Technics Digital Ensemble Sx Pr54 Owners Manual

							Part VIII Sound Edit
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Sound Edit
TONE SELECT
1.On the SOUND EDIT menu, select TONE.
The display looks similar to the following.
Use the 
 and  buttons to select a setting item and
then the 
∧ and ∨ buttons to specify a selection.
Select ON/OFF and use the 
∧ and ∨ buttons to select
ON or OFF.
2.Use the buttons to the left of the display to
select the tone you wish to edit (1st, 2nd, 3rd,
4th).
3.Select a sound for the tone.
Select GROUP and use the ∧ and ∨ buttons to select
the group, and select TONE NAME and use the 
∧ and ∨buttons to select the sound.
A “∗” mark in the DYNAMICS column indicates that a
TONE DYNAMICS change was made to the sound.
4.Select LEVEL and use the ∧ and ∨ buttons to
adjust the volume.
5.Select KEY and use the ∧ and ∨ buttons to set
the pitch of the output sound.
6.Select DETUNE and use the ∧ and ∨ buttons
for fine adjustment of the pitch deviation.
7.Select PANNING MODE and use the ∧ and ∨
buttons to select mode. (NORMAL, RANDOM,
STEREO R, STEREO L)
If RANDOM, STEREO R or STEREO L is selected for the
MODE, the balance is fixed (cannot be moved).
8.Select PAN and use the ∧ and ∨ buttons to
adjust the stereo balance.
CTR is the center point. At L64, the sound is all the way
to the left, at R63 all the way to the right.
9.Select DELAY and use the ∧ and ∨ buttons to
adjust the delay time of the sound.
The higher the number, the longer the delay before
sound output.
10.Select TRIGGER and use the ∧ and ∨ but-
tons to select a trigger mode.
KEY ON: 
The normal mode, in which sound is emitted
when the key is played.
KEY OFF: 
Sound is emitted when the key is released
(like muted strings, for example).LEGATO:
Sound is emitted only when the key is played
legato.
NON LEG:
Sound is not emitted when the key is played
legato.
PEDAL: 
The sound is produced only while the SUS-
TAIN button is on.
CHORD: 
The sound is emphasized when chords are
played (like the cutting sound of a guitar, for
example).




 
TONE COPY
You can copy the tone of a particular sound to a
specified tone in the sound you are editing.
1.On the 1/4 display, press the TONE COPY
button.
2.Use the FROM ∧ and ∨ buttons to select the
tone to copy from.
Use the OPTION ∧ and ∨ buttons to select the item you
wish to copy.
3.Use the TO ∧ and ∨ buttons to select the tone
you wish to copy to.
4.Press the OK button.
Tone copy is executed.
KEY LAYER
Adjust the relation of tone output to keyboard
location.
1.Use the PAGE buttons to view the 2/4 display.
The display looks similar to the following.
Use the 
 and  buttons to select a setting item and
then the 
∧ and ∨ buttons to specify a selection.
2.Use the buttons to the left of the display to
select a tone (1st, 2nd, 3rd or 4th).
3.Select L-FADE and use the ∧ and ∨ buttons
and select LOW and use the 
∧ and ∨ buttons
to define the area of the lower range of tone
output.
By entering different values for the L-FADE and LOW set-
tings, you can define a sloping volume increase to the
peak output volume which corresponds to the note pitch.
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							Part VIII Sound Edit
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Sound Edit
4.Select HIGH and use the ∧ and ∨ buttons and
select H-FADE and use the 
∧ and ∨ buttons to
define the area of the higher range of tone out-
put.
By entering different values for the H-FADE and HIGH
settings, you can define a sloping volume decrease from
the peak output which corresponds to the note pitch.
By overlapping the L-FADE and H-FADE curves of each
different tone, you can achieve a cross-fade effect, where
the sound gradually changes in relation to pitch.
5.Repeat steps 2 to 4 for the other tones, as
desired.
VELOCITY LAYER
Adjust these settings to regulate the tone output
relative to the velocity.
1.Use the PAGE buttons to view the 3/4 display.
The display looks similar to the following.
Use the 
 and  buttons to select a setting item and
then the 
∧ and ∨ buttons to specify a selection.
2.Use the buttons to the left of the display to
select a tone (1st, 2nd, 3rd or 4th).
3.Select L-FADE and use the ∧ and ∨ buttons
and select LOW and use the 
∧ and ∨ buttons
to define the 
pp sound output area for the
lower range.
4.Select HIGH and use the ∧ and ∨ buttons and
select H-FADE and use the 
∧ and ∨ buttons to
define the 
ff sound output area for the higher
range.
• By overlapping the L-FADE and H-FADE curves of each
different tone, you can change the way the tone sounds
relative to how hard or softly the keyboard is played.
5.Repeat steps 2 to 4 for the other tones, as
desired.
TONE DYNAMICS
You can adjust the settings so that a different
sound (tone) is output for each tone depending
on the velocity (how hard the keys are played).
1.Use the PAGE buttons to view the 4/4 display.
 The display looks similar to the following.
2.Use the buttons to the left of the display to
select a tone.
3.Use the 
 and  buttons to select the column
for the function you wish to adjust.
4.Select the tone waveform.
 Use the GR ∧ and ∨ buttons to select the sound group.
Use the TONE WAVEFORM ∧ and ∨ buttons to select
the waveform.
5.Use the LEV ∧ and ∨ buttons to adjust the vol-
ume. Use the FLT 
∧ and ∨ buttons to set the
sound.
6.Use the VELOCITY ∧ and ∨ buttons to specify
the velocity range.
 When the upper limit of a waveform is set to 127, no
more waveforms can be added.
7.Repeat steps 3 to 6 to edit the other wave-
forms, as desired.
8.Repeat steps 2 to 7 for the other tones, as
desired.
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							Part VIII Sound Edit
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Sound Edit
Pitch Edit
Adjust the settings related to the pitch of the sound.
KEY SHIFT & DETUNE
1.On the SOUND EDIT menu display, select
PITCH.
 The display looks similar to the following.
 Use the 

