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Panasonic Memory Card Camera Recorder Ag-hpx500p, Ag-hpx500e Operating Instructions
Panasonic Memory Card Camera Recorder Ag-hpx500p, Ag-hpx500e Operating Instructions
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11Recording and Playback Features Chapter 1 Introduction ■Clip thumbnail preview The camera records each cut as a clip (file) and automatically attaches a thumbnail image and file information to it. To preview a clip on the LCD monitor or to check clip data, simply choose the clip you want from the list of thumbnails. These thumbnails and the file data can be viewed on a PC (P2 Viewer *) or processed in a nonlinear editing program. * “P2 Viewer” is a Windows ® PC viewing software that can be downloaded free of charge by P2 card users. ■ Shot marker and text memo If desired, you can add a simple OK /reject shot marker to each clip either during or after recording. When a P2 card is mounted in a PC (P2 Viewer), the PC will display only marked clips. A text memo function is also provided. Pressing the USER button to which the text memo function has been assigned anywhere in a clip during recording or in preview mode allows you to attach empty post-it like text memos (up to 100) that can later be filled with text on a PC (P2 Viewer). ■SD memory card slot The camera provides an SD memory card slot for saving and loading scene files and user settings. A metadata upload file (created using P2 Viewer) containing the name of the person who shot the video, the name of the reporter, the shooting location or a text memo and other information can be saved to an SD memory card. This data file can be loaded as clip metadata. ■HD / SD SDI output and downconverter supported Video line outputs (both BNC) are provided as standard. These outputs can flexibly handle both monitor and line recording. A down-converter is also built-in. Aspect mode can also be selected. ● SDI OUT (HD/SD): The HD-SDI output allows you to make backups on an external VTR (with HD-SDI input) in synch with REC START/STOP button operation. SD-SDI can also down convert and output HD content. ●VIDEO OUT: Outputs down converted SD video (composite video). ■ Fine adjustment of sound recording level The camera features a front-mounted control for fine adjustment of the sound recording level. This control is particularly useful for adjusting the sound level when you have to control both video and audio recording. The control can be disabled.
12Outline of operations Chapter 1 Introduction Outline of operations This unit is compatible with P2 (Professional Plug-in) cards. Excelling at high transfer speeds, the P2 card enables high vision recording and smooth editing and dubbing. Flow of shooting, playing and saving The setting values such as the user file are saved to and read from the SD memory card. P2 card You can use the f ollowing features: • HD (High Definition) reco rding • Multi format recor din g • Va riable frame rate s Slo w & qui ck motion recor din g • Maxim um 4 channel uncompressed digital audio recor din g P2 mode shooting and pla yback (Pag es 30 and 34)
13Outline of operations Chapter 1 Introduction Saving and editing on external devices Computer/ Memory card recorder External hard diskComputer P2 card Component video cable BNC cable (composite/SDI) USB2.0 (Windo ws ®) IEEE1394 (SBP-2*) (Macintosh®) IEEE1394 (SBP-2 *) IEEE1394 (Windo ws ®/Macintosh®) *Serial Bus Protocol-2 The data (file) is transferred for nonlinear editing on your computer or other unit . The unit directly controls the external hard disk drive, and transfers the data (file) to it. The contents can be transferred as a data stream (digital dubbing). Connecting external devices via the USB connector (Page 131) Connecting external devices via the IEEE1394 connector (Page 132) Video equipment/ Monito r
