Fujitsu Fuji Xpro1 Owners Manual
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35 More on Photography Bracketing Bracketing Automatically vary settings over a series of pictures. 1 Press the DRIVE button to display drive options and press the selector up or down to highlight one of the following: OptionOptionDescriptionDescription AE BKTAE BKT Press the selector left or right to highlight a bracketing amount. Each time the shutter button is pressed, the camera will take three shots at up to about 6 fps: one using the metered value for exposure, the second overexposed by the selected amount, and the third underexposed by the same amount (regardless of the amount selected, exposure will not exceed the limits of the exposure metering system). ISO BKTISO BKT Press the selector left or right to highlight a bracketing amount. Each time the shutter is released, the camera will take a picture at the current sensitivity (P 48) and process it to create two additional copies, one with sensitivity raised and the other with sensitivity lowered by the selected amount (regardless of the amount selected, sensitivity will not exceed ISO 6400 or fall below ISO 200). FILM FILM SIMULATION SIMULATION BKTBKTEach time the shutter is released, the camera takes one shot and processes it to create copies with the fi lm simulation settings selected for X FILM SIMULATION BKT in the shooting menu (P 68). DYNAMIC DYNAMIC RANGE BKTRANGE BKT Each time the shutter button is pressed, the camera takes three shots with diff erent dynamic ranges (P 68): 100% for the fi rst, 200% for the second, and 400% for the third. The shots are taken at rates of up to about 6 fps. While dynamic range bracketing is in eff ect, sensitivity will be restricted to a minimum of ISO 800; the sensitivity previously in eff ect is restored when bracketing ends. AE BKT±1±2/3±1/3 Press MENU/OK to select the highlighted option. 2 Take photographs.
36 Multiple Exposures Multiple Exposures Create a photograph that combines two exposures. 1 Select ON for n MULTIPLE EXPOSURE in the shooting menu. 2 Take the fi rst shot. 3 Press MENU/OK. You will be prompt- ed to take the second shot. R To return to Step 2 and retake the fi rst shot, press the selector left. To save the fi rst shot and exit without creating a multiple exposure, press DISP/ BACK. 4 Take the second shot. 5 Press MENU/OK to create the multiple exposure, or press the selector left to return to Step 4 and retake the second shot.
37 More on Photography 1 Press the DRIVE button to display drive options. Press the selector up or down to highlight r (MOTION PANORAMA) and press MENU/OK. MOTION PANORAMA 2 To select the size of the angle through which you will pan the camera while shooting, press the se- lector left. Highlight a size and press MENU/OK. 3 Press the selector right to view a choice of pan directions. Highlight a pan direction and press MENU/OK. 4 Press the shutter button all the way down to start recording. There is no need to keep the shutter button pressed during recording. 5 Pan the camera in the direction shown by the arrow. Shooting ends automatically when the camera is panned to the end of the guides and the panorama is complete. ANGLE DIRECTION R Shooting ends if the shutter button is pressed all the way down during shooting. No panorama may be recorded if the shutter button is pressed before the panorama is complete. The size of the completed panorama varies with the angle and pan direction. AngleAnglePan directionPan directionSize (W × H)Size (W × H) PPHorizontalHorizontal5,120 × 1,440/ 7.3 M5,120 × 1,440/ 7.3 M VerticalVertical2,160 × 5,120/11.1 M2,160 × 5,120/11.1 M OOHorizontalHorizontal7,680 × 1,440/11.1 M7,680 × 1,440/11.1 M VerticalVertical2,160 × 7,680/16.6 M2,160 × 7,680/16.6 M Panoramas Panoramas Follow an on-screen guide to create a panorama.
38 Panoramas Q Panoramas are created from multiple frames; expo- sure for the entire panorama is determined by the fi rst frame. The camera may in some cases record an greater or lesser angle than selected or be unable to stitch the frames together perfectly. The last part of the panorama may not be recorded if shooting ends before the panorama is complete. Q Shooting may be interrupted if the camera is panned too quickly or too slowly. Panning the camera in a direction other than that shown cancels shooting. Q The desired results may not be achieved with mov- ing subjects, subjects close to the camera, unvary- ing subjects such as the sky or a fi eld of grass, sub- jects that are in constant motion, such as waves and waterfalls, or subjects that undergo marked chang- es in brightness. Panoramas may be blurred if the subject is poorly lit. For Best Results For Best Results For best results, use a lens with a focal length of 35 mm or less (50 mm or less in 35 mm format). Prop your elbows against your sides and move the camera slowly in a small circle at a steady speed, keeping the camera horizontal and being careful only to pan in the direction shown by the guides. Use a tripod for best results. If the desired results are not achieved, try panning at a diff erent speed.
