Technics Digital Ensemble Sx Pr54 Owners Manual
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Part IV Composer 81QQTG0701 Composer Three ways to record in the COMPOSER There are three ways to create and record a rhythm. Simple recording method Use EASY COMPOSER to quickly create a unique rhythm just by selecting a pattern for each part. Create a completely new rhythm (page 82) Compose all the parts of a completely new rhythm from scratch. You can use either realtime recording or step record for any part of the recording. Pattern Copy (page 88) Copy a preset rhythm or SEQUENCER data to a COMPOSER memory, edit it as you like, and then store it as a new rhythm. Simple recording method With EASY COMPOSER you can easily create a unique rhythm pattern by selecting a different style for each part of the rhythm. 1.On the COMPOSER MENU display, select EASY COMPOSER. The display looks similar to the following. 2.Use the MEM ∧ and ∨ buttons to select the memory in which to record your rhythm. Select from A-vari 1 to 4, B-vari 1 to 4 and C-vari 1 to 4. 3.Use the PART and buttons to select the part. In the EASY COMPOSER, the new rhythm pattern is divided into 9 parts, to each of which a style and variation is assigned. 4.Use the STYLE ∧ and ∨ buttons to select a style. 5.Use the VARI ∧ and ∨ buttons to select the variation number. The number of variations differs depending on the selected style. A part which is set to OFF does not sound. Note that the “BsDrum&Snare” part cannot be set to OFF. 6.Repeat steps 3 to 5 to select styles for the other parts. 7.Press the SET button. The rhythm pattern is played back. If you are not satisfied with the rhythm pattern, repeat steps 3 to 7. If you wish to correct the sounds or phrases in your rhythm pattern, press the EDIT button. The display changes to the recording display. (Refer to page 83.) For playback, refer to page 85. RECORDING MEMORY-A Create a memory in the MEMORY A bank. RECORDING MEMORY-B Create a memory in the MEMORY B bank. RECORDING MEMORY-C Create a memory in the MEMORY C bank. EASY COMPOSER Create a rhythm pattern with a simplified procedure.PATTERN COPY (page 88) Copy a rhythm pattern into a memory. SEQ TO COMPOSER COPY (page 89) Copy recorded data in the SEQUENCER to the COMPOSER. LOAD SINGLE COMPOSER Recall the desired COMPOSER data from data saved on a disk. This procedure is the same as when COMPOSER is selected for SINGLE LOAD. (Refer to page 93.) Summary of the COMPOSER menu items 09_Part IV.fm 81 ページ 2003年5月20日 火曜日 午後5時25分
Part IV Composer 82QQTG0701 Composer Create a completely new rhythm Clear the memories and compose a completely new rhythm from scratch. You can also use this method when copying a pattern from a preset rhythm or the SEQUENCER. Prepare to record 1.On the COMPOSER MENU display, select a memory in which to record (RECORDING MEMORY A, B, or C). The display looks similar to the following. 2.Use the buttons below the display to select the pattern you want to create. If the MEM CLR button is pressed, all the current con- tents of the MEMORY (A/B/C) are erased (a confirmation display appears). You can press the NAMING button and assign a name to the MEMORY. To assign a name to each VARIATION, press the VARI button and select a number. 3.On the RECORD MEMORY display, press the OK button. The display looks similar to the following. 4.Press the CLEAR THE ENTIRE PATTERN button. The display looks similar to the following. 5.Press the YES button. All the data for the selected pattern is erased. 6.Press the MEASURE SETTING button. 7.Use the MEASURE ∧ and ∨ buttons to spec- ify the number of measures in your new rhythm pattern (1 to 16). 8.Use the TIME SIGNATURE ∧ and ∨ buttons to specify the meter of the pattern (1/4 to 8/4). When the settings for the MEASURE and TIME SIGNA- TURE of the INTRO or ENDING patterns are changed, the Maj and Min settings change at the same time. 9.Press the OK button. 10.Press the EXIT button. 09_Part IV.fm 82 ページ 2003年5月20日 火曜日 午後5時25分
