Panasonic Convertible Camera Aw E300 Operating Instructions
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-39- #0Auto Iris Level Fine Adjustment [Auto Iris Adust: ON/OFF] ON:Fine adjustment of auto iris convergence level can be made with the iris control when the iris switch on the RCU (RCB) or on the hybrid control panel is in the AUTO posi- tion. OFF:The iris control is invalid when the iris switch on the RCU (RCB) or on the hybrid control panel is in the AUTO position. ALL CENTER TOP CUT BOTTOM CUT R/L CUT R B R B PED TOTAL PED A BATW AWCAUTOHOLD ABC IRISMAN AUTO 1000 S/S ELC 500 100 OFF SHUTTER SCENE 21 3 USER SET AUTO/ATW PAINTINGGAIN RCU (RCB) Iris Control Iris Switch nSetting and Changing of the Setting Items (User Mode)@7Video Level Adjustment [Picture Level: –50 - +50] Convergence level of AUTO IRIS/AGC/ELC can be adjusted. @8Detecting Ratio Adjustment [Light PEAK/AVG: P50 - A50] The ratio of AUTO IRIS/AGC/ELC detected peak to average can be adjusted within a range. @9Photometric Measurement Method Setting [Light Area: ALL, CENTER, TOP CUT, BOTTOM CUT, R/L CUT A photometric measurement method can be select- ed for AUTO IRIS/AGC/ELC. ALL:All the screen area is measured. CENTER:The screen is measured mainly in the center area, about one-third of both the top and bottom and one-third of both the right and left portions of the screen are excluded from mea- surement. TOP CUT:About one-third of the top portion of the screen is excluded from measurement. BOTTOM CUT:About one-third of the bottom por- tion of the screen is excluded from measure- ment.R/L CUT:About one-third of both the right and left portions of the screen are excluded from mea- surement.
-40- #1Electronic Shutter Mode Setting [Shutter Mode: Step/ELC/Synchro Scan] Step:Electronic shutter operates at the speed selected by the Electronic Shutter Step Setting #2. ELC:Electronic shutter is controlled to automatical- ly adjust the luminance. Synchro Scan:Electronic shutter operates at the speed selected in Electronic Shutter Synchro- Scan Setting #3. #2Electronic Shutter Step Setting [Step: OFF/1/100 - 1/10 000] This setting is possible only when Step is selected in Electronic Shutter Mode Setting #1. OFF:Electronic shutter is turned off. 1/100, 1/250, 1/500, 1/1 000, 1/2 000, 1/4 000, 1/10 000:Electronic shutter operates at one of these speeds as selected. Flickering by fluorescent lights will be reduced at 1/100 in areas where the power frequency is 50 Hz. • In case of using the RCU (RCB), none of the shutter speeds–1/250, 1/2 000, 1/4 000, and 1/10 000 can be selected. • In case of using the hybrid control panel, only OFF, 1/100, or ELC can be selected. • If the lens iris switch is at M (Manual) when oper- ating the camera alone or when the iris switch on the RCU (RCB) is at AUTO, ELC may not func- tion. Set the lens iris switch to A (Auto). • Flickering may increase at ELC under fluores- cent lights.Notes #3Electronic Shutter Synchro-Scan Setting [Syncro Scan: 60.34 Hz - 15.75 kHz] This setting is possible only when Electronic Shutter Mode Setting #1 is at Synchro Scan. Bar noise can be reduced by synchro-scan adjust- ment in shooting workstation scenes, for example. *For luminance setting at each shutter speed and sychro-scan shutter speed, refer to the table on the next page.
