Casio At5 User Manual
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Using Auto Accompaniment E-29 There are six different Auto Accompaniment patterns, shown below. You can switch between patterns during accompaniment play and even modify patterns. Use buttons L-13 through L-16 to select the pattern you want.One-Touch Preset gives you one-touch access to tone and tempo settings that go well with the currently selected Auto Accompaniment rhythm pattern. 1.If rhythm is playing, press the L-17 (START/ STOP) button to stop it. 2.Select the rhythm (excluding user rhythms) you want to use. 3.While holding down the L-8 ([E] PIANO RHYTHMS) button, press the L-9 ([F] USER RHYTHMS) button. Settings for the following items are configured appropriately for the rhythm you selected in step 2. Also, the F indicator flashes on the display to indicate that the normal Auto Accompaniment pattern is standing by. 4.Start playing something on the keyboard. Perform the procedure starting from step 7 under “Playing an Auto Accompaniment” (page E-26). One-Touch Presets are not supported for user rhythms (F:001 through F:100). You can recall one-touch preset settings even if a rhythm is already playing when you perform step 3 of the above procedure. In this case, rhythm play will continue without going into synchro standby. Modifying Auto Accompaniment Patterns *1 Press at the beginning of a song. Accompaniment play proceeds with the normal pattern after the intro pattern is complete. Pressing the L-15 (VARIATION/FILL-IN) button before pressing this button will proceed with the variation pattern after the intro pattern is complete. *2 Press while a normal pattern is playing to insert a fill-in pattern. *3 Press while a variation pattern is playing to insert a fill-in variation pattern. *4 Press at the end of a song. This will play an ending pattern and then stop Auto Accompaniment. L-13 L-13 L-14L-14 L-15L-15 L-16L-16 Intro *1Normal Variation Ending *4 Normal fill-in *2Variation fill-in *3 Using One-Touch Presets To perform using a one-touch preset – Tones for the UPPER 1, UPPER 2, and LOWER parts – Octave shift for the UPPER 1, UPPER 2, and LOWER parts – Layer and split on/off – Accompaniment on/off – Reverb on/off and type – Chorus type – Auto harmonize or Arpeggiator on/off and type – Tempo
Using Auto Accompaniment E-30 Auto harmonize lets you add harmony to melody notes you play with your right hand. You can select any one of 12 Auto harmonize settings. 1.Hold down the R-18 (AUTO HARMONIZE/ ARPEGGIATOR) button until the type selection screen shown below appears on the display. 2.Use the dial or R-14 (–, +) buttons to select the auto harmonize type you want to use. You can select one of the type numbers (001 through 012) described in the table below. For information about type numbers greater than 012, see “Playing Arpeggio Phrases Automatically (Arpeggiator)” (page E-21). 3.Press the R-15 (EXIT) button. This exits the type selection screen. 4.Press the R-18 (AUTO HARMONIZE/ ARPEGGIATOR) button. This causes a pointer indicator to appear on the display next to AUTO HARMONIZE. 5.Play chords and the melody on the keyboard. Harmony will be added to your melody notes based on the chords you play. 6.To turn off auto harmonize, press the R-18 (AUTO HARMONIZE/ARPEGGIATOR) button again. This causes the pointer indicator next to AUTO HARMONIZE to disappear. Using Auto Harmonize To play using auto harmonize Type NumberType NameDescription 001 Duet 1Adds close (separated by two to four degrees) one-note harmony below the melody note. 002 Duet 2Adds open (separated by more than 4 to 6 degrees) 1-note harmony below the melody note. 003 Country Adds country style harmony. 004 OctaveAdds the note from the next lower octave. 005 5th Adds the fifth degree note. 006 3WayOpenAdds 2-note open harmony, for a total of three notes. 007 3WayClosAdds 2-note close harmony, for a total of three notes. 008 StringsAdds harmony that is optimal for strings. Type number Type name 009 4WayOpenAdds 3-note open harmony, for a total of four notes. 010 4WayClosAdds 3-note close harmony, for a total of four notes. 011 Block Adds block chord notes. 012 Big Band Adds big band style harmony. Type NumberType NameDescription Lit