Part IV Composer 83QQTG0701 Composer KEY SETTING Set the key and chord in which you wish the recorded pattern to be played. If the recorded performance is played in a key or chord different from this setting, the automatic accompaniment will not be able to distinguish the correct chord. 1.On the RECORDING display press the KEY SETTING button. The display looks similar to the following. 2.Use the KEY ∧ and ∨ buttons to set the key. Use the CHORD ∧ and ∨ buttons to set the chord type (Maj/Min). 3.When you have finished making the settings, press the EXIT button. Recording procedure 1.In the START RECORDING area on the dis- play, select the rhythm part you want to record first. BAS: BASS AC1–5: ACCOMP 1–5 DR1, 2: DRUMS 1, 2 The metronome sound starts and the display looks simi- lar to the following. 2.Adjust the tempo. The tempo is shown on the display as q =. The tempo can be freely adjusted when you play back the rhythm pattern, so record at the tempo which is easi- est for you to play. 3.Select the sound. For the DRUMS part, only sounds from the DRUM KITS sound group can be selected. For the ACCOMP and BASS parts, select sounds from groups other than the DIGITAL DRAWBAR sound groups. The sounds marked with # represent special guitar per- formances and changing them to other sounds may result in an unnatural, awkward sound expression. 4.Record the part. The specified number of measures are repeatedly played back, during which time any newly played notes are added to those already recorded. The current measure number is shown on the display as “MEASURE=”. Record the performance in C major for correct chord pro- gressions during playback. Follow the KEY SETTING procedure if you wish to record the performance in a dif- ferent scale. The sustain pedal operation or PITCH BEND and MODU- LATION effects when MIDI data is received are also recorded (except for the DRUMS part). Button functions PART BALANCE: Adjust the volume of each part on the PART BALANCE display. (These settings are not recorded.) PART SETTING: You can make detailed settings for each part. (Refer to page 84.) STEP RECORD: Change to the STEP RECORD mode. (Refer to page 86.) SOLO: Mute all parts except the part which is cur- rently being recorded. A MUTE mark is shown for the other parts on the display. To turn off the SOLO function, press this button again. PART CLR: Erase all recorded contents of the currently selected part. NOTE CLR: Data is erased one note or one percussion instrument (DRUMS part) sound at a time. Hold and press this button, and press the keyboard key that corresponds to the note or percussion instrument (DRUMS part) sound you wish to erase. ALL ERAS: The performance recorded in the selected part is erased for as long as this button is pressed. (Continued on the next page) 09_Part IV.fm 83 ページ 2003年5月20日 火曜日 午後5時25分
Part IV Composer 84QQTG0701 Composer QUANTIZE: Smooth out any unevenness in the timing of your performance. Before recording, select the note value for the desired quantize level. (The quantize level is shown on the dis- play as QUANTIZE=.) KEY IN CHORD MODIFY (except for INTRO, ENDING, DRUMS): Use the GROUP and TYPE ∧ and ∨ buttons to select the type of pattern progression. This setting is for the sound that is going to be recorded from this time. 5.Use the buttons below the display to switch to a different recording part, and proceed to record each part in turn. 6.When you have finished recording the rhythm, turn off the PROGRAM MENUS button. Chord Modify Change For data that has already been recorded, you can select the type of pattern progression for the bass and accomp parts. This function cannot be used for the INTRO and ENDING patterns. 1.On the RECORDING display, press the CHORD MODIFY CHANGE button. The display looks similar to the following. 2.Use the PART and buttons to select the part you wish to set. 3.Use the GROUP and MODIFY TYPE ∧ and ∨ buttons to select the corresponding progres- sion type. If a progression type for which the note name is displayed (in C key) was selected for the chord group, played notes which are not displayed are changed to notes which are displayed. 4.Use the FUNCTION ∧ and ∨ buttons to enable or disable the function. KEEP: No change. CHANGE: The change is enabled. 5.When you have finished making the settings for each part, press the OK button. 6.Press the EXIT button. Part Setting You can make detailed settings for each part. 1.On the REALTIME RECORDING display, press the PART SETTING button. The settings comprise 3 pages of the display. Use the PAGE buttons to switch pages. 2.Use the PART and buttons to select a part. 3.Use the ∧ and ∨ buttons to set the corre- sponding item. 09_Part IV.fm 84 ページ 2003年5月20日 火曜日 午後5時25分
