Panasonic Convertible Camera Aw E600 Operating Instructions
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-19- nCONNECTION OF COMPUTER The system shown here can remotely control this camera by using a computer. The software and the cable for RS-232C required for this operation should be obtained locally. Please contact qualified service personnel for this software. VIDEO OUTG/L INI/F REMOTE OPTION CARDIRIS DC12V IN MENUITEM/AWCYES/ABCNO/BAR ONPOWER OFFPOWERO I FUSE(POWER)FUSEFUSE AC Adaptor AW-PS505 DC Power Cable AW-CA4T1 Computer VIDEO OUT Connector AC ADAPTOR AW-PS50575 WCoaxial Cable Composite Video Input Connector (VIDEO IN)Video Monitor RS-232C PC Control Cable AW-CA50T9 (10m)
-20- Color temperature and adjustment of white balance When carbon is burnt, it develops various colors of light depending on the temperature. Natural light can be specified by color temperature referring to the color developed when carbon is burnt. The light of 3 200K (K=Kelvin, -273C equals to abso- lute zero temperature 0K) represents the same value (color) as what develops when carbon is burnt at 3 200K (2 927C). The relationship between the color temperature of the light source and weather condition is indicated in the right figure. Let’s study the difference of shooting an indoor object from shooting one out- doors. Studios are usually lighted with incandescent lamps and the color temperature of a white object in a studio is around 3 000K. The color temperature of a white object outdoors is around 6 500 K. The former may look a little yellowish while the latter appears somewhat bluish when they are shot by a camera. However, the human eye does not recognize color dif- ferences among these objects even under different ambient lighting conditions, because of their adaptabili- ty to light. The video camera reproduces color differ- ences with high fidelity and the color of an object some- what different from what appears to the human eye. Blue skyCloudy AWC Rainy Partly cloudy Fluorescent lamp Fine Halogen lamp Tungsten lamp Candle ATW Therefore, there is a need to adjust the white balance in order to correct differences between color tempera- tures. NOTE:Color temperature outdoors may vary depend- ing on weather conditions. ADJUSTMENT
-21- nAUTOMATIC WHITE BALANCE CONTROL (AWC)There are two white balance memories, “AWC A” or “AWC B” for two different light sources color tempera- tures, with the automatic white balance setting. Then, when the two different light sources are encountered, you may operate the camera properly by simply change the white balance mode to either AWC A or AWC B. There is no need to readjust the camera to the ambient conditions. * The preset conditions will be renewed whenever you input new conditions. 1. Turn the white balance selection switch to either “AWC A” or “AWC B” of RCU or select the white balance mode either AWC A or AWC B by menu. 2. Aim the camera at a white object (a white wall or a white handkerchief) and zoom in to enlarge the image as much as possible. [ADJUSTMENT by CAMERA] 3. In normal shooting mode: Press the Item/AWC switch for over 2 second.[ADJUSTMENT with the RCU (RCB, Hybrid control panel)] 4. When the AUTO set switch is turned to AWC, the white balance will be automatically set. While the system is being set, auto warning indicator (LED) blinks and it goes out when the white balance set- ting is completed. If the lamp remains lit, the set- ting must be tried again. AUTO LED R B R B PED TOTAL PED A BATW AWCAUTOHOLD ABC AUTO/ATW PAINTINGGAIN AUTO set switch VIDEO OUTG/L INI/F REMOTE OPTION CARDIRIS DC12V IN MENUITEM/AWCYES/ABCNO/BAR ITEM/AWC Switch RCU (RCB) CAMERA
-22- Notes: • For white balance setting aim the camera at a white object and try to position it in the center of the monitor screen. The object must appear in over 10 % of the total monitor screen area. Try to avoid overly bright objects in the scene. • White balance may not be correctly set if the lighting of the object is too weak. • Since the camera has a built-in memory, the set white balance will remain in the memory even if power is turned off. Therefore, it is not neces- sary to reset the white balance if the color tem- perature of those objects remains unchanged. However, it must be reset if the color tempera- ture changes, such as when you move from indoors to outside, or vice versa. • When the camera is used without a RCU or RCB red/blue gain adjustment of painting set- ting will be automatically reset to ±0 after set- ting the white balance. (painting setting in only USER MODE.) nAUTOMATIC TRACKING WHITE BALANCE SETTING (ATW)White balance will be automatically set to continuously match changes of light source and color temperature while the white balance setting is set to ATW. Note:White balance may not be accurately set if there is no white object in the scene being shot.nMANUAL WHITE BALANCE SETTING[ADJUSTMENT by CAMERA] Manual setting is possible in USER MODE only. 1. Select the white balance mode either AWC A or AWC B by menu. 2. Aim the camera at a large white object. Press the Item/AWC switch for over 2 second. 3. Adjust the red gain/blue gain control in the PAINT- ING item of Color Set sub menu of USER MODE until the carrier wave of the white portion of the video signal is at the minimum width or the white object in the monitor screen appears pure white. (Use an oscilloscope or a waveform monitor for pre- cise adjustment.) [ADJUSTMENT with the RCU (RCB)] After AWC setting, adjust the R/B GAIN controller in the same way as described in Step 3 above. The white object must occupy over 10 % of the monitor screen area.
