Fujitsu Fuji Xpro1 Owners Manual
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45 More on Photography Focus Mode Focus Mode Use the focus mode selector to choose how the camera focuses. • S (single AF): Focus locks while the shutter button is pressed halfway. Choose for stationary subjects. • C (continuous AF): Focus is continually adjusted to refl ect changes in the distance to the subject even when the shutter button is not pressed halfway (note that this increases the drain on the battery). • M (manual): Focus manually using the focus ring. Rotate the ring left to reduce the focus distance, right to increase. The manual focus indicator indicates how closely the focus distance matches the distance to the subject in the focus brackets (the red bar indicates the focus distance, the white bar the depth of fi eld, or in other words the distance in front of and behind the focus point that ap- pears to be in focus); you can also check focus visually in the electronic viewfi nder or LCD monitor. Choose for manual control of focus or in situations in which the camera is unable to focus using autofocus (P 44). 16 11 8 5.6 4 2.8 A Reduce focus distanceIncrease focus distance 0.1 0.5 1.0 1.5 2.0 3.0 5.0 10M2000 F5 . 6200 Manual focus mode icon Manual focus indicator Focus distance (red bar) 1.0 1.5 2.0 3.0 Depth of fi eld (white bar) R Use the I FOCUS RING option in the setup menu (P 81) to reverse the direction of rotation of the focus ring. R The camera will not focus if the focus ring is rotated past infi nity. R To focus using autofocus, press the AFL/AEL button. This can be used to quickly focus on a chosen subject in manual focus mode. R The camera can show focus distance in meters or feet. Use the M FOCUS SCALE UNITS option in the setup menu ( P 83) to choose the units used.
46
Focus Mode
Manual Focus Manual FocusPressing the center of the command dial magnifi es the view in the electronic
viewfi nder or LCD monitor for precise focus. To scroll to other areas of the
frame, press the AF button and use the selector.
0.1 0.5 1.0 1.5 2.0 3.0 5.0 10M2000 F5 . 62000.1 0.5 1.0 1.5 2.0 3.0 5.0 10M2000 F5 . 62000.1 0.5 1.0 1.5 2.0 3.0 5.0 10M2000 F5 . 6200
47 More on Photography Focus Frame Selection Focus Frame Selection When t AREA is selected for FF AF MODE in the shooting menu and S is selected for focus mode, the electronic viewfi nder and LCD monitor off er a choice of 49 focus points and the opti- cal viewfi nder a choice of 25, allowing photographs to be com- posed with the main subject positioned almost anywhere in the frame. To position the focus frame, press the AF button and use the selector (the focus frame can be returned to the center by pressing MENU/OK). Press the AF button again to put the setting into eff ect. Q When you switch to the optical viewfi nder, the camera will select the focus frame closest to that selected in the electronic viewfi nder or LCD monitor. Focus frame Focus point OVF EVF/LCD When framing pictures in the electronic viewfi nder or LCD moni- tor, you can choose the size of the focus frame for S by pressing the AF button and rotating the command dial left or right. Rotate the dial left to reduce the frame by up to 50%, right to enlarge it by up to 150%, or press the center of the dial to restore the frame to its original size. Press the AF button again to put the setting into eff ect. EVF/LCD
48 Sensitivity Sensitivity “Sensitivity” refers to the camera’s sensitivity to light. Choose from values between L (100) (ISO 100) and H (25600) (ISO 25600). Higher values can be used to reduce blur when lighting is poor, while low- er values allow slower shutter speeds or wider apertures in bright light; note, however, that mottling may appear in pictures taken at high sensitivities, particularly at H (25600), while choosing L (100) reduces dynamic range. Values of from ISO 200 to ISO 6400 are recommended in most situations. If an AUTO option is selected, the camera will adjust sensitivity automatically in response to shooting conditions; the value in parentheses is the maximum sensitivity that will be selected when the subject is poorly lit. 1 Press MENU/OK in shooting mode to display the shooting menu. Press the selector up or down to highlight N ISO and press MENU/OK. R At default settings, ISO options can also be displayed by pressing the Fn button. SHOOTING MENU F3:2200 OFFEXIT P IMAGE SIZE IMAGE QUALITY DYNAMIC RANGE ISO FILM SIMULATION FILM SIMULATION BKT SELF-TIMER 2 Press the selector up or down to highlight the desired option and press MENU/OK to select. P2000 F5 . 6200 SHOOTING MENU F3:2ISO200 OFF P OFF F 320 400 500 250 L ( 100 )AUTO ( 400 ) 200 R Sensitivity is not reset when the camera is turned off . R L (100) is reset to ISO 200 and H (12800) and H (25600) are reset to ISO 6400 when RAW , FINE+RAW, or NORMAL+RAW is selected for image quality (P 53, 67). For more information on the settings available with L (100), H (12800), and H (25600), see page 116.
