resize factor
Chapter 9 Add transitions, titles, eff ects, and gener ators 268 Change the curve shape (interpolation) between keyframes Do one of the following: mCommand-Drag the line horizontally between the keyframes to create a curve. mControl-click the line between keyframes, and choose a curve option from the shortcut menu. •Linear: Maintains a constant rate of change over the duration of the fade. •Ease: Eases in and out of the fade with the midpoint set between the beginning and end values. •Ease In: Starts quickly from the beginning value and then moves slowly toward the end value. •Ease Out: Starts slowly from the beginning value and then moves quickly toward the end value. Note: You can change the curve shape between keyframes for video effects only. For audio volume only, you can change the curve shape for fades created using fade handles, but not keyframes. See Fade audio in or out on page 17 6 . 67% resize factor
269 Group clips with compound clips Compound clips overview With Final Cut Pro, you can create compound clips, which allow you to group any combination of clips in the Timeline or the Browser and nest clips within other clips. Compound clips can contain video and audio clip components, clips, and other compound clips. Effectively, each compound clip can be considered a mini project, with its own distinct project properties. Compound clips function just like other clips: you can add them to your project, trim them, retime them, and add effects and transitions. Icons appear on compound clips in the Browser and the Timeline. Compound clip icon for a clip in the BrowserCompound clip icon for a clip in the Timeline Compound clips have many uses. You can: •Simplify a complicated project by creating a separate compound clip for each major section. •Synchronize a video clip with one or more audio clips and then combine the clips into a compound clip, to avoid inadvertently moving them out of sync. •Open any clip, edit its contents in the Timeline, and then close it. •Quickly create a compound clip containing the clips in an event, based on the Browser sort order. •Use a compound clip to create a section of a project with settings different from those of the main project. Advanced editing 67% resize factor 10
Chapter 10 Advanced editing 270 The following diagram shows how a project in the Timeline could be simplified using compound clips: Selected clips in the Timeline New compound clip Compound clips have the following characteristics: •You create compound clips in the Browser or in the Timeline. •Every compound clip in the Timeline has a “parent” compound clip in the Browser. Browser clips Project 3Project 1 Child clipChild clips Child clip Project 2 Parent compound clip •When you edit the contents of any compound clip, you are in fact editing the parent compound clip from the Browser. Any changes you make to the compound clip are inherited by all of its child clips. For example, if you delete a title clip from the contents of a parent compound clip, the title clip is deleted from all child clips. You can create an independent compound clip from an existing compound clip. For example, you might have a compound clip of a standard title sequence for your TV or podcast series. You can create unique (independent) instances of the compound clip for each episode without affecting other instances of the title sequence. 67% resize factor