Technics Digital Ensemble Sx Pr54 Owners Manual

							Part XI MIDI
132QQTG0701
MIDI
Computer Connection
These settings are used to select the mode related to MIDI signal flow when a personal computer is con-
nected to the USB terminal of this instrument.
When connecting to a personal computer, install the USB driver on the included CD-ROM to the computer first. (Refer to the
separate manual for more information.)
1.Turn off the power to this instrument.
2.Connect a personal computer to the USB ter-
minal on the rear of this instrument.
3.Turn on the power to this instrument.
4.On the MIDI MENU display, select COM-
PUTER CONNECTION.
The display looks similar to the following.
5.Use the ∧ and ∨ buttons to select a mode.
NORMAL: 
Ordinary mode
PC as master: 
The mode which is appropriate for data trans-
mission
PR as master: 
The mode when this instrument is used as the
master keyboard.
PR as slave: 
The mode when this instrument is used as a
slave instrument.
INTERFACE: 
The mode when this instrument is used as a
connecting device between a PC with only
USB terminals and an instrument with only
MIDI terminals.
16_Part XI.fm  132 ページ  ２００３年５月１６日　金曜日　午後１１時４０分 
						

							133QQTG0701
Initialize
This instrument has many settable functions and storable memories. However, you can return the settings
and memory to the factory-preset status.
INITIAL
1.Press the PROGRAM MENUS button to turn it
on.
• The display changes to the following.
2.Select CONTROL.
 The display looks similar to the following.
3.Select INITIAL.
 This display changes to the following.
4.Use the 
 and  buttons to select the desired
type of initialization.
 PERFORMANCE includes all the items which are listed
below it.
5.Press the OK button.
 The display changes to the confirmation display. Press
the YES button if you wish to execute the initialization.
Press the NO button if you wish to cancel the procedure.
 Initialization begins. When initialization is completed,
“COMPLETED!” is shown on the display and the Key-
board returns to the normal performance mode.
 The USER MIDI and FAVORITES are not initialized by
this procedure.
PROGRAMMENUS
You can also reset all the PERFORMANCE
items with the following procedure:
Turn off the power to this instrument once.
Then, while pressing the three lower left but-
tons in the RHYTHM GROUP section
(8BEAT, 16BEAT and USA) at the same time,
turn the power on again.
Power on settings
When the POWER button of this instrument is turned on, the settings below are automatically set to
those suitable for piano performance.
 When you turn the power on, you can recall all the settings which were in effect at the time you turned the instrument off:
while depressing the sustain (right) pedal, turn on the power. (However, this function only works for a few tens of minutes
after the power is turned off.)
SoundGRAND PIANO (CONCERT)
CONDUCTOR RIGHT 1
TRANSPOSEC
SYNCHRO & BREAKOff
AUTO PLAY CHORDOff
All PART SETTING items for the RIGHT 1 part Appropriate values
PEDAL SETTING SOFT
17_Initialize.fm  133 ページ  ２００３年５月１９日　月曜日　午前１１時３７分 
						

							134QQTG0701
Connections (on the rear panel)
AUX IN
Other instruments such as a sound generator
can be connected to this terminal, and the sound
will be output from this instrument’s speakers. To
receive monaural sound, connect the other
instrument to the R/MONO terminal. (Do not con-
nect the L terminal.)
LINE OUT
By connecting an external high-power amplifier,
the sound can be reproduced at a high volume.
To output monaural sound, connect the external
equipment to the R/MONO terminal. (Do not con-
nect the L terminal.)
MIDI
These terminals are for connection to another
MIDI instrument. (Refer to page 125.)USB
This terminal allows connection to a personal
computer with a USB cable (commercially avail-
able type AB cable).
Used with the applications on the included CD-
ROM, you can record this instrument’s audio
sound or manage the instrument data with your
PC.
• Applications
Audio Recorder:
Application for Recording this instrument’s sounds and
for saving recorded digital audio files in WAV, WMA (Win-
dows Audio Format) and MP3 formats.
Song Manager:
Application for managing this instrument’s data on your
PC by means of a USB cable.
OUT
IN
USBPEDAL IN
AUX IN LINE OUT MIDI
(beneath the left end of keyboard)
PHONES ×
×× × 2
Headphones can be connected to this instru-
ment.
 When headphones are plugged into this jack, the
speakers of this instrument are disabled.
MIC
A microphone can be connected to this instru-
ment and the sound output through the speak-
ers. Use the VOLUME control to adjust the
volume.
 Effects such as reverb can be applied to the micro-
phone input. (Refer to page 39.)
MIC
MAX
MINVOLUME
PHONES
17_Initialize.fm  134 ページ  ２００３年５月１９日　月曜日　午前１１時３７分 
						