 and 
 buttons to select a setting item and
then the 
∧ and ∨ buttons to specify a selection.
 Select ON/OFF and use the 
∧ and ∨ buttons to select
ON or OFF.
2.Use the buttons to the left of the display to
select a tone (1st, 2nd, 3rd or 4th).
3.Select KEY SHIFT and use the ∧ and ∨ but-
tons to specify the output pitch.
 Units are in semitones.
4.Select DETUNE and use the ∧ and ∨ buttons
to fine-adjust the pitch.
 Slight differences in the DETUNE values between the
tones add fullness to the sound.
5.Select TONE SCALE and use the ∧ and ∨
buttons to select the type of scale (NORMAL,
1/2, 1/4, 1/8, 1/16, 1/32, 1/64, FIX).
 NORMAL is the normal scale type. For example, when
1/2 is selected, a difference in pitch between one key and
the adjacent key becomes half the normal pitch differ-
ence. When FIX is selected, the pitch is the same regard-
less of which key is played.
PITCH ENVELOPE
Specify how the pitch changes over time, from
the time the key is played to the time the sound
dies out.
1.Use the PAGE buttons to view the 2/3 display.
 The display looks similar to the following.
 Use the 

 and 
 buttons to select a setting item and
then the 
∧ and ∨ buttons to specify a selection.
2.Use the buttons to the left of the display to
select a tone.
3.Adjust the settings for the pitch change enve-
lope.
 Use the buttons below the display to set the correspond-
ing values. The envelope is created on the display as you
input the settings.
 Select TOTAL DEPTH and use the 
∧ and ∨ buttons to
specify the maximum level.
 Select START PITCH and use the 
∧ and ∨ buttons to
set the start point. Select STOP PITCH and use the ∧and ∨ buttons to set the stop point.
4.Repeat steps 2 and 3 for the other tones, as
desired.
PITCH ENVELOPE TOUCH & KEY 
FOLLOW
Specify how the pitch envelope changes in rela-
tion to note pitch.
1.Use the PAGE buttons to view the 3/3 display.
Use the 

 and 
 buttons to select a setting item and
then the ∧ and ∨ buttons to specify a selection.
2.Use the buttons to left of the display to select a
tone.
3.Use the TOUCH ∧ and ∨ buttons to change
the respective touch settings.
 Select TIME and use the ∧ and ∨ buttons to specify the
time change depending on touch. Select LEVEL and use
the 
∧ and ∨ buttons to specify the pitch change level
depending on touch.
At a − setting, the softer the keys are pressed, the greater
the change. At a + setting, the harder the keys are
pressed, the greater the change.
4.Change the key follow settings for the
ATTACK, DECAY and RELEASE.
Use the ∧ and ∨ buttons corresponding to the ENVE-
LOPE KEY FOLLOW attributes to adjust the settings.
Select CENTER and use the 
∧ and ∨ buttons to select
the center of the bend direction.
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							Part VIII Sound Edit
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Sound Edit
Filter Edit
Make major changes to the sound by eliminating specific frequency ranges.
FILTER & EQUALIZER
1.On the SOUND EDIT menu, select FILTER.
 The display looks similar to the following.
 Use the 

