Yamaha P255 Manual

							Using USB Flash Drives
P-255 Owner’s Man ual31
The term User Song is used  to refer to songs recorded 
using the instrument itself; Import Songs are those 
created on another device. User Songs are kept in a 
folder named USER FILES on a USB flash drive; 
Import Songs are stored outside this folder. For this 
reason, User Songs will be handled as Import Songs if 
the name of the folder is  changed or they are moved 
outside the folder using a computer. 
When organizing files on a USB flash drive using a 
computer or the like, be su re to place Import Songs 
only in the first, second, or third hierarchical folder 
level. Your digital piano will  not be able to select or 
play songs from a lower level.  Checking the write protected status
Before you use a USB flash drive, you should ensure 
that it is not write protected. Your digital piano will 
not be able to access data on a write-protected USB 
flash drive. 
Managing files on a USB flash drive
USB flash 
drive
First level Second le vel Third le vel Fou rth level
Song file
Song file Song file
Song file
USER 
FILES 
folder
Song folder User Song 
(MIDI)
USERSO NG
xx.mid
User Song  (a udio)
USERAUDIO xx.wa v
Song folder
Song folder Song folder
Songs here are
playable.
Songs here arenot playable.
• File operations cannot be pe rformed during the following:
• Song playback (page 21)
• Recording (page 25)
• Your digital piano can recognize and  play a maximum of 999 Import Song files 
on a USB flash drive. 
NOTE
NOTE 
						

							Using USB Flash Drives
P-255 Owner’s Man ual32 Using the following procedure, you can copy MIDI-
format User Songs (page 25
) recorded on the digital 
piano to a USB flash drive. User Songs copied in this 
way are stored in SMF format in the USB flash drive’s 
USER FILES folder. In addition, these songs will be 
automatically named USER SONGxx.mid (xx being a 
sequential number). 
1Plug in the USB flash drive. 
2Select the User Song you wish to copy. 
Refer to page 21 for details. 
3Press the [REC] button with the [FUNC-
TION] button held down. 
After the message “ CPY” has been shown on the 
display, the lowest ava ilable User Song number 
(e.g., “ S.00”) at the copy destination will be 
shown. Following this, the message “ n Y” (no/
yes) will be shown. 
To cancel this operation, press the [-/NO] button 
while “
n Y” is being shown. 
4Press the [+/YES] button to copy the 
song. 
When the song has been copied, the message 
“ End ” will be shown. If you wish to cancel the 
Copy operation at this time, press the [-/NO] but-
ton. 
Copying a User Song recorded on 
the instrument to a USB flash drive
• It will not be possible to copy a User Song if there is insufficient free space 
on the USB flash drive. In such a case, free up some memory by deleting 
any unnecessary files (page 33). 
CPYS.00n Y
Song numbers
Example for “S.00”
NOTE
• You should never turn off the digital piano or remove  the USB flash drive while dashes (“-”) are scrolling 
across the display. 
NOTICE 
						

							Using USB Flash Drives
P-255 Owner’s Man ual33
Using the following procedure, you can delete a 
MIDI-format User Song ( S.**) or audio-format User 
Song ( A.**) from a USB flash drive or a User Song 
(U. **) stored on the digital piano itself. 
1Plug in the USB flash drive. 
2Select the song you wish to delete. 
Refer to page 21 for details. 
3Press the [SELECT] button with the 
[FUNCTION] button held down. 
The message “dEL ” will be shown, followed by 
the message “n Y ” (no/yes). 
4Press the [+/YES] button to delete the 
song. 
Dashes (“-”) will scroll across the display as the 
song is being deleted.  When the operation has 
been completed, the message “ End” will be 
shown. If you wish to cancel the Delete operation 
at this time, press the [-/NO] button.  As described below, a USB flash drive can be format-
ted using the corresponding Function parameter. 
1Plug in the USB flash drive. 
2Press the [FUNCTION] button as many 
times as necessary to select Function 
parameter 
F8
.9. 
3Press the [+/YES] button to format the 
USB flash drive. 
The message “n Y” (no/yes) will be shown to 
confirm whether you wish to continue. If so, press 
the [+/YES] button once again. The message “- - -” 
will be shown while saving. When the data has 
been saved, the message “
End” will be shown. 
The display will then return  to the original screen. 
If you wish to cancel the Format operation, press 
the [-/NO] button while “
For” or “n Y” is being 
shown. 
Deleting a User Song
• You should never turn off the digital piano or remove 
the USB flash drive while dashes (“-”) are scrolling 
across the display. 
NOTICE
Formatting a USB flash drive
• When a USB flash drive is formatted, all of its content will be deleted. Before formatting, therefore, ensure that the USB 
flash drive contains no irreplaceable data. 
• You should never turn off the digital piano or remove the USB flash drive while dashes (“-”) are scrolling 
across the display. 
NOTICE
F8.9
NOTICE 
						

