Steinberg Halion Sonic 2 Manual
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81 EditingEditing Drum and Loop Layers Amount This parameter defines how much of the quantization grid is applied. A value of 100 % means the slices play back only at the Quantize Note Value you specified. Smaller values move the notes only partially towards the next Quantize Note Value. With a value of 0 % no quantization is applied at all. Key Follow Here you can adjust the pitch modulation from note number. Set this parameter to positive values to raise the pitch with notes above the Center Key....
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82 EditingEditing Instrument Layers Loop FlexPhraser Variations By activating Random and by adjusting the parameters Tempo, Tempo Scale, Swing, Gate Scale, Quantize, Amount, Start and Length, you can create up to eight variations. For further information, see “Working with FlexPhraser Variations” on page 73. ÖThe parameters Loop, Sync, Hold, Trigger Mode, Restart Mode, Key Follow and Center Key are not part of the variations. You set them up only once per FlexPhraser. Editing Instrument Layers For...
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83 EditingEditing Instrument Layers The Pitch Subpage This subpage gives you access to the tuning of the expression. With the Octave, Coarse and Fine parameters, you can adjust the tuning in steps of octaves, semitones and cents. In addition, you can also set the amount of pitchbend. The following parameters are available: - Octave (see “Octave” on page 33). - Coarse (see “Coarse” on page 33). - Fine (see “Fine” on page 33). - Pitch Bend Up and Down (see “Pitchbend” on page 33). The Filter Subpage The...
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84 EditingEditing Instrument Layers Sustain Use this to offset the Sustain level of the filter envelope. Positive values increase and negative values decrease the Sustain level. Release Use this to offset the Release time of the filter envelope. Positive values decrease and negative values increase the Release time. The Amplifier Env Modifiers Subpage This section offers parameters to modify the amplifier envelope of the expression. You can offset the Attack, Decay, Sustain and Release of the...
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85 EditingExpression Maps Expression Maps Using Expression Maps For more realistic performances, many instrument layers use key switches to switch between different expressions, i. e. different articulations and playing styles of the same instrument. These key switches are set to rather low keys to maximize the playable range and they cannot be changed internally to ensure that performances played by FlexPhrasers always sound the same – FlexPhrasers expect the key switches of certain expressions on...
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86 EditingExpression Maps Remapped Mode The Remapped mode allows you to transpose the fixed, internal key switch assignments into the playable range of your MIDI keyboard. Each expression displays the MIDI note of the internal key switch and a MIDI note for re-assigning the key switch next to its name. The MIDI note of the internal key switch is for indication only and cannot be edited. To transpose the internal key switches, proceed as follows: 1.Set the mode to Key Switch. 2.Enter the MIDI note you...
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87 EditingEditing Insert Effects Editing Insert Effects HALion Sonic offers you up to four insert effects for each of the four layers and for the program itself. The insert effects you assign to a layer affect only that layer. The insert effects you assign to the program affect all four layers together. Typically, you assign effects like EQ or Distortion to the separate layers, but effects like Delay or Reverb to the whole program. Using the Insert Slots Each layer and the program have four slots for...
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88 Auron Introduction The Auron synth uses granular synthesis with up to eight grain streams to produce oscillator waveforms. With the integrated arpeggiator and step sequencer, you can create anything from sequencer lines to stepped chords. The granular oscillator is followed by a multi-mode filter that offers a large number of different filter shapes. The filter can be modulated by modulation sources like the keyboard, velocity, and LFO, but also by the controller lanes of the step sequencer, for...
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89 AuronThe Osc Page The Osc Page On this page, you can make settings for the grain oscillator. Position You can set the playback position of the grains manually. For example, at a setting of 50 %, the playback position is in the middle of the sample. The playback position is updated with every new grain. Position Random Selects a random playback position within a certain range around the current position. At a setting of 100 %, the playback position jumps to a random position between the start and...
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90 AuronThe Mod Page Grains You can specify the number of grains, from 1 to 8. For example, with a setting of 4, you get 4 grains per period of the grain duration. To hear the effect of this setting, you have to play a new note. The Mod Page The Mod page contains the LFO settings in the upper section and the mod wheel, or vibrato, settings in the lower section. LFO Settings LFO Waveform and Shape Here, you can select the waveform for the LFO: Freq Controls the frequency of the modulation, that is, the...