Tascam Digital Mixer TM-D1000 Tutorial Manual
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Page 11
Section IV, Continued Section IV, page 4 The TM-D1000 will then allow you to name the scene. Rotating the DATA ENTRY dial will select different characters. To change from upper to lower case (or visa versa), press the shift key. To move to another l\ etter, press down on and rotate the DATA ENTRY dial. When you’re finished naming the scene, press ENTER. Now, you can select the transition time for the scene. The transition t\ ime allows you to adjust the crossfade from one scene into the next. It...
Page 12
With the TM-D1000, the same routing path is used for both auxiliaries an\ d busses (also called groups). So, you can have up to 4 auxiliaries -OR- 4 busses, but not both. If yo\ u look to the left of the screen, you will see two lights labeled REC and MIX. If you put the mixer into REC mode, all four paths are turned into busse\ s; you will have no auxiliary sends in this mode. This is a quick way to assign all of your submix pa\ ths to busses so you can track your parts across any channel. In MIX...
Page 13
Section V, Continued Section V, page 2 Once you are familiar with recording and mixing with Record Mode and Mix\ Mode, you may want to try some of the other buss/aux combinations. To more directly access these \ combinations: 1) Press SHIFT and PARAM SEL simultaneously. OptionMODE? 2) Rotate the DATA ENTRY dial to MODE.. Press ENTER. MODEBUSS Function Select? 3) Rotate the DATA ENTRY dial to BUSS Function Select . Press ENTER. BUSS Function SelectMIX mode: ST+ 4 AUX [1-2ST] 4) Rotate the DATA ENTRY...
Page 14
The internal effects can be configured in many different ways, but they \ all come down to these two basic options: - 4 channel dynamics (i.e. compressor/limiter or noise gate/expander - OR - - 2 stereo processors in the master section (i.e. dynamics, reverb, cho\ rus, delay, etc.) Effect Routing - Signal Flow The important thing to remember when assigning stereo effects to an auxi\ lliary send is that the effect must return somewhere. The effect output can come back through either th\ e EFFECT RETURN,...
Page 15
Section VI, Continued Section VI, page 2 - Stereo Effect 2 on Aux 1-2, Stereo Effect 1 on Aux 3-4 Here we have each stereo effect on its own stereo send. Remember, only one of these can be a reverb, and you must have all 4 Aux/Buss paths assigned as Aux to access this setting. Aux 1Aux 2Aux 3Aux 4 Eff2 Eff1 Effect PatternAux1-2:Eff2?Aux3-4:Eff1 ---------- FX-D1000 Additional Capabilities ---------- The FX-D1000 expansion card essentially doubles the internal processing \ power. The FX-D1000 effects...
Page 16
Section VI, Continued Section VI, page 3 Applications for Cascaded Stereo Effects on the Master L/R Output: There are a number of possibilities here, ranging from master mix compression and exciter, to \ creating some extremely WILD effects for a “breakdown ” section in the song. In other words, you could create a passage for a \ few bars that have a heavy phaser and stereo delay over the entire mix to create \ a surreal effect for a few moments. Of course, as mentioned previously, there are also the...
Page 17
Section VI, Continued Section VI, page 4 - Stereo Effect 2 cascaded into Stereo Effect 1 on Aux 1-2, Stereo Effect 4 and Stereo Effect 5 in parallel on Aux 3-4 Effect PatternAux1-2[Cscd]+Aux3-4[Para]? Eff2Eff1Aux 1Aux 2 Aux 3Aux 4Eff5 Eff4 Effect PatternAux1-2[Cscd]+Aux3-4+L-R? Eff2Eff1Aux 1Aux 2Aux 3Aux 4Master LMaster R Eff5 Eff4 Effect PatternAux1-2[Cscd3]+Aux3-4? Eff2Eff1Eff4 Eff5 Aux 1Aux 2Aux 3Aux 4 Effect PatternAux1-2[Cscd3]+L-R? Eff2Eff1Eff4 Eff5 Aux 1Aux 2Master LMaster R Effect...
Page 18
Section VI, Continued Section VI, page 5 To change your effects set-up: 1) Press SHIFT and PARAM SEL simultaneously. OptionEffect? 2) Rotate the DATA ENTRY dial to Effect. Press ENTER. EffectEffect Pattern? 3) Rotate the DATA ENTRY dial to Effect Pattern. Press ENTER. Effect PatternL-R:Eff1 4) Rotate the DATA ENTRY dial to the desired effect pattern. Press ENTER. Aux1-2:Eff2? If you are assigning stereo effects, then you can move on to the next pa\ ge. If you are assigning channel dynamics, then...
Page 19
Section VI, Continued Section VI, page 6 To assign the internal effects to either the EFFECT RETURN -or- AUX RETU\ RN: 1) Press SHIFT and PARAM SEL simultaneously. OptionSetup? 2) Rotate the DATA ENTRY dial to Setup.. Press ENTER. SetupEff Rtn Input/Assign? 3) Rotate the DATA ENTRY dial to Eff Rtn Input/Assign or Aux Rtn Input/Assign.. Press ENTER. Eff Rtn Input/AssignInput:Effect2 Eff Rtn Input/AssignAssign L-R: On 4) Rotate the DATA ENTRY dial to the desired input source. Press ENTER. 5) Push the DATA...
Page 20
Note: Be sure to read BUSS+AUX=4 section to better understand the descri\ ptions here. There are two ways to record audio to your multitrack machine. There is\ the Direct Output, and the Buss output. Direct Output means whatever comes through channel 1 goes to track 1. C\ hannel 5 goes to track 5. Channel 7 goes to track 7. The signal is pulled from the end of the cha\ nnel strip. This is great for individually tracking all 8 analog inputs at the same time, or just simp\ lifying the signal flow....