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Canon Eos Rebel Xs 1000d Instruction Manual

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    81
    3 Auto Exposure Bracketing N
     Follow steps 1 and 2 to set the AEB 
    amount to < >.
      The AEB setting will be canceled 
    automatically if the power switch is 
    set to < 2>, obtain flash-ready, etc.
      Using AEB with continuous shooting.
    If  continuous shooting (p.63)  has been set and you press the 
    shutter button completely, the three bracketed shots will be taken 
    continuously in this sequence:  Standard, decreased, and increased 
    exposure.
      Using AEB with < u> single shooting.
    Press the shutter button three times to take the three bracketed 
    shots. The three bracketed shots will be exposed in the following 
    sequence: Standard, decreas ed, and increased exposure.
      Using AEB with exposure compensation.
    Centering on the exposure compensation amount, AEB will be 
    taken.
      Using AEB with the self-timer.
    With self-timer < > or < l>, you can take three continuous 
    shots. With < q> set, the number of continuous shots will be three 
    times the number set (p.53).
    Canceling AEB
    Shooting Tips
      Neither flash nor bulb expos ures can be used with AEB.
      If the [ 7 Custom Functions (C.Fn) ] menu’s [Auto Lighting Optimizer ] 
    (p.156) is set to [ 0: Enable], the AEB may not be effective. Set it to [ 1: 
    Disable ] if you want to obtain the results of the AEB setting.  
    						
    							
    82
    You can customize a Picture Style by adjusting individual parameters 
    like [Sharpness ] and [Contrast ]. To see the resulting effects, take test 
    shots. To customize [ Monochrome], see page 84.
    1Select [Picture Style].
     Under the [ 2] tab, select [ Picture 
    Style ], then press < 0>.
    X The Picture Style selection screen will 
    appear.
    2Select a Picture Style.
      Select a Picture Style, then press the 
     button.
    X The Detail set. screen will appear.
    3Select a parameter.
      Select a parameter such as 
    [Sharpness ], then press < 0>.
    4Set the parameter.
      Press the < U> key to adjust the 
    parameter as desired, then press 
    < 0 >.
      Press the < M> button to save 
    the adjusted parameter. The Picture 
    Style selection screen will reappear.
    X Any parameter settings different from 
    the default will be displayed in blue.
    A  Customizing the Picture Style N  
    						
    							
    83
    A Customizing the Picture Style N
     Sharpness
    Adjusts the sharpness of the image.
    To make it less sharp, set it toward the  E end. The closer it is to  E, 
    the softer the image will look.
    To make it sharper, set it toward the  F end. The closer it is to  F, the 
    sharper the image will look.
     Contrast Adjusts the image contrast and the vividness of colors.
    To decrease the contrast, set it towa rd the minus end. The closer it is 
    to  G, the blander the image will look.
    To increase the contrast, set it toward  the plus end. The closer it is to 
    H , the crisper the image will look.
     Saturation The image’s color saturation can be adjusted.
    To decrease the color saturation, set it toward the minus end.
    The closer it is to  G, the lighter the colors will look.
    To increase the color saturation, set it toward the plus end. The 
    closer it is to  H, the more saturated the colors will look.
     Color tone The skin tones can be adjusted.
    To make the skin tone redder, set it toward the minus end. The 
    closer it is to  G, the redder the skin tone will look.
    To make the skin tone less red, set it toward the plus end. The closer 
    it is to  H, the more yellow the skin tone will look.
    Parameter Settings and Effects
    By selecting [ Default set.] in step 3, you can revert the respective Picture 
    Style to its default parameter settings.  
    						
    							
    A Customizing the Picture Style N
    84
    For Monochrome, you can also set [Filter effect] and [Toning effect] in 
    addition to [Sharpness] and [Contrast] explained on the preceding page.
    Filter Effect
    With a filter effect applied to a monochrome image, you can make white 
    clouds or green trees stand out more. 
    Toning Effect
    By applying a toning effect, you can  create a monochrome image in that 
    color. It can make the image look more impressive.
    The following can be selected: [ N:None] 
    [ S:Sepia ] [B:Blue ] [P:Purple ] 
    [ G:Green ].
    Monochrome Adjustment
    FilterSample Effects
    N: NoneNormal black-and-white image with 
    no filter effects.
    Ye :  Ye l l o wThe blue sky will look more natural, 
    and the white clouds will look 
    crisper.
    Or: OrangeThe blue sky will look slightly 
    darker. The sunset will look more 
    brilliant.
    R: RedThe blue sky will look quite dark. 
    Fall leaves will look crisper and 
    brighter.
    G: GreenSkin tones and lips will look fine. 
    Tree leaves will look crisper and 
    brighter.
    Setting the [ Contrast] to the plus side will make the filter effect more 
    pronounced.  
    						