							135QQTG0701
Assembly
Follow the steps below to assemble your Technics piano. Make sure you are using the correct parts and
that they are in the correct direction.
 At least 2 people are required for assembly.
 To disassemble the piano, reverse the procedure.
1.Remove the packing and take the parts out of
the carton. Confirm that all the parts on the
printed list are present.
2.The following parts are in the screw kit.
3.Affix the right and left side planks to the pedal
box.
(1) Use the 4 brass-colored screws to secure the planks.
(2) Loosen the pedal cord, stowed on the inner side of the
pedal box, and extend it.
4.Affix the rear panel.
 Use 2 black screws (C) and 4 black screws (B) to affix the
rear panel.
5.Place the piano 
body on the stand.
WARNING:
Avoid pinching your fin-
gers.
Note 1
Holding the piano body at
least 10 cm in from the
edge, place it on the
stand so that it does not
fall off.
Note 2
If the piano body is placed too far to the right or left, or to
the front or back, it will become unstable.
6.Secure the piano body to the stand.
(1) Insert 2 screws in the 2 rear screw holes on the under-
side of the piano body, and turn each screw 5 or 6 times.
Push the piano body forward so that the screws are fully
inserted in the cutout of the metal piece on either side
plank. (This enables you to easily position the piano body
on the stand.)
(2) Adjust the piano body so that the right and left sides
project evenly over the stand.
(3) Positioning the piano body on the stand, confirm that the
4 screws can easily be inserted.
(4) Tighten the 4 screws securely.
7.Connect the pedal cord and power cord to the
terminals.
(1) Plug the pedal cord and power cord into the terminals on
the rear of the piano.
(2) Remove the backing from the clamps and affix them as
shown in the figure. Secure the pedal cord to the clamps.
Confirm: After assembling, check these points.
 Are any parts left over?
  →  Check the assembly procedure again.
 Does the piano rattle when it is rocked?
  →  Make sure all the screws are securely tightened.
 Is the power cord firmly inserted?
  →  Check again.
 Is the plug of the pedal cord inserted as far into the con-
nector terminal as it will go?
  →  If it is not completely inserted, the sustain and other
pedal functions may not work.
When the piano has been moved or transported,
retighten the screws securely.
List
Brass-colored screw............4
Black screw (A) ...................4
Black screw (B) ...................4
Black screw (C) ...................2
Pedal cord
(C)
(B)
Black
Screw (A)
PEDAL IN
plug  mark
With the     mark
upwards, insert
the plug fully.
17_Initialize.fm  135 ページ  ２００３年５月１９日　月曜日　午前１１時３７分 
						