14System Configuration Chapter 1 IntroductionSystem Configuration Remote control cable AJ-C10050G LCD monitor BT-LH80W USB2.0 compatible devices AJ-RC10 G Remote control unit Lens(Bayonet type) Fujinon, Canon Anton/Bauer Gold Mount type Battery mount Battery Charger (supplied)PROPAC14, TRIMPAC14 HYTRON50/100/140 DIONIC90/160 V mount type Battery plate Batter y NP-1 type NP-L7 (battery)Charger ENDURA E-7/7S ENDURA E-10/10 S SD Memory cards* P2 Cards* External power supply AG-MC200GAJ-MC700P Microphone(Phantom +48 V) Viewfinder AJ-VF15BAJ-VF20WBAG-VF11G SHAN-TM700 Tripod adapter AJ-HT901G Hard carrying case Rain cover SHAN-RC700 AJ-SC900 Soft carrying case AG-HPX500P/E * For the latest information on P2 cards and SD memory cards not available in the operating Instructions, visit the P2 Support Desk at the following Web sites. https: / / eww.pavc.panasonic.co.jp /pro-av /
15 Chapter 2 Parts and their Functions Chapter2 Parts and their Functions Power Supply and Accessory Mounting Section 1 POWER switch Used to turn on /off the power. 2 Battery mount A battery pack from Anton / Bauer is mounted here. For details, refer to [Mounting the Battery and Setting the Battery Type] (page 84). 3 DC IN (external power input) socket (XLR, 4P) This unit is connected to an external AC adapter. For details, refer to [Use of the external DC power supply] (page 86). 4 BREAKER switch When an excessive amount of current is fed through the video camera recorder, due to any abnormal event, the breaker automatically turns off the power in order to protect the device. After the interior of the video camera recorder has been checked and /or repaired, this button must be depressed. If there is no unusual reaction, the unit can be powered-up. 5 Light shoe A video light or similar accessory can be attached here. 6 Shoulder strap fittings The shoulder strap is attached here. For details, refer to [Attaching the Shoulder Strap] (page 101). 7 Lens mount (2 / 3-inch bayonet type) The lens is attached here. For details, refer to [Mounting the Lens] (page 91). 8 Lens lever Tighten this lever to lock the lens to the lens mount. For details, refer to [Mounting the Lens] (page 91). 9 Lens mount cap To remove the cap, raise the lens lever. When the lens is not mounted, replace the cap. 10 Lens cable /microphone cable clamp This clamp secures the lens and microphone cables. For details, refer to [Mounting the Lens] (page 91). 11 Tripod mount When you want to mount the AG-HPX500P/E on a tripod, the optional tripod adapter (SHAN- TM700) is attached here. For details, refer to [Mounting the Camera on a Tripod] (page 100). 12 LENS jack (12-pin) The lens connection cord is connected here. For a detailed description of your lens, see the relevant manufacturer’s instruction manual. 13 Battery release lever Pull down the release lever to release the battery pack. 14 Viewfinder left-right positioning ring For details, see [Adjusting Viewfinder Right-Left Position] (page 88). 15 Light control switch For details, refer to [Power Supply] (page 84). 16 Cable holder Used to secure the light cable and microphone cable. 13 6265 1211 7 10 8 9 13 15 14 4 16
16 Chapter 2 Parts and their Functions 1 MIC IN (microphone input) jacks FRONT1/ FRONT2 (XLR, 3-pin) • Connect microphones (optional accessories) to these jacks. Power for the microphone comes from this jack. • A phantom-powered microphone may be connected. To use a phantom-powered microphone, set the menu option F.MIC POWER1/F.MIC POWER2 to ON in the screen. For details, refer to [Preparing for Audio Input] (page 98). 2 AUDIO LEVEL CH1/ CH2 (audio channel 1 & 2 recording level adjustment) controls • With the AUDIO SELECT CH1/CH2 switch positioned to [MAN], these controls can be used to adjust the recording levels for Audio Channels 1/2. • Note that the controls are designed to be locked. For adjustment, each control must be depressed while turning. 3 AUDIO SELECT CH1/ CH2 (audio channel 1 & 2 automatic /manual level adjustment selector) switch Use this switch to select recording level control mode for Audio Channels 1 and 2. AUTO: Recording level automatically controlled. MAN : Recording level manually controlled. 4 AUDIO LEVEL CH3 / CH 4 (audio channel 3 & 4 recording level adjustment) controls Set the menu option AUTO LEVEL CH3 /AUTO LEVEL CH4 to OFF in the screen to use these controls to adjust the recording level of audio channels 3 and 4. 