Tascam Digital Mixer TM-D1000 Tutorial Manual
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TM-D1000 Digital Mixer Tutorial January 1999 Section I Section II Section III Section IV Section V Section VI Section VII Section VIII Section IX Section X Section XI Section XII Section XIII Section XIV Section XV Overview of the TM-D1000 Crash Course in Digital Audio Recording Hook-up Instructions Navigating the TM-D1000 Buss+Aux=4 Effect Set-ups Buss Out vs. Direct Out AES/EBU and SPDIF in/out Live Sound Applications Recording Applications TM-D1000 QuickStart MIDI Implementation What the Heck is...
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EQIn/Out Freq Freq Freq Gain Gain Que GainLOW-fLOW-GHI-fHI-G81Hz012.3kHz0 PadMID-fMID-GMID-Q0dB1.0k01.71 EQ Aux 2 Aux 4 Aux 1 Aux 3Pre/Post Pre/Post Pre/Post Pre/Post AUX 1-2 Pan-Level34CTR000 1-234PostPostPost 2-01Concert HallIn:100Dir: 0Eff:100 TypeRev-THall52ms98P-DlyDiff2.8sEffects/Dynamics SNAPSHOT*000TM-D1000 Preset S-001 [Transition Time]4.7s?Snapshot Recall On the next page, we have shown the TM-D1000 with a familiar analog mixe\ r layout. You can refer to this if you are looking for specific...
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FreqFreqFreq FreqFreqFreq FreqFreqFreq EQIn/Out FreqFreqFreq GainGain Cue GainMUTEPanL-R1-23-4Direct Trim Pad Aux 2Aux 4Aux 1Aux 3 Pre/PostPre/PostPre/PostPre/Post EQIn/Out FreqFreqFreq GainGain Cue GainMUTEPanL-R1-23-4DirectTrim Pad Aux 2Aux 4Aux 1Aux 3 Pre/PostPre/PostPre/PostPre/Post EQIn/Out FreqFreqFreq GainGain Cue GainMUTEPanL-R1-23-4DirectTrim Pad Aux 2Aux 4Aux 1Aux 3 Pre/PostPre/PostPre/PostPre/Post EQIn/Out FreqFreqFreq GainGain Cue GainMUTEPanL-R1-23-4DirectTrim Pad Aux 2Aux 4Aux 1Aux 3...
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Whether your studio is digital or analog, there are a few things you nee\ d to know before really getting into any recording. When digital audio devices are linked together, it \ is imperative that the user understand terms like word clock, sample rate, and bit rate. So, here’s a crash course in digital audio. Recovering Sample Data 0000000000000000 ----- OVER ----- 1000000000000000...
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Section III Recording Hook-up Instructions Section III, page 1TASCAM TM-D1000 Tutorial1/99 MMC-38 TASCAM DA-38 TASCAM PA-150 DUAL POWER AMPLIFIERTASCAM CDRW-5000 Connecting a TASCAM DA-38, DA-88, or DA-98 TDIF-1 A TDIF I/O AES/EBUINPUTBALANCEDANALOGOUTPUT EXT INDIGITAL I/OOUTPUT AMIDI INMIDI OUTMONITOR OUTPUT AMP INPUT MIDI INMIDI OUT REMOTEOUT SYNCIN 1) Connect a TDIF cable from the TDIF port of the DTRS Machine (i.e. DA- 38, DA-88, DA-98) to the TDIF1-A port on the TM-D1000. (Part #CUPW88D/CUPW88DL)...
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Section III, Continued Section III, page 2TASCAM TM-D1000 Tutorial1/99 Connecting an ADAT or other Lightpipe machine TASCAM PA-150 DUAL POWER AMPLIFIERTASCAM DA-45HR IF-TADMMC/SYNC AES/EBUINPUT BALANCEDANALOGOUTPUT EXT INTDIF-1 A TDIF I/OWORD SYNC WORD SYNC INMONITOR OUTPUTMIDI IN MIDI OUT MIDI OUT MIDI IN DIGITAL I/OOUTPUT A OPTICALOUT OPTICALOUTOPTICAL IN OPTICALINSYNC OUT SYNC INSYNC OUT SYNC IN AMP INPUT 1) Connect a TDIF cable from the TDIF1-A port of the TM-D1000 to the IF- TAD. 2) Connect optical...
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1) Press SHIFT and PARAM SEL simultaneously. OptionSystem? 2) Rotate the DATA ENTRY dial to SYSTEM. Press ENTER. SystemMaster Clock Select? 3) Rotate the DATA ENTRY dial to Master Clock Select. Press ENTER. Master Clock SelectTDIF-1 A? 4) Rotate the DATA ENTRY dial to the appropriate source. Press ENTER. TASCAMTM-D1000 If you are using a DA-38 or DA-98, your master word clock should be set to TDIF1 A. This makes your Multitrack machine the word clock master. The DA-38 and DA-98 can both \ transmit word...
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The faders, pan pots, and mute/solo buttons are all dedicated per channe\ l giving you instant access to all of these parameters on all channels simultaneously. Bussing, EQ, an\ d Aux are all handled one channel (or stereo pair) at a time. In other words, you select which \ channel you want to change and then start modifying the parameters. To select a channel, press the CH SEL button located on the channel strip. You can group channels together by simply pressing the adjacent CH SEL buttons at the...
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Section IV, Continued Section IV, page 2 The digital pad is in the EQ screen just in case you boost the EQ to the\ point of distorting the channel. When you boost the gain on the EQ, you\ are actually increasing the volume of the signal. If the volume is boos\ ted too much, the channel can overload. So, we put the digital pad into the\ LOW-fLOW-GHI-fHI-G81Hz012.3kHz0 PadMID-fMID-GMID-Q0dB1.0k01.71 TASCAMTM-D1000 The black faders at thebottom right are yourmaster aux sends. The EFFECT RETURN andAUX...
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Section IV, Continued Section IV, page 3TASCAM TM-D1000 Tutorial1/99 When you are ready to change the configuration of the mixer from the def\ ault settings, it is important to know that the busses (1-2, 3-4) share the routing with the auxiliaries\ . So, you can have 4 busses and no auxiliaries, 2 busses and 2 auxiliaries, or no busses and 4 auxiliaries.\ For more information on this, read Section V - Buss+Aux=4. Note: The following walk-through assumes you have not changed the mixer\ from the...