Tascam Digital Portastudio 2488 User Guide
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Page 81
8 – MIDI TASCAM 2488 User’s Guide 79 Time signature In order to accurately display bars and beats, the 2488 needs to know the time signature of the music being played. Most pop and rock is in 4/4 time, but there are some famous exceptions, and many music outside these fields is in other time signatures. Music may also change time signature part of the way through. 1With the transport stopped, from the SYNC/MIDI screen, select TIME SIGNATURE, and press ENTER. 2This is very similar to the tempo...
Page 82
8 – MIDI 80 TASCAM 2488 User’s Guide Patterns In addition to being able to play SMF pieces, the 2488 can also play backing patterns (drums and per- cussion only). Select PATTERN as the player mode to enable this fea- ture (“Internal module mode” on page 76). When the pattern mode is selected, pressing the MIDI PLAYER key brings up the PATTERN ARRANGE screen: To select a “global” playback style from this screen, press ENTER. The PRESET STYLE LIBRARY screen is shown: Use the wheel to select from...
Page 83
8 – MIDI TASCAM 2488 User’s Guide 81 4Press ENTER.5Move the “line” cursor to the point to where the block will be copied and press ENTER once again. The block is copied. NOTE If you select the bars and beats display (“Markers” on page 42), this reflects the settings made here. Selecting the drum kit The 2488’s tone generator includes a number of dif- ferent drum kits, which you can use to give a differ- ent sound to your songs. When a preset style is loaded, a suitable drum kit is also loaded along...
Page 84
8 – MIDI 82 TASCAM 2488 User’s Guide MIDI Time Code With the transport stopped, from the SYNC/MIDI menu, select the SYNC option and press ENTER: SOURCE can be INTERNAL (the 2488 acts as the master unit) or EXTERNAL (the 2488 takes its synchroniza- tion from another unit). FRAME TYPE refers to the format of the MTC sent and received by the 2488. This can be either 24 (film), 25 (EBU TV), 29D (29 fps drop-frame, used with NTSC color), 29ND (29fps non-drop, also used with NTSC color), or 30...
Page 85
8 – MIDI TASCAM 2488 User’s Guide 83 GENERATOR can be OFF, MTC or CLOCK. OFF and MTC explain themselves. See below for an explanation of the CLOCK setting. NOTE Timecode (including MTC) does not include any infor- mation about bars and beats or tempo. MIDI Clock does not contain any information about the absolute time at which events take place. MIDI clock MIDI Clock and associated MIDI commands (Start/ Stop, Song Position Pointer etc.) can be transmitted from the 2488 when it is in INTERNAL...
Page 86
84 TASCAM 2488 User’s Guide 9 – General preferences There are four sets of general preferences that you can make in order to customize the 2488 to your working style.Access all of these through the PREFERENCES menu. Global preferences These all affect the overall operation of the 2488 Key sense time Some of the keys on the unit have two different functions, spending on whether they are pressed and released in a short space of time, or whether they are pressed and held down for a longer period. The...
Page 87
9 – General preferences TASCAM 2488 User’s Guide 85 CATCH: the fader level remains the same initially. However, if you then move the physical fader so that the physical level becomes the internal level (the faders “catch” the internal level), the physical level changes at that point. This ensures that there are no sudden leaps in volume due to a difference between the physical fader and the internal setting. NOTENOTE Note that the setting made for this option will apply to the current song, and...
Page 88
86 TASCAM 2488 User’s Guide 10 – Specifications, etc. Block diagram !# $ % & & ( $) $$ ) **% !+# ) & ) $, -+ %....
Page 89
10 – Specifications, etc. TASCAM 2488 User’s Guide 87 Level diagram 56 5&6 6 &6 6 6 06 76 86 96 56 5&6 6 &6 6 6 06 76 86 9656 5&6 6 &6 6 6 &6 6 6 06 76 , ) 4 6, &8, 6 &6 6 6 , 6, &8,4 : : 4 5 &0 50 &6 0 79 ) +42) 09 )++ +2; )$$ &8 61&7,59 ) & 5& 58: ) ,)+2 : ,4...
Page 90
10 – Specifications, etc. 88 TASCAM 2488 User’s Guide Dimensional drawing Specifications Audio connections MIC/LINE inputs (A to D) Combined XLR-1/4 TRS connector XLR Input impedance: 2 k Ω Input level: –57 dBu (MIC) to –10 dBu (LINE) Nominal input level: –10 dBu Maximum input level: +6 dBu 1/4” TRS Input impedance: 8 k Ω Input level: –43 dBu (MIC) to +4 dBu (LINE) Nominal input level: +4 dBu Maximum input level: +20 dBu MIC/LINE inputs (E to H) 1/4 TRS connectors (input H also has a GUITAR front panel...