							P-255 Owner’s Manual34
Connecting Other Eq uipment
Refer to the section Panel Cont rols & Functions (page 8) for details of connector locations. 
[AUX IN] jack—Listen to a portable music 
player using the digital piano’s speakers 
By connecting the headphones jack of an audio device 
such as a portable music pl ayer to the digital piano’s 
[AUX IN] jack using a stereo audio cable as shown 
below, you can route audio from that device to the 
built-in speakers. 
[L/L+R] and [R] AUX OUT jacks—Listening to 
the digital piano using external speakers
If you need to raise the volume of the digital piano 
beyond the limit of the built-in speakers, you can con-
nect it to powered speakers using the [L/L+R] and [R] 
AUX OUT jacks. The volume  of the sound output via 
these jacks can be adjusted using the instrument’s 
[MASTER VOLUME] slider . If necessary, you can 
turn off your digital piano’s built-in speakers when 
using external speakers. Refer to page 44 for details. 
With your digital piano’s [USB TO HOST] terminal con-
nected to a computer using  a USB cable, you can exchange 
MIDI data with the computer  and also get much more out 
of music software running on it. For details on how to con-
nect to a computer and exchange data, please refer to the 
pdf manual 
Computer-related Operations, which can be 
freely downloaded from the Yamaha web site. 
• When connecting other equipment to your digital piano, ensure th at all devices are turned off first. In addition, be sure to set all volume levels 
to minimum (0) before turning devices on or off. Failure to observe these precautions can lead to electric shock, hearing damag e, or equip-
ment damage. 
• In order to avoid damaging an audio device when you want to listen to it using the digital piano’s built-in speakers, be sure  to turn on the 
audio device first, followed by the digital piano. In addition,  remember to always turn off the digital piano before the audio  device. 
CAUTION 
NOTICE
Connecting audio equipment 
• Using the corresponding Function parameter (page 40), you can specify whether 
or not the volume of audio output via the AUX OUT jacks will be adjustable using 
the [MASTER VOLUME] slider. 
• Select cables and plugs with the lowest resistance possible. 
• You should never directly or indirectly  connect the digital piano’s AUX OUT jacks 
to the [AUX IN] jack. For example, if you have connected the AUX OUT jacks to 
powered speakers or the like, you should never route sound from the speakers 
back to the digital piano’s [AUX IN] jack. 
• Use only the [L/L+R] AUX OUT jack if you wish to output the digital piano’s  sound in mono. 
Stereo mini-pl ug
Portable music 
player
Digital piano
Stereo mini-pl ug
Headphones jack
Stereo au dio cable
Signal flow
NOTE
Connecting to a computer
• Use a USB A-B cable. Make sure  that the length is less than 3 
meters. USB 3.0 cables cannot be used with your digital piano. 
• Your digital piano will start to exchange MIDI data shortly after the USB connec- tion is made. 
• When connecting your digital piano to a  computer via USB, do so directly with 
one cable and not via a USB hub. 
• Refer to the owner’s manuals that came with your computer and sequencer appli- cation for details on configuring them for use with MIDI. 
Types of file that can be exchanged with a computer
Songs:   Files with a .mid extension (SMF format 0 or 1)
[USB TO HOST] terminal
Computer 
USB ca ble
Digital piano
NOTICE
NOTE
NOTE
• Certain MIDI files in SMF format 0 or 1 may contain data that is not sup-
ported by your digital piano. In such a case, the files may not play as origi-
nally intended. 
NOTE 
						

