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Panasonic Mixing Automation Expansion Software Users Guide

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Page 171

If you are not already viewing a Custom View, select a Custom View from the
windows menu. To create a whole row consisting of your new module, select
Edit Custom Viewsfrom the Edit menu.
Enter Row 1 starts with channel 1.
Select Module: Fader and Pan. The results will look like this.
162
MAX Edit Module Dialogue  

Page 172

Creating a Non-Automated Input and Gain Module
In the Edit Moduledialogue, Select New from the Module menu. Name the
module “Input Source and Gain”. Click OK.
Do not check Show Calibration Lines. 
Select the knob tool. Click to place the knob near the bottom of the module.
Do not connect the knob to the mixing console. 
The menu should indicate Connect To: “* * *”.
Name the knob, “Input Gain”.
Select the label tool. 
Place a label under the knob. Label the knob “Gain”.
163
MAX Edit Module Dialogue  

Page 173

Select the switch tool. 
Click to place two switches under the knob.
Do not connect either switch to the mixing console. 
The menu should indicate Connect To: “* * *” for both switches.
Name one switch, “A/B”, and type “B”.
Finally, we will add two text labels under each switch.
Select the label tool.Click to place the labels under the switches. Label it
“A/B”.
Click OKto keep your work and exit the Edit Module dialogue box.
If you are not already viewing a Custom View, select a Custom View from the...

Page 174

165
Chapter 13
MAXSAUXILIARYMIDI CONTROL
PORTSETUP
If only one mixer is connected to the Macintosh, you can control and
automate MIDI equipment by connecting a MIDI Interface the unused serial
port. 
Select Port Setup from the Preferences dialogue box in the Edit menu. 
The “Automation Port” is the port that the mixer is connected to.
The software will not permit selection of the Printer port if the AppleTalk
network is Active. Use the Chooser make the network Inactive if you plan on
using both mixer and...

Page 175

MIDI MACHINECONTROL
MAX software features an MMC Control Panel, to provide basic transport
control of Digital Multitracks and other MMC-compatible equipment from the
Macintosh keyboard.
Basic transport control is provided, in addition to locates.
To send a locate, type the locate time and click the locate button in the
control bar.
Snapshots and Markers are automatically converted into locate points. To
locate to a Snapshot or marker time, select the Snapshot or Marker from the
locate menu. Then click...

Page 176

REALTIMEMIDI AUTOMATION
Along with mixer automation, MAX software can act as a controller of virtually
any MIDI compatible equipment such as digital signal processors, samplers
and hard disk based digital audio workstations.
MAX is not a MIDI application per se, that is, the software communicates with
the mixer at a higher speed using RS-422 But while the Macintosh is
communicating through its modem port to the mixer via RS-422, the
Macintosh’s printer port may be connected to a MIDI interface. The MIDI...

Page 177

CREATINGMIDI FADERS
Faders are turned into MIDI Faders in the Custom View, by clicking on
Selection pop up menu, in the lower right of each module. Select MIDI.
Select a controller number.
The fader knob turns blue.
For example, make fader 7 into a MIDI fader that sends MIDI Controller
number 0 on MIDI channel 1.
Moving this fader will now result in MIDI Controller commands being sent
out of the Macintosh MIDI interface.
The MIDI Controller number and channel may be changed in the MIDI Faders
dialogue...

Page 178

169
MAXs Auxiliary MIDI Control
MIDI FADERSDIALOGUE
After creating MIDI faders in the Custom View, you may change the MIDI
Channel and Controller number of the faders in the MIDI Faders dialogue
box.
Open the MIDI Faders Dialogue box from the Off Line menu.
You may create up to 16 MIDI faders within one mix file. 
The dialogue always shows the 16 possible MIDI faders, designated “mf-”,
whether or not you’ve created any MIDI faders.
As MIDI faders are created in the Custom View, they appear in the MIDI...

Page 179

WRITING ANDEDITINGMIDI FADERMOVES
You may write and edit MIDI fader moves in real time exactly the same way
that you write and edit channel fader moves. 
The fader is put into Write or Trim. The fader is Selected manually with the
SEL button, or automatically with SoftTouch.
In Read mode, these MIDI faders will be automated, they will move on the
Custom View as MIDI data is sent out, allowing you to automate signal
processors and other MIDI devices as part of the mix.
Mixing with both MIDI Faders and...

Page 180

Example
Suppose that you want to use fader #4 on the mixer to
write both MIDI fader moves and channel (audio level)
moves.
First, make fader #4 into a MIDI fader by selecting MIDI
from the Selection pop-up menu in the lower right
corner of any module.
For clarity, we will place audio channel #4 and MIDI
fader #4, side by side, on a blank Custom View. 
Both faders can be controlled by the mixer’s fader #4.
Select an unused Custom View from the Windows
menu.
Click on any Selection menu and select MIDI...
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