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Canon cinema EOS C500 PL User Manual

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141
External Connections
Video Output Configuration
The video signal output from the MON. terminals, HD/SD SDI terminal, HDMI OUT terminal and SYNC OUT 
terminal depends on the clip’s video configuration, the capability of the external monitor (for video output from 
the HDMI OUT terminal) and on various menu settings.  The HD/SD SDI terminal, HDMI OUT terminal and SYNC 
OUT terminal are able to output the  onscreen displays and superimpose them on the picture of an external 
monitor ( A151).
Video...

Page 142

Video Output Configuration
142
1The resolution will be set to 1920x1080. When [  4K/2K/MXF Setup] > [4K (4096/3840)] or [2K (2048/1920)]  > [Resolution] 
is set to [4096x2160], [4096x1080] or [2048x1080], you can select 2048x1080 or 1920x1080 for the output ( A147). 
2The camera can apply onscreen markers, zebra patterns, peaking and magnification to the MON. 1 terminal output. The 
camera can apply magnification to the MON. 2 terminal output.
3Depending on the signal, you can switch between the P and...

Page 143

143
Video Output Configuration
Video Output Configuration for MXF Mode
Refer to the following table for the video output configuration from each terminal during recording and playback.
1Depending on the signal, you can switch between the P and PsF setting ( A147) for output. 2Set [ ¢ Video Setup] (in   mode) or [  4K/2K/MXF Setup] (in   mode)  > [HD/SD SDI]  > [Output]  to [HD], [SD] 
or [Off].
3You can display zebra patterns on an external monitor during HD output ( A83). Zebra patterns will not be...

Page 144

Selecting the Color Space
144
Selecting the Color Space
You can select the color space of the video that is output from the 3G-SDI terminal or MON. terminals. If you 
select a color space with a wider range of colors than th at of BT. 709, you can improve the color reproduction in 
the video. When checking the output, you will need a display device that is compatible with each color space.
1 Open the [Color Space] submenu.
[ ~  Camera Setup]  > [Color Space]
2 Select the desired option and then press...

Page 145

145
Selecting the Color Space
Available color space and gamma curve settingsThe color space and gamma curve of the video output by the 3G-SDI terminal and MON. terminals depend on 
the combination of settings.
1Refers to the LUT setting of the MON. terminals ( A 148).2Refers to the ACESproxy10 setting of the MON. 2 terminal ( A 148).
Te r m i n a l[Color Space]
settingLUT setting1 [ACESPX10] setting2 
Terminal output
Color spaceGamma
3G-SDI
[BT. 709]
––
BT. 709Canon Log
[DCI-P3+]DCI-P3+Canon Log
[C....

Page 146

Connecting to an External Monitor
146
Connecting to an External Monitor
When you connect the camera to an external monitor for recording or playback, use the terminal on the camera 
that matches the one you wish to use on the monitor.  Then, select the video signal output configuration 
( A 141). The camera can output video from all of the video output terminals simultaneously.
Connection Diagram
When you connect the camera to an external monitor using the SYNC OUT terminal, use headphones to monitor...

Page 147

147
Connecting to an External Monitor
Using the MON. 1 and MON. 2 Terminals
During 4K and 2K modes, the camera can output video from the MON. 1 and MON. 2 terminals (MON. 
terminals). The signal that is  output from the MON. terminals also incl udes audio, time code, metadata and clip 
name information. In addition, the camera can a pply onscreen markers, zebra patterns, peaking and 
magnification* to the MON. 1 terminal output. Perform th e following procedures to enable output from the MON. 
terminals...

Page 148

Connecting to an External Monitor
148
Options
NOTES
• For [Letterbox], because the camera uses a simple co nversion process vertically, diagonal lines may appear 
jagged.
• For MON. terminal output during 4K mode, because  the camera uses a simple conversion process, color 
shifting may be visible.
• If you set an assignable button to [Resize MON. Output] ( A111), you can press the button to switch the 
resizing method.
Applying a LUT to Canon Log Gamma
When checking video recorded with Canon Log gamma...

Page 149

149
Connecting to an External Monitor
2 Select [MON. 2] and then press SET.
• The video output from the MON. 2 terminal will be ACESproxy10-compliant.
• Because this setting takes priority, the [  4K/2K/MXF] > [MON. 1 & 2] >  [LUT] setting will not be 
available.
Using the HD/SD SDI Terminal
The digital signal output from the HD/SD SDI terminal includes the video 
signal, audio signal and time code  signal. If necessary, perform the 
following procedure to change the output to HD or SD*. Turning the...

Page 150

Connecting to an External Monitor
150
Using the SYNC OUT Terminal
In addition to its function as a synchronization signal output terminal, you 
can use the SYNC OUT terminal also as a terminal for analog video signal 
output. You can output an HD comp onent video luminance signal or a 
down-converted SD composite video signal*.
* Not available for 24.00 Hz recordings.
1 Open the [Output] submenu.
[  4K/2K/MXF Setup] (in   mode) or [ ¢ Video Setup] (in   
mode)  > [SYNC OUT]  > [Output]
2 Select [HD-Y] or...
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