Steinberg Sequel 3 Operation Manual
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111 Advanced FeaturesRemote-controlling Sequel 3.Select the function that you want to control with your remote device by clicking on it in the user interface. The button turns red and the assignment browser opens to indicate that you can now assign a remote control to this function. 4.Move a control on your external device to map the physical control to the program function. The selected function is now assigned to the control on the remote device. This is indicated by the corresponding program control turning blue. The name at the bottom of the assignment browser now indicates which remote item is assigned to the selected function. 5.To assign another remote controller, click the next program function. 6.Click the “Remote Object List” button in the lower right corner of the assignment browser. All remote controls that have been assigned are now shown. 7.Click the “Edit Remote Control Assignment” button in the Pilot Zone to switch back to normal mode. Congratulations! You can now use your remote device to control the assigned Sequel functions. ÖIf you assign the Multi Zone pages first, you can use the controls on your remote device to switch between the different pages.
112 Advanced FeaturesRemote-controlling Sequel The Assignment Browser The assignment browser consists of the following elements: - The “Sticky Browser” button in the top left corner of the assignment browser indicates if the browser is fixed (closed padlock symbol) or closes automatically after a few seconds (open padlock symbol). Click the button to change its status. - The “Show Remote Item Info” button can be used to show a graphical representation of a rotary control next to each remote item. By clicking these icons, you let the program know that the corresponding physical control is an endless rotary encoder. - The “Reset Remote Assignment” button allows you to remove a controller assignment from a specific control. - The name field lets you change the default name for the assigned remote control (at the bottom of the list). This allows you to keep an overview of the assigned controls. Setting the Remote Focus The “Set Remote Focus” function allows you to use the same hardware controls for remote-controlling the quick controls on different panels or pages. To set the remote focus to a panel, proceed as follows: 1.Assign the same MIDI controller to all quick controls. 2.Click the upper or lower edge of the panel that you want to remote-control. The panel now has the remote focus, indicated by a color change. 3.Remote-control the quick controls on this panel. 4.Click the upper or lower edge of a different panel to remote-control another effect or instrument. You can also set the remote focus to the Output Effects section and the following pages in the Multi Zone: Track Inspector Page, Beat Page, Mixer Page, and Performance Page. Sticky Browser Reset Remote Assignment Remote Object List button Name of the Sequel function Name of the assigned remote controlAssigned remote controllersShow Remote Item Info
113 Advanced FeaturesRemote-controlling Sequel •To do so, click the “Set Remote Focus” button on the corresponding page. Assigning Controllers Using Key Commands You can also assign controllers to Sequel functions using key commands. Proceed as follows: 1.Press [F] to enter Edit Remote Control Assignment mode. The main user interface is dimmed, so that you can clearly see which elements can be assigned to remote controls (indicated by frames). 2.Use the arrow keys to step through the assignable functions. The selected control element turns red and the assignment browser opens to indicate that you can assign a remote control to this function. 3.Move a control on your external device to map it to the program function. •Use the arrow keys on your computer keyboard to step through the available parameters. •Press [Enter] on the numeric keypad to make selections, activate functions, or to confirm your settings. •Press [Esc] to exit a list or browser window or deactivate Edit Remote Control Assignment mode. The “Set Remote Focus” button This panel has the remote focus
114 Advanced FeaturesQuick Controls Quick Controls Quick controls are parameter assignments for effect or instrument plug-ins that are shown on the Track Inspector Page of the Multi Zone. For each effect or instrument plug-in, eight quick control slots are available. These give you instant access to the plug-in parameters. Sequel features a default assignment for the main parameters. To change the assignment, proceed as follows: 1.Activate the “Quick Control Learn Mode” button. The plug-in window opens. 2.In the quick control panel, select a quick control slot. You can press [Tab] or use the cursor keys to step through the quick control slots. 3.In the plug-in window, click a parameter. The parameter is assigned to the quick control and the quick control slot is renamed accordingly. 4.Repeat these steps for all other quick controls that you want to change. 5.Deactivate the “Quick Control Learn Mode” button. The new assignment is used from now on. Quick control slots Quick controls Quick Control Learn ModeGet Default Quick Controls from Plug-in Open/Close Plug-in Window ÖIf you select a quick control slot in learn mode and press [Delete] or [Backspace], the slot is emptied. This is helpful, for example, if you want to use less than eight quick controls.
