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Panasonic Convertible Camera Aw E600 Operating Instructions

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    							-19-
    nCONNECTION OF COMPUTER
    The system shown here can remotely control this camera by using a computer.
    The software and the cable for RS-232C required for this operation should be obtained locally.
    Please contact qualified service personnel for this software.
    VIDEO OUTG/L INI/F REMOTE OPTION CARDIRIS
    DC12V IN
    MENUITEM/AWCYES/ABCNO/BAR
    ONPOWER
    OFFPOWERO    I
    FUSE(POWER)FUSEFUSE
    AC Adaptor  
    AW-PS505
    DC Power Cable
    AW-CA4T1
    Computer VIDEO OUT Connector
    AC ADAPTOR AW-PS50575 WCoaxial Cable
    Composite Video
    Input Connector
    (VIDEO IN)Video Monitor
    RS-232C PC Control Cable  AW-CA50T9 (10m) 
    						
    							-20-
    Color temperature and adjustment of white balance
    When carbon is burnt, it develops various colors of light
    depending on the temperature.  Natural light can be
    specified by color temperature referring to the color
    developed when carbon is burnt.
    The light of 3 200K (K=Kelvin, -273C equals to abso-
    lute zero temperature 0K) represents the same value
    (color)  as  what   develops  when  carbon  is  burnt  at
    3 200K (2 927C).  The relationship between the color
    temperature of the light source and weather condition is
    indicated in the right figure.  Let’s study the difference
    of shooting an indoor object from shooting one out-
    doors.  Studios are usually lighted with incandescent
    lamps and the color temperature of a white object in a
    studio is around 3 000K.  The color temperature of a
    white object outdoors is around 6 500 K.  The former
    may look a little yellowish while the latter appears
    somewhat bluish when they are shot by a camera.
    However, the human eye does not recognize color dif-
    ferences among these objects even under different
    ambient lighting conditions, because of their adaptabili-
    ty to light.  The video camera reproduces color differ-
    ences with high fidelity and the color of an object some-
    what different from what appears to the human eye.
    Blue skyCloudy
    AWC
    Rainy
    Partly cloudy
    Fluorescent lamp
    Fine
    Halogen lamp
    Tungsten lamp
    Candle
    ATW
    Therefore, there is a need to adjust the white balance in
    order to correct differences between color tempera-
    tures.
    NOTE:Color temperature outdoors may vary depend-
    ing on weather conditions.
    ADJUSTMENT 
    						
    							-21-
    nAUTOMATIC WHITE BALANCE
    CONTROL (AWC)There are two white balance memories, “AWC A” or
    “AWC B” for two different light sources color tempera-
    tures, with the automatic white balance setting.  Then,
    when the two different light sources are encountered,
    you may operate the camera properly by simply
    change the white balance mode to either AWC A or
    AWC B.  There is no need to readjust the camera to the
    ambient conditions.
    * The preset conditions will be renewed whenever
    you input new conditions.
    1. Turn the white balance selection switch to either
    “AWC A” or “AWC B” of RCU or select the white
    balance mode either AWC A or AWC B by menu.
    2. Aim the camera at a white object (a white wall or a
    white handkerchief) and zoom in to enlarge the
    image as much as possible.
    [ADJUSTMENT by CAMERA]
    3. In normal shooting mode:
    Press the Item/AWC switch for over 2 second.[ADJUSTMENT with the RCU (RCB, Hybrid control
    panel)]
    4. When the AUTO set switch is turned to AWC, the
    white balance will be automatically set. While the
    system is being set, auto warning indicator (LED)
    blinks and it goes out when the white balance set-
    ting is completed.  If the lamp remains lit, the set-
    ting must be tried again.
    AUTO LED
    R
    B
    R
    B PED
    TOTAL
    PED
    A
    BATW
    AWCAUTOHOLD
    ABC
    AUTO/ATW
    PAINTINGGAIN
    AUTO set switch
    VIDEO OUTG/L INI/F REMOTE OPTION CARDIRIS
    DC12V IN
    MENUITEM/AWCYES/ABCNO/BAR
    ITEM/AWC
    Switch
    RCU (RCB) CAMERA 
    						
