Steinberg Wavelab Elements 7 Manual
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13.28 ECMAScript 183 13.28 ECMAScript WaveLab's scripting language is based on the ECMAScriptscripting language, as defined in "Standard ECMA-262 - ECMAScript Language Specification". Microsoft's JScript, Netscape's JavaScript and Adobe's Actionscript are also based on the freely-available ECMAScript standard. Glossary contents 13.29 Ensoniq Paris files Ensoniq Paris is an Audio File format used by the old Ensoniq Paris™ system. It has 16-bit and 24-bit resolution. The file extension is .paf. Glossary contents 13.30 Equalization Equalization (EQ) is a process by which certain frequency bands in an Audio File are increased or lowered in level to compensate for recording or playback inadequacies. Glossary contents 13.31 FFT FFT (Fast Fourier Transform) analysis is a mathematical method to convert a waveform from the Time Domain to the Frequency Domain. FFT uses various mathematical shortcuts to carry out a spectral analysis, trading compu- tational speed for limitations in the number of samples and frequency bands used in the analysis. Glossary contents 13.32 Focused Clip There can be no more than one Focused Clip. See Clip Glossary contents 13.33 Formant Formants are the distinguishing frequency components of a sound. Glossary contents WaveLab Elements 7
184 Glossary 13.34 FTP Site File Transfer Protocol (FTP) is a network protocol used to copy a file from one host to another over a TCP/IP-based network such as the Internet. An FTP sitemay require user-based password authentication or it may allow anonymous user access. Podcasts are published to FTP sites. Publish menu FTP site Glossary contents 13.35 Headroom Headroom is the amount by which the signal-handling capabilities of an audio system ex- ceeds a designated level - the Permitted Maximum Level (PML). Headroom can be thought of as a safety zone allowing transient audio peaks to exceed the PML without exceeding the signal capabilities of an audio system. Glossary contents 13.36 ISO image An ISO image is an archive file or "disk image" of an optical disk in a format defined by the International Organization for Standardization (ISO). "ISO image" derives from the ISO 9660 file system used with CD-ROM media. ISO image files are supported by WaveLab Elements and typically have a file extension of .iso. Glossary contents 13.37 ISRC ISRC - the "International Standard Recording Code" - is a code for identifying sound record- ings (and music video recordings) on CDs intended for commercial distribution. WaveLab allows you to specify an ISRC code for each audio track. The code contains the following elements: ˆ Country Code (2 ASCII characters) ˆ Registrant Code (typically, a record label - 3 ASCII characters or digits) ˆ Recording Year (2 digits or ASCII characters) ˆ Serial Number (unique number identifying the recording - 5 digits or ASCII characters). The groups of characters are often presented with hyphens to make them easier to read, but hyphens are not part of the code. Glossary contents WaveLab Elements 7
13.38 Loops 185 13.38 Loops Loops are short audio Clips that create a repeating beat or pattern. Loop Tone Uniformizer Loop Tweaker Glossary contents 13.39 Loudness Loudness is a subjective measure, the perceptual correlate of amplitude of sound. There are objective measures of sound strength, such as SPL (sound pressure level in dB), but Loudness is affected by other factors, principally frequency (the sensitivity of the human ear changes as a function of frequency) and duration. The perception of Loudness varies from one person to another, so it cannot be measured with a single metric. Glossary contents 13.40 Markers Markers are symbols identifying a reference points in an Audio File, like tab markers in word processing. There are several marker types in WaveLab Elements, which may be used for quick navigation or more specialist uses. Some markers must be used in pairs. Markers Marker types Glossary contents 13.41 Media Catalog Number The MCN (Media Catalog Number) is a 13-digit code for an optical disk intended for commercial distribution - there is one such code per disk. See UPC/EAN . You can read the Media Catalog Number (EAN) from a CD by choosing Utilities>Import Audio CD tracks... >Functions >CD Info... . Import Audio CD Glossary contents 13.42 MIDI MIDI (Musical Instrument Digital Interface) is an industry standard that allows devices such as synthesizers and computers to communicate with each other through a system of channels and triggers. Glossary contents WaveLab Elements 7