49 More on Photography Metering Metering To choose how the camera meters exposure, press the AE button to display metering options. Use the selector to highlight an op- tion and press AE to select. ModeModeDescriptionDescription oo(MULTI)(MULTI) The camera instantly determines exposure based on an analysis of composition, color, and brightness distribution. Recommended in most situations. pp(SPOT)(SPOT)The camera meters lighting conditions in an area at the center of the frame equivalent to 2% of the total. Recommended when the background is much brighter or darker than the main subject; due to parallax, not recommended when pictures are framed in the optical viewfi nder. qq(AVERAGE)(AVERAGE) Exposure is set to the average for the entire frame. Provides consistent exposure across multiple shots with the same lighting, and is particu- larly eff ective for landscapes and portraits of subjects dressed in black or white. PHOTOMETRY MULTI OVF EVF/LCD
50 The Fn Button The Fn Button The role played by the Fn button can be selected using the F Fn BUTTON option in the shooting menu (P 70). The options available include multiple exposure (P 36), depth-of-fi eld preview ( P 26), the self-timer (P 41), sensitivity (P 48), image size (P 67), image quality (P 67), dynamic range (P 68), fi lm simulation (P 51), white balance (P 32), AF mode (P 69), movie recording (P 39), RAW/JPEG toggle (P 53), and custom settings (P 52). R The F Fn BUTTON menu can also be displayed by pressing and holding the Fn button.
51 More on Photography Film Simulation Film Simulation Simulate the eff ects of diff erent kinds of fi lm, including black-and-white (with or without color fi lters). 1 Press MENU/OK in shooting mode to display the shooting menu. Press the selector up or down to highlight P FILM SIMULATION and press MENU/OK.SHOOTING MENU F3:2200 OFFEXIT P IMAGE SIZE IMAGE QUALITY DYNAMIC RANGE ISO FILM SIMULATION FILM SIMULATION BKT SELF-TIMER 2 Press the selector up or down to highlight one of the following options and press MENU/OK to select. OptionOptionDescriptionDescription cc (PROVIA/STANDARD)(PROVIA/STANDARD)Standard color reproduction. Suited to a wide range of subjects, from portraits to landscapes. >> (Velvia/VIVD)(Velvia/VIVD)A high-contrast palette of saturated colors, suited to nature photos. ee (ASTIA/SOFT)(ASTIA/SOFT)Enhances the range of hues available for skin tones in portraits while preserving the bright blues of daylight skies. Recommended for outdoor portrait photography. gg (PRO Neg. Hi)(PRO Neg. Hi) Off ers slightly more contrast than h (PRO Neg. Std). Recommended for outdoor portrait pho- tography. hh (PRO Neg. Std)(PRO Neg. Std) A soft-toned palette. The range of hues available for skin tones is enhanced, making this a good choice for studio portrait photography. ;; (MONOCHROME)(MONOCHROME) Take pictures in standard black and white. ee (MONOCHROME + Ye FILTER)(MONOCHROME + Ye FILTER)Take black-and-white pictures with slightly increased contrast. This setting also slightly tones down the brightness of the sky. dd (MONOCHROME + R FILTER)(MONOCHROME + R FILTER)Take black-and-white pictures with increased contrast. This setting also tones down the bright- ness of the sky. ff (MONOCHROME + G FILTER)(MONOCHROME + G FILTER) Soften skin tones in black-and-white portraits ff (SEPIA)(SEPIA)Take pictures in sepia. R Film simulation options can be combined with tone and sharpness settings (P 69).
