Canon Eos Rebel Xs 1000d Instruction Manual
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91 B: Setting the White Balance N 2Select [Custom WB]. Under the [ 2] tab, select [ Custom WB ], then press < 0>. X The SET screen will appear. 3Import the white balance data. Select the image that was captured in step 1, then press < 0>. X On the dialog screen which appears, select [ OK] and the data will be imported. When the menu reappears, press the button to exit the menu. 4Select the custom white balance. Press the button. Press the < U> key to select , then press < 0>. If the exposure obtained in step 1 is way off, a correct white balance might not be obtained. If the image was captured while the Picture Style was set to [Monochrome ] (p.68), it cannot be selected in step 3.
92 You can correct the white balance that has been set. This adjustment will have the same effect as using a commercially-available color temperature conversion filter or color compensating filter. Each color can be corrected to one of nine levels. This is for advanced users who are fami liar with using color temperature conversion or color compensating filters. 1Select [WB SHIFT/BKT]. Under the [ 2] tab, select [ WB SHIFT/BKT ], then press < 0>. X The WB correction/WB bracketing screen will appear. 2Set the white balance correction. Press the < S> key to move the “ ” mark to the desired position. B is for blue, A is amber, M is magenta, and G is green. The color in the respective direction will be corrected. On the upper right, “ SHIFT” indicates the direction and correction amount. Pressing the < B> button will cancel all the [ WB SHIFT/BKT ] settings. Press < 0> to exit the setting and return to the menu. 3 White Balance Correction N White Balance Correction Sample setting: A2, G1 During the white balance correction, < 2> will be displayed in the viewfinder and on the LCD monitor. One level of the blue/amber correction is equivalent to 5 mireds of a color temperature conversion filter. (Mired: A measurement unit indicating the density of a color temperature conversion filter.)
93 3 White Balance Correction N With just one shot, three images having a different color tone can be recorded simultaneously. Based on the color temperature of the current white balance setting, the image will be bracketed with a blue/amber bias or magenta/green bias. This is called white balance bracketing (WB-BKT). White balance bracketing is possible up to ±3 levels in single-level increments. Set the white balance bracketing amount. In step 2 for white balance correction, when you turn the < 6> dial, the “ ” mark on the screen will change to “ ” (3 points). Turning the < 6> dial to the right sets the B/A bracketing, and turning it to the left sets the M/G bracketing. XOn the right side of the screen, “BKT” indicates the bracketing direction and the bracketing amount is also displayed. Pressing the button will cancel all the [ WB SHIFT/BKT] settings. Press < 0> to exit the setting and return to the menu. Bracketing Sequence The images will be bracketed in the following sequence: 1. Standard white balance, 2. Blue (B) bias, and 3. Amber (A) bias, or 1. Standard white balance, 2. Magenta (M ) bias, 3. Green (G) bias. White Balance Auto Bracketing B/A bias ±3 levels During WB bracketing, the maximum burst for continuous shooting will be lower and the number of possible shots will also decrease to one-third the normal number. If the [ 7 Custom Functions (C.Fn)] menu’s [High ISO speed noise reduction] (p.155) is set to [1: On], WB bracketing will not be possible. Since three images are recorded for one shot, the card will take longer to record the shot. “BKT ” stands for Bracketing.
94 The camera’s mechanical shake caused by the reflex mirror action can affect images taken with a super telephoto lens or close-up (macro) lens. In such cases, mirror lockup is effective. Mirror lockup is enabled by selecting [ 7 Custom Functions (C.Fn)] and setting [Mirror lockup] (p.157) to [1: Enable]. Focus the subject and press the shutter button completely. The reflex mirror will lock up. Then press the shutter button completely again to take the picture. The reflex mirror will then go back down . Using the self-timer < l> with mirror lockup. When you press the shutter button completely, the mirror locks up, then the picture is taken 2 sec. later. Preventing Camera Shake N Shooting Tips Do not point the camera toward the sun. The sun’s heat can scorch and damage the shutter curtains. If you use bulb exposures, the self-timer, and mirror lockup in combination, keep pressing the shutter button completely (self-timer delay time + bulb exposure time). If you let go of the shutter button during the self-timer countdown, there will be a shutter-release sound. However, this is not the actual sh utter release (no picture is taken). Even if < i> (Continuous shooting) has been set, single shooting will still take effect. The mirror locks up, and after 30 seconds, it will go back down automatically. Pressing the shutter button completely again locks up the mirror again.
95 5 Live View Shooting You can shoot while viewing a real-time image on the camera’s LCD monitor or on a personal computer screen. This is called “Live View shooting.” Convenient when the camera is mounted on a tripod for shooting still lifes, for example.If you handhold the camera like a compact digital camera and shoot while viewing the LCD monitor, camera shake can cause blurred images. About Remote Live View ShootingWith the provided software installed in the personal computer, you can connect the camera to the personal computer and shoot remotely while viewing the computer screen instead of the camera’s viewfinder. For details, see the Software Instruction Manual in the CD-ROM.