E-31 Applying Effects to a Sound You can apply a variety of different acoustic effects to the sounds produced by the Digital Keyboard. The built-in effects include a wide variety of variations that give you access to a selection of general digital effects. The Digital Keyboard also lets you apply effects to input from the T-5 (INST IN) jack and T-8 (MIC IN) jack. The following shows how Digital Keyboard effects are configured. Items such as “Reverb Send” that are indicated by the symbol are all mixer settings. For details, see “Using the Mixer” (page E-38). Chorus and DSP cannot be used at the same time. ■Chorus Effect Mode Configuration The chorus effect mode is enabled while “Chorus” is selected for the “Chorus/DSP” effect parameter. Chorus and reverb can be used in the chorus effect mode. For information about “Chorus/DSP”, see “Selecting an Effect” (page E-33). Configuration of Effects Part Volume/Pan Reverb Send Chorus Send Volume/Pan Reverb Send Chorus Send Mic In Inst In Reverb Chorus Master Volume/PanTone Generator Part A01-A16, B01-B16 External InputOutput Mono Stereo Noise GateAuto Level Control
Applying Effects to a Sound E-32 ■DSP Effect Mode Configuration The DSP effect mode is enabled while “DSP” is selected for the “Chorus/DSP”effect parameter. DSP and reverb can be used in the DSP effect mode. Reverb This type of effect simulates acoustic spaces. There are 10 different reverb effects, including room and hall. This type of effect increases the depth of notes and applies vibrato to notes. There are five different chorus effects. This type of effect is inserted between the sound source and output. There are a total of 100 different DSP effects, including distortion and modulation. You also can transfer DSP effects from a computer or create DSP data on the Digital Keyboard, and store up to 100 user DSP effects in Digital Keyboard memory. For details, see “Creating a User DSP” (page E-35) and “Connecting to a Computer” (page E-140). DSP DSPDSP Part Volume/Pan Reverb Send Volume/Pan Reverb Send Mic In Inst In Reverb Master Volume/Pan DSP Reverb Send DSP Volume/PanTone Generator Part A01-A16, B01-B16 Off On External InputOutput Mono Stereo Off On Noise GateAuto Level Control
Applying Effects to a Sound E-33 Effects are divided among different types (reverb, chorus, DSP), so first you need to use the procedure below to select an effect type. 1.While holding down the R-13 (FUNCTION) button, press the C-7 (EFFECT) button. This displays the effect setting screen shown below. 2.Use the dial or R-14 (–, +) buttons to select the reverb type you want to use. Refer to the separate “Appendix” for information about supported reverb types. To turn off reverb, select “oFF” here. 3.Press the C-7 (EFFECT) button or the R-15 (EXIT) button. This exits the effect setting screen. A pointer indicator is displayed next to REVERB when anything other than “oFF” is selected for the reverb type. The pointer indicator is not displayed next to REVERB when “oFF” is selected. You can use Reverb Send to adjust how reverb is applied to the tone of each keyboard or Auto Accompaniment part. For details, see “Using the Mixer” (page E-38). 1.While holding down the R-13 (FUNCTION) button, press the C-7 (EFFECT) button to display the effect setting screen. R-15 R-15 R-16 R-16 R-14 R-14 C-7 C-7R-13 R-13 R-17 R-17 Selecting an Effect To add reverb to sounds To add the chorus effect to sounds
Applying Effects to a Sound E-34 2.If you want, use the R-17 (t, y) buttons to move the thick brackets (%) to the “DSP Disable”setting, and then use the R-14 (–, +) buttons to change the setting to “on”. For more information about this setting, see the “Important!” note below. If you turning on the “DSP Disable” setting, you should skip steps 3 and 4 below. 3.Use the R-17 (t, y) buttons to move the thick brackets (%) to the “Chorus/DSP” setting. 4.Use the R-14 (–, +) buttons to select “Chorus”. This enters the chorus effect mode, which enables the use of the chorus effect. 5.Use the R-17 (t, y) buttons to move the thick brackets (%) to the “Chorus” setting. 6.Use the dial or R-14 (–, +) buttons to select the chorus type you want to use. Refer to the separate “Appendix” for information about supported chorus types. 7.Press the C-7 (EFFECT) button or the R-15 (EXIT) button. This exits the effect setting screen. 