							136QQTG0701
Symptoms which appear to be signs of
trouble
Phenomenon Remedy
The buttons, keys, etc. malfunction. • Turn off the POWER button once, then turn it on again.
If this procedure is not successful, turn off the POWER
button once. Then, while pressing the three lower left
buttons in the RHYTHM GROUP section (8BEAT,
16BEAT and USA) at the same time, turn the POWER
button on again. (Note that, in this case, all program-
mable settings, functions and memories return to their
factory-preset status.)
No sound is produced when the keys are
pressed.The MAIN VOLUME is at the minimum setting. Adjust
the volume with the MAIN VOLUME control.
 The volumes for the selected parts are set to the mini-
mum levels. Use the balance buttons to set the vol-
umes of the relevant parts to appropriate levels. (Refer
to page 27.)
 The part is muted. (Refer to page 27.)
 The LOCAL CONTROL for a part performed on the
keyboard is set to OFF. Set the LOCAL CONTROL to
ON. (Refer to page 128.)
Only percussive instrument sounds are produced
when the keyboard is played.In the SOUND GROUP section, the DRUM KITS but-
ton is on.
The volume is very low when the keyboard is
played. The volume setting in the SEQUENCER contents is
very low. Follow the INITIAL procedure to reset the
settings. (Refer to page 133.)
The sound you hear is different from the sound
you selected. This sometimes occurs when you play back
SEQUENCER or COMPOSER data which was cre-
ated on a different model, or when MIDI data is
received from a connected instrument. Select the
desired sounds again.
The rhythm does not start.  The DRUMS volume is set to the minimum level. Use
the balance buttons to set the DRUMS volume to an
appropriate level.
A SEQUENCER PLAY button is on. When you are not
playing back the SEQUENCER performance, turn off
the SEQUENCER PLAY button.
 CLOCK is set to MIDI. Set CLOCK to INTERNAL.
(Refer to page 128.)
No sound is produced for the automatic accom-
paniment, or only the sounds of some parts are
produced.An ACCOMP part does not sound if its corresponding
volume is set to the minimum level. Use the respective
balance buttons to set the ACCOMP 1–5 volumes to
appropriate levels.
The APC/SEQUENCER VOLUME is at the minimum
setting. Adjust the volume with the APC/SEQUENCER
VOLUME control.
Storage is not possible.  The remaining memory capacity of the SEQUENCER
is 0. Follow the SONG CLEAR or TRACK CLEAR pro-
cedure to erase the memory. (Refer to page 72.)
The playback measure indication is different from
when the performance was recorded. The number of measures corresponds to the time sig-
nature of the rhythm selected at the start of recording.
To change the rhythm in the middle of the song, record
the rhythm change in the RHYTHM part. (Refer to
page 69.)
Sounds and effects
Rhythm
AUTO PLAY 
CHORD
SEQUENCER
17_Initialize.fm  136 ページ  ２００３年５月２０日　火曜日　午前８時２０分 
						

							137QQTG0701
Storage is not possible. • The remaining memory capacity of the COMPOSER is
0.
Setting the time signature is not possible.  The time signature cannot be changed for a pattern
which is currently recorded in the COMPOSER. If you
wish to change the time signature, first follow the pro-
cedure to clear the memory. (Refer to page 82.)
The playback timing of the rhythm pattern is dif-
ferent from the timing with which it was recorded. The QUANTIZE function was on when the pattern was
recorded and the timing was automatically corrected.
Set the quantize level to a smaller note unit or to OFF
when recording. (Refer to page 84.)
The Disk Drive produces a noise during recording
or playback. This occurs when the Disk Drive is reading a disk. It
does not indicate a problem.
When the procedure to load from a disk is per-
formed, the contents of the memory are erased. When performing the load operation from a disk, the
memory changes to that of the data loaded from the
disk. If you wish to preserve a song which is stored in
the memory, save it on a disk before performing the
load procedure.
Data cannot be exchanged through MIDI termi-
nals. Match the channels on the transmitting side and the
receiving side. (Refer to page 127.)
The sound quavers or is distorted.  When the USB terminal or both the MIDI IN and OUT
terminals are connected to a computer, depending on
the computer software the received data may be sent
back to the instrument just as it is. Because of this the
sound generated from the keys and the sound gener-
ated from the returned data are both produced, caus-
ing undesirable effects, such as the sounds canceling
each other out, for example. In this case, either change
the software settings to prevent received data from
being returned, or set the MIDI LOCAL CONTROL to
off.
Noise from a radio or TV can be heard.  This  sometimes  occurs  when  electrical  equipment
such as a radio or TV is used near the instrument. Try
moving such electrical equipment further away from
the instrument.
 The sound may be coming from a nearby broadcast
station or amateur radio station. If the sound is bother-
some, consult your dealer or service center.
The cabinet becomes warm during use.  This instrument has a built-in power source that heats
the cabinet to some degree. This is not an indication of
trouble. Phenomenon Remedy
COMPOSER
Disk
MIDI
Other
17_Initialize.fm  137 ページ  ２００３年５月１９日　月曜日　午前１１時３７分 
						