96 Set the camera for Live View shooting. 1Set the shooting mode. Set the shooting mode to a Creative Zone mode. Live View shooting does not work in Basic Zone modes. 2Select [Live View function settings]. Under the [ 6] tab, select [ Live View function settings ], then press . 3Select [Live View shoot.]. Select [ Live View shoot. ], then press < 0 >. Select [ Enable], then press < 0 >. 4Exit the menu. Press the < M> button to exit. 5Display the Live View image. Press < 0>. X The Live View image will appear on the LCD monitor. The Live View image will reflect the brightness level of the actual image you capture. If the image is too bright, turn the dial to the right. If it is too dark, turn the < 6> dial to the left. Preparing for Live View Shooting N
97 Preparing for Live View ShootingN During Live View shooting, do not point the camera toward the sun. The sun’s heat can damage the camera’s internal components. Live View shooting will disable a few Custom Function settings. (p.153) Under low light or bright light conditions, the Live View image might not reflect the brightness of the captured image. If the light source within the image changes, the screen might flicker. If this happens, stop the Live View shooting, then resume Live View shooting under the actual light source to be used. During Live View image display, if you point the camera in a different direction, it might throw off the correct brightness momentarily and the image might not look right. Wait until the image brightness stabilizes before shooting. If there is a very bright light source in the picture, such as the sun, the bright area might be blackened on the LCD monitor. However, the actual captured image will correctly show the bright area. If you set the [ 6 LCD brightness ] to bright settings in low light, chrominance noise may appear in the Live View image. However, the chrominance noise will not be recorded to the captured image. When you magnify the image, the image sharpness may look more pronounced than it really is. Under the [ 7 Custom Functions (C.Fn) ] menu, setting [Auto Lighting Optimizer ] (p.156) to [ 0: Enable] may display a darkly-exposed (set with exposure compensation) image brighter. If the camera is not operated for a prolonged period, the power will turn off automatically as set with [ 5 Auto power off ]. (p.109) If [5 Auto power off ] is set to [ Off], the Live View shooting will stop automatically after 30 min. (camera power remains on). The image’s field of view is about 100%. With the video cable (provided) connecting the camera to a TV set, you can view images on the TV. (p.128)
98 Although autofocus can be used (p.102, 104), magnifying the image and focusing manually is recommended for precise focusing. 1Set the lens focus mode switch to . Turn the lens focusing ring to focus roughly. 2Move the focusing frame to the position where you want to focus. Press the < S> key to move the focusing frame. To move to the center focusing frame, press the < L> button. 3Magnify the image. Press the < u> button. X The area within the focusing frame will be magnified. Each time you press the < u> button, the display format will change as follows: 4Focus manually. While looking at the magnified image, turn the lens focusing ring to focus. After achieving focus, press the < u> button to return to the full view. Focusing Manually N Magnifying the Image for Manual Focusing Magnification: 10x AE lock Magnified areaMagnification 5x 10x Full view
99 1Check the exposure. Press the shutter button halfway. X The shutter speed and aperture will be displayed. If you set exposure compensation, the image brightness will change accordingly. 2Take the picture. Press the shutter button completely. X The picture will be taken and the captured image is displayed on the LCD monitor. X After the image review ends, the camera will return to Live View shooting automatically. 3Exit Live View shooting. With the Live View image displayed, press < 0>. will be the same as using < d>. You can set the ISO speed, white balance, and exposure compensation during Live View shooting. The Picture Style, drive mode, AF mode, and AF point cannot be changed during Live View shooting. During Live View shooting, th e metering mode will be set to evaluative metering regardless of the current metering mode setting. You can check the depth of field by pressing the depth-of-field preview button. During continuous shooting, the expos ure set for the first shot will also be applied to subsequent shots. Shooting N About the Shooting Settings
100 ShootingN Battery Life with Live View Shooting[Approx. number of shots] The figures above are based on a fully-charged LP-E5 battery and CIPA (Camera & Imaging Products Association) testing standards. Autofocusing will decrease the number of possible shots. TemperatureShooting Conditions No Flash 50% Flash Use At 23°C / 73°F200190 At 0°C / 32°F190180 When you use Live View shooting for a long period, the camera’s internal temperature may increase and it can degrade image quality. Terminate Live View shooting when not shoot ing images. Before taking a long exposure, stop Live View shooting temporarily and wait several minutes before shooting. High temperatures, high ISO speeds, or long exposures may cause noise or irregular colors in the image captured with Live View shooting. If you take the picture while the image is magnified, the exposure might not come out as desired. Return to the full view before taking the picture. During the magnified view, the shutter speed and aperture will be displayed in red. Even if you take the picture during magnified view, the captured image will reflect the full view. The focus preset feature on super telephoto lenses cannot be used. For Live View shooting, do not use an Extension Tube or TS-E lens. Doing so can cause irregular or unintended exposures. FE lock is not possible when the built-in flash or external Speedlite is used. Modeling flash is not possible when external Speedlite is used. A non-Canon flash will not fire. A grid can be displayed. Under [ 6 Live View function settings ], set [ Grid display ] to [On]. You can change the metering timer. Under [ 6 Live View function settings ], set [Metering timer ]. When you take a picture with flash, it will sound like two pictures were taken. However, only one picture is taken.