Nikon Camera D610 Users Manual
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115 r r White Balance White balance ensures that colors are unaffected by the color of the light source. In modes other than P, S, A , and M, white balance is set automatically by the camera. Auto white balance is recommended for most light sources in P, S , A , and M modes, but other values can be selected if necessa ry according to the type of source: White balance is set by pressing the L (U ) button and rotating the main command dial until the desired setting is displayed in the control panel. OptionColor temp.* Description v Auto 3,500– 8,000 K White balance is adjusted automatically. For best results, use type G, E, or D lens. If built-in or optional flash fires, results are adjusted for flash. Normal Keep warm lighting colors J Incandescent 3,000 K Use under incandescent lighting. I Fluorescent Use with: Sodium-vapor lamps 2,700 K•Sodium-vapor lighting (found in sports venues). Warm-white fluorescent 3,000 K•Warm-white fluorescent lights. White fluorescent 3,700 K•White fluorescent lights. Cool-white fluorescent 4,200 K•Cool-white fluorescent lights. Day white fluorescent 5,000 K•Daylight white fluorescent lights. Daylight fluorescent 6,500 K•Daylight fluorescent lights. High temp. mercury-vapor 7,200 K• High color temperature light sources (e.g. mercury-vapor lamps). H Direct sunlight 5,200 K Use with subjects lit by direct sunlight. N Flash 5,400 K Use with built-in or optional flash. G Cloudy 6,000 K Use in daylight under overcast skies. M Shade 8,000 K Use in daylight with subjects in the shade. K Choose color temp. 2,500– 10,000 K Choose color temperature from list of values ( 0 120). L Preset manual —Use subject, light source, or existing photograph as reference for white balance ( 0121). * All values are approximate and do not reflect fine-tuning (if applicable). (P, S, A, and M Modes Only) L (U ) button Main command dialControl panel
116 r AThe Shooting Menu White balance can also be adjusted using the White balance option in the shooting menu ( 0214), which also ca n be used to fine-tune white balance ( 0117) or measure a value for preset white balance ( 0121). The Auto option in the White balance menu offers a choice of Normal and Keep warm lighting colors , which preserves the warm colors produced by incandescent lighting, while the IFluorescent option can be used to select the light source from the bulb types. AStudio Flash Lighting Auto white balance may not produce the desired results with large studio flash units. Use preset white balance or set white balance to Flash and use fine tuning to adjust white balance. AColor Temperature The perceived color of a light source varies with the viewer and other conditions. Color temperature is an objective measure of the color of a light source, defined with reference to the temperature to which an object would have to be heated to radiate light in the same wavelengths. While light sources with a color temp erature in the neighborhood of 5,000– 5,500 K appear white, light sources with a lo wer color temperature, such as incandescent light bulbs, appear slightly yellow or red. Light sources with a higher color temperature appear tinged with blue. The camera white balance options are adapted to the following color temperatures: • I (sodium-vapor lamps): 2,700 K • J (incandescent)/ I (warm-white fluorescent): 3,000 K • I (white fluorescent): 3,700 K • I (cool-white fluorescent): 4,200 K • I (day white fluorescent): 5,000 K• H (direct sunlight): 5,200 K • N (flash): 5,400 K • G (cloudy): 6,000 K • I (daylight fluorescent): 6,500 K • I (high temp. mercury-vapor): 7,200 K • M (shade): 8,000 K ASee Also When WB bracketing is selected for Custom Setting e6 ( Auto bracketing set, 0 241), the camera will create several images each time the shutter is released. White balance will be varied with each image, “bracketing” the value currently selected for white balance ( 0156).
117 r Fine-Tuning White Balance White balance can be “fine-tuned” to compensate for variations in the color of the light source or to introduce a deliberate color cast into an image. White balance is fine-tuned using the White balance option in the shooting menu or by pressing the L (U ) button and rotating the sub-command dial. ❚❚The White Balance Menu 1Select a white balance option in the shooting menu. To display the menus, press the G button. Select White balance in the shooting menu, then highlight a white balance option and press 2. If an option other than Auto, Fluorescent , Choose color temp. , or Preset manual is selected, proceed to Step 2. If Auto , Fluorescent , or Choose color temp. is selected, highlight the desired setting and press 2. For information on fine-tuning preset white balance, see page 125. 2Fine tune white balance. Use the multi selector to fine-tune white balance. White balance can be fine-tuned on the amber (A)–blue (B) axis and the green (G)–magenta (M) axis. The horizontal (amber-blue) axis corresponds to color temperature, with each increment equivalent to about 5 mired. The vertical (green-magenta) axis has the similar effects to the corresponding color c ompensation (CC) filters. G button Coordinates Adjustmen t Increase green Increase magenta Increase blue Increase amber Green (G) Magenta (M) Blue (B)Amber (A)
118 r 3Press J. Press J to save settings and return to the shooting menu. If white balance has been fine-tuned, an asterisk (“ E”) will be displayed in the control panel. ❚❚ The L (U ) Button At settings other than K (Choose color temp. ) and L (Preset manual ), the L (U ) button can be used to fine-tune white balance on the amber (A)– blue (B) axis ( 0117; to fine-tune white balance when K or L is selected, use the shooting menu as described on page 117). Six settings in both directions are available; each increment is equivalent to about 5 mired ( 0119). Press the L (U ) button and rotate the sub-command dial until the desired value is displayed in the control panel. Rotating the sub-command dial to the left increases the amount of amber (A). Rotating the sub-command dial to the right increases the am ount of blue (B). At settings other than 0, an asterisk (“ E”) appears in the control panel. L (U ) button Sub-command dial Control panel