    							-22-
    Notes:
    • For white balance setting aim the camera at a
    white object and try to position it in the center of
    the monitor screen.  The object must appear in
    over 10 % of the total monitor screen area.  Try
    to avoid overly bright objects in the scene.
    • White balance may not be correctly set if the
    lighting of the object is too weak.
    • Since the camera has a built-in memory, the set
    white balance will remain in the memory even if
    power is turned off.  Therefore, it is not neces-
    sary to reset the white balance if the color tem-
    perature of those objects remains unchanged.
    However, it must be reset if the color tempera-
    ture changes, such as when you move from
    indoors to outside, or vice versa.
    • When the camera is used without a RCU or
    RCB red/blue gain adjustment of painting set-
    ting will be automatically reset to ±0 after set-
    ting the white balance. (painting setting in only
    USER MODE.)
    nAUTOMATIC TRACKING WHITE
    BALANCE SETTING (ATW)White balance will be automatically set to continuously
    match changes of light source and color temperature
    while the white balance setting is set to ATW.
    Note:White balance may not be accurately set if there
    is no white object in the scene being shot.nMANUAL WHITE BALANCE SETTING[ADJUSTMENT by CAMERA]
    Manual setting is possible in USER MODE only.
    1. Select the white balance mode either AWC A or
    AWC B by menu.
    2. Aim the camera at a large white object.  Press the
    Item/AWC switch for over 2 second.
    3. Adjust the red gain/blue gain control in the PAINT-
    ING item of Color Set sub menu of USER MODE
    until the carrier wave of the white portion of the
    video signal is at the minimum width or the white
    object in the monitor screen appears pure white.
    (Use an oscilloscope or a waveform monitor for pre-
    cise adjustment.)
    [ADJUSTMENT with the RCU (RCB)]
    After AWC setting, adjust the R/B GAIN controller in the
    same way as described in Step 3 above.
     
    
    
    The white object must occupy over
    10 % of the monitor screen area. 
    						
    							-23-
    nRESET TO 3 200K OR 5 600K WHITE
    BALANCEWhen the  white  balance setting is set to either “P SET
    3 200K” or “P SET 5 600K” the white balance will be
    automatically  set  to  the  color temperature 3 200K or
    5 600K, respectively.nBLACK BALANCE ADJUSTMENT• Close the lens.
    If the motor drive lens is controlled from the cam-
    era, the lens is automatically closed when the black
    balance is adjusted.
    • When the camera is used without a RCU or RCB,
    R/B pedestal adjustment of painting setting will be
    automatically reset to ±0 after setting the black bal-
    ance. (painting setting in only USER MODE.)
    [ADJUSTMENT by CAMERA]
    Press the YES/ABC Switch for over 2 seconds and the
    black balance will be set automatically in 10 seconds.
    Minimize the carrier wave using
    the red & blue gain controls
    Waveform for white
    balance set chart
    R
    B
    R
    B PED
    TOTAL
    PED
    A
    BATW
    AWCAUTOHOLD
    ABC
    AUTO/ATW
    PAINTINGGAIN
    AUTO LED
    ABC
    YES/ABC Switch
    AUTO
    set switch
    VIDEO OUTG/L INI/F REMOTE OPTION CARDIRIS
    DC12V IN
    MENUITEM/AWCYES/ABCNO/BAR
    In user mode, black balance fine adjustment can be
    performed with the red pedestal/blue pedestal setting
    after setting the black balance.
    [ADJUSTMENT with the RCU (RCB, Hybrid control
    panel)]
    Set the AUTO set switch to ABC and the black balance
    will be automatically set.  While the system is being set,
    the auto warning indicator (LED) blinks and it goes out
    when the black balance setting is completed.  If the
    lamp remains lit, ABC should be tried again. 
    						
    							-24-
    nTOTAL PEDESTAL LEVEL ADJUST-
    MENT(Use an oscilloscope or a waveform monitor for this
    adjustment.)
    This step is to adjust the black levels (pedestal levels)
    of two or more cameras to be the same. 
    [ADJUSTMENT by CAMERA]
    1. Close the lens.
    2. Select Pedestal item in the brightness setting Sub
    Menu (Select [Pedestal] in the [Iris, Shutter, Gain
    Set] sub menu in USER MODE.)
    3. Set the pedestal level to 5 IRE (0.035 V) with the
    YES/ABC switch or the NO/BAR switch.
    [ADJUSTMENT with RCU (RCB, Hybrid control panel)]
    Adjust the pedestal level to 5 IRE with the total pedestal
    adjustment.
    **Brightness Set**
     Picture Level         ±0
     Light PEAK/AVG         0
     Light Area       Top cut
     Auto ND
      (
    ELC) OFF
     Auto Gain Up         OFF
     Manu Gain Up         0dB
     Pedestal              ±0
     Contrast(Gamma)      MID
    Return
    VIDEO OUTG/L INI/F REMOTE OPTION CARDIRIS
    DC12V IN
    MENUITEM/AWCYES/ABCNO/BARNO/BAR switch
    YES/ABC switch
    5 IRE
    (0.035 V)
    R
    B
    R
    B PED
    TOTAL
    PED
    A
    BATW
    AWCAUTO
    HOLD
    ABC
    AUTO/ATW
    PAINTINGGAINTOTAL PEDESTAL 
    						
    							-25-
    [ADJUSTMENT by CAMERA]
    1. Press the NO/BAR switch for over 5 seconds to dis-
    play the color bar.
    2. Select [G/L. Color Bar Set] on the main menu, then
    select [H PHASE] on the submenu.
    3. Adjust the horizontal phase with the YES/ABC and
    NO/BAR switch.
    External gen-lock input signal
    (black burst output of special
    effect generator)Video signal
    [ADJUSTMENT with RCU (RCB, Hybrid control panel )]
    Use the horizontal phase control.
    **G/L.
    @Color Bar Set**
     H Phase               ±0
     SC Coarse              1
     SC Fine               ±0
     Color Bar Set     7.5IRE
     