							138QQTG0701
No. Contents
00The data on the disk that you are
using is for a different product.
01An error has occurred while the disk
was loading.
Please try again!
02 There is no disk in the Disk Drive.
03 The file that you tried to load is empty.
05An error has occurred while the disk
was saving.
Please try again!
06The disk that you are using is write
protected.
Please remove the write protection
and try again.
07The disk that you are using is full.
Please use another disk.
08An error has occurred while the disk
was formatting. The disk that you are
using may be faulty.
Please try formatting another disk.
10 The data is already copy protected.
15The song you are trying to save is
empty.
16This STANDARD MIDI FILE is incom-
patible with this instrument and cannot
be loaded.
17 This is not a STANDARD MIDI FILE.
18The timebase (PPQ resolution) that
you tried to load is not
24/48/96/192/288/384 PPQ.
20A problem has occurred with your
SEQUENCER Data.
This might be due to a damaged or
faulty disk.
21 Memory full
22It is necessary to press REC STOP to
complete this procedure.
23It is impossible to change the time sig-
nature because it has already been
set in the existing tracks.
24A rhythm track already exists. It is
impossible to assign two tracks to
rhythm.
25It is only possible to change the veloc-
ity on a melody track.
26It is only possible to merge melody
tracks.
Tracks such as rhythm, chord and
control cannot be merged.
27It is only possible to copy melody
tracks.
Tracks such as rhythm, chord and
control cannot be copied.
28This song is too long to be saved as a
MIDI file.
29The MIDI file that you have tried to
load exceeds the memory capacity of
this instrument and cannot be played.
The SEQUENCER memory has been
cleared.
30It is not possible to change the time
signature of a COMPOSER pattern
after it has been recorded.
If you want to proceed, you must first
clear the entire COMPOSER pattern.
31The time signature of the pattern from
which you are copying is different from
the COMPOSER memory that you are
using.
Either:Change the time signature of
the COMPOSER memory
or:Copy from a pattern that has the
same time signature
32 Memory full
33Select a Track before setting parame-
ters for AUTO PUNCH RECORD.
43The file that you are trying to load was
saved on a previous model. It is only
possible to load using the “PERFOR-
MANCE” option.
44It is impossible to edit a Drum Kit.
Please select a different sound from
any group except Keyboard Percus-
sion.
46It is only possible to insert MELODY
Tracks. Tracks such as RHYTHM,
CHORD and CONTROL cannot be
inserted.
47This procedure is not possible with a
composer pattern or the metronome.
Please select a preset rhythm pattern.
54It is not possible to record using preset
banks, compile banks, or control
banks. Please select one of the user
banks.
55Special tracks such as CHORD
(APC), RHY and CTL exist in the song
from which you are copying and are
incompatible with the destination song
because it is in the GM mode. No. Contents
Error messages
17_Initialize.fm  138 ページ  ２００３年５月１９日　月曜日　午前１１時３７分 
						

							139QQTG0701
56AUTO PUNCH recording has been
unsuccessful because SEQUENCER
operation was interrupted before the
PUNCH OUT measure was reached.
58The song that you have tried to load
exceeds this instrument’s available
memory and cannot be loaded. The
selected song memory has been
cleared.
62The computer connection is not active
because the computer port switch is
set to MIDI. Please turn the power off,
set the switch to the desired setting
and turn the power back on.
64Please select the Panel Memory that
you want to name.
65It is not possible to use the CHORD
FINDER in this mode. Please select
CHORD FINDER from HOME page or
CHORD STEP RECORD page.
66SOLO pads are special pads which
include Chord information. Pleases
use SOLO pads when the rhythm and
accompaniment is playing.
67There are no APC or CHORD tracks.
Select and APC track or CHORD
track, and try again.
68It is not possible to record directly into
the SOLO pads. Record on the
SEQUENCER and Copy the melody
and chord information into a SOLO
pad.
69It is not possible to delete all mea-
sures.
70It is not possible to insert over 16 mea-
sures in a PATTERN.
71It is not possible to set the start mea-
sure to the measures you set to copy. No. Contents
17_Initialize.fm  139 ページ  ２００３年５月１９日　月曜日　午前１１時３７分 
						