186 Glossary 13.43 MIDI Channels MIDI provides 16 channels for sending data. When processing MIDI triggers, WaveLab Elements needs to know which MIDI channelto monitor to receive a trigger. Glossary contents 13.44 Mixing Mixing is the process of blending multiple sound files into a single file, with control over the relative levels of each incoming file, Glossary contents 13.45 Mobile phone Audio Files 3GP and 3G2 file formats are multimedia container formats designed to minimize storage and bandwidth requirements for use with mobile phones. ˆ 3GP(3GPP file format) is defined by the Third Generation Partnership Project (3GPP) for GSM-based (UMTS) mobile phones. ˆ 3G2(3GPP2 file format) is a multimedia container format defined by the 3GPP2 for CDMA2000-based mobile phones. Tyoical file extensions are .3gp, .3g2 Glossary contents 13.46 MP2 files MP2 (MPEG-1, audio layer 2) is an audio encoding format defined by ISO/IEC 11172-3, alongside MPEG-1 and MPEG-3, using lossy audio compression. The three audio "layers" (MP1, MP2 and MP3) are different perceptual encoding techniques. MP2 remains an important format for broadcast audio and is part of DAB digital radio and DVB digital television standards. It is also the audio format used in HDV camcorders. MP2 files are sometimes referred to "Musicam files". Typical filename extensions are .mp2, .mpa, .mpg, .mus, .m32, .m44 and .m48. MP3 files MP2 encoding Glossary contents 13.47 MP3 files MP3 (MPEG-1, audio layer 3) is a patented digital audio encoding format using lossy audio compression, designed by the Moving Picture Experts Group as part of its MPEG-1 WaveLab Elements 7
13.48 Non-destructive editing 187 standard, and derived from MP2. MP3 is popular for PC and internet applications - data compression ratios of 10:1 are typical. Note that when you open an MPEG compressed file in WaveLab, the file is converted to a temporary wave file that is much larger than the original compressed file, so make sure that you have enough free space on your hard disk when opening MPEG compressed files. On saving, the temporary wave file is converted back to MP3, so from a user perspective the file handling is transparent apart from the size difference mentioned above. The filename extension is .mp3 MP2 files Audio File Format Dialog Glossary contents 13.48 Non-destructive editing Non-destructive editing When you delete or change a part of an Audio File in a non- destructive system, the audio is not deleted or permanently changed - instead a set of point- ers keeps track of all the edits, so these can be readily reversed. WaveLab Elements provides comprehensive facilities for Non-destructive editing. Glossary contents 13.49 Normalize To Normalize is to raise the volume so that the sample with the highest level is set to the maximum user-defined level. This ensures that you are using all of the dynamic range available to you. Steinberg Limiter Glossary contents 13.50 NTSC NTSC (from the US "National Television System Committee") is the analog television system used in North America, parts of South America, Japan and some Pacific territories. NTSC has 29.97 interlaced frames of video per second - a field refresh frequency of 59.94Hz (actually 60Hz/1.001). Each frame consists of a total of 525 scanlines, 486 of which are visible. The digital terrestrial television (DTT) replacement for NTSC is ATSC ("Advanced Television Standards Committee"). PAL/SECAM Glossary contents WaveLab Elements 7
188 Glossary 13.51 Ogg Vorbis files Ogg Vorbis is a lossy compressed audio format and codec that produces files about the same size as MP3 files but with objectively higher fidelity and no patent restrictions. Vorbis is intended for sample rates from 8kHz telephony to 192kHz digital masters and a range of channel representations that includes monaural, stereo, surround 5.1, ambisonic, or up to 255 discrete channels. Vorbis is open source (free) software maintained by the Xiph.Org Foundation. The file extension is .ogg. Audio File Format Dialog Glossary contents 13.52 OSQ files Original Sound Quality (OSQ) is WaveLab's proprietary lossless compressed audio for- mat. By saving files in this format, you can save considerable disk space without compro- mising audio quality. The filename extension is .osq Glossary contents 13.53 PAL/SECAM PAL is short for "Phase Alternate Line"; SECAMis short for Séquentiel couleur à mémoire ("Sequential Color with Memory"). They are related analog television