5 AUDIO IN (audio input selector) switch Use this switch to select the signals recorded through Audio Channels 1 - 4. FRONT: Signal from the microphone connected to the MIC IN jack is recorded. REAR: Signal from the audio device or microphone connected to the REAR 1/ REAR 2 connector is recorded. CH1 Input CH2Input FRONT1 FRONT1 jack FRONTFRONT2 jack FRONT2 FRONT2 jack REARREAR2 jack REAR REAR1 jack —— CH3 Input CH4Input FRONT FRONT1 jack FRONTFRONT2 jack REAR REAR1 jack REARREAR2 jack < Note > With a front microphone (such as AG-MC200G) connected only to the FRONT2 jack, setting CH1 of the AUDIO IN switch to FRONT2, setting CH2-CH4 to FRONT and setting the MONITOR SELECT CH1/ 2 / CH3 /4 selector switch to CH3 / CH4 will result in no sound output to CH3. 6 REAR 1/ REAR 2 (audio input channel 1 & 2) connectors (XLR, 3-pin) Audio devices or a microphone may be connected here. For details, refer to [When Using Audio Devices] (page 99). Audio (input) Function Section 1 8 64 237 5 9
17 Chapter 2 Parts and their Functions 7 LINE / MIC /+ 48V (line input /mic input /mic input + 48V) selector switch Used to select the audio signal input from the REAR1/REAR2 connectors. LINE: Audio signal line-input from the audio device is input. MIC: Audio signal from a self-powered (active) microphone is input. (The main unit does not supply power to the remote microphone). + 48V: Audio signal from a passive microphone is input. (The unit supplies power to the remote microphone). < Note > Power is supplied when R.MIC POWER in the < AUDIO SETUP> screen is set to ON. 8 FRONT AUDIO LEVEL (audio recording level adjustment) control • This control adjusts the recording level of Audio Channels 1 and 2. • Level adjustment is possible when the AUDIO SELECT switch is set to MAN. • Use the menu options FRONT VR CH1 and FRONT VR CH2 in the screen to select the input connector this control will be used for. 9 Viewfinder connector For details, refer to [Mounting the Viewfinder] (page 88).
18 Chapter 2 Parts and their Functions 1 MONITOR SELECT (audio channel) CH1/ 2 / CH3 /4 selector switch Use this switch to select the audio channel whose signals are output to the speakers, earphones or AUDIO OUT connector. CH1/ 2 : Signals on Audio Channels 1 and 2 are output. CH3 /4: Signals on Audio Channels 3 and 4 are output. The channel indications on the display window and on the audio level meter in the viewfinder are synchronised with this selector switch. 2 MONITOR SELECT (audio selection) CH1/ 3 / ST / CH2 /4 selector switch In combination with the MONITOR SELECT CH1/2 / CH3 /4 switch, select the audio signal output to the speakers and earphones, and from the AUDIO OUT connector. MONITOR SELECT (Left)MONITOR SELECT (Right) CH1/ 2 CH3 /4 MONITOR SELECT CH1/ 3 Audio Channel 1 Audio Channel 3 ST Stereo signals from Audio Channels 1 and 2 Stereo signals from Audio Channels 3 and 4 CH2/4 Audio Channel 2 Audio Channel 4 3 MONITOR /ALARM (volume) control Used to control the volume of sound output from the monitor speakers and earphones. It also adjusts the alarm sound volume. 4 Speakers The speakers output EE sound during recording, and reproduced sound during playback. The speakers emit an alarm sound when the warning lamp blinks and /or the indicator activates. EE sound and playback sound are not output during alarm sound output. When the PHONES jack is connected with earphones, sound from the speaker is automatically muted. 5 PHONES (earphones) jack (mini jack) This connector is designed for audio monitoring (stereo) earphones. When earphones are connected, sound from the speakers is automatically muted. 6 DC OUT (DC power supply) output socket This output socket is designed for 12-VDC. It provides a maximum current of 1.5 A. 7 AUDIO OUT connector • This connector outputs audio signals recorded on Channels 1/2 or 3 /4. • Output signals are selected with the MONITOR SELECT CH1/2 / CH3 /4 selector switch. Audio (output) Function Section 314 6527