115 Advanced FeaturesQuick Controls You can also change the parameter assignments from within the plug-in’s control panel. Proceed as follows: 1.Click the “Open/Close Plug-in Window” button. The plug-in panel for your effect or instrument opens. 2.Right-click the parameter that you want to assign to a quick control slot, and select an option from the “Add x to Quick Controls Slot” submenu, where x is the name of the parameter. The plug-in parameter is assigned to the selected quick control slot. Quick control assignments are saved globally. •To retrieve the default assignments, click the “Get Default QCs from Plug-in” button. •To rename a quick control, double-click the name in the quick control slot, enter a new name, and press [Return]. You can also automate the quick control parameter settings. For details on automation, see “Adding Automation” on page 44. ÖQuick controls become really powerful when you assign them to remote-control devices. Quick control assignments only need to be set up once for insert effects, send effects, output effects, and instruments.
116 Key Commands Introduction This chapter contains a list of the available key commands in Sequel, structured according to the different edit categories in the program. The Available Key Commands File Commands The File category contains the following key commands: Project Commands The Project category contains the following key commands: OptionKey command Help (Operation Manual)[F1] Quit[Ctrl]/[Command]-[Q] OptionKey command New Project[Ctrl]/[Command]-[N] Open Project[Ctrl]/[Command]-[O] Save Project[Ctrl]/[Command]-[S] Save As[Ctrl]/[Command]-[Shift]-[S] Manage Projects[Ctrl]/[Command]-[Shift]-[M] Toggle Automation Mode[A] Show/Hide Track Inspector Page[1] Show/Hide Editor[2] Show/Hide Track Picture Page[3] Show/Hide Mixer[4] Show/Hide Performance Page[5] Show/Hide Settings Page[6] Show/Hide Filter Section[7] Show/Hide MediaBay[8] Show/Hide Output Effects[9] Show/Hide Virtual Keyboard[K] Show/Hide Tuner[T]
117 Key CommandsThe Available Key Commands Edit Commands The Edit category contains the following key commands: Navigate Commands The Navigate category contains the following key commands: OptionKey command Undo[Ctrl]/[Command]-[Z] Redo[Ctrl]/[Command]-[Shift]-[Z] Cut[Ctrl]/[Command]-[X] Copy[Ctrl]/[Command]-[C] Paste[Ctrl]/[Command]-[V] Delete[Delete] or [Backspace] Duplicate[Ctrl]/[Command]-[D] Split at Cursor[Ctrl]/[Command]-[T] Bounce Selection [Ctrl]/[Command]-[B] Select All[Ctrl]/[Command]-[A] Select None[Ctrl]/[Command]-[Shift]-[A] Add Track[Ctrl]/[Command]-[+] Remove Selected Tracks[Ctrl]/[Command]-[Delete] or [Backspace] Record Ready[R] Snap to Grid[J] Quantize[Q] Edit Remote Control Assignment[F] OptionKey command Left[Left Arrow] Right[Right Arrow] Up[Up Arrow] Down[Down Arrow] Add Left[Shift]-[Left Arrow] Add Right[Shift]-[Right Arrow] Add Up[Shift]-[Up Arrow] Add Down[Shift]-[Down Arrow] Bottom[End]
118 Key CommandsThe Available Key Commands Virtual Keyboard Commands When the virtual keyboard is active, the usual key commands are blocked. The only exceptions are: [*] (“multiply” on the numeric keypad) for recording, [Space] for start/stop, and [Home]/[Command]-[Home] to jump to the project start. For the virtual keyboard, the following key commands are available: Zoom Commands The Zoom category contains the following key commands: Transport Commands The Transport category contains the following key commands: OptionKey command One Octave Down[Left Arrow] One Octave Up [Right Arrow] Change Virtual Keyboard Display Type[Tab] OptionKey command Zoom In[H] Zoom Out [G] Zoom Last[Shift]-[H] Zoom Full[Shift]-[G] Zoom to Parts[Shift]-[P] OptionKey command Locate to Selection[L] To Cycle Start[Home] (PC)/[Command]-[Home] (Mac)/[.] (Notebooks) Start[Enter] (numeric keypad) Stop[0] (numeric keypad) Start / Stop[Space] Record[*] (“multiply” on the numeric keypad) or [Ins] Rewind[-] (“subtract” on the numeric keypad) Forward[+] (“add” on the numeric keypad) Return to Zero[.] or [,] on the numeric keypad Cycle[/] (“divide” on the numeric keypad) Set Cycle to Selection[P] Locate next Marker[Shift]-[N] Locate Previous Marker[Shift]-[B]