 and 
 buttons to select a setting item and
then the 
∧ and ∨ buttons to specify a selection.
 Select ON/OFF and use the 
∧ and ∨ buttons to select
ON or OFF.
2.Use the buttons to the left of the display to
select a tone.
3.Select MODE and use the ∧ and ∨ buttons to
select the filter mode.
LPF(6)+EQ (low-pass filter + equalizer)
Signals higher than the cut-off frequency are
cut. Normal sounds are softened.
HPF(6)+EQ (high-pass filter + equalizer)
Signals lower than the cut-off frequency are
cut. Normal sounds are sharpened.
LPF24 (low-pass filter 24)
A stronger low-pass filter than LPF+EQ.
HPF24 (high-pass filter 24)
A stronger high-pass filter than HPF+EQ.
BPF (band-pass filter)
Cuts off signals that are not within in the area
between the two specified CUTOFF frequen-
cies.
 For this mode, adjust the settings on the EQUAL-
IZER/FILTER side as well.
THRU
No filter effect is applied.
4.Use the CUTOFF ∧ and ∨ buttons to set the
frequency range which is cut by the filter.
5.Use the RESONANCE ∧ and ∨ buttons to
specify the resonance value (dB).
 Resonance is effect which adds character to the sound
by emphasizing the harmonic components of frequencies
close to the cut-off frequency.

For LPF(6)+EQ/HPF(6)+EQ filters, the sound
quality can be modified by the EQUALIZER.
RANGE 
Select the setting range (HIGH or LOW).
FREQUENCY 
Set the standard frequency.
GAIN 
Set the level increase or decrease from the
value set for FREQ (dB).
6.Repeat steps 2 to 5 for each tone, as desired.
TOUCH & KEY FOLLOW
Adjust how the filter is applied relative to touch
and pitch.
1.Use the PAGE buttons to view the 2/4 display.
 The display looks similar to the following.
Use the 