    Return
    nGEN-LOCK ADJUSTMENTPhase adjustments must be performed with the camera
    or the RCU (RCB) when external synchronizing signals
    are supplied to the system in cases where multiple
    cameras are used or peripheral devices are connected.lHORIZONTAL PHASE CONTROLObserve the waveform of the external synchronizing
    input signal (black burst signal) and video output signal
    on a two-channel oscilloscope.  Then match the hori-
    zontal phase of both signals by adjusting them with the
    cameras or RCUs horizontal phase control.
    PAGE
    ITEM
    UP
    DOWN
    COARSE
    FINE
    SC PHASE270¡
    180¡ 90¡ 0¡ H.PHASE USER SET
    OFF ENC
    VF ON
    Horizontal phase
    control
    Subcarrier phase
    coarse control
    Subcarrier phase
    fine control
    Adjust the horizontal phase
    VIDEO OUTG/L INI/F REMOTE OPTION CARDIRIS
    DC12V IN
    MENUITEM/AWCYES/ABCNO/BARNO/BAR switch
    YES/ABC switch 
    						
    							-26-
    lCOLOR PHASE ADJUSTMENT
    Supply the output signal (split color bar) from the color
    special effect generator to a color monitor or vec-
    torscope.  Adjust the color phase of the camera.
    [ADJUSTMENT with RCU (RCB, Hybrid control panel)]
    Use the subcarrier phase coarse adjustment control
    and subcarrier phase fine control.
    * It is recommended that a vectorscope be used for
    maximum accuracy in color phase adjustment.
    [ADJUSTMENT by CAMERA]
    1. Press the NO/BAR switch for over 5 seconds for the
    color bar mode.
    2. Select [G/L. Color Bar Set] on the main menu, then
    select [SC Coarse] on the sub menu.
    3. Make coarse adjustment with the YES/ABC switch
    and the NO/BAR switch.
    4. Select [SC Fine] on the sub menu.  Perform fine
    adjustment with the YES/ABC switch and the
    NO/BAR switch.
    Magenta Green
    Cyan
    Yellow
    White
    Red
    Blue
    BlackMagenta Green
    Cyan
    Yellow
    White
    Red
    Blue
    Color bar of
    cameraColor bar of special
    effects generator
    **G/L.
    @Color Bar Set**
     H Phase               ±0
     SC Coarse              1
     SC Fine               ±0
     Color Bar Set     7.5IRE
     
    Return
    Sprit line 
    						
    							-27-
    nUse Mode SettingThe camera has four use modes, and various functions
    for four use modes have been preset.
    Functions can be set as best suited to each use mode.
    • Halogen mode
    Suited to indoor shooting, such as at weddings,
    parties, lecture meetings, events, etc.
    Settings can be changed using a simple menu.
    • Fluorescent mode
    Suited to indoor shooting under fluorescent lighting.
    Settings can be changed using a simple menu.
    • Outdoor mode
    Suited to outdoor shooting.
    Settings can be changed using a simple menu.
    • User mode
    Settings can be changed using a detail menu.nSETTING BY CAMERA1. Turn the camera on while keeping the MENU switch
    depressed.
    The use mode setting menu shown at right appears
    on the monitor screen and one of the use mode
    blinks.2. Press the MENU switch, ITEM/AWC switch, or
    NO/BAR switch to let the desired use mode blink.
    MENU switch (M):  The blinking item moves up by
    one.
    ITEM/AWC switch (
    						
    							POWEROPERATE
    BAR
    CAMMODEGAIN AWC
    SCENE
    FILEABC
    AT W
    A
    B
    AUTO/AIW
    ELC LOW MID
    MANUON SC H
    OFF HIGH AGC
    OFF 1 / 100SHUTTER
    ON
    OFF
    1 .
    2 .
    3 .
    4 .
    G/L PHASE
    T.PED
    CABLE COMP 90¡   180¡
    0¡        270¡
    YC
    SCENE FILE Switch
    Operation mode
    -28-
    nSETTING BY RCU (RCB) OR HYBRID
    CONTROL PANELAn operation mode is selected depending on the posi-
    tion of the scene file switch.Halogen Mode
    Fluorescent Mode
    Outdoor Mode
    Users Mode
    Scene File
    Switch
    Position of
    RCU (RCB)
    1
    2
    3
    USER SETScene File
    Switch
    Position of
    Hybrid control
    panel
    1
    2
    34
    VIDEO OUTG/L INI/F REMOTE OPTION CARDIRIS
    DC12V IN
    MENUITEM/AWCYES/ABCNO/BAR
    MENU
    R
    B
    R
    B PED
    TOTAL
    PED
    A
    BATW
    AWCAUTOHOLD
    ABC
    IRISMAN
    AUTO
    1000
    S/S
    ELC 500
    100
    OFFSHUTTER SCENE
    21
    3 USER
    SET
    AUTO/ATW
    PAINTINGGAIN
    ITEM/AWCYES/ABCNO/BAR
    SCENE
    FILE
    Switch
    CAMERA RCU (RCB)Hybrid Control Panel 
    						
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