							Connecting Other Equipment
P-255 Owner’s Man ual35
If you connect the MIDI terminals of your digital 
piano and another MIDI device (such as a keyboard, 
synthesizer, or sequencer) using a MIDI cable, you 
will be able to control the other device from the digital 
piano and vice-versa. 
• [IN] MIDI terminal ...... For input of MIDI data 
from another device
• [OUT] MIDI terminal .. For output of MIDI data 
to another device
The digital piano’s MIDI related settings—such as 
send channel, receive channel, and the type of data 
sent and received—can be  configured using the corre-
sponding Function parameters (page 40).  With an iPad or iPhone connected to your digital 
piano, you can use a wide range of apps to expand the 
functionality of your instrument in exciting new ways. 
In order to make such a 
connection, you will need a 
Yamaha i-UX1 USB MIDI Interface or i-MX1 MIDI 
interface. For details on how to connect the devices, 
refer to the  iPhone/iPad Connection Manual , which is 
freely available from the Ya maha web site (page 6). 
Apps
Designed specifically for yo ur digital piano, P-255 Controller  
is a free app that makes yo ur instr ument more con venient to 
operate. For more details of this and other s upported appli-
cations, refer to the following Yamaha web  page. 
http://www.yamaha.com/k bdapps/
Connecting other MIDI devices
• When connecting other equipment to your digital piano, 
ensure that all devices are turned off first. 
• Freely available from the  Yamaha Downloads web page (see page 6),  MIDI Basics 
provides an introduction to the fundamentals of MIDI. 
• The MIDI data sent and received by MIDI devices varies from model to model,  and connected MIDI devices can only exchange those types of MIDI data that 
they both support. Refer to the  MIDI Reference pdf manual for details of the MIDI 
data that your digital piano supports. 
CAUTION 
MIDI  IN
MIDI 
OUTMIDI
IN MIDI
OUT
Digital piano
Other MIDI 
device
MIDI send 
MIDI recei ve 
MIDI ca
ble
NOTE
NOTE
Connecting an iPad or iPhone
• In order to eliminate the risk of noise from other communication when using your 
digital piano with an iPad or iPhone app,  be sure to turn on Airplane Mode and 
then turn on Wi-Fi. 
• Be sure to place your iPad or iPhone on a stable surface to  prevent it from falling over and being damaged. 
NOTE
NOTICE 
						

							P-255 Owner’s Manual36
Performing Li ve
Your digital piano features a number of convenient functions for use when setting it up on stage in order to per-
form live. In order to provide a practical description of th e connections and settings required in this type of situa-
tion, we will focus on the followi ng two typical modes of use. 
• Performing on-stage as part of a band
• Singing and playing on your own
The following description covers performances 
together with other musicians on-stage at a live music 
club, performing arts venue, or the like. 
Stage setup and signal flow
The sound from your digital piano will be sent to a PA 
mixer in order that its volume can be balanced with 
that of the other instruments. From there, the mixed 
sound is amplified and sent to the front-of-house 
speakers so that the audience can hear it. Monitor 
speakers will be placed on the floor in front of the 
musicians so that they can  more clearly hear their own 
sound and that of the other instruments.  
Connect your foot switch or pedal. 
When plugged into the [SUSTAIN PEDAL] jack, the 
bundled foot switch can be used to turn on and off sus-
tain. (See page 11.)