-23- nRESET TO 3 200K OR 5 600K WHITE BALANCEWhen the white balance setting is set to either “P SET 3 200K” or “P SET 5 600K” the white balance will be automatically set to the color temperature 3 200K or 5 600K, respectively.nBLACK BALANCE ADJUSTMENT• Close the lens. If the motor drive lens is controlled from the cam- era, the lens is automatically closed when the black balance is adjusted. • When the camera is used without a RCU or RCB, R/B pedestal adjustment of painting setting will be automatically reset to ±0 after setting the black bal- ance. (painting setting in only USER MODE.) [ADJUSTMENT by CAMERA] Press the YES/ABC Switch for over 2 seconds and the black balance will be set automatically in 10 seconds. Minimize the carrier wave using the red & blue gain controls Waveform for white balance set chart R B R B PED TOTAL PED A BATW AWCAUTOHOLD ABC AUTO/ATW PAINTINGGAIN AUTO LED ABC YES/ABC Switch AUTO set switch VIDEO OUTG/L INI/F REMOTE OPTION CARDIRIS DC12V IN MENUITEM/AWCYES/ABCNO/BAR In user mode, black balance fine adjustment can be performed with the red pedestal/blue pedestal setting after setting the black balance. [ADJUSTMENT with the RCU (RCB, Hybrid control panel)] Set the AUTO set switch to ABC and the black balance will be automatically set. While the system is being set, the auto warning indicator (LED) blinks and it goes out when the black balance setting is completed. If the lamp remains lit, ABC should be tried again.
-24- nTOTAL PEDESTAL LEVEL ADJUST- MENT(Use an oscilloscope or a waveform monitor for this adjustment.) This step is to adjust the black levels (pedestal levels) of two or more cameras to be the same. [ADJUSTMENT by CAMERA] 1. Close the lens. 2. Select Pedestal item in the brightness setting Sub Menu (Select [Pedestal] in the [Iris, Shutter, Gain Set] sub menu in USER MODE.) 3. Set the pedestal level to 5 IRE (0.035 V) with the YES/ABC switch or the NO/BAR switch. [ADJUSTMENT with RCU (RCB, Hybrid control panel)] Adjust the pedestal level to 5 IRE with the total pedestal adjustment. **Brightness Set** Picture Level ±0 Light PEAK/AVG 0 Light Area Top cut Auto ND ( ELC) OFF Auto Gain Up OFF Manu Gain Up 0dB Pedestal ±0 Contrast(Gamma) MID Return VIDEO OUTG/L INI/F REMOTE OPTION CARDIRIS DC12V IN MENUITEM/AWCYES/ABCNO/BARNO/BAR switch YES/ABC switch 5 IRE (0.035 V) R B R B PED TOTAL PED A BATW AWCAUTO HOLD ABC AUTO/ATW PAINTINGGAINTOTAL PEDESTAL
-25- [ADJUSTMENT by CAMERA] 1. Press the NO/BAR switch for over 5 seconds to dis- play the color bar. 2. Select [G/L. Color Bar Set] on the main menu, then select [H PHASE] on the submenu. 3. Adjust the horizontal phase with the YES/ABC and NO/BAR switch. External gen-lock input signal (black burst output of special effect generator)Video signal [ADJUSTMENT with RCU (RCB, Hybrid control panel )] Use the horizontal phase control. **G/L. @Color Bar Set** H Phase ±0 SC Coarse 1 SC Fine ±0 Color Bar Set 7.5IRE Return nGEN-LOCK ADJUSTMENTPhase adjustments must be performed with the camera or the RCU (RCB) when external synchronizing signals are supplied to the system in cases where multiple cameras are used or peripheral devices are connected.lHORIZONTAL PHASE CONTROLObserve the waveform of the external synchronizing input signal (black burst signal) and video output signal on a two-channel oscilloscope. Then match the hori- zontal phase of both signals by adjusting them with the cameras or RCUs horizontal phase control. PAGE ITEM UP DOWN COARSE FINE SC PHASE270¡ 180¡ 90¡ 0¡ H.PHASE USER SET OFF ENC VF ON Horizontal phase control Subcarrier phase coarse control Subcarrier phase fine control Adjust the horizontal phase VIDEO OUTG/L INI/F REMOTE OPTION CARDIRIS DC12V IN MENUITEM/AWCYES/ABCNO/BARNO/BAR switch YES/ABC switch
-26- lCOLOR PHASE ADJUSTMENT Supply the output signal (split color bar) from the color special effect generator to a color monitor or vec- torscope. Adjust the color phase of the camera. [ADJUSTMENT with RCU (RCB, Hybrid control panel)] Use the subcarrier phase coarse adjustment control and subcarrier phase fine control. * It is recommended that a vectorscope be used for maximum accuracy in color phase adjustment. [ADJUSTMENT by CAMERA] 1. Press the NO/BAR switch for over 5 seconds for the color bar mode. 2. Select [G/L. Color Bar Set] on the main menu, then select [SC Coarse] on the sub menu. 3. Make coarse adjustment with the YES/ABC switch and the NO/BAR switch. 4. Select [SC Fine] on the sub menu. Perform fine adjustment with the YES/ABC switch and the NO/BAR switch. Magenta Green Cyan Yellow White Red Blue BlackMagenta Green Cyan Yellow White Red Blue Color bar of cameraColor bar of special effects generator **G/L. @Color Bar Set** H Phase ±0 SC Coarse 1 SC Fine ±0 Color Bar Set 7.5IRE Return Sprit line
-27- nUse Mode SettingThe camera has four use modes, and various functions for four use modes have been preset. Functions can be set as best suited to each use mode. • Halogen mode Suited to indoor shooting, such as at weddings, parties, lecture meetings, events, etc. Settings can be changed using a simple menu. • Fluorescent mode Suited to indoor shooting under fluorescent lighting. Settings can be changed using a simple menu. • Outdoor mode Suited to outdoor shooting. Settings can be changed using a simple menu. • User mode Settings can be changed using a detail menu.nSETTING BY CAMERA1. Turn the camera on while keeping the MENU switch depressed. The use mode setting menu shown at right appears on the monitor screen and one of the use mode blinks.2. Press the MENU switch, ITEM/AWC switch, or NO/BAR switch to let the desired use mode blink. MENU switch (M): The blinking item moves up by one. ITEM/AWC switch (
POWEROPERATE BAR CAMMODEGAIN AWC SCENE FILEABC AT W A B AUTO/AIW ELC LOW MID MANUON SC H OFF HIGH AGC OFF 1 / 100SHUTTER ON OFF 1 . 2 . 3 . 4 . G/L PHASE T.PED CABLE COMP 90¡ 180¡ 0¡ 270¡ YC SCENE FILE Switch Operation mode -28- nSETTING BY RCU (RCB) OR HYBRID CONTROL PANELAn operation mode is selected depending on the posi- tion of the scene file switch.Halogen Mode Fluorescent Mode Outdoor Mode Users Mode Scene File Switch Position of RCU (RCB) 1 2 3 USER SETScene File Switch Position of Hybrid control panel 1 2 34 VIDEO OUTG/L INI/F REMOTE OPTION CARDIRIS DC12V IN MENUITEM/AWCYES/ABCNO/BAR MENU R B R B PED TOTAL PED A BATW AWCAUTOHOLD ABC IRISMAN AUTO 1000 S/S ELC 500 100 OFFSHUTTER SCENE 21 3 USER SET AUTO/ATW PAINTINGGAIN ITEM/AWCYES/ABCNO/BAR SCENE FILE Switch CAMERA RCU (RCB)Hybrid Control Panel