 and 
 buttons to select a setting item and
then the 
∧ and ∨ buttons to specify a selection.
2.Use the buttons to the left of the display to
select a tone.
3.Modify how the respective filters are applied
relative to key touch.
 Select TOUCH CUT OFF and use the ∧ and ∨ buttons to
specify the amount of change in the cut-off frequency.
Select TOUCH CURVE and use the 
∧ and ∨ buttons to
specify the curve of change. Select TOUCH RESO-
NANCE and use the 
∧ and ∨ buttons to specify the
degree of change in the resonance value.
4.Modify how the respective filters are applied
relative to note pitch.
 Select KEY FOLLOW SLOPE and use the ∧ and ∨ but-
tons to adjust the bend slope. Select KEY FOLLOW
RANGE (1–3) and use the 
∧ and ∨ buttons to specify
the pitch range.
5.Repeat steps 2 to 4 for the other tones, as
desired.
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							Part VIII Sound Edit
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Sound Edit
FILTER ENVELOPE
Specify how the filter changes over time, from
the time the key is played to the time the sound
dies out.
1.Use the PAGE buttons view the 3/4 display.
The display looks similar to the following.
Use the 
 and  buttons to select a setting item and
then the 
∧ and ∨ buttons to specify a selection.
2.Use the buttons to the left of the display to
select a tone.
3.Use the ∧ and ∨ buttons to modify the respec-
tive filter envelopes.
Use the buttons below the display to adjust the respective
settings.
You can select CUTOFF ADJUST and use the 
∧ and ∨
buttons to set the total upper and lower settings, the
START POINT to set the start point, and the STOP
POINT to set the stop point.
4.Repeat steps 2 and 3 for the other tones, as
desired.
FILTER ENVELOPE TOUCH & KEY 
FOLLOW
Specify how the filter envelope (curve) changes
relative to touch or note pitch.
1.Use the PAGE buttons to view the 4/4 display.
The display looks similar to the following.
Use the 
 and  buttons to select a setting item and
then the 
∧ and ∨ buttons to specify a selection.
2.Use the buttons to the left of the display to
select a tone.
3.Modify how the respective filter envelopes
change relative to touch.
Select TOUCH TIME and use the ∧ and ∨ buttons to
specify the time change, and select TOUCH LEVEL and
use the 
∧ and ∨ buttons to specify the level, relative to
touch.
At a − setting, the softer the keys are played, the greater
the change. At a + setting, the harder the keys are
played, the greater the change.
4.Select KEY FOLLOW and use the ∧ and ∨
buttons to modify how the respective filter
envelopes change relative to note pitch.
Adjust the respective slopes for attack, decay  and
release. Select CENTER and use the ∧ and ∨ buttons to
specify the center of the bend slope by note name.
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							Part VIII Sound Edit
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Sound Edit
Amplitude Edit
Adjust the settings related to the volume of the sound.
LEVEL
1.On the SOUND EDIT menu, select AMPLI-
TUDE.
The display looks similar to the following.
Use the 
 and  buttons to select a setting item and
then the 
∧ and ∨ buttons to specify a selection.
Select ON/OFF and use the 
∧ and ∨ buttons to select
ON or OFF.
2.Use the buttons to the left of the display to
select a tone.
 item and then the ∧ and ∨ buttons to specify a selection.
3.Select LEVEL and use the ∧ and ∨ buttons to
select the volume.
4.Select TOUCH and use the ∧ and ∨ buttons to
set the amount of volume change in relation to
how hard the keyboard is played.
At a − value, the softer the keyboard is played, the louder
the sound. At a + value, the harder the keyboard is
played, the louder the sound.
5.Select CURVE and use the ∧ and ∨ buttons to
select the type of volume curve depending on
touch.
6.Change the respective key follow settings.
Select KEY FOLLOW SLOPE and use the ∧ and ∨ but-
tons to adjust the bend slope. Select KEY FOLLOW
RANGE (1–3) and use the 
∧ and ∨ buttons to specify
the pitch range by note name.
7.Repeat steps 2 to 6 for the other tones, as
desired.
ENVELOPE
Specify how the volume changes over time, from
the time the key is played to the time the sound
dies out.
1.Use the PAGE buttons to view the 2/3 display.
The display looks similar to the following.Use the 