encoding systems used in broadcast television systems in large parts of the world. NTSC is a another analog system used in North America and parts of South America. In digital applications PAL video mode is usually referred to as "576i" (i.e. a vertical resolution of 576 scan lines, interlaced), in analogue contexts it is often quoted as "625 lines". SECAM Digital video uses its own colour space, so (in the digital domain) the minor colour space differences that used to exist between PAL and SECAM are no longer present. In digital video applications such as DVDs and digital broadcasting, PAL/SECAM video is based on 576 frame lines with two interlaced video fields per frame (i.e. 50 fields per second, yielding 25 frames per second). Audio is pulse-code modulated. NTSC Glossary contents 13.54 Pan Pan is short for panoramic. Pan is perceptually "placing" a mono or stereo sound source between two or more speakers. We sense stereo position from a difference in loudness when the sound strikes each ear, taking into account the time delay, spectrum, reverberation and other cues. WaveLab Elements 7
13.55 Peak level 189 Steinberg Autopan Glossary contents 13.55 Peak level Peak level is a measure of maximum sound level. Peak Level Meters should go as high as possible without ever reaching 0dB! The Peak Level meters display the peak levels of each channel, graphically and numerically. By default, the meter segments and numerical peak values are displayed in green for low levels, yellow for levels between –6dB and –2dB, and red for levels above –2dB. If the level is set too low, noise levels will be high relative to the recorded sound; if peak level exceeds 0dB by a significant amount, clipping effects can occur. Peak Master Glossary contents 13.56 Plug-ins A vast number of specialist audio software Plug-insare available, ranging from freeware to expensive high-end commercial products, and these can greatly extend the functionality of WaveLab Elements. Steinberg created Virtual Studio Technology (VST) to allow effect plug-ins to be integrated with audio editors (such as WaveLab Elements). VST uses Digital Signal Processing (DSP) to emulate in software the effects of familiar recording studio hardware. Audio Plug-ins Glossary contents 13.57 Pre-roll and Post-roll Pre-roll is the time elapsed before an event occurs; Post-rollis the time after an event. Pre-roll can give a brief context if you are auditioning a Clip. Glossary contents 13.58 Preset system WaveLab Elements provides a sophisticated Preset system, which allows you to store a range of individual or bulk settings and recall them for later use. Presets Glossary contents WaveLab Elements 7
190 Glossary 13.59 Processor cores Processor cores Modern computers are often designed with a multi-core processor, with two or more "cores" (i.e. independent processors) in a single physical package. A dual-core processor contains two cores, and a quad-core processor contains four cores, with the aim of improving computational performance. The performance gains of multi-core processors depend on whether the software has been implemented to take advantage of this architecture. Glossary contents 13.60 Quantization Quantization is the process by which measurements are rounded to discrete values. In digital audio, the continuously varying voltages of an analog signal are quantized to discrete digital values, represented in binary numbers. In 8-bit audio, sample values range from -128 to 127; in 24-bit audio, sample values range from -8288608 to 8288607. In analog-to-digital conversion and compression, differences between the actual analog value and the quantized digital value is called "quantization error". This error is due either to rounding or truncation and can give rise to "quantization noise" which may be reduced by using "dithering" techniques. Dithering Glossary contents 13.61 Raw PCM files Raw PCM files is an Audio File format that includes no information about bit resolution or sample rate. If you open a file in this format, WaveLab prompts you to specify the bit resolution and sample rate. If this is not done correctly, the file will not play back as intended. Note that the " $$$" file type is WaveLab’s own temporary file format. If you experience a computer crash you can try opening any stray " $$$" files on your hard disk(s) to restore them. Tyical file extensions are .raw, .bin, .pcm, . $$$ Glossary contents 13.62 Red Book CD-DA Red Book is the standard for audio CDs (Compact Disc Digital Audio, or CD-DA). Other "Rainbow Books" in the series, known by the color of their covers, define the formats of CD-ROMs, VCD, SACD and other compact disc formats. DVD and Blu-ray formats are not defined in a Rainbow Book. The first edition of the Red Book was released in 1980 by Philips and Sony and ratified as IEC 60908. The standard is not freely circulated - from 2009 the IEC 60908 document has been available as a PDF download for US $260. The Red Book specifies a compliant CD-DA in great detail, including the physical properties of the CD, the digital audio encoding (2-channel, signed 16-bit Linear Pulse Code Modulation, sampled at 44.1kHz), the modu- lation system, the CIRC error-correction scheme and subcode channels. Data are stored in WaveLab Elements 7
13.63 Regular Expressions 191 sectors of 2352 bytes ("frames"), read at 75 frames/s. The bit rate is 1411.2kbits/s. Other considerations are that the maximum number of tracks is 99, the minimum duration of a track is 4 seconds (including a 2-second pause), the maximum playing time is 79.8 minutes, and the ISRC should be included. WaveLab Elements provides Red Book-compliant CD mastering. CD Frame ISRC Glossary contents 13.63 Regular Expressions A Regular Expression (regex for short) is a formula composed of characters that have a special meaning (called "operators"). A simple example is in using " .doc" to search for all text documents in a file manager. In this case, the asterisk (star) character is an operator that matches any string before the ".doc" in a filename. In addition to WaveLab Elements, many software applications, text editors (like EditPad Pro) and programming languages support regular expressions. The characters ". [ ] ( ) f g?+ - j! / ^ $" are operators in WaveLab Elements's regular expression engine. You can submit regular expressions in a WaveLab Elements text box wherever you see the icon. Clicking on the light bulb icon gives a fly-out menu listing special characters and short cuts, to help you build a precise and well-formed expression. There are many helpful web-based tutorials that explore the topic of regex. Glossary contents 13.64 RF64 files RF64 is an audio file format. You have an option (set in Options>Audio File editing preferences >Files tab) to support the RF64 file format. If this is activated, the standard Wave file format switches automatically to the RF64 file format as soon as the file size ex- ceeds 2GB, without any performance loss or interruption. This is especially useful when recording very long sessions as there is no need to worry about file size limit (apart from disk space availability). An RF64 file uses the ".wav" extension but it can only be opened with an application that supports the RF64 standard. WAV files Glossary contents 13.65 RMS RMS (Root Mean Square) can be used as a measurement of intensity of sound (or AC voltage, etc.) over a period of time. The RMS measurement calculates a practical average value of all the points on a waveform as a single number over a variable period that could be 1 ms, 20 ms, or 1 hour. WaveLab Elements 7
192 Glossary RMS is often a good basis for determining an "equal level" when equalizing Clip volumes, producing more natural results than using Peak levels, since RMS offers a more realistic measure of the perceived "loudness" of a sound. Glossary contents 13.66 Sample rate The Sample Rate , or sampling frequency, is the number of samples per second used to store a sound. High sample rates are better able to approximate the original continuous waveform, but require more storage space. Glossary contents 13.67 SMPTE timecode The Society of Motion Picture and Television Engineers devised a code to synchro- nize time between devices, the SMPTE time code. The time code is composed of hours:minutes:seconds:frames. Frames are fractions of a second based on the frame rate (which can take the values 24, 25, 29.97 and 30 frames per second). Time Format dialog Glossary contents 13.68 Sound Designer II files Sound Designer II is an audio file format used by Digidesign applications (such as Pro Tools). 8-, 16- or 24-bit resolutions are supported. The filename extension is .sd2 Glossary contents 13.69 Spectrogram A Spectrogram is an image that shows how the spectral density of a signal varies over time. Glossary contents 13.70 Sun/Java files Sun/Java is an Audio File format used on Sun and NeXT computers. Files in this format can often be found on the Internet. 8-, 16- or 24-bit resolutions are supported. Typical file extensions are .snd, .au WaveLab Elements 7