Part IV Composer 85QQTG0701 Composer PITCH POINT: The pitch at which the pattern progression sound is lowered by one octave. When the root note of the specified chord is higher than the set pitch point, the pitch of that part is automatically lowered by one octave, thus avoiding an unnaturally high accompaniment pitch. This is effective only for the part for which the Melody group was selected in CHORD MODIFY CHANGE. SOUND: Use the panel buttons to select the sound. DIGI EFF: Set the DIGITAL EFFECT to on or off. (SOUND) is the initialized setting of the sound. BALANCE: Adjust the volume balance. PAN: Adjust the stereo balance of each part (LEFT 64 – CENTER – RIGHT 63). At “LEFT 64”, the sound is all the way to the left, at “RIGHT 63” all the way to the right. The center point is CENTER. REV: Depth of the REVERB (0 to 127). CHO: Depth of the CHORUS (0 to 127). BEND RANGE: Adjust the range of pitch change when the PITCH BEND data is received (0 to 12). EQ-Hi: Sound correction in the high range. Use the FC ∧ and ∨ buttons to adjust the standard fre- quency. Use the GAIN ∧ and ∨ buttons to set the ratio of change. EQ-Low: Sound correction in the low range. Use the FC ∧ and ∨ buttons to adjust the standard fre- quency. Use the GAIN ∧ and ∨ buttons to set the ratio of change. Playback 1.In the RHYTHM GROUP section, press the MEMORY button.The display looks similar to the following. 2.Select the desired memory (A/B/C). 3.Use the VARIATION buttons to select a varia- tion. 4.Press the START/STOP button. The DRUMS part begins to play back. The BASS and ACCOMP parts are played back when you use the AUTO PLAY CHORD. RHYTHM GROUP METRONOMEPOP ROCKFUNK & SOUL DISCOPOP BALLADBALLADBALLROOM & SHOW MEMORY LATIN & WORLD JAZZ & SWING WALTZ & TRAD USA 16 BEAT 8 BEAT LOAD 09_Part IV.fm 85 ページ 2003年5月20日 火曜日 午後5時25分
Part IV Composer 86QQTG0701 Composer Step Record Use STEP RECORD to store the notes one-by-one on the display. This is a convenient way to store com- plicated patterns that are difficult to play. Recording procedure 1.While you are recording, press the STEP RECORD button. The display changes to the STEP RECORD display simi- lar to the following. 2.Use the CURSOR buttons to move the cursor to the note position you are going to store. Each dot represents one-eighth of a quarter-note (a thirty-second note). When storing triplets, it may not be possible to match the timing exactly with the 1/32-note steps. However, if you select triplet-type notes for the note length (LENGTH) in step 4 below, the timing is automatically corrected. 3.Use the PAGE button to access the PAGE 2/2 display. 4.Use the left LENGTH buttons to specify the note value. Select from r3, r, x3, x, e3, e, q3, q, h, w, w × 2 to 4. (A 3 denotes a triplet-type note.) For note values other than these, use the right LENGTH buttons to specify the note value to be added to that which you specified with the left buttons. Example: To record a dotted quarter-note (q.) q + e 5.Use the PHRS ∧ and ∨ buttons to specify the actual length of the produced sound for the desired legato or staccato effect. 6.Specify the pitch and velocity of the note by playing the keyboard. The dot on the display where the note is stored changes to a ∗ mark. When recording chords, you can store multiple notes at one position. REST:To store a rest, after specifying the note LENGTH, press the REST button. Positions at which nothing is stored are read as rests. ERS:If you make a mistake, move the cursor to the error, and after displaying the data you wish to erase, press the ERS button. 7.Repeat steps 2 through 6 to continue storing notes. To record a different part, use the PART ∧ and ∨ buttons to select another part. The NOTE, VELOCITY, LENGTH, CHORD MODIFY and CONTROL can be revised later. Press the OK button after the revision. You can easily switch between the REALTIME mode and the STEP mode any time during recording. To return to the realtime recording display during the STEP RECORD mode, press the EXIT button. TENU (tenuto): Sound is produced for 95% of the note length. NORM (normal): 80% STAC (staccato): 50% CUTT (cutting): 25% 09_Part IV.fm 86 ページ 2003年5月20日 火曜日 午後5時25分