Synchro-scan -99.68 Hz 250.0 Hz 492.2 Hz 984.4 Hz 1.969 kHz 3.938 kHz 7.875 kHz Shutter Speed OFF 1/100 1/250 1/500 1/1 000 1/2 000 1/4 000 1/10 000 Required luminance ratio 1 2 4 8 16 32 64 160 -41- #4CCD Read Out Mode Setting [Field/Frame: FIELD/FRAME 1/FRAME2] FIELD:CCD storage will be by field storage. FRAME 1:Vertical resolution increases in frame storage. FRAME 2:Vertical resolution is raised without increasing residual images by frame storage and 1/60-second shutter speed. #5Gain Up Setting [Gain: AGC HIGH/AGC LOW/ 0 dB - 30 dB/NIGHT EYE] AGC LOW:The Auto Gain Up control with a maxi- mum gain increase of about 18 dB adjusts the luminance automatically. AGC HIGH:The Auto Gain Up control with a maxi- mum gain increase of about 30 dB operates. If the luminance is still insufficient, the Night Eye (digital gain up) also adjusts the luminance automatically. 0 dB:0 dB should be selected in normal cases. 1 dB - 30 dB:Use this range if sufficient video out- put cannot be obtained even when the lens iris is opened in shooting dark scenes. Night Eye:Sensitivity is increased by adding the digital gain up to 30 dB.POWEROPERATE BAR CAMMODEGAIN AWC SCENE FILEABC AT W A B AUTO/AIW ELC LOW MID MANUON SC H OFF HIGH AGC OFF 1 / 100SHUTTER ON OFF 1 . 2 . 3 . 4 . G/L PHASE T.PED CABLE COMP 90¡ 180¡ 0¡ 270¡ YC Notes • Only 0 dB, 9 dB, or 18 dB, AGC LOW, AGC HIGH can be selected in case of using the RCU (RCB). If the lens iris switch is at MANUAL, when operat- ing the camera alone or when the iris switch on the RCU (RCB, Hyblid control panel) is at AUTO, AGC may not function. • AGC HIGH when the AGC selection switch on the hybrid control panel is at AGC. • 0 dB when the manual gain switch on the hyblid control panel is at LOW, 9 dB when it is at MID, or 18 dB when it is at HIGH. Hybrid Control Panel AGC Manual GAIN
-42- #6Black Level Setting [Pedestal: –30 - +30] The black level (pedestal) of the luminance (Y) sig- nal can be set. Used in adjusting the black levels of two or more cameras. #7Chroma Level Adjustment [Chroma Level: –3 - +3] Chroma Level can be decreased or increased to three levels. #8White Balance Setting [White Bal: ATW/AWC A/ AWC B/P SET 3 200K/P SET 5 600K] ATW:The white balance is automatically adjusted to the optimum position. AWC A, AWC B:Color temperature conditions at two points can be stored at AWC A and AWC B. Once the white balance is adjusted with the Item/AWC switch on the back of the camera, it is no longer necessary to set the white balance again if you simply select AWC A or AWC B, provided that the camera is used under the same conditions. Fine color adjustment can be made after setting AWC by red/blue gain adjustment in Painting Setting $0or from the RCU (RCB). P SET 3 200K:The white balance is adjusted to 3 200K illumination. P SET 5 600K:The white balance is adjusted to 5 600K illumination. Note Neither P SET 3 200K nor P SET 5 600K can be set from the RCU (RCB) or the hybrid control panel. #9Highlight Chroma Setting [Highlight Chroma: OFF/LOW/HIGH] At LOW or HIGH, the color dynamic range widens to prevent highlighted white portions from suppres- sion. $0Painting Setting [Painting: R Gain, B Gain, R Pedestal, B Pedestal: –30 - +30] R Gain, B Gain: Fine adjustment of the white balance can be made after AWC setting when AWC A or AWC B is selected in White Balance Setting #8. In case of using the RCU (RCB), use the R/B gain con- trols for this purpose. The set value returns to ±0 after AWC setting in using the camera alone. R Pedestal, B Pedestal: Fine adjustment of the black balance can be made after ABC setting. In case of using the RCU (RCB), use the R/B pedestal controls for this purpose. The set value returns to ±0 after ABC setting in using the camera alone.