							140QQTG0701
Index
AADVANCED  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  45
APC/SEQUENCER VOLUME . . . . . . . . . . . . . . . . . . . . . .  46, 62
AUTO PLAY CHORD  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  44
BBACKUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  90
BANK  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  52
BASIC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  44
BEAT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  42
BRILLIANCE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  38
CCHORD FINDER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  47
CHORD STEP RECORD  . . . . . . . . . . . . . . . . . . . . . . . . . . . .  67
CHORUS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  38
CLOCK (MIDI) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  128
COMPOSER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  80
COMPUTER CONNECTION. . . . . . . . . . . . . . . . . . . . . . . . .  132
CONDUCTOR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  34
CONTRAST  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  29
CONTROL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  120
COUNT INTRO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  43
CUSTOMIZE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  122
DDEMO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  15
DIGITAL DRAWBAR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  32
DIGITAL EFFECT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  37
DIRECT PLAY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  95
Disk Drive  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  90
DISK  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  91
Display  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  27
DISPLAY TIME OUT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  123
DISPLAY HOLD  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  29
DRUM EDIT  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  74
EEASY COMPOSER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  81
EASY EDIT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  110
EASY REC  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  58
Error messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  138
EXIT  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  28
FFADE IN/OUT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  48
FAVORITES  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  30
FILL IN  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  43
FILTER  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  114
FINGERED  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  45
GGENERAL MIDI LEVEL 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . .  91
GLIDE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  121
HHeadphones  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  134
HELP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  29
IINITIAL  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  133
INTRO & ENDING. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  43
KKEY SCALING  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  106
KEY SHIFT  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  102
LLANGUAGE SELECT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  29
LEFT HOLD  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  46
LFO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  117
LINE OUT  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  134
LOAD  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  93
LOCAL (MIDI) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  128
MMAIN VOLUME . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  12MASTER TUNING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
MEMORY, RHYTHM GROUP . . . . . . . . . . . . . . . . . . . . . . . . . 85
MEMORY, SOUND GROUP . . . . . . . . . . . . . . . . . . . . . . . . . 119
MIC  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
MIDI PRESETS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
MIDI SETTING LOAD OPTION . . . . . . . . . . . . . . . . . . . . . . . 124
MIXER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
MULTI EFFECT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Music stand  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
MUSIC STYLE ARRANGER . . . . . . . . . . . . . . . . . . . . . . . . . . 51
MUTE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
NNOTE EDIT  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
OONE TOUCH PLAY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
OTHER PARTS/TR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
PPAGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
PAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
PANEL MEMORY  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
PART SETTING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
PEDAL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120
PERFORMANCE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
PIANIST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
PIANO STYLIST  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
PROGRESSIVE PIANIST  . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
PUNCH RECORD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
QQUANTIZE, COMPOSER  . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
QUANTIZE, SEQUENCER  . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
RREALTIME RECORD  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
REVERB  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
RHYTHM GROUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
SSAVE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
SET  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
SEQUENCER  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
SEQUENCER PLAY  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
SEQUENCER RESET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
SEQUENCER SONG SAVE  . . . . . . . . . . . . . . . . . . . . . . . . . . 98
SIMPLE PIANO  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
SOUND  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
SOUND ARRANGER. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
SOUND EXPLORER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
SOUND EDIT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
SOUND GROUP  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
SPLIT POINT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Standard MIDI File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
START/STOP  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
STEP RECORD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
SYNCHRO & BREAK  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
TTAP TEMPO  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
TECHNI-CHORD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
TEMPO/PROGRAM. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
TONE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
TOUCH SENSITIVITY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
TRANSPOSE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
UUSB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
VVARIATION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Volume balance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
18_Index.fm  140 ページ  ２００３年４月２７日　日曜日　午後１２時２５分 
						