 and  buttons to select a setting item and
then the 
∧ and ∨ buttons to specify a selection.
2.Use the buttons to the left of the display to
select a tone.
3.Adjust the settings for the volume envelope.
Use the buttons below the display to set the correspond-
ing values. The envelope is created on the display as you
input the settings.
Select SUSTAIN PEDAL and use the 
∧ and ∨ buttons to
select the type of sustain.
LONG: 
Extend the release time of the sound.
HOLD: 
Maintain the key-pressed condition.
4.Repeat steps 2 and 3 for the other tones, as
desired.
ENVELOPE TOUCH & KEY FOLLOW
Specify how the volume changes relative to
touch or note pitch over time.
1.Use the PAGE buttons to view the 3/3 display.
Use the 
 and  buttons to select a setting item and
then the ∧ and ∨ buttons to specify a selection.
2.Use the buttons to the left of the display to
select a tone.
3.Change the touch settings.
Select TOUCH ATTACK and use the ∧ and ∨ buttons to
specify the ATTACK time change depending on touch.
Select TOUCH DECAY and use the 
∧ and ∨ buttons to
specify the DECAY time change depending on touch.
At a − setting, the softer the keys are pressed, the greater
the change. At a + setting, the harder the keys are
pressed, the greater the change.
4.Change the key follow settings for the
ATTACK, DECAY and RELEASE.
Select  RANGE (1–3) and use the ∧ and ∨ buttons to
specify the keyboard range.
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							Part VIII Sound Edit
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Sound Edit
LFO Edit
LFO can be applied to the pitch, amplitude, filter and/or pan to produce a cyclic modulation of the sound.
Twelve LFO groups can be used.
LFO
1.On the SOUND EDIT MENU display, select
LFO.
The display looks similar to the following.
Use the 
 and  buttons to select a setting item and
then the 
∧ and ∨ buttons to specify a selection.
Select ON/OFF and use the ∧ and ∨ buttons to select
ON or OFF.
2.Use the PAGE buttons to select the respective
characteristics.
PAGE 1/4: PITCH (vibrato effect)
PAGE 2/4: AMPLITUDE (tremolo effect)
PAGE 3/4: FILTER (wah-wah effect)
PAGE 4/4: PANNING (auto pan effect)
3.Use the buttons to the left of the display to
select a tone.
4.Adjust the respective assigned LFO’s.
LFO which share the same number on other displays are
also changed with this adjustment.
SELECT
Select the assigned LFO number (1 to 12)
SPEED
Adjust the modulation speed.
KEYSYNC
When playing more than one note, specify
whether the LFO starts or not each time a key
is pressed (ON/OFF).
When KEYSYNC is set to ON: if, while playing one note,
you play a second note, the LFO is applied to the second
note as well.
PHASE
Degree of phase change.
5.Select CONNECTION and use the buttons to
specify whether or not the LFO is applied to
the tone.
An arrow mark indicates that the LFO is applied.
6.Select TONE SETTINGS PHASE and use the
∧ and ∨ buttons to adjust the respective
parameters.
PHASE
Phase
A + indicates normal phase, and a − indicates an inverted
phase.
WAVE
Modulate the waveform.
SINE: Sine wave
TRIANGLE: Triangle wave
SQUARE: Square wave
SAW TOOTH: Saw tooth wave
RANDOM: Irregular pattern
DELAY
Delay time is the time elapsed from when the
keyboard key is pressed until the modulation
begins.
DEPTH
Modulation depth
TOUCH
Degree of modulation change in relation to
touch
7.Repeat steps 2 to 6 for the other tones, as
desired.
You can press the OVERVIEW button to confirm the sta-
tus of each LFO setting.
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							Part VIII Sound Edit
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Sound Edit
Effect Edit
These are settings related to the various effects applied to your edited sound.
EFFECT
1.On the SOUND EDIT menu display, select
EFFECT.
The display looks similar to the following.
2.Use the CHORUS ON/OFF buttons set CHO-
RUS to on or off. Use the respective DEPTH 
∧
and ∨ buttons to specify how the CHORUS is
applied.
3.Use the REVERB ADJUST ∧ and ∨ buttons to
specify how the REVERB is applied.
4.Use the MONO/POLY ∧ and ∨ buttons to
select the sound output mode.
5.Use the PORTAMENTO ON/OFF buttons set
portamento to on or off. Use the TIME 
∧ and ∨
buttons to set the portamento time.
PORTAMENT does not function for the POLY.