-43- R B R B PED TOTAL PED A BATW AWCAUTOHOLD ABC IRISMAN AUTO 1000 S/S ELC 500 100 OFF SHUTTER SCENE 21 3 USER SET AUTO/ATW PAINTINGGAIN R/B Gain Control RCU (RCB) R/B Pedestal Control $1Color Bar Setup Setting [Color Bar Set: 0.0IRE/ 7.5IRE] The setup level of color bar can be adjusted. $2Horizontal Phase Adjustment [H Phase: –206 - +49] Horizontal phase can be adjusted when a genlock signal is supplied. $3Subcarrier Phase Coarse Adjustment [SC Coarse: 1/2/3/4] Coarse adjustment of subcarrier phase can be made when a genlock signal is supplied. $4Subcarrier Phase Fine Adjustment [SC Fine: –511 - +511] Fine adjustment of subcarrier phase can be made when a genlock signal is supplied.$5Detail Level Setting [Detail: OFF/LOW/HIGH] Contour correction quantity can be selected. Detail settings made using the Horizontal/Vertical Detail Level HIGH/LOW Setting $6. $6Horizontal/Vertical Detail Level HIGH/LOW Setting [H Detail Level H: +1 - +63] [V Detail Level H: +1 - +31] [H Detail Level L: 0 - +62] [V Detail Level L: 0 - +30] Detail level can be set in horizontal (H) and vertical (V) directions with the Detail Level Setting $5 at HIGH or LOW. Whichever the direction, H or V, the set level at HIGH must be at least one position higher than that at LOW. $7Detail Band Setting [Detail Band: 1 - 5] A contour correction band can be set with the Detail Level Setting $5at HIGH or LOW. The higher setting, the finer will be the detail.
-44- %2Skin Color Detail Level Setting [DTL Flesh Tone: LOW/MID/HIGH] LOW:Skin color coarseness is suppressed. MID:Standard HIGH:Skin color is emphasized. %3Corner Detail Setting [Corner Detail: OFF/ON] Corner detail, which improves the resolution of cor- ners, can be turned on or off when the Detail Level Setting $5is at HIGH or LOW. %4Precision Detail Level Setting [Precision Detail: OFF/LOW/HIGH] This setting is to narrow detail width and suppress detail glare. $8Noise Suppress Compensation Level Setting [Noise Suppress: 1 - 10] Screen noise can be reduced with the Detail Level Setting $5at HIGH or LOW. If the noise suppress compensation level is set too high, a fine object will be reproduced less sharply. $9Level Dependent Compensation Level Setting [Level Dependent: 0 % - 25 %] Screen noise due to the detail of dark parts of an object can be reduced. If level dependent compensation level is set too high, however, hair, for example, will be reproduced less sharply. %0Dark Detail Compensation Level Setting [Dark Detail: 0 - 5] The contours of the darker portions of an object can be emphasized. This setting is possible only when the Level Dependent Compensation Level Setting $9is set to 0 %. %1Chroma Detail Compensation Level Setting [Chroma Detail: 0 - 15] The contours of high-hue portions of an object can be emphasized.
-45- %5Color Matrix Compensation Level Setting [Matrix (R-G) / (R-B) / (G-R) / (G-B) / (B-R) / (B-G): –31 - +31] Color Matrix compensation level can be adjusted. (R-G):To increase or decrease the intermediate color between red and magenta (R-B):To increase or decrease the intermediate color between red and yellow (G-R):To increase or decrease the intermediate color between green and cyan (G-B):To increase or decrease yellowish green (B-R):To increase or decrease the intermediate color between blue and cyan (B-G):To increase or decrease purple %6Gamma Correction Level Setting [Gamma: 0.35 - 0.55] Gamma correction level can be set. %7Knee Compensation Level Setting [Knee Point: 88 % - 98 % / DYNAMIC] 88 % - 98 %: The level of video signals subject to knee compensation (knee point) can be set. Dynamic:Knee compensation level is automatically adjusted according to the scene.%8White Clip Level Setting [White Clip: 95 % - 110 %] The peak level of video signals to be white-clipped can be set. %9Flare Correction Level Setting [Flare R/G/B: 0 - 100] Flare correction level can be adjusted. * Flare correction level has already been adjusted prior to shipment from the factory. ^0Black Stretch Setting [Black Stretch: ON/OFF] Black stretch to correct the suppression of black portions at low luminance can be set to ON or OFF. ^1Clean DNR Setting [Clean DNR: HIGH/LOW/OFF] Clean DNR effect can be selected. ^2PC Control Access Speed Setting [Baud Rate: 1 200bps/2 400bps/4 800bps/9 600bps] This setting is to select a communication speed in controlling the camera from the computer. ^3Negative/Positive Selection [Nega/Posi: Posi/ Nega] Posi:Normal image Nega:Image is shown reversed in darkness and color.
