Steinberg Groove Agent 4 Manual
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131 Effects Reference Reverb and Delay Effects REVerence REVerence is a convolution tool that allows you to apply room characteristics (reverb) to the audio. By recording an impulse in a room, you capture the characteristics of this room. Convolut ion superimposes these characteristics to the sound. The result is a very natural sounding reverb. Included with this effect is a collection of high-quality reverb impulse responses. Impulse Response Allows you to select an impulse resp ons e. This...
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Effects Reference Reverb and Delay Effects132 LevelAdjusts the level of the impulse response. Equalizer Activates the built-in three-band equalizer. ER Tail Split Sets the split point between the early reflections and the reverb tail. ER Tail Mix Sets the balance between the early reflections and the reverb tail. At a setting of 50 % the early reflections and the tail have the same volume level. Settings below 50 % raise the early reflections and lower the tail, as a result the sound sou rce...
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Effects Reference Reverb and Delay Effects133 ER/Tail MixSets the level balance between the early reflections and the reverb tail. At a setting of 50 %, early reflections and tail have the same volume. Settings below 50 % raise the early reflections and lower the tail, as a result the sound sou rce moves towards the front of the room. Settings above 50 % raise the ta il and lower the early reflections, as a result the sound source moves towards the back of the room. Size Adjusts the length of...
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Effects Reference Reverb and Delay Effects134 Low FreqSets the cross-over frequency between the low and the mid band of the r everb tail. The reverb time for frequenci es below this value can be offset from the main reverb time with the Low Time parameter. Shape Controls the attack of the reverb tail. At a setting of 0 %, the attack is more im mediate, which is a good setting for drums. The higher this value, the less immediate the attack. Density Adjusts the echo density of the reverb tail. At a...
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Effects Reference Reverb and Delay Effects135 Multi Delay This effect produces delays, with adjustable time, feedback, and filters. With the Mode parameter , you can set up this effect as Stereo, Cross, or Ping-Pong delay effect. Depending on the selected mode, the echoes repeat in varying patterns across the stereo panorama. Mode Multi Delay offers three different modes: •Ster eo mode has two independent delay lines, one for the left and one for the right audio channel, each with a feedback path...
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Effects Reference EQ Effects136 FeedbackSets the overall amount of feedback fo r the left and right delay. Feedback means that the output of the delay is fe d back to its input. At a setting of 0 %, yo u hear one echo. At a setting of 100 %, the echoes repeat endlessly. Feedback L/R Offsets the amount of feedback of the left or right delay from the overall feedback. A factor of 1 means that the amount of feedback corresponds to the overall feedback. A factor of 0.5 mean s that the amount is...
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Effects Reference EQ Effects137 GainSets the amount of cut or boost for the corresponding band. Freq Sets the frequency that is cut or boosted with the Gain parameter. Q (Quality) Use this parameter to adjust the bandwi dth of the mid-range peak filters from wide to narrow. By increasing the Q value on the low and high shelving filters, you can add a dip to their shape. • To adjust the parameters Ga in and Freq simultaneously, drag the points in the EQ curve display. Graphic EQ Graphic EQ is...
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Effects Reference EQ Effects138 FlattenResets all frequency bands to 0 dB. DJ-EQ This plug-in is an easy-to-use 3-band pa rametric equalizer that resembles the EQs found on typical DJ mixers. This plug -in is designed for quick sound fixes. • To set the Low, Mid , and Hi frequency bands, click and drag the EQ points. • To fine-adjust the Lo w, Mid , and Hi frequency bands, press [Shift] and drag the EQ points. • To set a parameter to zero, pre ss [Ct rl]/[Command] and click it. • To change the...
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Effects Reference Filter Effects139 Filter Effects Auto Filter Auto Filter provides 2 morphable filter shapes with distortion. The morphing between the two shapes, as well as the cutoff, can be controlled with a ma nual pedal control, an LF O, or an envelope shaper. Filter Parameters Filter Shapes • LP 24, 18, 12, and 6 are low-pass filters with 24, 18, 12, and 6 dB/oct. Fr equencies above the cutoff are attenuated. • BP 12 and BP 24 are band-pass filters with 12 and 24 dB/oct. Frequencies below and...
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Effects Reference Filter Effects140 DistortionAdds distortion to the signal. The effect depends on the selected distortion type. At hi gher settings, it creates a very intense distortion effect. NOTE This parameter is only available for the Tube Drive, Hard Clip , Bit Red , and Rate Red types. Type The following options are available: • When this parameter is set to Off, the filter offers no distortion. • Tube Drive offers a lot of character by adding warm, tube-like distortion. • Hard Clip...