Part IV Composer 87QQTG0701 Composer Measure Edit You can edit the recorded data one measure at a time. Select the function you wish to edit. 1.During recording, press the MEASURE EDIT button. • The display looks similar to the following. 2.Select the function. 3.Follow the procedure to edit the function (see below). Only the contents of the same pattern can be edited. MEASURE COPY Copy recorded data of specified measures to a specified point. On the destination track, the new data replaces the cur- rent measure contents. 1.Specify the measures you wish to copy from the source track (FROM). On the FROM side, specify the settings with the corre- sponding buttons. PART: Select the part to copy from. (If ALL is selected, all parts are copied.) FIRST MEASURE: Specify the first measure to copy. LAST MEASURE: Specify the last measure to copy. 2.Specify where you wish to copy the selected measures to. On the TO side, specify the settings with the correspond- ing buttons. PART: Select the part to copy to.START MEASURE: Specify the start point to copy the selected measures to. 3.Press the OK button. The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function. If the FROM and TO parts are the same and the FROM and TO measures overlap, copy is not possible. MEASURE ERASE Erase the recorded contents of specific mea- sures. Note that only the contents of the measures are erased, not the measures themselves; the length of the perfor- mance remains the same. 1.Use the PART ∧ and ∨ buttons to specify the part. If ALL is selected, data is erased from the specified mea- sures of all the parts at one time. 2.Use the FIRST MEASURE ∧ and ∨ buttons to specify the start point (measure number). 3.Use the LAST MEASURE ∧ and ∨ buttons to specify the end point (measure number). 4.Press the OK button. The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function. 09_Part IV.fm 87 ページ 2003年5月20日 火曜日 午後5時25分
Part IV Composer 88QQTG0701 Composer MEASURE DELETE Delete specified measures from all parts at once. The length of the performance accordingly decreases by the number of deleted measures. 1.Use the FIRST MEASURE ∧ and ∨ buttons, to specify the first measure to delete. 2.Use the LAST MEASURE ∧ and ∨ buttons to specify the last measure to delete. One measure is the smallest unit that can be deleted. 3.Press the OK button. The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function. When the INTRO or ENDING measures are deleted, the Maj and Min data are erased at the same time. MEASURE INSERT Insert blank measures at a specified point. The length of the performance accordingly increases by the number of inserted measures. 1.Use the FIRST MEASURE button to select the point (measure) where the measures are to be inserted. 2.Use the NUMBER OF MEASURE button to select the number of blank measures to insert. No more than 16 measures total can be inserted. 3.Press the OK button. The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function. The Maj or Min data is inserted in the INTRO and END- ING at the same time. Pattern Copy Use this function to copy a pattern from a rhythm or from SEQUENCER data. PATTERN COPY Copy a rhythm to the COMPOSER. You can also copy a pattern from the MEMORY. 1.On the COMPOSER MENU display, select PATTERN COPY. The display looks similar to the following. 2.Select the pattern you wish to copy. In the FROM box, specify the settings with the corre- sponding buttons. GROUP: Group name RHYTHM: Rhythm name PATTERN: Pattern name If ALL is selected, all the patterns are copied. 3.Select the memory you wish to copy to. In the TO box, specify the settings with the corresponding buttons. MEMORY: Memory name (A, B or C) PATTERN: Pattern name If ALL is selected, all the patterns are copied. 4.Press the OK button. When copying has been successfully completed, “COM- PLETED!” appears on the display. If you wish to use the COMPOSER functions to edit the copied data, press the EDIT button, and follow the proce- dure to record a pattern. 09_Part IV.fm 88 ページ 2003年5月20日 火曜日 午後5時25分