8.Use the mixer to adjust the chorus send of the part to which you want to apply chorus. You can use “Cho.Send” (Part Chorus Send, page E-43) to adjust how chorus is applied to the tone of each keyboard or Auto Accompaniment part. The initial default setting is 0 for the chorus send of all parts, so change the settings to a chorus send value greater than 0 for all parts to which you want to apply the chorus effect. For details, see “Using the Mixer” (page E-38). Selecting a tone with DSP causes the “Chorus/DSP” setting to change automatically to the “DSP” (DSP effect mode), so the chorus effect will not be available. If you want the chorus effect always to be available, change the “DSP Disable” setting to “on”. This will keep the Digital Keyboard in the chorus effect mode. A pointer indicator is displayed next to CHORUS when “Chorus” is selected for the “Chorus/DSP” setting. The pointer indicator is not displayed next to CHORUS when “oFF” is selected for the chorus type or when “DSP” is selected for the “Chorus/DSP” setting. Selecting “Chorus” for the “Chorus/DSP” setting will cause the “DSP Line” (Part DSP Line, page E-43) setting for all parts to be changed to “oFF”. 1.While holding down the R-13 (FUNCTION) button, press the C-7 (EFFECT) button to display the effect setting screen. Check to make sure that the “DSP Disable” setting is “oFF”. If it is “on”, change it to “oFF”. 2.Use the R-17 (t, y) buttons to move the thick brackets (%) to “Chorus/DSP”. 3.Use the R-14 (–, +) buttons to select “DSP”. This enters the DSP effect mode, which enables the use of the DSP effect. To use a DSP
Applying Effects to a Sound E-35 4.Use the R-17 (t, y) buttons to move the thick brackets (%) to the “DSP” setting. This causes the number and name of the currently selected preset DSP to appear within the thick brackets (%) on the display. 5.Use the dial or R-14 (–, +) buttons to select the preset DSP you want to use. DSPs with the leading numbers 001 through 100 (and “ton”) are preset DSPs. See “Preset DSP List” on page E-150 for information about preset DSP numbers and names. DSP types with the leading numbers 101 through 200 are user DSPs. For details, see “Creating a User DSP” (page E-35). 6.Press the C-7 (EFFECT) button or the R-15 (EXIT) button. This exits the effect setting screen. A pointer indicator is displayed next to DSP when “DSP” is selected for the “Chorus/DSP” setting. Maximum polyphony is reduced by a maximum of two notes when playing on the keyboard while a DSP is in use. You also can adjust how a DSP is applied (DSP output enabled/disabled, DSP output volume, DSP output pan, etc.) For details, see “Using the Mixer” (page E-38).You can create a user DSP by editing one of the built-in preset DSPs. DSP areas numbered 101 through 200 are for storage of user DSPs. You can have up to 100 user DSPs stored in memory at one time. To recall a stored user DSP, use the same procedure you use to recall a preset DSP. See “To use a DSP” (page E-34) for more information. 1.Referring to the “DSP Type List” (page E-151), select the DSP type you want to edit in order to create your user DSP. 2.Use the R-17 (y) button to move the 0 to “DSP Edit”. 3.Press the R-16 (ENTER) button. This displays page one of the DSP editor screen. Use this screen to select the DSP type. You can use the R-17 (u, i) buttons to scroll between pages. 4.Use the dial or R-14 (–, +) buttons to select a DSP type. Creating a User DSP User DSP Numbers To create and save a user DSP Total number of pages Currently displayed page DSP type DSP number
Applying Effects to a Sound E-36 5.Use the R-17 (t, y) buttons to move the 0 to the parameter you want to change. For information about the operation and the setting range of each parameter, see “DSP Parameter Settings” (page E-37). 6.Use the dial or R-14 (–, +) buttons to change the setting value. Pressing the R-14 (–, +) buttons at the same time returns a parameter to its initial default setting. Changing the DSP parameter while a note is being output from the Digital Keyboard may cause noise to be generated. This does not indicate malfunction. 7.Repeat steps 5 and 6 as required to configure other parameters. 8.Press the R-15 (EXIT) button. This displays the confirmation screen shown below. To cancel the editor operation without saving the edited results, press the R-14 (NO) button. 