Connect the instrument’s output to the PA mixer. 
In order to be heard, your instrument will need to be con-
nected to the PA mixer’s inputs. Normally, this connec-
tion is made via a DI box (direct box) located on-stage. 
As described in the note on the left, you should ensure 
that your digital piano is turned off and check with the 
PA operator before connecting to a DI box. When you get 
his or her OK, connect the [L/L+R] and [R] AUX OUT 
jacks on the instrument’s rear panel to the DI box inputs 
using standard mono audio cables (sold separately). 
If DI boxes are not being used, connect the [L/L+R] and 
[R] AUX OUT jacks on the instrument’s rear panel to the 
Performing on-stage as part of a band
Please read the following before setting up. 
• Ensure that the instrument is turned off before making any 
connections. In addition, you should always check with the 
PA operator and wait for his or her OK before connecting or 
disconnecting cables. Connection or disconnection when 
the operator is not ready can damage the PA system. 
• Do not turn on your digital piano as soon as you have made  all of the required connections. You should always set the 
[MASTER VOLUME] slider to the MIN position and get the 
OK of the PA operator before turning on or off the instru-
ment. Turning your digital piano on or off when the operator 
is not ready can damage the PA system. 
PA  m i x e r
Foot switch
or pedal
Front-of-house 
speaker Bass
Front-of-ho use 
speaker DI 
box
Guitar
Monitor speaker Powe r ampDr
ums
Vocal microphone
P- 2 5 5
NOTICE• If only one of the DI box channels is available for use with your digital piano, 
connect it to the [L/L+R] AUX OUT jack  using a standard mono audio cable. In 
this configuration, your left and right  signals will be mixed and output from the 
instrument in mono. 
B undled 
foot switch
P-255 rear panel
zx
c
DI  box To the PA mixer
DI  box To the PA mixer
Inp ut jack
(“IN ”, etc.)
Input jack
(“IN ”, etc.)
P-255 rear panel
Standard mono a udio ca ble (sold separately)
Plug shapeOne 
line
OK?Ye s !Please
NOTE
Standard mono au dio cable 
(sold separately)
P-255 rear panel DI 
box
To the PA mixer
Input jack
(“IN ”, etc.) 
						

							Performing Live
P-255 Owner’s Man ual37
input jacks on the PA mixer (or an on-stage sub-mixer) 
using standard mono audio cables (sold separately). 
Sound setup
Once all of the instruments an d microphones have been con-
nected, the PA operator will as k each musician in turn to 
play his or her instrument. Yo u should get ready as follows. 
Turn on your digital piano. 
As described in the note on  the previous page, first set 
the [MASTER VOLUME] slider to the MIN position 
and then check with the PA  operator whether you can 
turn on the instrument. Wh en you get the OK, press 
the [ ] Standby/On switch to turn it on. 
 Check your settings. 
Once turned on, ensure that yo ur digital piano is set up 
as follows. 
 uned to match the other instr uments (page 41). 
 uto Power-Off f unction disab led (page 10). 
 Foot switch operating correctly as a s ustain pedal (page 11). 
 ver b turned off (the PA operator will normally add the right 
amo unt of re ver b u sing the PA mixer). 
 und Boost f unction t urned on if yo u are finding it diffic ult to 
make yo ur digital piano heard within the o verall mix: This f unc-
tion has b een designed to enhance the presence of yo ur 
instr ument when played in a  band witho ut making it so und any 
less nat ural or expressi ve. Yo u can choose from three different 
types of so und  boost. (See page 18.)
 