-46- nSetting to initial setIn case of the wrong setting in any use mode, take the following steps to return to the initial settings. (1) Select [Initialize Data] on the main menu screen of each Use Mode. (See page 29.) Press the YES/ABC switch, then [Initialize Data] screen shown for about 10 seconds. ** Initialize Data ** (Halogen Mode) Do you want to initialize Halogen Mode settings? O.K. : YES SW Cancel : NO SW Halogen Mode Initialized Halogen Mode unchanged qwe (2) Press the YES/ABC switch within about 10 seconds to return to the initial settings, the existing settings are initialized, the screen shown at w, and the cam- era returns to be ready for operation. (3) If the NO/BAR switch is pressed, or if the YES /ABC switch is not pressed, within about 10 seconds, the screen shown at e, and the camera returns to the original settings and is ready for operation. SETTING TO INITIAL SET
Other Set G/L. Color Bar SetPicture Level Light PEAK/AVG) Light Area Auto ND (ELC) Auto Gain Up Manu Gain Up Pedestal Contrast (Gamma) Shutter Speed Synchroscan V Resolution Baud Rate Nega/Posi -47- ItemnINITIAL SETTINGS OF THE SETTING ITEMS (Factory preset values)lHalogen, Fluorescent, Outdoor Mode +1 ±0 ATW OFF ±0 1 ±0 7.5IRE Sharpness OFF OFF MID Auto ND---Normal 9 600 bps Posi ±0 0 Top Cut ON HIGH---–10 MIDOutdoor mode +1 ±0 AWC A OFF ±0 1 ±0 7.5IRE Sharpness OFF OFF MID OFF ---Normal 9 600 bps Posi ±0 0 Top Cut OFF OFF 0 dB ±0 MIDFluorescent mode ±0 ±0 AWC A OFF ±0 1 ±0 7.5IRE Sharpness OFF OFF MID OFF ---Normal 9 600 bps Posi ±0 0 Top Cut OFF OFF 0dB ±0 MIDHalogen mode Chroma Level Flesh Tone White Bal High-light Chroma H Phase SC Coarse SC Fine Color Bar Set DTL Select Noise Suppress Clean DNR DTL Flesh Tone Brightness Set Color Set Sharpness (DTL) Set
0.45 88 % 110 % 0 0 0 OFF OFF 9 600 bps Posi OFF +11 +12 +7 +6 2 3 0 % 0 Iris, Shutter, Gain Set -48- lUser Mode Picture Level Light PEAK/AVG) Light Area Auto Iris Adjust Shutter Mode Step SyncroScan Field/Frame Gain Pedestal±0 0 Top Cut OFF Step OFF --- Field 0 dB ±0 Chroma Level White Bal High-light Chroma Painting R Gain B Gain R Pedestal B Pedestal Color Set±0 AWC A OFF ±0 ±0 ±0 ±0 H Phase SC Coarse SC Fine Color Bar Set G/L. Color Bar Set±0 1 ±0 7.5IRE Detail H Detail Level H V Detail Level H H Detail Level L V Detail Level L Detail Band Noise Suppress Level Dependent Dark Detail Detail Set 1Chroma Detail DTL Flesh Tone Corner Detail Precision Detail Detail Set 20 MID OFF OFF Matrix(R-G) Matrix(R-B) Matrix(G-R) Matrix(G-B) Matrix(B-R) Matrix(B-G) Color Matrix Set±0 ±0 ±0 ±0 ±0 ±0 Gamma Knee Point White Clip Flare R Flare G Flare B Black Stretch Clean DNR Baud Rate Nega/Posi Other Set Item User mode Item User mode