    							
    85
    You can select a base Picture Style such as [Portrait] or [Landscape ], 
    adjust its parameters as desired and register it under [ User Def. 1],  
    [ User Def. 2 ], or [User Def. 3 ].
    You can create Picture Styles whos e parameter settings such as for 
    sharpness and contrast are different. You can also adjust the 
    parameters of a Picture Style which has been registered to the camera 
    with the provided software.
    1Select [Picture Style].
      Under the [ 2] tab, select [ Picture 
    Style ], then press < 0>.
    X The Picture Style selection screen will 
    appear.
    2Select [User Def.].
      Select [ User Def. * ], then press the 
    < B > button.
    X The Detail set. screen will appear.
    3Press < 0>.
      With [ Picture Style ] selected, press 
    < 0 >.
    4Select the base Picture Style.
      Press the < V> key to select the 
    base Picture Style, then press < 0>.
      To adjust the parameters of a Picture 
    Style which has been registered to 
    the camera with the provided 
    software, select the Picture Style 
    here.
    A  Registering the Picture Style N  
    						
    							
    A Registering the Picture Style N
    86
    5Select a parameter.
     Select a parameter such as 
    [Sharpness ], then press < 0>.
    6Set the parameter.
      Press the < U> key to adjust the 
    parameter as desired, then press 
    < 0 >.
    For details, see “Customizing the 
    Picture Style” on pages 82-84.
      Press the < M> button to register 
    the new Picture Style. The Picture 
    Style selection screen will then 
    reappear.
    X The base Picture Style will be 
    indicated on the right of [ User Def. *].
    X The name of the Picture Style having 
    any modified settings (different from 
    the default) registered under [ User 
    Def. * ] will be displayed in blue.
    If a Picture Style has already been registered under [ User Def. *], changing 
    the base Picture Style in step 4 will nullify the parameter settings of the 
    registered Picture Style.  
    						
    							
    87
    The color space refers to the range of reproducible colors. With this 
    camera, you can set the color space for captured images to sRGB or 
    Adobe RGB. For normal images, sRGB is recommended. 
    In the Basic Zone modes, sRGB is set automatically.
    1Select [Color space].
     Under the [ 2] tab, select [ Color 
    space ], then press < 0>.
    2Set the desired color space.
      Select [ sRGB] or [Adobe RGB ], then 
    press < 0>.
    This is mainly used for commercia l printing and other industrial uses. 
    This setting is not recommended if you do not know about image 
    processing, Adobe RGB, and Design rule for Camera File System 2.0 
    (Exif 2.21).
    Since the image will look ve ry subdued with an sRGB personal 
    computer environment and printers not compatible with Design rule for 
    Camera File System 2.0 (Exif 2.21), post-processing of the image with 
    software will be required.
    3 Setting the Color Space N
    About Adobe RGB
     If the image is captured with the color space set to Adobe RGB, the file 
    name will start with “_MG_” (first character is an underscore).
     
    The ICC profile is not appended. The ICC profile is explained in the 
    Software Instruction Manual in the CD-ROM.  
    						
    							
    88
    Use AE lock when the area of focus is to be different from the exposure 
    metering area or when you want to take multiple shots at the same exposure 
    setting. Press the <
    A> button to lock the exposure, then recompose and 
    take the shot. This is called AE lock. It is effective for backlit subjects.
    1Focus the subject.
     Press the shutter button halfway.
    X The exposure setting will be 
    displayed.
    2Press the < A> button. (0 )
    X The < A> icon lights in the viewfinder 
    to indicate that the exposure setting is 
    locked (AE lock).
      Each time you press the < A> button, 
    it locks the current auto exposure 
    setting.
    3Recompose and take the picture.
      If you want to maintain the AE lock 
    while taking more shots, hold down 
    the < A> button and press the shutter 
    button to take another shot.
    * When the lens’ focus mode switch is set to < MF>, AE lock is applied at the 
    center AF point.
    A  AE Lock N
    AE Lock Effects
    Metering Mode 
    (p.77)AF Point Selection MethodAutomatic SelectionManual Selection
    q*AE lock is applied at the AF 
    point that achieved focus.AE lock is applied at the 
    selected AF point.
    weAE lock is applied at the center AF point.  
    						
    							
    89
    FE lock locks the flash exposure setting over the desired area of the 
    subject. This feature also works with external EX-series Speedlites.
    * FE stands for Flash Exposure.
    1Press the  button to pop-up 
    the built-in flash.
      Press the shutter button halfway and 
    look in the viewfinder to check that 
    the < D> icon is lit.
    2Focus the subject.
    3Press the < A> button. (8 )
     
    Aim the viewfinder center over the 
    subject where you want to lock the flash 
    exposure, then press the <
    A> button.
    X The flash will fire a preflash and the 
    required flash output is calculated 
    and retained in memory.
    X In the viewfinder, “ FEL” is displayed 
    for a moment and < d> will light.
     
    Each time you press the  button, a 
    preflash is fired and the required flash output 
    is calculated and retained in memory.
    4Take the picture.
      Compose the shot and press the 
    shutter button completely.
    X The flash is fired to take the picture.
    A FE Lock N
    If the subject is too far  away and beyond the effective range of the flash, the 
    < D > icon will blink. Get closer to the subject and repeat steps 2 to 4.  
    						
    							
    90
    White balance (WB) is for making the white areas look white. Normally, 
    the < Q> (Auto) setting will obtain the correct white balance. If natural-
    looking colors cannot be obtained with < Q>, you can select the white 
    balance for each light source or se t it manually by shooting a white 
    object. In the Basic Zone modes, < Q> will be set automatically.
    1Press the < B> button.
    X[White balance ] will appear.
    2Select the white balance.
     Press the < U> key to select the 
    desired white balance, then press 
    < 0 >.
      The “Approx. ****K” (K: Kelvin) 
    displayed for the selected white 
    balance < W> < E >   
    < U > is the respective color 
    temperature.
    Custom white balance enables you to manually set the white balance 
    for a specific light source for bette r accuracy. Do this procedure under 
    the actual light source to be used.
    1Photograph a white object.
     The plain, white object should fill the 
    viewfinder center.
      Focus manually and set the standard 
    exposure for the white object.
      You can set any white balance.
    B : Setting the White Balance N
    O Custom White Balance  
    						
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