52 Saving Settings Saving Settings Save up to 7 sets of custom camera settings for commonly-encountered situations. Saved settings can be recalled using the u SELECT CUSTOM SETTING option in the shooting menu. 1 Press MENU/OK in shooting mode to display the shooting menu. Press the selector up or down to highlight K EDIT/SAVE CUSTOM SET- TING and press MENU/OK.SHOOTING MENU OFF EXITP EDIT/SAVE CUSTOM SETTING OFF35mm SELECT CUSTOM SETTING CORRECTED AF FRAMEAF MODE SHOOT WITHOUT LENS Fn BUTTON FOCAL LENGTH SETTING 2 Highlight a custom settings bank and press MENU/OK to select. Adjust the following as desired and press DISP/BACK when adjustments are com- plete: N ISO, U DYNAMIC RANGE, P FILM SIMULATION, D WHITE BALANCE, f COLOR , q SHARPNESS, r HIGHLIGHT TONE, s SHADOW TONE, and h NOISE REDUCTION.CUSTOM 1 200 AUTO0 FILM SIMULATION WHITE BALANCE ISO DYNAMIC RANGE COLOR SAVE CURRENT SETTINGS EXIT R To replace the settings in the selected bank with the settings currently selected with the camera, select K SAVE CURRENT SETTINGS and press MENU/OK. 3 A confi rmation dialog will be displayed; highlight OK and press MENU/ OK. OK SAVE CUSTOM SETTING CUSTOM 1 SET OK? OK CANCEL
53 More on Photography Recording Pictures in RAW Format Recording Pictures in RAW Format To toggle RAW image quality on or off for a single shot, assign RAW to the Fn button (P 50). If a JPEG option is currently selected for im- age quality, pressing the Fn button temporarily selects the equivalent JPEG+RAW option. If a JPEG+RAW option is currently selected, pressing the Fn button temporarily selects the equivalent JPEG option, while if RAW is selected, pressing the Fn button temporarily selects FINE. Taking a picture or pressing the Fn button again restores the previous setting. R RAW images record raw, unprocessed data from the camera image sensor. JPEG copies of RAW images can be created using the j RAW CONVERSION option in the playback menu, or RAW images can be viewed on a computer using the RAW File Converter application that is installed with the software on the supplied CD (P 90, 92). R Sensitivities of L (100), H (12800), and H (25600) are not available when RAW image quality is on ( P 48). R Control lock (P 4) disables the RAW button. To enable the RAW button, press MENU/OK until the X icon clears from the display.
54 N N Flash Photography Flash Photography Optional EF-42, EF-20, and EF-X20 shoe-mounted fl ash units (P 97) can be used for additional lighting when shooting at night or indoors under low light. See the manual provided with the fl ash unit for details. To choose the fl ash mode for the optional fl ash unit, select I FLASH MODE in the shooting menu. The options shown below will be displayed; press the selector up or down to highlight an option and press MENU/OK to select. ModeModeDescriptionDescription AUTOAUTO (AUTO FLASH)(AUTO FLASH)//KK (RED EYE REDUCTION)(RED EYE REDUCTION) * *The fl ash fi res when required. Recommended in most situations. NN (FORCED FLASH)(FORCED FLASH)//LL (FORCED FLASH)(FORCED FLASH) * *The fl ash fi res whenever a picture is taken. Use for backlit subjects or for natural coloration when shooting in bright light. PP (SUPPRESSED FLASH)(SUPPRESSED FLASH)The fl ash does not fi re even when the subject is poorly lit. Use of a tripod is rec- ommended. ll (2ND CURTAIN SYNC.)(2ND CURTAIN SYNC.)//dd (2ND CURTAIN SYNC.)(2ND CURTAIN SYNC.) * *The fl ash fi res immediately before the shutter closes. OO (SLOW SYNCHRO)(SLOW SYNCHRO)//MM (RED-EYE & SLOW)(RED-EYE & SLOW) * *Capture both the main subject and the background under low light (note that brightly lit scenes may be overexposed). SHOOTING MENU OFF OFF ±0 P OFF±0 OFFFLASH MODE AUTO FORCED FLASH SLOW SYNCHRO 2ND CURTAIN SYNC. SUPPRESSED FLASH * Red-eye removal (K, L, M, or d) is available in these modes when ON is selected for B RED EYE REMOVAL in the shooting menu ( P 73). Red-eye removal minimizes “ red-eye” caused when light from the fl ash is refl ected from the subject’s retinas as shown in the il- lustration at right. R If p is displayed when the shutter button is pressed halfway, the fl ash will fi re when the photo is taken. R The fl ash may fi re several times with each shot. Do not move the camera until shooting is complete. R Remove lens hoods to prevent shadows in photos taken with the fl ash. Q The fl ash does not fi re in silent mode.