Yamaha Motif 6 Manual
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Internal Structure (System Overview) 161Owner’s Manual Basic Structure ● Filter This unit modifies the tone of the sound output from Pitch by cutting the output of a specific frequency portion of the sound. Cutoff Frequency and Resonance Here’s how filters work. In the example below (a low pass filter), a portion of the signal lower than a given frequency is allowed to pass, and signals above that frequency are cut. This frequency is referred to as the cutoff frequency. You can produce a relatively...
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Basic Structure Internal Structure (System Overview) 162Owner’s Manual ● Amplitude This unit controls the output level (amplitude) of the sound output from Filter. The signals are then sent at this level to the Effect block. Also, by setting the AEG (Amplitude Envelope Generator), you can control how the volume changes over time. AEG (Amplitude Envelope Generator) Using the AEG, you can control the transition in volume from the moment the sound starts is to the moment the sound stops. You can...
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Internal Structure (System Overview) 163Owner’s Manual Basic Structure Part structure of the tone generator block This synthesizer plays the sounds in the tone generator block in response to MIDI messages received from the controller or sequencer block. The MIDI messages are assigned to sixteen independent channels, and this synthesizer is capable of simultaneously playing sixteen separate parts, via the sixteen MIDI channels. However, the sixteen-channel limit can be overcome by using separate...
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Internal Structure (System Overview) 164Owner’s Manual Basic Structure ■ Part structure of the tone generator block in the Song mode/Pattern mode In these modes, multiple parts are provided and different voice and different melodies or phrases can be played back for each part. Because these modes let you set the MIDI channel for each part of the tone generator block, you can use an external MIDI sequencer as well as the sequencer block of the instrument to play the sounds. As illustrated below, the...
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Basic Structure Internal Structure (System Overview) 165Owner’s Manual Audio Input Part (AUDIO IN) The Performance mode, Song mode, and Pattern mode are capable of handling the audio input signal as a Part. Various parameters such as volume, pan, and effect can be set to this Part and the sound is output together with other Parts. Other available settings include how stereo input signals are handled, as well the output assignment of the audio Part. These parameters are set and stored for each...
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Basic Structure Internal Structure (System Overview) 166Owner’s Manual ■ Song data structure The following illustration shows the track structure of a Song. Songs are created by recording MIDI sequence data to individual tracks and by setting tone generator related parameters (in Song Mixing). ● Song Mixing Even if you record your keyboard performance to a Song track, the setup data (non-note events such as voice, pan, volume) which for proper playback should be recorded at the top of the Song will...
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Internal Structure (System Overview) 167Owner’s Manual Basic Structure ■ Pattern data structure The following illustration shows the track structure of a Pattern. Patterns are created by recording MIDI sequence data to individual tracks, by assigning Phrases (Preset and User) which is material for a Pattern to individual tracks, and by setting tone generator related parameters (in a Pattern Mixing). ● Pattern Mixing Even if you record your keyboard performance to a Pattern track, the setup data...
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Basic Structure Internal Structure (System Overview) 168Owner’s Manual ● Pattern Chain Pattern Chain allows you to string several different Sections (within a single Pattern) together to make a single Song. You can have the synthesizer automatically change Sections by creating Pattern Chains in this way beforehand. You can create the Pattern Chain by recording a Pattern playback with Section changes from the [PATTERN] → [F6] CHAIN display or by editing the timing of Section changes from the...
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Basic Structure Internal Structure (System Overview) 169Owner’s Manual ● Punch In/Out (Song) You can use this method when you want to re-record only over a specific area of the track. You’ll need to set the start and end points before re-recording. In the eight-measure example below, the third measures through the fifth measure are re-recorded. nPunch In/Out Recording can only be used with Realtime recording. nNote that the Punch In/Out method always replaces (destroys) the original data over the specified...
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Internal Structure (System Overview) 170Owner’s Manual Basic Structure ■ Arpeggio playback types The MOTIF ES features a total of 1787 Arpeggio types divided into 18 categories, each with its own playback type designed for use with particular types of Voices, as described below. ● Arpeggios for Normal Voices Arpeggio types (belonging to the categories except for the DrPC and Cntr) created for use of Normal Voices have the following two playback types. nThe two playback types above are not...