119 r AWhite Balance Fine-Tuning The colors on the fine-tuning axes are relative , not absolute. For example, moving the cursor to B (blue) when a “warm” setting such as J (incandescent) is selected for white balance will make photographs slightly “colder” but will not actually make them blue. AColor Temperature Fine-Tuning When Choose color temp. is selected, you can view the color temperature while fine-tuning white balance. A“Mired” Any given change in color temperature produces a greater difference in color at low color temperatures than it would at higher color temperatures. For example, a change of 1000 K produces a much greater change in color at 3000 K than at 6000 K. Mired, calculated by multiplying the inverse of the color temperature by 106, is a measure of color temperature that takes such variation into account, and as such is the unit used in color-temperature compensation filters. E.g.: • 4000 K–3000 K (a difference of 1000 K)=83 mired • 7000 K–6000 K (a difference of 1000 K)=24 mired
120 r Choosing a Color Temperature When K (Choose color temp. ) is selected for white balance, color temperature can be selected by pressing the L (U ) button and rotating the sub- command dial. The color temperature is displayed in the control panel. DChoose Color Temperature Note that the desired results will not be obtained with flash or fluorescent lighting. Choose N (Flash ) or I (Fluorescent ) for these sources. With other light sources, take a test shot to determine if the selected value is appropriate. AThe White Balance Menu Color temperature can also be selected in the white balance menu. Note that the color temperature with the L (U ) button and the sub-command dial replaces the value selected in the white balance menu. L (U ) button Sub-command dial Control panel
121 r Preset Manual Preset manual is used to record and recall custom white balance settings for shooting under mixed lighting or to compensate for light sources with a strong color cast. The camera can store up to four values for preset white balance in presets d-1 through d-4. Two methods are available for setting preset white balance: ❚❚ Measuring a Value for White Balance 1Light a reference object. Place a neutral gray or white object under the lighting that will be used in the final photograph. In studio settings, a standard gray panel can be used as a reference object. Note that exposure is automatically increased by 1 EV when measuring white balance; in mode M, adjust exposure so that the exposure indicator shows ±0 ( 078). 2Set white balance to L (Preset manual ). Press the L (U ) button and rotate the main command dial until L is displayed in the control panel. MethodDescription Direct measurement Neutral gray or white object is placed under lighting that will be used in final photo and white balance measured by camera ( 0121). Copy from existing photograph White balance is copied from photo on memory card ( 0124). L (U ) button Main command dial Control panel AMeasuring Preset White Balance Preset manual white balance can not be measured during live view (049, 57), while you are shooting an HDR photograph ( 0139) or multiple exposure ( 0160), or when Record movies is selected for Custom Setting g4 ( Assign shutter button, 0 248).
122 r 3Select a preset. Press the L (U ) button and rotate the sub-command dial until the desired white balance preset (d-1 to d-4) is displayed in the control panel. 4Select direct measurement mode. Release the L (U ) button briefly and then press the button until the L icon in the control panel starts to flash. A flashing D will also appear in the viewfinder. The displays will flash for about six seconds. 5Measure white balance. Before the indicators stop flashing, frame the reference object so that it fills the viewfinder and press the shutter-release button all the way down. The camera will measure a value for white balance and store it in the preset selected in Step 3. No photograph will be recorded; white balance can be measured accurately even when the camera is not in focus. L (U ) button Sub-command dial Control panel AProtected Presets If the current preset is protected ( 0127), 3 will flash in the control panel and viewfinder if you attempt to measure a new value. Control panel Viewfinder
123 r 6Check the results. If the camera was able to measure a value for white balance, C will flash in the control panel for about six seconds, while the viewfin der will show a flashing a . If lighting is too dark or too bright, the camera may be unable to measure white balance. A flashing ba will appear in the control panel and viewfinder for about six seconds. Press the shutter-release button halfway to return to Step 5 and measure white balance again. DDirect Measurement Mode If no operations are performed while the displays are flashing, direct measurement mode will end in the time select ed for Custom Setting c2 ( Standby timer, 0 227). ASelecting a Preset Selecting Preset manual for the White balance option in the shooting menu displays the dialog shown at right; highlight a preset and press J. If no value currently exists for the selected preset, white balance will be set to 5,200 K, the same as Direct sunlight. Control panel Viewfinder Control panelViewfinder
124 r ❚❚Copying White Balanc e from a Photograph Follow the steps below to copy a value for white balance from an existing photograph to a selected preset. 1Select L (Preset manual ) for White balance in the shooting menu. Press the G button and select White balance in the shooting menu. Highlight Preset manual and press 2. 2Select a destination. Highlight the destination preset (d-1 to d-4) and press W (S ). 3Choose Select image . Highlight Select image and press 2. 4Highlight a source image. Highlight the source image. 5Press J. Press J to copy the white balance value for the highlighted photograph to the selected preset. If the highlighted photograph has a comment ( 0253), the comment will be copied to the comment for the selected preset. G button W (S ) button