19 Chapter 2 Parts and their Functions Shooting and Recording (camera unit) 1 ND FILTER (filter switching) control This control adjusts the amount of light entering the CCD. Use this control in strong outdoor lighting. Control position Setting Description 1OFFDo not use the ND filter. 2 1/4Reduces the amount of light entering the CCD to 1/4. 3 1/16Reduces the amount of light entering the CCD to 1/16. 4 1/ 64Reduces the amount of light entering the CCD to 1/ 64. 2 USER MAIN, USER 1 and USER 2 buttons These buttons can be assigned user-selected functions, using a menu option. Each button, when pressed, performs the assigned function. For more information, see [Assigning Functions to USER Buttons] (page 55). 3 SHUTTER switch Used to enable or disable the electronic shutter. OFF: Electronic shutter disabled. ON : Electronic shutter enabled. SEL: Used to change the speed of the electronic shutter. This dial switch returns to its original position. Each turn of the switch alters the shutter speed. For more information, see [Setting the Electronic Shutter] (page 53). 4 AUTO W/ B (white /black) BAL switch AWB Automatically adjusts the white balance. Set the WHITE BAL switch on the side to [A] or [B] and use this switch to adjust the white balance, which takes a few seconds. The adjusted value is stored in memory. When the WHITE BAL switch is set to PRST and the color temperature is indicated with the AUTO W/ B BAL switch set to AWB, setting the switch to AWB again makes it possible to change the preset color temperature. ABB Back balance is automatically adjusted. For details, refer to [Adjusting the White Balance and Black Balance] (page 50). 5 GAIN selector switch • This switch adjusts video amplifier gain to suit ambient lighting conditions at the time of the shooting. • Use the menu options MID GAIN and HIGH GAIN in the screen to set the M / H position gain values. • The factory settings for L, M and H are 0 dB, 6 dB, and 12 dB, respectively. < Note > The camera is locked to 0 dB gain regardless of GAIN switch position and setting when the FRAME RATE is 22 fps (59.94 Hz) or less than 23 fps (50 Hz) . Shooting and Recording / Playback Functions Section 18 53467 2 9
20 Chapter 2 Parts and their Functions 6 OUTPUT/AUTO KNEE selector switch This switch selects the video signals sent from the camera unit to the memory card recorder unit, viewfinder and video monitor. CAM. AUTO KNEE ON Video being recorded through the camera is output with the AUTO KNEE circuit activated. The compression level (KNEE point) of the video signal is automatically changed according to the received signal. CAM. AUTO KNEE OFF Video being recorded through the camera is output with the AUTO KNEE circuit turned off. The KNEE point is locked to the level set in the menu. BARS Color bar signals are output with the AUTO KNEE circuit turned off. ■ AUTO KNEE function Usually, when you adjust levels to shoot people or scenery against a strongly lit background, the background will be totally whited-out, with buildings and other objects blurred. In this case, the AUTO KNEE function reproduces the background clearly. This function is effective when: • The subject is a person positioned in the shade under a clear sky. • The subject is a person inside a car or building, and you also want to capture the background visible through a window. • The subject is a high-contrast scene. 7 WHITE BAL (white balance memory selector) switch Used to select the white balance adjustment method. PRST: Use this when you have no time to adjust the white balance.• The value for the white balance is factory-set to 3200 K. • While the setting menu or the color temperature is displayed, turn the AUTO W/ B BAL switch to AWB to set the color temperature to 3200K or 5600K. A • B: Pressing the AUTO W/ B BAL Switch toward [AWB] automatically adjusts the white balance, saving the adjusted value in Memory A or B. For more information, see [Adjusting the White Balance] (page 50). 8 DISP/ MODE CHK button • Press this button to turn off the LCD monitor and viewfinder display. (The time code indication stays on.) • A second press of the button turns the display back on and holding it down displays shooting conditions and functions assigned to USER switches. • It also serves to turn off the alarm sound. 9 MODE button • This button toggles between the CAMERA mode and MCR mode at each press. • Holding down this button for 2 seconds or longer in the MCR mode will engage the PC mode. Since this button does not work in the PC mode, power off the camera to exit the PC mode and switch to another mode. The camera will start up in the CAMERA mode when powered up next time. • Use the mode LED to check current mode.