39 More on Photography F F Recording High-Defi nition (HD) Movies Recording High-Defi nition (HD) Movies Record short high-defi nition movies. Sound is recorded in stereo via the built-in microphone; during recording, do not cover the microphone or use the viewfi nder selector, which is located next to the microphone. 1 Press the DRIVE button to display drive options. Press the selector up or down to highlight F (MOVIE) and press MENU/OK. MOVIE Q If the optical viewfi nder is on, the camera will au- tomatically switch to the electronic viewfi nder. 2 Press the shutter button all the way down to start recording. 3 Press the shutter button all the way down again to end recording. Re- cording ends automatically after ten minutes or when memory is full. R Focus, exposure, and white balance are adjusted automatically throughout recording. The color and brightness of the image may vary from those dis- played before recording begins. R The indicator lamp lights while movies are being recorded. Q The microphone may pick up lens noise and other sounds made by the camera during recording. Q Vertical or horizontal streaks may appear in movies containing very bright subjects. This is normal and does not indicate a malfunction.
40 F Recording High-Defi nition (HD) Movies Before RecordingBefore Recording Before recording, choose a frame size of i 1920 (1,920 × 1,080, or Full HD) or h 1280 (1,280 × 720, or HD) using the W MOVIE MODE option in the shooting menu (P 73), adjust aperture (P 26), white balance (P 32), fi lm simulation (P 51), and exposure compensation (P 29), and select a focus mode ( P 45). Q Continuous AF is used when S is selected for focus mode.
41 More on Photography h h Using the Self-Timer Using the Self-Timer Use the timer for self-portraits or to prevent blur caused by camera shake. 1 Press MENU/OK in shooting mode to display the shooting menu. Press the selector up or down to highlight B SELF-TIMER and press MENU/ OK.SHOOTING MENU F3:2200 OFFEXIT P IMAGE SIZE IMAGE QUALITY DYNAMIC RANGE ISO FILM SIMULATION FILM SIMULATION BKT SELF-TIMER 2 Press the selector up or down to highlight one of the following op- tions and press MENU/OK to select. OptionOptionDescriptionDescription RR 2 SEC 2 SEC The shutter is released two seconds after the shutter button is pressed. Use to reduce blur caused by the camera moving when the shutter button is pressed. SS 10 SEC 10 SEC The shutter is released ten seconds after the shutter button is pressed. Use for photographs in which you wish to appear yourself. OFFOFF Self-timer off . SHOOTING MENU F3:2200 SELF-TIMER OFF P 3:2 200FOFF 2 SEC10 SEC 3 Press the shutter button halfway to focus. Q Stand behind the camera when using the shutter button. Standing in front of the lens can interfere with focus and exposure.
42 h Using the Self-Timer 4 Press the shutter button the rest of the way down to start the timer. The display in the monitor shows the number of seconds remaining until the shutter is released. To stop the timer before the picture is taken, press DISP/BACK.99 The self-timer lamp on the front of the camera will blink immediately before the picture is taken. If the two-second timer is selected, the self-timer lamp will blink as the timer counts down. R The self-timer turns off automatically when the camera is turned off .
43 More on Photography Focus/Exposure Lock Focus/Exposure Lock To compose photographs with off -center subjects: 1 Focus : Position the subject in the focus frame and press the shutter button half- way to lock focus and exposure. Focus and exposure will remain locked while the shutter button is pressed halfway (AF/AE lock). P2000 F5 . 6200 R Depending on the option selected for v AE/AF-LOCK BUTTON in the shooting menu (P 72), focus and/ or exposure can also be locked by pressing the AFL/AEL button; focus and/or exposure will remain locked even if the shutter button is pressed. Choose AE LOCK ONLY to lock exposure but not focus, AF LOCK ONLY to lock focus but not exposure, or AE/AF LOCK to lock both focus and exposure. In manual focus mode (P 45), the camera will focus automatically with the AFL/AEL button. 2 Recompose: Keep the shutter button pressed halfway or keep the AFL/AEL button pressed. R If AE&AF ON/OFF SWITCH is selected for k AE/AF-LOCK MODE (P 72), focus and/or exposure lock when the AFL/AEL button is pressed and remain locked until the button is pressed again.F5.6 2000P200 3 Shoot: Press the button all the way down. F5.6 2000P200
44
Focus/Exposure Lock
Autofocus Autofocus
Although the camera boasts a high-precision autofocus system, it may be unable to focus on the subjects listed
below.
• Very shiny subjects such as mirrors or car bodies.
• Fast-moving subjects.
• Subjects photographed through a window or other refl ective object.
• Dark subjects and subjects that absorb rather than refl ect light, such as hair or fur.
• Insubstantial subjects, such as smoke or fl ame.
• Subjects that show little contrast with the background (for example, subjects in clothing that is the same color as the background).
• Subjects positioned in front of or behind a high-contrast object that is also in the focus frame (for example, a subject photographed against a backdrop of highly contrasting elements).