 
DIGITAL EFFECT
1.Use the PAGE buttons to view the 2/2 display.
The display looks similar to the following.
The display for the effect type which is best-suited for the
sound currently being edited is selected.
The display is different by the MULTI  EFFECT button on
or off.
2.Use the TYPE ∧ and ∨ buttons to select the
type of effect.

Specify whether the DIGITAL EFFECT button
turns on or off when the sound is selected.
When set to ON, the DIGITAL EFFECT button
turns on automatically when the sound is
selected.

Select stereo (STEREO) or monaural (MONO)
output of the effect.
3.Use the buttons along the bottom of the dis-
play to select the attribute you wish to adjust.
When the type is changed, the parameters revert to the
factory defaults.
Controller Edit
Specify how operation of the controllers, such as the wheels, etc., affects the sound.
These settings are effective when the instrument recieves controller MIDI data.
CONTROLLER
1.On the SOUND EDIT menu display, select
CONTROLLER.
The display looks similar to the following.
2.Use the buttons to the left of the display to
select a controller.
Two functions can be assigned to each controller.
3.Use the FUNCTION ∧ and ∨  buttons to select
a function for the controller.
4.Use the DEPTH∧ and ∨ buttons to set the
depth of the function applied by the controller.
5.Use the ON/OFF ∧ and ∨ buttons to set the
controller to on or off for each tone.
When set to INV, the effect is applied inversely.
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							Part VIII Sound Edit
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Sound Edit
6.Repeat steps 2 to 5 for the other controllers,
as desired.
7.Use the GLIDE ∧ and ∨ buttons to select
whether or not the glide effect is active.
ENABLE: 
The glide effect is enabled.
DISABLE: 
The glide effect is disabled.
Store the new sound
The MEMORY button in the SOUND GROUP section accesses memory banks reserved for the sounds
you create with the SOUND EDIT. You can store up to 40 original sounds then select the sounds just like
the other sounds in the SOUND GROUP.
Procedure
1.When you have edited the sound to just the
way you like it, on the SOUND EDIT menu dis-
play press the WRITE button.
The display changes to the MEMORY WRITE display.
2.To assign a name to your new sound, press
the SOUND NAMING button.
If you do not assign a name to your sound, the name
becomes the same as the original sound from which you
started. In this case, skip to step 5.
The display changes to the SOUND NAMING display.
3.Use the buttons below the display to assign a
name.
Set the character input position with the POSITION but-
tons, select the characters with the alphanumeric buttons
and repeat name assignment. 
Switch from upper to lower case letters with the ABC, abc
button.
Use the !#$ button to switch to the symbols character set.
Press the INS button to enter a space at the cursor posi-
tion.
Press the DEL button to erase the character at the cursor
position.
Press the CLR button to erase the entire name.
Press the →← button to center the name.
4.When you have finished typing the name,
press the OK button.
The display returns to the MEMORY WRITE display.
5.Use the ∧ and ∨ buttons to select the MEM-
ORY number in which to store the new sound
(1–40).
6.Press the OK button.
The new sound is stored, and “COMPLETED!” is shown
on the display.
The SOUND EDIT mode is turned off.
The stored sound memories can be saved on a disk for
recall at a later time. (Refer to page 97.)
Select a new sound
You can select your original sound just like the
other sounds in the SOUND GROUP.
1.In the SOUND GROUP section, press the
MEMORY button.
The list of sounds is shown on the display.
2.Select the desired sound from the list on the
display.
MEMORY
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							120QQTG0701
Control
Part IX   Control
Outline of Control 
functions
Various settings related to the operation of this instrument are adjusted with the CONTROL functions.
1.Press the PROGRAM MENUS button to turn it
on.
• The display looks similar to the following.
2.Select CONTROL.
 The display looks similar to the following.
3.Select a function.
INITIAL 
Return the settings and memories to the
factory-preset status. (Refer to page 133.)
PEDAL SETTING
Various functions can be assigned to the soft
pedal.
PANEL MEMORY MODE 
Define which panel settings are stored when
the PANEL MEMORY is used. (Refer to page
53.)
MUSIC STYLE ARRANGER MODE 
Define which panel settings change by press-
ing a FILL IN button when the MUSIC STYLE
ARRANGER is used. (Refer to page 51.)
FADE IN/OUT SETTING 
Settings related to the FADE IN/FADE OUT.
(Refer to page 48.)
4.Follow the procedure to adjust the settings.
 While you are adjusting the settings, when the
TEMPO/PROGRAM indicator is lit, it indicates that the
TEMPO/PROGRAM is available for setting the current
function.
5.When you have finished setting the functions,
press the PROGRAM MENUS button to turn it
off.
Pedal Setting
By assigning one of the many programmable functions to the soft pedal, you can then control the function
during your performance just by pressing the pedal.
1.On the CONTROL MENU display, select
PEDAL SETTING. The display looks similar to the following.
MAIN
VOLUME
MAX
MINMAX
OFFAUTO PLAY CHORDRHYTHM GROUPTEMPO / PROGRAM
PROGRESSIVE
PIANIST PIANO STYLISTSPLIT
POINTMETRONOMEPOP ROCKFUNK &
SOUL DISCOPOP BALLADBALLADBALLROOM
& SHOWMEMORY
CONTRAST LATIN &
WORLD JAZZ &
SWING WALTZ
& TRAD USA 16 BEAT 8 BEAT IN OUTSOUND
ARRANGER
SET MODECHORD FINDEROFF/ONONE TOUCH
PLAYAPC/SEQUENCER
VOLUME
DEMOMUSIC STYLE ARRANGERVA R I AT I O N 12 1 2 1 1234BEATLOAD
SEQUENCER
RESETCOUNT
INTRO2 34
FA D E
FILL IN INTRO & ENDINGSYNCHRO & BREAKSTART / STOP TAP TEMPOHELPOTHER PARTS/TR- TRANSPOSE +MUTEPA G EDISPLAY HOLDEXIT GRANDUPRIGHT ELECTRICMODERN SIMPLE PIANO TECHNI-CHORD BANKABCP.MEM 5-8
SET 1 / 5 2 / 6 3 / 7 4 / 8
SOUND GROUPSEQUENCER
PIANOSTRINGS
BASSMALLET &
ORCH PERCWORLDPIANO
MIXTURESORCH
MIXTURESDIGITAL
DRAWBARSDRUM KITSMEMORYLEFT RIGHT 2 RIGHT 1DIGITAL
EFFECTMULTI
EFFECTCHORUS REVERBCHORD STEP RECVOCALGUITAR &
HARPSI BRASSPLAYEASY
RECFAVORITESPROGRAMMENUSDISKIN USEDISKLOADSAX &
WOODWINDORGAN &
ACCORDIONSYNTHSOUND
EXPLORERCONDUCTOR
PANEL MEMORY
PROGRAMMENUS
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