119 Effects and Instruments Reference Introduction This chapter describes the effects and instruments included with Sequel. How to use effects is described in the section “The Track Inspector Page” on page 82. Effects Parameters Delay Effects PingPongDelay PingPongDelay creates a bouncing effect. It bounces the signal between left and right. SyncNote allows you to sync the bouncing effect to the tempo. Feedback determines how long the delay lasts. Using the Spatial parameter you can increase the distance between the bounces. This sounds great on solos. The Mix parameter determines how much original signal you hear versus the affected signal. StereoDelay StereoDelay is great for giving your tracks a sense of space. It includes two delays. One for the left channel and one for the right channel. SyncNote allows you to sync the delay effect to the tempo. Feedback determines how long the delay lasts. The Mix parameter determines how much original signal you hear versus the affected signal. Distortion Effects AmpSimulator The AmpSimulator allows you to make it sound like your tracks were recorded through an electric guitar or bass amplifier. Drive gives a boost to the signal and simulates an overdrive pedal. Bass adds low end to the signal. Mid boosts the middle frequencies of the signal. Treble adds high end to the signal. Volume allows you to give that extra boost to the signal without adding any distortion. •There are a number of AmpSimulator presets available. Try out the different presets to find an amp sound. Distortion Distortion is great for adding crunch to your tracks. This effect is easy to use with only two parameters, but it is extremely effective. Boost cranks up the distortion amount. Output raises or lowers the signal going out of the effect.
120 Effects and Instruments ReferenceEffects Parameters VST Amp Rack VST Amp Rack is a powerful guitar amp simulator. The sound-related parameters (Bass, Middle, Treble, and Presence) have a significant impact on the overall character and sound of the amp. Gain cuts or boosts the signal, Bass adds low end to the signal, Middle boosts the middle frequencies of the signal, and Treble adds high end to the signal. Presence boosts or dampens the higher frequencies, and Master controls the volume of the output signal. •There are a number of presets with guitar-amp-specific effect chains available. Try out the different presets to find the perfect guitar sound. Dynamics Effects Compressor Compressor reduces the dynamic range of the audio, making softer sounds louder or louder sounds softer, or both. Threshold determines how much compression is added to the signal. When the signal goes above the threshold level, the Compressor reduces the signal; the further to the right you drag, the more compression you get. Gate Gate allows you to create a “gate” which lets only audio through if it meets the specified volume requirement. Threshold sets the volume level that the signal has to reach in order to be heard. Release controls how quickly the gate closes after it has been opened. Maximizer Maximizers are commonly used in the mastering stage to raise the overall level of the mix. Optimize raises the level of your tracks without clipping the output. Turning this up all the way creates a brick-wall effect that is often used on drum tracks in electronic music. Master EQ This is an easy-to-use 3-band parametric equalizer. The Low, Mid, and High parameters allow you to cut or boost the corresponding frequency band. The buttons below the knobs let you disable the frequency bands. Filter Effects DualFilter This effect filters out certain frequencies while allowing others to pass through. Pos changes the position, that is, the focus frequency of the filter. With higher values, only high frequencies are heard, with lower values, only low frequencies are heard. Reso adds a ringing effect to the filtered sound. Morph Filter This effect lets you mix lowpass and highpass filter effects. Frequency changes the cutoff frequency of the filter. Resonance adds a ringing effect to the filtered sound. The Morph slider lets you mix the filter output between lowpass (0) and highpass (100).