 uilt-in speakers t urned off if necessary: There will  be no 
need to  use these speakers if yo u can hear yo ur own so und 
from an on-stage monitor speaker. (See page 44.)
 Determine the best digital-piano volumes. 
When asked by the PA oper ator to output a sound, 
play the digital piano as you would when performing 
and determine the best se ttings for the following. 
ume when yo u are playing accompaniment
 ume when yo u are playing lou dest, such as d uring a key-
b oard solo
 ume of each Voice to  be  used
Roughly speaking, the [MASTER VOLUME] slider 
should be set between 5 and 7 for playing accompani-
ment and to 8 or 9 when you need to play louder. If set 
too high, your sound may become distorted; if too 
low, any background noise will be more noticeable. 
When the volume needs to be  finely adjusted for dif-
ferent Voices or raised in order to play a solo, you 
should do this yourself  using the [MASTER VOL-
UME] slider. Similarly, you should use the [EQ] slid-
ers to keep the tone well balanced. 
 Balance the overall sound of the band. 
After the volumes of the various instruments have 
been set, the PA operator will have everyone play 
together in order to balan ce the overall sound of the 
band. At this time, you sh ould listen to the nearest 
monitor speaker and ensure  that you can hear every-
thing you need to in order to play well. If, for exam-
ple, you cannot hear your own sound, the singer, or 
another instrument well enough, ask the PA operator 
to raise the corresponding le vel in your monitor’s mix. 
 Lock the control panel to prevent mistakes. 
Your digital piano’s Panel Lock function allows you to 
temporarily disable control-panel buttons to prevent 
them being operated unintentionally while perform-
ing. To activate this function, press the [EFFECT] and 
[SOUND BOOST] buttons together. 
Note that the following will continue to operate nor-
mally when the control panel is locked. 
 Standb y/On switch
 [MASTER VOLUME] slider
 [EQ] sliders 
 [SUSTAI N PEDAL] jack 
 Pedal  unit
Performing
When playing live, try to relax and listen to your mon-
itor speaker in order to perform at your best. 
• If only one of the mixer’s channels is available for use with your digital piano, 
connect the [L/L+R] AUX OUT jack to the corresponding input jack using a stan-
dard mono audio cable. In this configurati on, your left and right signals will be 
mixed and output from the instrument in mono. 
Yo ur instr ument sho uld now  be f ully connected. The 
next step will  be to b alance you r performance so unds. 
NOTE
zcxOK?Ye s !Please
OFF
1
2
3
This completes the set up process. You  should 
now  be ready to play li ve.  
						

							Performing Live
P-255 Owner’s Man ual38 The following description 
covers performances where 
the sound of the digital piano  
q is output via a key-
board amplifier  
w and performances where your 
voice is amplified using a  microphone 
r and a PA  
set  
t (i.e., an amplifier and speakers). 
Required equipment and connections
qKeyboard  (i.e., your digital piano)
wKeyboard amplifier  
eTwo* standard mono audio cables
* Only one required for mono output. 
rVocal microphone
tPA  s e t  f o r  v o c a l s (amplifier + speakers)
yKeyboard stand, etc.  (if required)
 Connect your foot switch or pedal. 
When plugged into the [S USTAIN PEDAL] jack, the 
bundled foot switch can be used to turn on and off sus-
tain. (See page 11.) 
Connect the instrument’s output to the key-
board amplifier. 
Keyboard amplifiers normally require sound to be 
input in mono. For this reas on, you should connect the 
digital piano’s [L/L+R] AUX OUT jack to the ampli-
fier’s input using a standard mono audio cable (sold 
separately). The keyboard am plifier will mix your left 
and right signals and output  them together in mono. 
 Connect the vocal microphone
If you wish to connect the vocal microphone to a 
vocal or keyboard amplif ier, please refer to the 
owner’s manual that came with each. 
Sound setup
Before you start performing,  it is advisable to check 
the connections by playing and singing. 
 Turn on your digital piano. 
 Set volume and tone. 
 ughly speaking, yo u sho uld set the digital piano’s [MAS-
TER VOLUME] slider to 8 or 9, and yo u shou ld then adj ust the 
o verall  vol ume  using the key board amplifier. If this slider is set 
too high, yo ur so und may  become distorted; if too low, any 
b ackgro und noise will  be more noticeab le. 
Singing and playing on your own
• If your keyboard amplifier features multiple inputs, you may be able to connect 
both the vocal microphone and digital piano  to it. For details, please refer to the 
owner’s manual that came with it. 
Please read the following before setting up. 
•  Ensure that the digital piano, the keyboard amplifier, and  all other devices are turned off before connecting or dis-
connecting cables. Music equipment can be permanently 
damaged by plugging cables in and out with the power 
turned on. 
w Key board amplifier
*: Shape of pl ugs on standard 
mono a udio ca ble 
e. 
One line
t Speaker for vocals
t Speaker for 
     v ocals
q P- 2 5 5
t Amplifier for
vocals
r Vocal microphone
e*
y
NOTE
NOTICE
B undled 
foot switch
P-255 rear panel
• If the PA mixer supports the input of  stereo signals, see the section Connect the 
instrument’s output to the PA mixer (page 36). 
Yo ur eq uipment sho uld now  be f ully connected. 
• When turning on the equipment, first ensure that your digi-
tal piano’s [MASTER VOLUME] slider is set to the MIN posi-
tion and the keyboard amplifier’s volume is turned fully 
down. You should then turn on the digital piano, followed 
by the keyboard amplifier. When turning off, again set both 
devices to their minimum volumes, and then turn off the 
keyboard amplifier, followed by the digital piano. 
Key board amplifier 
P-255 rear panel
IN PUT
Standard mono a udio cab le 
(sold separately)
NOTE
NOTICE
Turning on Tu r n i n g  o ff
z Turn on
P-25 5x T urn on
key board
ampz T urn off
key board
ampx T urn off
P- 2 5 5 
						

							Performing Live
P-255 Owner’s Man ual39
 We recommend setting the [EQ] sliders to their central posi-
tions and adj usting the o verall tone u sing the key board ampli-
fier. This approach pro vides the maxim um adj usta ble range 
sho uld yo u need to change the tone d uring yo ur performance. 

We recommend that yo u turn the So und Boost f unction on. 
This f unction  boosts the presence of your instr ument so that 
the entire a udience can clearly hear not only notes played  very 
lo ud,  but also those played soft. 
You can choose from three dif-
ferent types of sou nd boost. (See page 18.)
 Check your settings. 
Once turned on, ensure that yo ur digital piano is set up 
as follows. 
 uto Power-Off f unction disab led (page 10) 
 Foot switch operating correctly as a s ustain pedal (page 11) 
 uilt-in speakers t urned off if yo u do not need to hear them 
(page 44)
 Lock the control panel to prevent mistakes. 
Your digital piano’s Panel Lock function allows you to 
temporarily disable control-panel buttons to prevent 
them being operated unin tentionally while perform-
ing. To activate this function, press the [EFFECT] and 
[SOUND BOOST] buttons together. Note that the fol-
lowing will continue to op erate normally when the 
control panel is locked. 
 by/On switch
 [MASTER VOLUME] slider
 [EQ] sliders 
 [SUSTAI N PEDAL] jack 
 Pedal  unit
Performing
When playing live, relax and try to listen to the overall 
sound of your performance so that you can make 
small adjustments if necessary. For example, you 
could use the [MASTER VOLUME] slider to keep the 
vocal and digital-piano volumes well balanced. 
This completes the set up process. Yo u sho uld 
now  be ready to play li ve. 
1
2
3
Other Convenient Functions
Thanks to its digital design, the P-255 offers a range of 
highly  usef ul f unctions as descri bed  below. When p ut to 
effecti ve  use, they can help make yo ur performances 
m uch more enjoya ble. 
Dual mode: Two layered Voices
Using D ual mode, each key can sim ultaneo usly prod uce 
the so und of two different Voices. (See page 14.)
Split mode: One Voice for the left, another for the right
Yo ur digital piano’s Split mode lets yo u di vide the key-
b oard at a freely selecta ble point and assign different 
Voices to the left and right sides. (See page 14.)
Transpose
Using the Transpose f unction, yo u can shift the pitch of 
key board notes u p or down in semitone  units. This allows 
yo u to change key witho ut ha ving to change what yo u 
act ually play on the key board. (See page 16.)
Touch sensitivity
Yo ur digital piano’s to uch sensiti vity f unction allows yo u to 
adj ust the degree to which changes in the strength of 
yo ur playing are reflected in the so und prod uced. (See 
page 45.)
Rhythm tracks
Playing along with one of the many rhythm tracks pro-
vided is almost like ha ving your own pri vate  band. (See 
page 20.)
Reverb
Adding re ver b to yo ur so und is a great way to create a 
rich sense of depth and space. (See page 15.)
Effects
The digital piano’s Effect f unction can enhance yo ur 
so und in  variou s different ways for more expressi ve per-
formances. (See page 16.)
Playing along with a recording
If yo u ha ve created a song b y recording yourself playing, 
yo u can then play along with that song as an accompani-
ment. (See page 21.)
Music input from an audio player
With an a udio player connected to yo ur digital piano, yo u 
can play along with yo ur fa vorite t unes or add b acking 
tracks or effect so unds to yo ur li ve performances. (See 
page 34.)
Extensive MIDI and computer support
Yo ur digital piano can  be easily integrated with other MIDI 
instr uments or a comp uter. In this way, yo u can o utp ut 
MIDI performance data as yo u play, perform with  voices 
only fo und on other de vices, and enhance yo ur key board-
playing experience in many other ways. (See page 35.)
Support for smart-device apps
Using the specially de veloped app  P-255 Controller , you 
can set yo ur instr ument in a simpler, more int uitiv e man-
ner. (See page 35.)
Here at Yamaha, we are contin ually releasing exciting 
new apps for smart de vices. For details, v isit the following 
Yamaha we b page. 
http://www.yamaha.com/k bdapps/ 
						

							P-255 Owner’s Manual40
Cu stomizing with F unction Parameters
Using your digital piano’s Function parameters, you can  tune the instrument, adjust the metronome volume, and 
make a wide range of other convenient settings. 
Function parameters
FunctionFunction 
numberDefault settingBackup parameter (page 46) Page 
T u ning F1.440 Hz F8.3 41
Tu ning system set-
tingsT u ning systemF2.11 (Equ al temperament)F8.342
Base noteF2.2C42
D ual mode settings D
ual  balance F3.1
Each combination of 
Voices has its own  defau lt.  F8.142
D ual det une F3.2 42
Voice 1 octa ve shift F3.3 42
Voice 2 octa ve shift F3.4 42
Voice 1 effect depth F3.542
Voice 2 effect depth F3.642
Reset F3.7––42
Split mode settings
Split pointF4.1F#2
F8.1
43
Split  balanceF4.2
Each com bination of 
Voices has its own  defau lt. 
43
Right Voice octa ve shiftF4.343
Left Voice octa ve shiftF4.443
Right Voice effect depthF4.543
Left Voice effect depthF4.643
Damper pedal rangeF4.71 (R)43
ResetF4.8––43
Pedal and special 
so und settings Pedal [PLAY/STOP] f
unction  F5.1OFF F8.4 43
Damper-pedal resonance depth F5.2Voice-specific defa ults F8.1 43
Soft pedal effect depth F5.35
F8.443
String resonance depth F5.454 4
S ustain sample depth F5.554 4
Key-off sample  vol ume F5.654 4
Intro on/off stat us F5.7ON 44
Ending on/off stat us F5.8ON 44
Vo lume settings
Metronome  vol umeF6.115F8.144
Rhythm play back  vol umeF6.216
F8.4
44
A udio song play back  vol umeF6.31644
MIDI song play back  vol umeF6.42044
Speaker on/off stat usF6.5O N–44
AUX  O UT v olume control F6.61 (Varia ble)–44
Fixed AUX OUT  vol umeF6.715F8.444
To uch sensiti vityF6.82F8.145
Fixed touch-sensitivity  vol umeF6.96445
MIDI f unction settings MIDI send channel
F7.11
F8.245
MIDI recei ve channel F7.2ALL 45
MIDI song play back channels F7.3ALL F8.445
Local control on/off stat us F7.4ON F8.245
Program change on/off stat us F7.5ON F8.246
Control change on/off stat us F7.6ON F8.246
Send initial set up F7.7––4 6
Backup and other set-
tings
Voice config uration  back upF8.1OFF
–
46
MIDI config uration  back upF8.2O N47
Tu ning configu ration back upF8.3O N47
Miscellaneo us  back upF8.4O N47
Character codeF8.5Int47
Sa veF8.6–47
LoadF8.7–47
A uto Power-OffF8.83047
Format USB flash dri ve F8.9–47