Part IV Composer 89QQTG0701 Composer Copying individual parts 1.Use the PAGE ∧ and ∨ buttons to select PAGE 2/2. The display looks similar to the following. 2.On the FROM side, use the buttons to specify the part to copy from. For the DRUM part you can specify the DRUMS 1 or 2 part; for other parts you can specify a part other than a DRUMS part. 3.Specify the destination on the TO side to which the part will be copied. 4.Press the OK button. SEQ TO COMPOSER COPY Data from the SEQUENCER can be copied to a COMPOSER memory. For example, you can use a rhythm pattern on a song disk as the auto- matic accompaniment for your own performance. 1.Play back the song you wish to copy from SEQUENCER to confirm the tracks, the mea- sures and the time signature you wish to copy. 2.Follow the procedure in “Prepare to record” to prepare the COMPOSER memory you will be copying to. (Refer to page 82.) Be sure that time signature setting in the SEQUENCER data you are copying from and the time signature in the COMPOSER memory you are copying to are the same, or the data will not be copied successfully. 3.On the COMPOSER MENU display, select SEQ TO COMPOSER COPY. The display looks similar to the following. 4.Use the FIRST MEAS ∧ and ∨ buttons to specify the number of the first measure to copy. 5.Use the LAST MEAS ∧ and ∨ buttons to spec- ify the number of the last measure to copy. 6.Use the TRANSPOSE ∧ and ∨ buttons to change the key of the copied measures (−24 to +24). Units are in semitones. 7.Use the MEMORY ∧ and ∨ buttons to specify the COMPOSER memory to copy to. 8.Use the PATTERN ∧ and ∨ buttons to specify the pattern to copy to. 9.For each COMPOSER part, specify the SEQUENCER track from which to copy data. Use the PART and buttons to specify the part name, and the TRACK ∧ and ∨ buttons to specify the track number. Parts which are set to OFF are blank. 10.Press the OK button. “COMPLETED!” is shown on the display. If you wish to use the COMPOSER function to edit the copied data, press the EDIT button, and follow the proce- dure to record a pattern. In the case of INTRO or ENDING, if a measure contains a Maj or Min command, it is reproduced in the other pat- tern as well. 09_Part IV.fm 89 ページ 2003年5月20日 火曜日 午後5時25分
90QQTG0701 Disk Drive Part V Disk Drive Outline of the Disk Drive function The Disk Drive enables you to store recorded and stored data from this instrument’s memories on disks, as well as play commercial recorded disks on this instrument. Internal memory and Disk Drive The storable internal memory of this instrument as well as the backup time are limited. However, the Disk Drive maximizes your control of data management by allowing you to store (SAVE) this instrument’s data on disks, and then to recall (LOAD) it at any time. The BACK UP data will not be erased even with the pas- sage of time. The following data can be saved/loaded: PERFORMANCE BACKUP When creating or saving song data, it is recommended that you use the performance data in the PERFOR- MANCE group. Instead of using MIDI & FAVORITES as frequently loaded and saved data, it is recommended that you save it with other data as backup data. The SEQUENCER contents can be saved in one-song increments (SEQUENCER SONG SAVE). Please use 2HD disks to load/save BACKUP data. Main parts of the Disk Drive Eject button Press to remove the disk from the Disk Drive. You can use 3.5 inch 2DD (720 KB) or 2HD (1.44 MB) disks; however, 2HD disks formatted as 2DD cannot be used. CURRENT PANEL (The current panel settings) PANEL MEMORY SEQUENCER COMPOSER (MEMORY contents) SOUND MEMORY EFFECT MEMORY MIDI & FAVORITES Floppy Disk Drive Floppy disk SAVE LOAD Disk slot Eject button This indicator is lit continuously as long as the power is on. 10_Part V.fm 90 ページ 2003年5月16日 金曜日 午後8時41分