9.Press the R-14 (YES) button. This displays a screen for specifying the destination user DSP number and DSP name. 10.Use the dial or R-14 (–, +) buttons to select the destination user DSP number you want. 11.Use the R-17 (u, i) buttons to move the cursor to the name character position you want to change, and then use the dial or R-14 (–, +) buttons to select the character you want. See “Supported Input Characters” (page E-155) for information about the characters you can input for the name. To input a space, press both of the R-14 (–, +) buttons at the same time. 12.After everything is the way you want, press the R-16 (ENTER) button. A message (Replace?) will appear on the display to confirm whether you want to replace the existing data with the new data. Press the R-14 (YES) button to replace the existing data with the new data. The message “Please Wait” will remain on the display while a data save operation is in progress. Do not perform any other operation while it is displayed. Turning off the Digital Keyboard or removing the memory card can cause Digital Keyboard data to be deleted or become corrupted. It also can cause the Digital Keyboard to fail to turn on when the L-1 (POWER) button is pressed. If this happens, refer to “Troubleshooting” (page E-145). DSP nameDestination user DSP number
Applying Effects to a Sound E-37 The table below shows the parameters that can be configured on the DSP editor screen. The settings marked with an asterisk (*) in the “Setting Range” column are initial defaults. DSP Parameter Settings Parameter NameDescriptionSetting Range Parameters 1 through 8 The number of parameters and settings available for each parameter depends on the DSP type. For details, see “DSP Parameter List” (page E-152).– DSP RevSend (DSP Reverb Send)Specifies how much of the post-DSP sound should be sent to reverb. 0 - 40 * - 127 Mod Button Assign *1 (Modulation Button Assign)Specifies the function assigned to the S-2 (MODULATION) button when “DSP” is selected for the “Mod Setting” tone parameter (page E-48). Specifying a value from 1 through 8 assigns the corresponding DSP parameter (1 through 8). Nothing is assigned to the button when “oFF” is selected for this parameter.oFF *, 1 - 8*2 Mod Button On Value*1 (Modulation Button On Value)Specifies how the function currently assigned to the S-2 (MODULATION) button works while the button is depressed. *3 Mod Button Off Value*1 (Modulation Button Off Value)Specifies how the function currently assigned to the S-2 (MODULATION) button works while the button is released. *3 *1 Included in the “Mod Button” group. To change the settings of these parameters, move the 0 to “Mod Button” and then press the R-16 (ENTER) button. Next, use the R-17 (t, y) buttons to move the 0 to the parameter whose setting you want to change. *2 Setting range depends on the selected DSP type. *3 Depends on the selected DSP type and the “Mod Button Assign” setting.
E-38 Using the Mixer The sound source of this Digital Keyboard is capable of sounding up to 32 individual parts simultaneously. Each part can be controlled individually, and each part can be configured to sound a different musical instrument. Different tones can be assigned to each part when using layer and split to sound multiple tones at the same time, and to sound multiple instruments at the same time with Auto Accompaniment. The mixer can be used to assign such tones and to configure other settings for each part, and to configure global effect settings applied to all parts. The mixer provides you with the means to make fine adjustments to a wide variety of settings, from note generation to note output. This Digital Keyboard has a total of 32 parts: A01 through A16, and B01 through B16. Each part has a specific purpose. Use the table below as a reference to determine the purpose of each part when using the mixer to configure the settings of a part. R-15 R-15 R-16 R-16 R-14 R-14 C-7 C-7R-13 R-13 R-17 R-17 C-17 C-17 Mixer Overview How Parts are Organized This part:Is used for this:Go here for more information: A01 Manual play UPPER 1 part “Layering and Splitting Tones” (page E-15) A02 Manual play UPPER 2 part A03 Manual play LOWER part A04 Auto harmonize tone“Using Auto Harmonize” (page E-30) A05 UPPER 1 part *1“Using the Song Sequencer” (page E-63) A06 UPPER 2 part *2 A07 LOWER part*3 A08 Metronome sound“Using the Metronome” (page E-19) A09Auto Accompaniment percussion part“Using Auto Accompaniment” (page E-26) A10Auto Accompaniment drums part A11Auto Accompaniment bass part A12 to A16Auto Accompaniment Chord 1 part through Chord 5 part B01 to B16Song sequencer track B01 through B16, tracks 1 through 16 during playback of a MIDI file from a memory card, CH1 through CH16 during MIDI receive“Using the Song Sequencer” (page E-63), “Playing a Music File from a Memory Card” (page E-137), “Connecting to a Computer” (page E-140) *1 UPPER 1 part recorded to the song sequencer system track. *2 UPPER 2 part recorded to the song sequencer system track. *3 LOWER part recorded to the song sequencer system track. This part:Is used for this:Go here for more information: