Technics Keyboard Sx Kn7000 Owners Manual
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Page 111
•To assign a name to each VARIATION, press the VARIATION button and select a number. 3.On the RECORD MEMORY display, press the OK button. •The display looks similar to the following. 4.Press the CLEAR THE ENTIRE PATTERN button. •The display looks similar to the following. 5.Press the YES button. •All the data for the selected pattern is erased. 6.Use the MEASURE ∧ and ∨ buttons to specify the number of measures in your new rhythm pattern (1 to 16). 7Use the TIME SIGNATURE ∧ and ∨ buttons to specify the...
Page 112
Recording procedure 1.In the START RECORDING area on the dis- play, select the rhythm part you want to record first. BAS: BASS AC1–5: ACCOMP 1–5 DR1, 2: DRUMS 1, 2 •The metronome sound starts and the display looks similar to the following. 2.Adjust the tempo. •The tempo is shown on the display as =. •The tempo can be freely adjusted when you play back the rhythm pattern, so record at the tempo which is easiest for you to play. 3.Select the sound. •For the DRUMS part, only sounds from the DRUM KITS...
Page 113
5.Use the buttons below the display to switch to a different recording part, and proceed to re- cord each part in turn. 6.When you have finished recording the rhythm, turn off the PROGRAM MENUS button. Chord Modify Change For data that has already been recorded, you can select the type of pattern progression for the bass and accomp parts. •This function cannot be used for the INTRO and ENDING patterns. 1.On the RECORDING display, press the CHORD MODIFY CHANGE button. •The display looks similar to the...
Page 114
Part Setting You can make detailed settings for each part. 1.On the REALTIME RECORDING display, press the PART SETTING button. •The settings comprise two pages of the dis- play. Use the PAGE buttons to switch pages. 2.Use the PART ∧ and ∨ buttons to select a part. 3.Use the ∧ and ∨ buttons to set the correspond- ing item. PITCH POINT: The pitch at which the pattern progression sound is lowered by one octave. •When the root note of the specified chord is higher than the set pitch point, the pitch of...
Page 115
DSP SET Press the DSP SET button if you wish to make detailed settings for the ACCOMP DSP effect. •Two types of DSP can be used for the auto- matic accompaniment. •You can specify whether or not to apply DSP1 to each part or to apply it to all the automatic accompaniment parts.1.Use the DSP and buttons to select the DSP type. 2.Use the GROUP and TYPE ∧ and ∨ buttons to select a group and type. 3.Use the VARI ∧ and ∨ buttons to select VAR- IATION ON or OFF. •Use the DSP1 MODE button to select the DSP1...
Page 116
Step Record Use STEP RECORD to store the notes one-by-one on the display. This is a convenient way to store complicated patterns that are difficult to play. Recording procedure 1.While you are recording, press the STEP RE- CORD button. •The display changes to the STEP RECORD display similar to the following. 2.Use the CURSOR buttons to move the cursor to the note position you are going to store. •Each dot represents one-eighth of a quarter- note (a thirty-second note). •When storing triplets, it may not...
Page 117
Measure Edit You can edit the recorded data one measure at a time. Select the function you wish to edit. 1.During recording, press the MEASURE EDIT button. •The display looks similar to the following. 2.Select the function. 3.Follow the procedure to edit the function (see below). •Only the contents of the same pattern can be edited. MEASURE COPY Copy recorded data of specified measures to a specified point. •On the destination track, the new data re- places the current measure contents. 1.Specify the...
Page 118
MEASURE ERASE Erase the recorded contents of specific meas- ures. •Note that only the contents of the measures are erased, not the measures themselves; the length of the performance remains the same. 1.Use the PART ∧ and ∨ buttons to specify the part. •If ALL is selected, data is erased from the specified measures of all the parts at one time. 2.Use the FIRST MEASURE ∧ and ∨ buttons to specify the start point (measure number). 3.Use the LAST MEASURE ∧ and ∨ buttons to specify the end point (measure...
Page 119
Pattern Copy Use this function to copy a pattern from a rhythm or from SEQUENCER data. PATTERN COPY Copy a rhythm to the COMPOSER. •You can also copy a pattern from the MEMORY. 1.On the COMPOSER MENU display, select PATTERN COPY. •The display looks similar to the following. 2.Select the pattern you wish to copy. •In the FROM box, specify the settings with the corresponding buttons. GROUP: Group name RHYTHM: Rhythm name PATTERN: Pattern name •If ALL is selected, all the patterns are copied. 3.Select the...
Page 120
SEQ TO COMPOSER COPY Data from the SEQUENCER can be copied to a COMPOSER memory. For example, you can use a rhythm pattern on a song disk as the automatic accompaniment for your own performance. 1.Play back the song you wish to copy from SEQUENCER to confirm the tracks, the meas- ures and the time signature you wish to copy. 2.Follow the procedure in “Prepare to record” to prepare the COMPOSER memory you will be copying to. (Refer to page 110.) •Be sure that time signature setting in the SEQUENCER data...