							141QQTG0701
Specifications
SX-PR54/M
KEYBOARD 88 KEYS 
SOUND GENERATOR PCM
MAX. POLYPHONY 64 NOTES
NUMBER OF SOUNDS 1025 SOUNDS (990 SOUNDS +2 ORGAN DRAWBARS + 33 DRUM KITS)
PIANO GROUP GRAND, UPRIGHT, ELECTRIC, MODERN
SOUND GROUP STRINGS, VOCAL, GUITAR & HARPSI, BRASS, SAX & WOODWIND,
ORGAN & ACCORDION, SYNTH, BASS, MALLET & ORCH PERC,
WORLD, PIANO MIXTURES, ORCH MIXTURES, DIGITAL DRAWBARS,
DRUM KITS, SOUND EXPLORER
SIMPLE PIANO

FAVORITES

PEDAL DAMPER × 1, PROGRAMMABLE (SOFT) × 1 
PROGRESSIVE PIANIST

TOUCH SENSITIVITY
 
EFFECT DIGITAL EFFECT, MULTI EFFECT, REVERB, CHORUS, BRILLIANCE
CONDUCTOR RIGHT 1, RIGHT 2, LEFT
TRANSPOSE±12 NOTES
NUMBER OF 
RHYTHMS128 RHYTHMS × 4 VARIATIONS
RHYTHM GROUPPOP, ROCK, FUNK & SOUL, DISCO, POP BALLAD, BALLAD,
BALLROOM & SHOW, 8BEAT, 16BEAT, USA, WALTZ & TRAD,
JAZZ & SWING, LATIN & WORLD
METRONOME
 
CONTROLS MAIN VOLUME, APC/SEQUENCER VOLUME, BALANCE, MUTE, 
START/STOP, INTRO & ENDING 1, INTRO & ENDING 2, FILL IN 1, 
FILL IN 2, COUNT INTRO, SYNCHRO & BREAK, TEMPO/PROGRAM, 
TAP TEMPO, FADE IN/OUT, SPLIT POINT 
AUTO PLAY CHORD MODE: BASIC, ADVANCED 1, ADVANCED 2, PIANIST 
MEMORY, ON BASS, CHORD FINDER, LEFT HOLD
MUSIC STYLE ARRANGER
 
SOUND ARRANGER
 
PIANO STYLIST
 
ONE TOUCH PLAY
 
TECHNI-CHORD
 
PANEL MEMORY 3 BANKS × 8
SEQUENCER 16 TRACKS
RESOLUTION:  1/96 PER BEAT
STORAGE CAPACITY: APPROX. 40000 NOTES (10 SONGS MAX.)
INPUT MODES: EASY RECORD, REALTIME RECORD, STEP RECORD
FUNCTIONS: RECORD & EDIT, COPY & PASTE, RANGE EDIT
COMPOSER 8 PARTS: BASS, ACCOMP 1 – 5, DRUMS 1, 2
STORAGE CAPACITY: APPROX. 13000 NOTES
INPUT MODES: REALTIME RECORD, STEP RECORD
FUNCTIONS: EASY COMPOSER, PATTERN COPY, 
SEQ TO COMPOSER COPY, LOAD SINGLE COMPOSER
MEMORY: 3 BANKS
DISK 3.5 inch DISK DRIVE for 2HD (1.44MB), 2DD (720KB)
LOAD, SAVE, DIRECT PLAY, SONG MEDLEY, DISK TOOLS,
PREFERENCES
SOUND PART SETTING, MIXER, MASTAR TUNING, KEY SCALING,
APC REVERB SETTING, TECHNI-CHORD, SOUND LOAD OPTION,
SOUND ARRANGER
SOUNDS
RHYTHMS
19_Specifications.fm  141 ページ  ２００３年５月２０日　火曜日　午後６時５５分